REVERSE SWEEP 🧹 Akron CoD reverse sweeps Nichols College... Esports 🦬 and wins round 11 in NACE Playoffs to qualify for Orlando 😎🏖️ #GoZipsshow more

DIVERSITY? Colleges continue to engage in viewpoint discrimination. Whitman... College won't allow the school to have a Republican club on campus. David Dunbabin, Chair of the Whitman Republican Club revealed the group was banned by the Whitman College Senate (ASWC). The Foundation for Individual Rights and Expression (FIRE) demanded the private college reverse their decision.show more

🚨WALK OFF ALERT🚨David Hernandez walks it off for Erskine... College Baseball (24-20, 15-11) as they SWEEP Top 10 Barton at home and cap off a 4-0 week! Hernandez went 9-for-15 with 2 HR and 6 RBI on the week, he’s hitting an impressive .384 on the year. Josean Sánchez went 5-for-11 and is hitting .410 with a nine game hit streak. Jared Guell collected two saves across 3 innings over the weekend. With the sweep, most importantly, Erskine has catapulted to 5th in the conference, which as of now keeps them out of the single elimination play-in game. #D2Baseballshow more

"I won't be a Springbok... but I will take... the Snowbok." 🇿🇦❄️ Imagine waking up at 32 years old, leaving your career in finance, and deciding to qualify for the Winter Olympics in a sport you’ve never really done. Sounds impossible? Matt C. Smith didn't think so. We sat down with "The Snowbok" to hear how he reverse-engineered an Olympic qualification in just 700 days. From learning how to walk on ice like a penguin to training 7 hours a day in Norwegian blizzards—this is a masterclass in resilience and defying the odds. If you think you’ve missed your window to chase a dream, you need to watch this. 👇 Watch the full episode on YouTube!show more

You're still scraping Google Flights like it's 2022. Meanwhile,... people are finding business class seats for economy prices and $200 round-trips on dates nobody thinks to check. Someone just reverse-engineered the actual Google Flights API and turned it into an MCP server for Claude. It's called Fli. No scraping. No HTML parsing. No Playwright scripts that break every time Google ships a UI change. Drop it in your Claude Desktop config and ask in plain English: >> "Non-stop business JFK to NRT next month" >> "Cheapest Fridays NYC to London in January" >> "SFO to LAX under 6 hours, United or Delta only" Two tools do the work: → search_flights: filter by cabin, airlines, stops, time windows → search_dates: scan a date range for the cheapest days to fly Wildest part: it's also a Python library and a CLI. Build price trackers, pipe results into pandas, or just run `fli flights JFK LHR 2026-10-25` from your terminal. Everyone's been waiting for someone to crack Google Flights without the scraping tax. 100% open source. MIT licensed. (Link in the comments)show more

Trigger Warning! B.Keyodhoo 🐢 Below is a bust made... by the Maldives Police and officials of the Deneme bonusu veren siteler 2026 combined. A sad but triumphant moment for environmentalists and for those who have worked tirelessly in wildlife protection. As you can see from the clip, 6-7 enormous Green Turtles, a species protected by Regulation (R-25/2021)’s 18(c), classified as an endangered species, slaughtered. A total charge of 198,000/- in fines was imposed on the perpetrators. Two days before the first round of the Presidential elections, the total charge of 198,000/- was reduced to 30,000/- to 50,000/- due to political influence. Ibrahim Mohamed Solih Deneme bonusu veren siteler 2026 This is a slap in the face of all of us who work in the tourism industry – snorkeling guides, dive professionals, guest house owners, resorts. Our livelihoods depend on the well-being of natural assets. We must not set this bad example; it is a terrible precedent. Reverse this pls Dr Mohamed Muizzu Mohamed Firuzulshow more

Pack the Rockets up and get em outta here.... KD don't wanna play and these young dummies caineem close a game out. Got Marcus Smart out here lookin like prime Scottie Pippen with 21 points, 10 assists, 5 steals, and 2 blocks, gettin 11 shots from the line. I tried to argue for KD but he clearly went full Charmin on his team. How you can't give em nothin with the season on the line? Straight hoe cake. Salute to LeBron, he made plays all game tonight and his clutch gene even made a very rare appearance with the steal on goofy ass Reed Sheppard then the clutch 3 to force OT. Even without Luka and AR this Lakers team is clearly better than these Rockets. They were mid even with KD. Without KD out there, this is the easiest out in the playoffs. They look like low awareness college kids out there. I wouldn't even send Luka or AR back out there until the next series. Easy work.show more

