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2. Breakthrough in Volumetric Video Previous attempts were inconsistent because each frame had to be a new mesh. But Gaussian Splats solve this. It's not only temporally consistent, 60 fps, smaller in filesize but also allows infinite frame retiming. Seeing it in VR at the booth was like an... show more

Andrew Price

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15,627 Aufrufe • vor 1 Jahr •via X (Twitter)

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Instant Skinned Gaussian Avatars for Web, Mobile and VR Applications Short summary: In our system, we animate a background 3D mesh and have the Gaussian splats follow the mesh’s vertices. During preprocessing, splats are assigned to mesh vertices, and their relative transformations are stored. Once this data is saved, you can instantly use it in your applications without further preprocessing. At runtime, we animate the background 3D mesh, update the Gaussian splats in parallel, and resort all Gaussian splats every frame based on the viewer’s perspective.

Instant Skinned Gaussian Avatars for Web, Mobile and VR Applications Short summary: In our system, we animate a background 3D mesh and have the Gaussian splats follow the mesh’s vertices. During preprocessing, splats are assigned to mesh vertices, and their relative transformations are stored. Once this data is saved, you can instantly use it in your applications without further preprocessing. At runtime, we animate the background 3D mesh, update the Gaussian splats in parallel, and resort all Gaussian splats every frame based on the viewer’s perspective.

MrNeRF

66,016 Aufrufe • vor 10 Monaten

Another day, another odd and old-school technical issue in #Nioh3. This game doesn’t just expect the frame rate to hit its FPS cap to work properly, it also wants the FPS to line up with the display refresh rate. Using the 60 fps cap at 120Hz (or higher) can result in lots of frame-time spikes and microstuttering. the only way to avoid this is to switch the refresh rate to 60 Hz, which gives a much smoother frame time graph. Frame Generation on top of a 60 FPS base at 120 Hz works flawlessly without any frame time issues.

Another day, another odd and old-school technical issue in #Nioh3. This game doesn’t just expect the frame rate to hit its FPS cap to work properly, it also wants the FPS to line up with the display refresh rate. Using the 60 fps cap at 120Hz (or higher) can result in lots of frame-time spikes and microstuttering. the only way to avoid this is to switch the refresh rate to 60 Hz, which gives a much smoother frame time graph. Frame Generation on top of a 60 FPS base at 120 Hz works flawlessly without any frame time issues.

BenchmarKing

37,808 Aufrufe • vor 6 Monaten

In my previous post about the #Nioh3 demo, I mentioned that when the game isn’t consistently holding 60 FPS or 120 FPS, several issues can show up. Here’s a clearer breakdown of what's going on. The main reason is that the game speed and physics are tied to the frame rate. When you enable the 120 FPS cap, the engine start overreacting and pushes CPU usage very high, even if the game is still running at around 60 FPS (as shown in the first example). In the second clip, you can see the uneven, jittery camera movement I mentioned before. Notice how much smoother 60 FPS and 120 FPS look compared to the unlocked side. Also, camera movement at 60 FPS is slightly faster than at 120 FPS. In the third clip, player movement is slower when the frame rate is unlocked. This doesn’t happen all the time, but it shows up often enough to be noticeable. Because of how the Katana Engine behaves, the game is clearly designed around 60 FPS. Running at 120 FPS is possible, but it’s only recommended if your system can maintain that target almost all the time, which isn’t easy to achieve. There’s also an alternative workaround where you select the 60 (locked) option and enable Frame Generation (DLSS or FSR 3), as shown in the last clip. The downside is that DLSS Frame Generation tends to show the same stuttery look as when the frame rate isn’t holding a fixed target, likely due to Reflex keeping the frame rate slightly below target. FSR Frame Generation, on the other hand, looks much smoother and works better here.

