Quentin Tarantino Universe
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The hippie Cliff beats up helped murder a stuntman on that same ranch six months later His name was Steve Grogan. The Family called him Clem In February 1969, he was seventeen years old. On August 26, he helped kill Donald “Shorty” Shea, a stuntman and ranch hand at Spahn Ranch They killed Shea behind the ranch and buried him there. His body was not found for eight years Manson believed Shea was talking to the police and trying to get the Family removed from the property. The ranch belonged to George Spahn, the old blind man Cliff insists on seeing Pussycat is friendly until Cliff asks whether George is alright. Her tone changes immediately, and she tries to get him off the ranch Cliff has unknowingly asked the same kind of question that would later help get Shea killed: a stuntman checking on George Spahn at Spahn Ranch But Cliff walks out Tarantino’s novel gives him a past shaped by war and violence. Before Hollywood, Cliff survived the Pacific War. He had already faced men far more dangerous than anyone surrounding him at the ranch The Family sees one man on his own Cliff sees a group of inexperienced kids He knows what they are capable of, and he knows what he is capable of Grogan later drew the map that led police to Shorty Shea’s body in 1977. He was paroled in 1985, becoming the only convicted Manson Family murderer ever released from prison He later became a musician In Tarantino’s version, Grogan gets beaten before he becomes a killer
Quentin Tarantino Universe1,049,730 görüntüleme • 2 gün önce
Cliff Booth really killed his wife. Tarantino confirmed it On screen it's only a rumor. A stunt coordinator won't hire him over it, his wife calls Cliff a wife-killer to his face, and there's that flashback on the boat: the harpoon gun on his lap, his wife tearing into him, the barrel pointing right at her. Then it cuts before anything happens. The novel closes the door. Cliff shot her with a shark gun in a flash of rage, no plan. Tarantino frames it as practically the accident Cliff always claimed. A hair trigger. More instinct than decision. And he got away with it, same as he got away with the others That's the quiet horror of the character. The guy you spend the movie rooting for, the easygoing one with the dog and the denim, killed and was never touched for it The likeable one was the dangerous one all along
Quentin Tarantino Universe1,139,595 görüntüleme • 3 gün önce
Schultz chooses death rather than morally submit to Candie The deal is done. Candie has won. He's bled them dry, and Django and Broomhilda walk out alive. All Schultz has to do is sign Then he sits in that parlor while a woman plays Für Elise on the harp, and the day comes back to him. D'Artagnan torn apart by the dogs. He lunges at her and tears her off the instrument. "For God's sake, stop playing Beethoven!" It's his Beethoven. His country's. Being played as decoration in a house that feeds men to dogs Candie clocks it and decides to finish him. You, sir, are a sore loser. And you are an abysmal winner. So the papers aren't enough anymore. He wants a handshake. He wants Schultz to sign his name and then, with his own body, in front of everyone, agree That's the line. Schultz has spent the whole film treating slavery as an absurdity he can be ironic about, a German gentleman raising an eyebrow at savages. The handshake ends the irony. There's no clever position left to stand in So he tells Candie that he'd normally say auf wiedersehen, but since it means until I see you again, and he never wants to see him again, goodbye Then he shoots him through the heart and he's dead seconds later He could have taken the hand and lived. He'd only have had to become the kind of man who takes it
Quentin Tarantino Universe319,619 görüntüleme • 4 gün önce
2:12
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I like this scene because it makes the Bride look vulnerable, not invincible. Gogo’s ego gets her killed. She had two clear chances to finish her off, but she chose to play games instead. Great fighters do not waste time when they can end the fight
Quentin Tarantino Universe230,289 görüntüleme • 4 gün önce
Cliff Booth never actually beat Bruce Lee Watch the fight again. When it starts, Bruce is talking to a crowd standing around them. By the time Cliff throws him into the car, the crowd is gone. Nobody's left in the frame. That's the tell. The people vanishing is how you know it's a false memory. Cliff imagined he kicked Bruce Lee's ass. He probably never did
Quentin Tarantino Universe355,728 görüntüleme • 8 gün önce
Nobody notices the people just chilling in the background. Gotta love low-budget films.
Quentin Tarantino Universe952,766 görüntüleme • 21 gün önce
1:29
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Marvin dies in Pulp Fiction because he tries to be the least difficult person in the car. That's the joke, and it's brutal. Jules and Vincent are mid-argument about whether what just happened in the apartment was divine intervention or just dumb luck. Vincent turns to Marvin, asks what he thinks. Marvin gives the safest answer humanly possible: "Man, I don't even have an opinion." Somehow, that becomes the last sentence he ever says. He doesn't insult anyone. Doesn't challenge anyone. Doesn't pick a side. He tries to stay completely out of the conversation - and gets shot in the face anyway. But the real punchline is what comes after. Vincent doesn't scream. Doesn't collapse in guilt. He barely even sounds shocked. He reacts like he spilled coffee on the upholstery. "Aw man, I shot Marvin in the face." That line lands because it's so casually, absurdly wrong. A man just died in the back seat, and Vincent sounds more annoyed at the inconvenience than disturbed by the fact that someone's dead. Jules isn't much better. His first reaction isn't grief either - it's rage at Vincent for creating a logistical nightmare. The blood, the car, the cops, the cleanup, the entire mess they now have to deal with. That's pure Tarantino. The violence is horrific, but the conversation around it is oddly mundane. Two hitmen, not reacting like men who just crossed a moral line, but like coworkers annoyed about a problem at the office. That's what makes the scene one of the funniest and most disturbing in the whole movie. The joke was never just that Marvin got shot. The joke is that in Vincent and Jules' world, even death is just an inconvenience.
Quentin Tarantino Universe379,296 görüntüleme • 11 gün önce
Once Upon a Time in Hollywood is three movies stacked on top of each other, and most people only notice one. There's the real world, where Sharon Tate and Steve McQueen actually existed. There's Tarantino's "realer than real," where his made-up characters shake hands with real people. And there's the "movie movie," the cartoon-logic universe where a stunt man can beat Bruce Lee and a washed-up cowboy torches a house with a prop flamethrower.The whole film is Tarantino sliding you between the three without ever telling you which one you're in. Rick Dalton belongs to one. The character Rick plays belongs to another. The 1969 you're watching isn't the 1969 that happened.And that's the point of the ending. He doesn't fix history. He builds a second draft of it, the version his favorite movies would have made, and dares you to prefer it.Quentin Tarantino, 1969 Los Angeles, a hangout movie hiding an alternate history in plain sight
Quentin Tarantino Universe132,952 görüntüleme • 5 gün önce
Before Hollywood noticed them — Tarantino already did.
Quentin Tarantino Universe1,687,295 görüntüleme • 1 ay önce
I like how when she mentions Hanzo's name, he immediately knows that she knew how to speak Japanese. After she pretended to know only a few words. Guess he expected anyone who drops the name Hanzo to be respectful enough to learn a sufficient amount of Japanese.
Quentin Tarantino Universe277,830 görüntüleme • 17 gün önce
No phones in sight, just people living in the moment.
Quentin Tarantino Universe337,441 görüntüleme • 1 ay önce