Freeze effect with Seedance 2.0 ❄️ Prompt: Use @... Reference Image as the main character, keeping facial features and body proportions consistent throughout. She is a 30-year-old woman. Cinematic time-freeze short film, 15 seconds, ultra-realistic, shot on Arri Alexa Mini, 35mm lens, moody sports bar interior lighting with neon accents, volumetric haze, dynamic hard shadows, shallow depth of field. [0:00–0:03] A packed, dimly lit sports bar, time flowing normally. Steadicam frontal medium shot tracking her walking confidently through absolute chaos. On the blurred TVs in the background, the Yankees have just clinched the World Series. The crowd is erupting in pure euphoria. As she walks, she raises her right hand and snaps. [0:03–0:06] At the snap, a subtle spherical shockwave bursts from her fingertips with air distortion and light refraction, expanding outward. Everything freezes mid-explosion. Thick arcs of golden beer suspend in the air, with individual glistening droplets visible. Popcorn kernels float motionless. People are frozen mid-cheer and mid-air in leaping embraces. Volumetric neon light catches the suspended dust and liquid. Absolute silence. [0:06–0:09] Only she moves. Her footsteps echo slightly. The camera moves backward as she walks through the frozen celebration, observing calmly. She casually ducks under an arc of frozen, splashing beer. She notices a cluster of floating popcorn, reaches out, and plucks a single kernel from the air. [0:09–0:11] She stops in front of a frozen woman wearing a Yankees jersey, her face locked in an ecstatic, tearful scream, arms raised for a high-five. The main character tilts her head, gently adjusts the brim of the frozen woman’s Yankees cap, nods slightly, and softly says: “perfect.” [0:11–0:15] She turns, tosses the popcorn kernel into her mouth, and crunches it. She faces the camera, smirks, and snaps again. A stronger reverse shockwave restores motion. The beer completes its splash, the cheering roar instantly returns, and fans land their jumps. She walks away as the camera pushes through the wildly celebrating crowd. Fade to black. Sound: deafening bar roar/celebration → snap → deep shockwave/bass drop → absolute silence → footsteps → sharp popcorn crunch → “perfect” → snap → reverse shockwave → deafening celebration returnsshow more

🚨 WARNIING: SOMETHING BIG WILL HAPPEN TOMORROW!! President Donald... Trump recently extended THE ceasefire. During this time, negotiations are taking place in Pakistan. Iran is demanding two things right now: - The removal of the naval blockade - Unfreezing all Iranian assets, which is around $11 TRILLION now Meanwhile, THE US is demanding guarantees for shipping security and a halt to the nuclear program. Trump is pushing for a GREAT DEAL. If both sides actually sign at least a framework agreement tomorrow, this will become a signal for GLOBAL DEESCALATION. Here's what's happening right now: Crypto right now is extremely sensitive to war-related news. If a deal is announced tomorrow: > END OF FUD The war-premium risk-off will disappear. Investors who were sitting in cash and gold will start rotating liquidity back into risk assets. > BTC AS A PEACE INDICATOR In 2026, BTC has fully established itself as an asset that reacts first to geopolitical easing. Analysts predict that on peace news, Bitcoin could break resistance and target $90,000–$100,000. > OIL DAMPENER Right now, Brent oil is trading around $130–$150 due to the blockade of the Strait of Hormuz. This is a war premium that is choking the global economy. If tomorrow the unblocking of the strait is confirmed, oil could instantly drop by $20–$30 per barrel. A sharp drop in oil equals a sharp drop in expected inflation. This gives markets a signal that the Fed no longer needs to keep rates so high. Investors start pricing in faster rate cuts, which always sends crypto to the moon. > LIQUIDITY While everyone is watching Iran, the Fed is playing its own game. At the moment, the balance sheet is around $6.7 TRILLION. QT is ongoing, despite any market shocks caused by war. War forces THE Fed to inject EMERGENCY LIQUIDITY through reverse repo. As soon as geopolitics cools down, THE Fed can shift from firefighter mode to soft-landing mode. Market stabilization will allow banks to more confidently deploy excess reserves—those same hundreds of billions in reverse repo. Crypto is a sponge for liquidity. When the system becomes easier to breathe and fear of systemic collapse disappears, this money flows first into BTC and ETH. If tomorrow we see headlines saying IRAN–US DEAL SIGNED, THEN most likely we will see THE GREENEST DAY in 2026. This is exactly the time when REAL MONEY is made. And you should track all the updates so you don’t miss the opportunity. But don’t worry, I will keep you updated on everything here. I will post everything before it becomes HEADLINES. When I make my next move, I’ll share it publicly here. Follow and turn on notifications so you don't miss it. Comment "Strategy" and I will send you my guide in DMs. Many people will regret not following me earlier...show more