In my previous post about the #Nioh3 demo, I mentioned that when the game isn’t consistently holding 60 FPS or 120 FPS, several issues can show up. Here’s a clearer breakdown of what's going on. The main reason is that the game speed and physics are tied to the frame rate. When you enable the 120 FPS cap, the engine start overreacting and pushes CPU usage very high, even if the game is still running at around 60 FPS (as shown in the first example). In the second clip, you can see the uneven, jittery camera movement I mentioned before. Notice how much smoother 60 FPS and 120 FPS look compared to the unlocked side. Also, camera movement at 60 FPS is slightly faster than at 120 FPS. In the third clip, player movement is slower when the frame rate is unlocked. This doesn’t happen all the time, but it shows up often enough to be noticeable. Because of how the Katana Engine behaves, the game is clearly designed around 60 FPS. Running at 120 FPS is possible, but it’s only recommended if your system can maintain that target almost all the time, which isn’t easy to achieve. There’s also an alternative workaround where you select the 60 (locked) option and enable Frame Generation (DLSS or FSR 3), as shown in the last clip. The downside is that DLSS Frame Generation tends to show the same stuttery look as when the frame rate isn’t holding a fixed target, likely due to Reflex keeping the frame rate slightly below target. FSR Frame Generation, on the other hand, looks much smoother and works better here.

BenchmarKing

17,820 Aufrufe • vor 6 Monaten

Now you can not only animate yourself as a #GaussianSplatting avatar, but also view it all in #VR. This is the latest addition to my list of apps and tools to view Gaussian Splatting in VR on #MetaQuest or #VisionPro. Just subscribe to the XR AI Spotlight newsletter (link on top of my profile) and you will get the link to the full list in the welcome email 😉 Special thanks to Naruya Kondo for making this demo available.

Gabriele Romagnoli

11,312 Aufrufe • vor 8 Monaten

High speed frame by frame video of popping water balloons in 0g. It only takes 1-2 frames for the balloon skin to contract leaving the body of water to residual forces without the effects of gravity. Original movie shot at 420 frames per second and each frame sequentially shown for 1/2 second.

High speed frame by frame video of popping water balloons in 0g. It only takes 1-2 frames for the balloon skin to contract leaving the body of water to residual forces without the effects of gravity. Original movie shot at 420 frames per second and each frame sequentially shown for 1/2 second.

Don Pettit

56,449 Aufrufe • vor 28 Tagen

Over the next 30 seconds, you'll see more than 300K images of me, making 60 gaussian splats every second. Last year, I got to visit Infinite-Realities. We are open sourcing all 300K images, in addition to releasing 1800 trained plys for people to download. We are also releasing a free VR experience through Unity through Aras Pranckevičius 🇺🇦🇱🇹 plugin. Check out the higher quality video (there's also a BTS):

Over the next 30 seconds, you'll see more than 300K images of me, making 60 gaussian splats every second. Last year, I got to visit Infinite-Realities. We are open sourcing all 300K images, in addition to releasing 1800 trained plys for people to download. We are also releasing a free VR experience through Unity through Aras Pranckevičius 🇺🇦🇱🇹 plugin. Check out the higher quality video (there's also a BTS):

Radiance Fields

61,300 Aufrufe • vor 1 Jahr

Exclusive first look at Orbit. What is it? It's a new kind of brain/computer interface. It stimulates your brain from outside of your head, so no surgery needed like a Neuralink requires. This is a prototype, but they are building much smaller patches that will stick behind your ears. So, you'll wear them while in a new kind of AI-driven headset. You'll see many of those announced next year. These will be ready for 2026, so not a product you can buy right now, but should only cost a couple of hundred dollars at retail. What does it do? It messes with both your own motor system and how you feel about things while experiencing new realities in, say, a VR headset. When I got to wear it I felt myself leaning to the left or right. I could control that myself, or someone else (or an AI) could control me too. One mode made my body wig out, felt like a wave was going through my body. Sounds scary, but will enable a whole new range of VR/AR experiences that won't be possible without it. This has deep implications for how you feel when playing games, for instance. It also should be able to finally solve the "VR nausea" many feel when inside a VR headset. I filmed this on my Apple Vision Pro. If you have one I'll post a link to the 3D version of this video so you can enjoy there. A new kind of video of a new kind of device. My main reaction? Wow. Here is founder Steven Pang explaining it to me and giving me first press demo.

