kViN ๐๐
@Yuyucow โข 60,841 subscribers
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Witch Hat Atelier staff interview shows how much they care about the specificities of this work. Depicting light in a world w/o electricity, capturing the richness of the setting through color design even when the palette's muted, the sheer precision of magic in clips like thisโฆ
kViN ๐๐351,022 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Funniest moment in Yomi no Tsugai #03 is the very attentive sequence, either highly referenced or roto'd, for Yuru eating an onigiri. Plainest meal possible but it's an amazing delicacy to him, so the lavish animation is somehow perfectly fitting
kViN ๐๐107,920 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
The Witch Hat Atelier OP alludes to the manga's magical, free-flowing paneling with many of its cuts. Even though the show needs to find new forms of expression to match Shirahama's appeal, because competing at her own game is impossible, it's nice to have this direct nod as well
kViN ๐๐121,174 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
One of the reasons Akanebanashi is so entertaining is that it has a genuine interest in classic arts and dabbles in debates like preservation vs modernization, but at the same time, it's structured like a battle manga. I think the OP gets that unusual mix very well
kViN ๐๐107,988 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
L'etoile de Paris en fleur continues to feel refreshingly old-school. Carefully drafted layouts, thorough arcs of motion and otherwise deliberate posing, anatomically sound but also shape-based when it needs to be. Good in increasingly rarer ways!
kViN ๐๐255,435 ะฟัะพัะผะพััะพะฒ โข 5 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Fugo took over as the sole key animator for Kamiina Botan #02, entirely shifting the show's style. Linework that embodies his current ksd era and an overall emphasis on comfortable posing, using neck & torso articulation to add nuance to body language and acting. Pure modern fugo
kViN ๐๐80,199 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Nichijou was an ambitious, bombastic yet thoughtful experiment to match the unique styles of Keiichi Arawi and Kyoto Animation. Both parties have evolved as storytellers since then, and now it's time for their next collaboration: CITY The Animation Readโจโก๏ธ
kViN ๐๐771,692 ะฟัะพัะผะพััะพะฒ โข 1 ะณะพะด ะฝะฐะทะฐะด
Put that final Laios scream in the Louvre where it belongs
kViN ๐๐875,562 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
Big fan of the Atelier Witch Hat anime reimagining the first page of the manga as ink animation, as an element so tied to the magic of its world. Hard to compete with Shirahama's stunning art, so I love seeing the team use the tools of its world to try and match its impact
kViN ๐๐84,232 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Kamiina Botan's beautiful self-indulgence is at its peak with episode #03. SHAFT-like cadence and visuals wholly committed to the influences & taste of lead artist ginsan. And yet, there's sharpness to it, like using his doodling style to capture someone's love for analog art
kViN ๐๐50,556 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
When the Look Back movie was publicly revealed, word came from their in-betweening team of experimenting with methods to preserve the raw lines of the key animators, which is a naturally good match for Fujimoto's spontaneous style and for the theme of the work itself
kViN ๐๐587,167 ะฟัะพัะผะพััะพะฒ โข 2 ะปะตั ะฝะฐะทะฐะด
Been enjoying Yomi no Tsugai's nostalgic, solid action. 3DBG buildup gives it oomph in a more modern way, but otherwise it has a measured rhythm & emphasis on posing, attention to body motion (gabuchan's balance, feet wiggle after a heavy hit)... Ando & co value the fundamentals
kViN ๐๐58,486 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Once again we've gathered animators, directors, producers, designers, and people passionate about art to share the works that resonated with them the most last year. It's time for the 2025 Sakugabooru Animation Awards, our very own Sakugabowl! Readโจโก๏ธ
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Amazing sense of scale all of a sudden, easily the most impressive part of Yaiba this week
kViN ๐๐303,812 ะฟัะพัะผะพััะพะฒ โข 1 ะณะพะด ะฝะฐะทะฐะด
The highlight of Akanebanashi's rakugo performances is obviously the voice acting, but it's also neat to see the expressions change so clearly when she's breathing life into different characters
kViN ๐๐53,323 ะฟัะพัะผะพััะพะฒ โข 1 ะผะตััั ะฝะฐะทะฐะด
Chinashi's Kamiina Botan OP is fantastic. Handheld camera so Yamada-esque it feels straight out of Tamako at some point, but more importantly, an immediately nostalgic vibe to everything. Feels like it's meant for the characters themselves, to reminisce years later drink in hand
kViN ๐๐53,604 ะฟัะพัะผะพััะพะฒ โข 2 ะผะตัััะตะฒ ะฝะฐะทะฐะด
In an industry where everything comes down to personal relationships, is it possible to quickly assemble an all-new, high-profile anime studio? Cygames Pictures found a way, and Uma Musume ROAD TO THE TOP's raw, expressive animation stands as proof Readโจโก๏ธ
kViN ๐๐685,487 ะฟัะพัะผะพััะพะฒ โข 3 ะปะตั ะฝะฐะทะฐะด
Apocalypse Hotel made the bumpy road of its creation into a virtue, confidently mixing different styles, viewpoints, and moods. The result is a capital o Original anime that can excel at anything between outrageous comedy & contemplative nostalgia Readโจโก๏ธ
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Kyouhei Ishiguro's Seihantai OP rules. His outstanding Shoushimin intro achieved something very fresh by emulating textures associated with independent animation within the realm of commercial 2D animation, and this one pushes it further by occasionally using those real materials
kViN ๐๐109,858 ะฟัะพัะผะพััะพะฒ โข 5 ะผะตัััะตะฒ ะฝะฐะทะฐะด
Witch Hat Atelier #04 opens with another beautiful sequence that proves the team understands a mere replica of Shirahama's illustrations might fall short. Instead, each sigil's explanation is given life and threaded together as match cuts between their shape & elemental magic
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