1B Anthony Martinez (UCI Baseball) is an intriguing college... bat to keep an eye on this season. Was one of the best Freshmen in the country in '23 and posted a gaudy .394/.471/.619 slash line with 19 2B, 11 HR and 60 RBIs. Enjoyed another productive season last year and hit .316/.422/.492 with 18 2B, 9 HR, 74 RBIs and more BB (36) than Ks (29). This summer he did what very few players do nowadays, which is start on the Cape, leave for Team USA and finish out the summer on the Cape. At 6'3" and 230-lbs Martinez is plenty physical with present natural strength. Stands upright in the box with a slightly open front side and a medium-high handset. Relaxed setup. Martinez has a rhythmic load that includes a small barrel tip. Minimal drifting of his hands and is a small-strider. It's a compact operation in which he consistently takes a direct path to contact. Real hitterish look. Martinez has a bit of an interesting profile for his position in that he's a hit-over-power guy. He has a highly advanced feel for the barrel and double-plus contact skills. Martinez in '24 worked an 86% overall contact rate and an eye-popping 96% overall IZ contact rate. All-fields approach and sprays line drives from foul pole to foul pole. Advanced pitch recognition skills and swing decisions, will sometimes expand the zone against secondaries down. However, it's far from a hindrance. Not afraid to get aggressive early in counts. Comfortably 55 hit for me. While it's hit-over-power, Martinez isn't without some thump. He can drive the baseball into either gap, though the vast majority of his HR power is to the pull side. Posted a Max EV last spring of 104.3. More XBH power than HR power. Would give it a 50. Martinez is without a doubt a 1B/DH type professionally, so you're buying the bat. Finished product physically, but I believe in the hit tool. 4th-6th round type for me this July.show more

Was very impressed on Friday by East Carolina RHP... Trey Yesavage, who allowed just 1 ER and struck out 11 across 6 IP. FB sat 93-96, topped out at 97. Jumped out of the hand from his near over-the-top slot. Plenty of carry through the zone, shape of the pitch is outstanding. Control and command of it were both impressive, threw it for strikes 73% of the time. 55, borderline 60 pitch. Mixed in two distinct breaking balls with a high-70s CB and mid-80s SL. It's clear on Friday he didn't have the best feel for his CB. Threw a couple good ones that flashed plenty of depth, but it lacked its usual sharp, downward bite. Will typically flash plus. Gyro SL was a lot better. Threw it with conviction, confidence in the pitch was there. Flashed late teeth with some depth, generated 7 whiffs. Would give it a 55. I was most impressed with his SPL-CH. Got nice separation off his heater with a 10+ MPH difference. Threw it to both LHH and RHH. Flashed ultra-late tumbling life; seemingly fell off a table ~1-2 feet in front of the plate. Kills spin really well. Maintained arm speed. Looked like a plus pitch. Yesavage this year has a 1.80 ERA with 19 Ks to just 3 BB across 10 IP. He is one of the premier college arms in this year's draft class and has first round upside. (📽️: ACC Network)show more