Exclusive first look at Orbit. What is it? It's a new kind of brain/computer interface. It stimulates your brain from outside of your head, so no surgery needed like a Neuralink requires. This is a prototype, but they are building much smaller patches that will stick behind your ears. So, you'll wear them while in a new kind of AI-driven headset. You'll see many of those announced next year. These will be ready for 2026, so not a product you can buy right now, but should only cost a couple of hundred dollars at retail. What does it do? It messes with both your own motor system and how you feel about things while experiencing new realities in, say, a VR headset. When I got to wear it I felt myself leaning to the left or right. I could control that myself, or someone else (or an AI) could control me too. One mode made my body wig out, felt like a wave was going through my body. Sounds scary, but will enable a whole new range of VR/AR experiences that won't be possible without it. This has deep implications for how you feel when playing games, for instance. It also should be able to finally solve the "VR nausea" many feel when inside a VR headset. I filmed this on my Apple Vision Pro. If you have one I'll post a link to the 3D version of this video so you can enjoy there. A new kind of video of a new kind of device. My main reaction? Wow. Here is founder Steven Pang explaining it to me and giving me first press demo.

Robert Scoble

207,997 Aufrufe • vor 1 Jahr

DOOM not only popularized the FPS genre but also became a true cultural icon. It was one of the first games to introduce the concept of shareware demo distribution, and it played a major role in popularizing FPS multiplayer. The fun was undeniable, and both the graphics and sound

DOOM not only popularized the FPS genre but also became a true cultural icon. It was one of the first games to introduce the concept of shareware demo distribution, and it played a major role in popularizing FPS multiplayer. The fun was undeniable, and both the graphics and sound

Gamer_lafan

12,835 Aufrufe • vor 10 Monaten

Also, you said on your show yesterday that the "only answer" you could come up with for the video supposedly being altered was in order to frame Tyler Robinson -- in other words, you might use some CYA language about it perhaps being an accident, but you're clearly explicitly accusing the state of a calculated frame-up job.

Also, you said on your show yesterday that the "only answer" you could come up with for the video supposedly being altered was in order to frame Tyler Robinson -- in other words, you might use some CYA language about it perhaps being an accident, but you're clearly explicitly accusing the state of a calculated frame-up job.

Blake Neff

38,518 Aufrufe • vor 2 Tagen

Not long ago, we thought this might be impossible. But here we are: our Gaussian Splatting videos are now streamable, just like regular video. No download, no app. 4DGS plays instantly in the browser on headsets, phones and laptops, with no limits on splats or length. Give it a try:

Not long ago, we thought this might be impossible. But here we are: our Gaussian Splatting videos are now streamable, just like regular video. No download, no app. 4DGS plays instantly in the browser on headsets, phones and laptops, with no limits on splats or length. Give it a try:

Gracia

336,469 Aufrufe • vor 5 Monaten

When I saw that Assassin's Creed Unity was getting a 60 FPS update for current gen consoles, I honestly could not wait to see it with my own eyes. And after playing it, I realized it is not just 60 FPS. The game also seems to be upscaled to 4K, which is absolutely insane in my opinion and the game runs incredibly smooth! Many of you know that I have never been the biggest fan of Unity. But I have to admit, maybe it is just placebo, yet it genuinely feels like the game plays better. Almost like the controller responds more precisely to what I actually want to do. I tested it properly in stealth and of course in parkour, and I have to say, it feels amazing! For PC players this might not be anything special. But for someone like me, mainly playing on console, finally being able to experience Assassin’s Creed Unity at 60 FPS is a game changer. And by the way, co op also seems to be working normally again. This is honestly crazy to see!