he turned $4k into 15x on weather markets. i... reverse engineered his strategy. every day Polymarket runs the daily high temperature for 48 cities, 11 positions each: will be 14°, will be 15°, and so on. from morning to early afternoon the temperature only goes up. the moment the airport station prints 15, the "will be 14" position is dead. the high is already above it, no way back. but the market doesn't react instantly. there are still other people's YES bids sitting in the book, people who placed them in the morning at 30-80c and went to get coffee. that second, he sells them YES, meaning he buys NO at 20-85c. a few seconds later he dumps that NO at 99c to the bots that buy up the last cent. that's how he arbs the weather market. since june 1 he has done this 2,575 times. one loss, $34. a typical entry: $170 in, $5 profit, money free again 9 seconds later. rarely more than $1.5k working at once, $4k at the peak. on that $4k he made $63k in 98 days. the biggest profit comes from dying favorites: the position is cheap (60c), there are hundreds of dollars in bids in the book, and one station reading turns them into trash. then the bot buys out the whole book cheap at once and seconds later sells the positions to the bots at 99c. these are 18% of his trades and 44% of his total profit. NYC, june 25. the 82-83°F position was at 54c, the station printed 84. he took $1,470 of NO at 66c, sold it 9 seconds later at 99, +$732 from one trade. how to repeat it? the description of every temperature market has a link to the station it resolves on, like the same report comes from the api, free, no key: /api/data/metar?ids=UUWW the day's high on the station moved above a position = the position is dead. you sell into its YES bids and immediately dump the NO at 99. reports come out at :20 and :50 but get published with a 15 second to 5 minute delay, so you have to poll every second. you don't watch all 11 positions, you watch the favorite from 11:00 to 15:00 local time of the city. that's the only place the bid stacks are. fees are on for these markets. he doesn't pay them at his tier, you will: about 0.4c per contract against 2.6c he captures on a typical trade. it eats a chunk but not the trade. competition: four bots fight over these markets and 5 seconds after the first one the book is empty. this morning i caught three of these moments live, Moscow and Jeddah. other bots beat him to it. so the first thing in this strategy is to build your own setup that's faster than the rest, or at least as fast. then the total profit gets split five ways. the trader's wallet: hightemptation on Polymarketshow more

An OpenAI engineer stopped me at a hackathon in... Hayes Valley I had my terminal open on a table. Three panels. Live trades scrolling. He was walking past and froze. "That's not a demo. That's a live scoring engine. What model is that" I told him. Claude Opus 4.7. Four repos. $25 a month. He pulled up a chair without asking. "We benchmarked Opus 4.7 internally. It beat o3 on structured reasoning across every eval we ran. And you're telling me you're using it to trade" I told him it does more than trade. It reads 86 million trades and finds who wins and why. No fine-tuning. No prompting chains. Just raw context. He leaned back. "Show me the data source" I opened one link. 86 million trades. Every wallet. Every entry. Every exit. "You point Opus 4.7 at this and it reverse-engineers the strategy. It finds the wallets that win. Then it finds why they win. Then it copies the pattern" His team spent 14 months building something similar. 10 engineers. Custom infra. Still in staging. "The part that killed us was exit timing. Every model we trained nailed entries. But the best traders exit before the crowd. We never figured out the threshold" I told him my bot cuts at 85% of expected move. Or on a 3x volume spike. Whichever comes first. He stopped talking. "How did you find that" Opus 4.7 found it in poly_data. Top wallets exit before resolution 86% of the time. Losers hold to 58%. Exits are the entire game. I opened another tab. "Three commands. 500 markets. Opus scores them in 20 minutes" "That's our internal eval pipeline. Except it took us a year and you did it in a weekend with our competitor's model" My setup: Claude Opus 4.7 - $20/mo VPS - $5/mo poly_data - free polymarket-cli - free 214 trades. 74% win rate. +$9,400 in 19 days. Copytrade here: I showed him the article where I broke down every repo and every command. He read it twice. Then looked up. "You just published what we've been trying to ship for six months. Using the other team's model" He texted me the next day. "My manager found your thread. Delete it" Too late.show more

MiniMax H3で清涼飲料水のCM動画を生成。 映像スタイルはモーショングラフィックス。 もちろん、プロンプトはClaude Codeに全部書いてもらっています。 プロンプトを書いてもらう方法は引用元で紹介しています😃 今回使用したプロンプト↓ ----------------- integrated_multimodal_description:... Create a complete 15-second Japanese flat-illustration motion-graphics commercial for a bottled mineral water in a clean 16:9 composition. The bottle is the hero of every shot: it appears within the first second, stays large and centred, and its pale blue label reading the exact Latin characters "AOI WATER" is sharp and readable in every frame it occupies. Use friendly 2D vector illustration, thick navy outlines, flat solid colour fills, and springy cutout animation with snappy overshoot easing. Compact palette of warm white, deep navy, bright aqua, deep blue and saturated yellow, where yellow carries the summer heat and aqua carries the cold refreshment. A fictional young Japanese actress supports the product, drawn as a flat vector icon with a round friendly face, simple dot eyes, a curved smile, a glossy black chin-length bob, a white short-sleeved shirt over a navy tank top; she keeps the same design in every shot. No photorealism, no 3D rendering, no gradients, no drop shadows, no browser interface, no screen-recording artifacts, no player controls. [Shot 1] Begin on a saturated yellow field. A large white sun pulses twice at the top of the frame and wavy heat-haze lines rise from the bottom edge. At 00:00.800 a tall white bottle of AOI WATER shoots up from the bottom edge into the centre of the frame, overshooting and settling at eighty percent of the frame height, and a single white flash frame fires on the impact. Three aqua ripple rings expand from the bottle and the small navy headline assembles word by word at the top: "この夏、あつい。" [Shot 2] At 00:02.400, a wave of bright aqua water sweeps across the frame from the left and washes the yellow away. The bottle stays centred and rotates a quarter turn to show its side. Its pale blue label assembles letter by letter into "AOI WATER" with a thin white underline drawing beneath, six round condensation drops pop onto the glass one after another, and two flat ice cubes tumble down past it. [Shot 3] At 00:05.000, a deep blue field wipes in from the right. The bottle tilts on the left and a clear aqua stream pours in a smooth arc into a tall glass on the right; three flat ice cubes drop into the glass one at a time and bounce, throwing a radial burst of white droplets on the third. Two white snowflake marks pop in beside the glass and the kinetic word "キンッ。" stamps in with a small shake. [Shot 4] At 00:07.600, the deep blue flips to aqua in a hard shape wipe. The actress stands centre frame holding the bottle high, tips it and drinks; a column of aqua fills her outlined body from top to bottom in three quick pulses, one per gulp, and white radial speed-lines snap outward on the third. The kinetic word "ごくっ" pops in beside her cheek and the bottle stays fully visible in her hand. [Shot 5] At 00:10.200, a saturated yellow field wipes in from the bottom. The actress jumps once with the bottle raised above her head, her bob and shirt lifting, while flat aqua and white circles, triangles and arcs burst outward from her in a ring and three ripple rings expand from her landing point. The headline assembles in two stages: "夏に、" then "負けない。" A thick yellow underline strikes beneath the second phrase. [Shot 6] At 00:12.600, cut to a calm warm-white end card with generous negative space. The bottle slides to the centre and scales up slightly, its "AOI WATER" label square to the viewer and perfectly readable, with a ring of six aqua droplets popping outward around it one by one. The logotype "AOI WATER" reveals in deep navy beside the bottle with a small aqua droplet mark, and the smaller line "アオイ・ウォーター" fades in beneath it. A calm, bright young Japanese woman (S1) says in an off-screen voiceover: [Japanese] 夏に、負けない。 The end card holds sharp, centred and readable until exactly 15.000 seconds. Throughout: flat vector motion graphics only, one palette and one line weight, the same bottle design and the same character design in every shot, and something on screen is always moving. All Japanese text in clean gothic type and the label and logotype in clean geometric capitals, correctly formed and static once placed, with no subtitles of the spoken line and no other lettering. overall_soundscape: A deep whoosh and a short impact thud land as the bottle shoots up into frame, followed by three soft ripple taps. An airy whoosh runs under each colour wipe and a liquid sweep carries the aqua water across the frame. Rounded pops mark the sun pulses and each condensation drop, two ice cubes clink as they tumble, and a bottle cap cracks open before a clear pouring stream and three ice cubes landing in a glass. Three deep gulps and a quick refreshed exhale carry the drink, a light whoosh and landing thud carry the jump, and a clean shimmering chime rings on the logotype. non_diegetic_music: Generate an original 15-second bright Japanese commercial cue at 128 BPM using marimba, ukulele upstrokes, hand claps, a warm round bass and a light drum kit, playing without a gap from the first frame to the last. Open with a single accent hit as the bottle lands at 00:00.800, add the full kit as the water sweeps in, thin to marimba and claps under the pour, push to the loudest point with a rising fill under the jump, drop under the spoken line, and resolve on one clean sustained chord at 15.000 seconds. No singing and no lyrics.show more