When I saw that Assassin's Creed Unity was getting a 60 FPS update for current gen consoles, I honestly could not wait to see it with my own eyes. And after playing it, I realized it is not just 60 FPS. The game also seems to be upscaled to 4K, which is absolutely insane in my opinion and the game runs incredibly smooth! Many of you know that I have never been the biggest fan of Unity. But I have to admit, maybe it is just placebo, yet it genuinely feels like the game plays better. Almost like the controller responds more precisely to what I actually want to do. I tested it properly in stealth and of course in parkour, and I have to say, it feels amazing! For PC players this might not be anything special. But for someone like me, mainly playing on console, finally being able to experience Assassin’s Creed Unity at 60 FPS is a game changer. And by the way, co op also seems to be working normally again. This is honestly crazy to see!

MisterAlpha444

1,406,353 Aufrufe • vor 5 Monaten

If I'm tired of making the content maybe you're also tired of seeing it. It's a weird place to be since we built this thing over the last 7 years but there's a shift happening and I can see it in not only my personal self but the comments too. Im also relived that I'm not the only one feeling this way.

If I'm tired of making the content maybe you're also tired of seeing it. It's a weird place to be since we built this thing over the last 7 years but there's a shift happening and I can see it in not only my personal self but the comments too. Im also relived that I'm not the only one feeling this way.

Shipwreck

87,287 Aufrufe • vor 4 Monaten

The new Sub-Tick Update in CS2 is HUGE! Before: The shots would be registered INSTANTLY, but characters/weapons animations had 1 tick delay, so they only showed in the next frame. This made it so that shooting in CS2 felt off - a good example is when you get headshots but you're not aiming for the head. Now: The shots are still registered INSTANTLY, but now the character/weapon animations are VISUALLY synced with your clicks/shots. This makes everything feel so much smoother. This is a HUGE improvement, what you see is finally what you get. Every weapon will feel better but I believe the AWP will be the one where you see the biggest improvement as you only shoot it once at a time, USP in pistol rounds too (when tapping moving targets). This test video was done by u/kubpica, was going to test it but this video shows it perfectly so credits to him.

The new Sub-Tick Update in CS2 is HUGE! Before: The shots would be registered INSTANTLY, but characters/weapons animations had 1 tick delay, so they only showed in the next frame. This made it so that shooting in CS2 felt off - a good example is when you get headshots but you're not aiming for the head. Now: The shots are still registered INSTANTLY, but now the character/weapon animations are VISUALLY synced with your clicks/shots. This makes everything feel so much smoother. This is a HUGE improvement, what you see is finally what you get. Every weapon will feel better but I believe the AWP will be the one where you see the biggest improvement as you only shoot it once at a time, USP in pistol rounds too (when tapping moving targets). This test video was done by u/kubpica, was going to test it but this video shows it perfectly so credits to him.

Ozzny

687,320 Aufrufe • vor 2 Jahren

Jordi: "The fear-based marketing needs to stop, because it's not helping anyone." "It was very effective when there was no revenue in the industry. When AI was a far-out idea, and no one had had like a magical experience with AI." "But at this point, we need to stop this. Because why would the average American be excited about [AI]?"

Jordi: "The fear-based marketing needs to stop, because it's not helping anyone." "It was very effective when there was no revenue in the industry. When AI was a far-out idea, and no one had had like a magical experience with AI." "But at this point, we need to stop this. Because why would the average American be excited about [AI]?"

TBPN

22,687 Aufrufe • vor 4 Monaten

Hope you guys like snowboarding... because it'll be a brand new minigame in Hypnagogia: Broken Dreams 🏂 It's a very early prototype and I'm still testing gamefeel but you'll be able to try it out in the upcoming demo update, out this June Temp track by Bassclefff

sodaraptor ➤ wishlist Hypnagogia 壊れた夢

11,243 Aufrufe • vor 3 Monaten

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Might of found a way to use this mechanic in comp. I've seen people do this on the floor a couple times but not really on the wall in this way. I do think this could be used in comp because of the sharp change in trajectory of the ball and it could seriously bait out players. Not to mention it can be done on any part of the wall so even off the ceiling. I'm already getting fairly consistent at it on one side and I've practiced it for a day. It feels like doing the breezi flick for the first time but this could be a more practical mechanic. If it can be done on command consistently it has ridiculous potential for passes and other stuff Not saying this is a new mechanic btw nor is it guaranteed to become meta but I love the idea of seeing innovation and new things in the game because there isn't much of it these days so I hope people aren't closed minded about it. Would love to hear opinions on it