‼️An interesting interview with Lavrov Sergey Lavrov regularly gives... interviews, and almost every one of them is an information operation designed to create an alternative reality. The March 26 interview with France Télévisions is no exception. Let's break it down and point out where there are lies and where there is manipulation. 1. Lavrov claims that Russia is supposedly defending international law while speaking in the "language of principles" regarding Iran. What's wrong: it's basic role reversal. Moscow is trying to speak from the position of a "guardian of the law," even though it is waging an aggressive war against Ukraine. In the case of Iran, Lavrov is also deliberately omitting half the picture: yes, the US withdrew from the nuclear deal, but Iran also faced non-proliferation concerns raised by the IAEA. Why it matters: It is an attempt to whitewash Russia's crimes through someone else's crisis and to present the aggressor (Russia) as the judge. 2. Russia does not provide Iran with intelligence; the coordinates of US bases are "already known to everyone." What's wrong: it's an evasive statement, not a complete refutation. There is no independently verified evidence of specific target marking data transfers in open sources, nor can there be, but the Kremlin's "we have nothing to do with it" claim has no basis for being automatically considered true. Why it matters: A typical Kremlin tactic - to deny anything that does not align with Russia's interests and to continue operating in a gray area. 3. Saudi Arabia and the UAE have denied the US access to their airspace, so Russia is right about the "American venture." What's wrong: The caution of Gulf countries is real, but Lavrov turns it into a crude anti-Western caricature. Regional politics are more complex than the Kremlin's narrative that "everyone understands everything, only the US is pushing the world into chaos." Why it matters: The Kremlin takes a partial truth and builds a convenient political myth around it. 4. Russia isn't waging wars for its own gain; it's the US that wants to control the energy sector, the Strait of Hormuz, and the markets. What's wrong: It's pure projection. It is Russia that has used energy as a weapon for years, and after 2022, turned petrodollars into fuel for war. Why it matters: Moscow accuses others of doing what it does systematically - this is one of the central techniques of its propaganda. 5. Since 2014, Ukraine has been ruled by a "Nazi regime" that came to power through a coup. What's wrong: After Yanukovych fled, Ukraine held snap presidential elections, which the OSCE recognized as meeting international standards and being competitive. The claim of a "Nazi regime" is a political label, not a description of reality. Why it matters: "Nazism" in Kremlin rhetoric is a tool for dehumanizing Ukraine and justifying the war. 6. The Russian language is allegedly completely banned in Ukraine. What's wrong: Ukraine has strengthened the role of the state language, but this does not mean a total ban on Russian. The law does not apply to private communication and does not criminalize the everyday use of the language. Why it matters: The Kremlin is exaggerating language policy to the level of a "linguistic apocalypse" to sell the war as a supposed humanitarian mission. 7. Ukraine is allegedly at war with Orthodoxy and has "banned the canonical church." What's wrong: This is not about "banning a faith," but about a law regarding religious organizations linked to the Russian Orthodox Church. Even criticism from human rights activists does not support the Kremlin's claim of "persecution of Orthodoxy." Why it matters: Moscow is using the language of religious protection to cover up its network of influence in Ukraine. 8. The West allegedly cynically exploited the Minsk agreements as a respite to arm Ukraine. What's wrong: The Minsk process was collapsing because of the Kremlin's desire to use the agreements to establish de facto control over Ukraine, not because of some "cunning plot" by Paris and Berlin. Why it matters: The Kremlin is rewriting history retroactively to portray its own aggression as a supposedly forced response to "universal betrayal." 9. Russia does not attack civilians; its targets are solely facilities associated with the AFU. What's wrong: It's an outright lie. For years, the UN and independent sources have documented systematic Russian strikes on cities, residential areas, energy facilities, and civilian infrastructure. Why it matters: This is no longer just propaganda, but a cynical denial of documented terror against civilians. 10. The Bucha massacre is allegedly "not proven": there are no names, no evidence, and journalists haven't shown anything. What's wrong: This is one of the most mendacious claims. There are UN documents, testimonies, criminal investigations, identified suspects, and evidence of executions and killings of civilians. Why it matters: The Kremlin is not trying to refute the crime, but to wear down the audience with doubt and turn mass murder into "one of the versions." 11. Russia wants peace and negotiations. What's wrong: In the Kremlin's vocabulary, "peace" does not mean an end to aggression, but rather acceptance of its results. "Realities on the ground" means occupation; "root causes" means demanding recognition of Russia's right to punish neighbors for their political choices. Why it matters: Lavrov isn't offering peace. He's dressing up surrender in softer language. 12. Europe is supposedly dragging out the war, while Russia is looking for a solution. What's wrong: Russia started this war itself. European aid to Ukraine is a response to the aggression, not its cause. Why it matters: This is the main inversion of Kremlin logic - to make the audience forget who attacked first and shift the discussion from aggression to a "conflict that has dragged on too long." 13. RT and Sputnik are victims of censorship, and France has no right to speak about freedom of speech. What's wrong: RT and Sputnik were banned not as "ordinary media," but as state-run tools of disinformation. Their role as propaganda channels has been publicly acknowledged both in the EU and in France. Why it matters: The Kremlin wants to portray the defense of democracies against malicious information operations as a restriction of free speech. 14. France and Europe have made Russia an enemy; Moscow is merely reacting. What's wrong: The cause of the rift is not "Russophobia," but Russia's invasion, war crimes, blackmail, and influence operations against Europe. Why it matters: The Kremlin is systematically trying to reverse the cause-and-effect relationship: it is not that "Russia destroyed relations," but that "the West rejected Russia." 15. Individual real episodes - the tanker, incidents in France, disputes among allies - allegedly prove Western hypocrisy and justify Russia. What's wrong: Lavrov takes a real but local fact and uses it as a smokescreen. None of these incidents erases Russia's crimes or the very fact of its aggression. Why it matters: This is a favorite Kremlin method - using others' difficulties and whataboutism to cover up its own crimes.show more

Crafted with Seedance 2.0 + GPT Image 2 Pollo... AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee lessshow more

Seedance 2.0 on Sjolt =================== Prompt: Style: 8K. Photorealistic... — no 3D render, no game engine. Korean idol variety self-content aesthetic with a glam music-video mood — playful romantic tension, kiss-that-never-happens energy, always tasteful. Lighting: Warm and moody, dimmer than standard broadcast — soft warm key from frame-left, glowing string-light bokeh and a soft neon wash in the background, gentle amber rim light tracing hair and cheekbones, faces always cleanly lit. Color: 60:30:10 — dusty rose and mauve dominant / deep plum shadow secondary / red Pepero box and warm neon accent. Broadcast graphics: Persistent variety-show overlay locked to screen corners across every cut — a round pastel-pink "MELLOW GIRLS" show logo badge pinned top-left, and a title graphic pinned top-right reading exactly "PEPERO GAME", spelled P-E-P-E-R-O with one single P in the middle of the word — NOT "PEPPERO", NOT double P. Overlays never drift, never distort, letters never change between cuts. No subtitles, no lower-thirds. Props: The Pepero stick is MATCHSTICK-THIN — a delicate biscuit stick as thin as a wooden matchstick or a cotton-swab stem, about 2-3mm in diameter and 14cm long, with a whisper-thin chocolate coating, exactly matching the attached real Pepero product reference photo. Scale rule: the stick is always dramatically thinner than a person's lips are tall — a hair-thin line compared to the faces around it. It is NEVER a thick bar, never cigar-thick, never pencil-thick — if in doubt, make it thinner. The red Pepero box is a small light carton the size of a smartphone, held in one hand — it always looks small in a hand. Dialogue: Any spoken words are KOREAN ONLY — short natural Korean exclamations like "대박!", "어떡해!", "미쳤어!". Never any English words spoken. Camera: Physical broadcast cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, glossy idol makeup, pore-shadow matching set light. Skin tone stays CONSTANT from first frame to last — no blushing, no reddening of cheeks or ears, no color change on any face at any point. Acting: Charged restraint — slow blinks, lidded eyes, gazes that drop from eyes to lips and back, breath held then released, a swallow before a move, suppressed smiles. The tension of almost — never a kiss, never contact between lips. Characters never frozen, always breathing and reacting. Physics: Gravity and inertia respected — the thin stick flexes slightly and snaps cleanly like a real biscuit, correct bite marks, tiny crumbs fall naturally. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, wardrobe, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Room tone and close breathy foreground in the tense cuts — but from the moment the game starts, the two spectators keep up a constant excited high-pitched squealing off-screen ("꺄아—!", "꺄악!"), bubbling under every cut, rising with every bite, choking into whispers at the climax. Korean chatter, the crisp dry snap of the biscuit stick. No music. No subtitles. Characters: YURI — the group's eldest (unnie). Long platinum-blonde hair with wispy see-through bangs, pale porcelain skin, cool deadpan resting face. Cream cable-knit sweater vest over a white long-sleeve shirt, navy sailor collar with double white stripes, navy tie, pleated denim mini skirt, slouchy white loose socks, black loafers. RENA — younger than YURI. Long jet-black straight hair, sharp elegant features, pearl drop earrings. Black ribbed knit top with a wide pointed knit collar and thin black ribbon tie over a peeking white shirt collar, black pleated micro skirt with a small side buckle, black crew socks, chunky black loafers. HAEIN — long pastel ice-blue hair with a faint lavender sheen, glossy coral lips. Mustard-yellow double-breasted cropped blazer with navy trim, big navy bow ribbon at the collar, mustard sweater underneath, navy pleated skirt, white socks, white sneakers. MEMBER 4 — long black hair with soft face-framing layers, warm bright smile. Sleeveless green-and-white striped ribbed knit top with an orange-striped high neck and a small white triangle badge, light-blue wide-leg jeans, white sneakers. Scene: A moody glam lounge set — a dusty-rose velvet drape backdrop with a soft glowing neon squiggle sign, strings of warm fairy lights hanging out of focus, a tall arrangement of pale roses and pampas grass at frame-left, warm haze in the air. No table — everyone is STANDING. YURI and RENA stand face to face at center frame in profile to camera, barely a forearm's length apart, one matchstick-thin chocolate-dipped Pepero stick bridging their mouths, each end barely gripped between front teeth. HAEIN and MEMBER 4 stand a step behind at frame-right, shoulder to shoulder; HAEIN holds the small red Pepero box in one hand, forgotten. The broadcast overlays sit locked in the top-left and top-right corners throughout. CUT 1 — Wide static, 35mm, eye-level, locked off: The face-off. YURI and RENA stand toe to toe in the warm neon glow, the matchstick-thin stick a delicate line between their profiles. RENA tucks a strand of black hair behind her ear without breaking eye contact. YURI's chin lifts a degree — silent challenge. Behind them HAEIN grips MEMBER 4's arm with her free hand, both leaning in; MEMBER 4 whispers "어떡해…". Off-screen someone breathes "시작…" — the first slow bites begin. CUT 2 — Over-the-shoulder, 50mm, slow push-in over RENA's shoulder onto YURI: Framed past RENA's black hair, YURI takes one slow bite, then another — unhurried, deliberate. Her lidded eyes hold RENA's, then drop for half a second to RENA's lips, then come back up. The stick shortens. Her cool deadpan stays intact but her fingers slowly curl into the hem of her knit vest, betraying her. Shallow focus, warm bokeh blooming behind her. Her breathing is close-mic in the foreground while the spectators' high-pitched squeals bubble continuously off-screen — "꺄아—!" — climbing a note with every bite. CUT 3 — Reverse over-the-shoulder, 50mm, slow push-in over YURI's shoulder onto RENA: Mirror framing past YURI's platinum hair. RENA's answer: she bites in slowly, closing the distance, head tilting to the angle of a kiss. More than half the stick is gone. Her hands stay clasped neatly behind her back — the well-mannered posture of the younger member toward her unnie — which makes the boldness of her bite land twice as hard. One eyebrow lifts a millimeter. Off-screen HAEIN's high strangled "꺄악—!", hands presumably over her mouth, MEMBER 4's giddy stomping heard under it. CUT 4 — Tight profile close-up, 85mm, static, shallow depth of field — the almost-kiss: Both faces in full profile fill the frame — noses, lips, chins all visible for scale. Only TWO OR THREE CENTIMETERS of the matchstick-thin stick remain, and their noses are about to collide — the stick can't get any shorter head-on. Then the move the fans are waiting for: RENA slowly TILTS her head to one side, her nose sliding past YURI's nose instead of bumping it, faces now interlocking at the kiss angle — and the blocked final centimeter opens up. She nibbles in again, millimeter by millimeter, the stub shrinking shorter than seemed possible, until their lips are a single warm breath apart, offset and almost overlapping. Lidded eyes gone slightly cross-eyed at this distance. YURI's answer: her hands rise and take a firm, gentle hold of BOTH of RENA's shoulders — the unnie steadying her challenger, half embrace, half "I'm not losing." She swallows but holds her ground. RENA's breath audibly trembles on the exhale — the composed one cracking first. A long held beat, the tiny stub trembling between two suppressed smiles. Off-screen a whispered "미쳤어…". CUT 5 — Handheld wide, 24mm, whip in from the spectators: At the closest possible moment the tiny stub SNAPS with a crisp dry crack. The spell breaks — YURI lets go of RENA's shoulders and spins away covering her mouth with both hands, shoulders shaking with laughter; RENA turns the other way, presses the back of her hand to her lips, then bursts out laughing — dipping into a small apologetic half-bow toward her unnie between laughs. HAEIN and MEMBER 4 collapse into each other screaming "대박!! 미쳤어!!", the small red box tumbling from HAEIN's hand. Camera shakes with the chaos. Corner overlays stay locked as the room erupts.show more