Breezi

372,865 Aufrufe • vor 2 Jahren

Brenna tells Adam 22 that apart from getting f6cked roughly by Dredd on set, her other crazy experience is letting 8 unknown men f6ck the hell out of her without seeing their faces, she said she was cornered in a phone booth and their d6k was passed through holes so she only has an imagination of the men. 👀💔 ‘My craziest experience has to be getting my brains f6cked out by Dredd on set but i would also say it is f6cking like 7-8 guys in a phone booth without seeing their faces because their d66k was passed through holes made in the booth and a camera was placed above the booth to film all of the things going on… I never got to see the guys after filming so i only live with an imagination of them’ 👀💔

Brenna tells Adam 22 that apart from getting f6cked roughly by Dredd on set, her other crazy experience is letting 8 unknown men f6ck the hell out of her without seeing their faces, she said she was cornered in a phone booth and their d6k was passed through holes so she only has an imagination of the men. 👀💔 ‘My craziest experience has to be getting my brains f6cked out by Dredd on set but i would also say it is f6cking like 7-8 guys in a phone booth without seeing their faces because their d66k was passed through holes made in the booth and a camera was placed above the booth to film all of the things going on… I never got to see the guys after filming so i only live with an imagination of them’ 👀💔

hyz

57,426 Aufrufe • vor 2 Monaten

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

If you take a movement to unpack this visualization... You'll see how it simply breaks down how reality works. At frame 0 you have a static image. Everything is one, this is the monad. As soon as you hit frame 1 there is movement, there is change. Now you have two states, moving, or static. When Nikola Tesla says you can explain everything in frequency and vibration. The difference between frame 0 and 1, is vibration. The difference between movement and no movement. This is like binary logic we use in code which is made up of 0's and 1's. After frame 1, is when frequency emerges. Because the difference between frame 1 and all frames after is about how fast is the vibration/movement happening. If we skip forward to frame 50... You have a shape that begins to emerge, this is the 8 dots, then the 6 dots. Notice how unstable it is, it's 8 dots, then 6, then a moment with 4 in a rectangle These shapes are emergent properties. The first two emergent properties after the monad was vibration and frequency. Next comes shape (i'm skipping over rotation and direction). These shapes of dots can only exist when you have frequency and rotation. This frequency and rotation creates vortex energy. It's the same energy that things like your chakras use. Or the same energy we harness in devices like engines, airplanes, fans, blenders, hard drives, etc. It's also the same vortex energy you'll see in a tornado or hurricane. They are powered because they harness rotation and frequency(change/movement). Going back to the video, notice that it is inside the entire shape, the internal structure is manifesting before the external structure does. Then around frame 60 the hexagon of circles begins to rotate. First it was the two dots that moved and now it's a complex shape that is coming to life. This is a higher dimension (or lower depending on how you look at it) manifesting into existence. The internal state is "awakening" and experiencing it's own change like what happened to the whole shape in the first frames. But it is unstable. That's why it doesn't persist for long. If you think of the 8 dots being the octahedron, they map to the element of air. Air is in the material world, but it is not something you can see. The brief moments the 8 dots are visible is similar to that effect. They are only experienceable between a small frequency band of frames. Now here's where stability begins to appear in the internal structure. This is when the 4 dots appear. You'll see that the four dots, the square, is stable and persists the most visibly for the most amount of frames. The square represents earth in the platonic solids to elements mapping. Earth, is material, it's stable. We build our buildings in squares and with earth because it is a solid shape to build on. This visualization shows you why. Across different vibrations (frame rates) it can self sustain. Between this point and frame 180, you'll see a new emergent property. Which is depth. A new dimension is introduced at around frame 90 but really becomes visible at around frame 110. You can see a foreground and background. There is the shape of the dots, but also the triskellion wave happening in the background. Let's jump to frame 180. Notice how it is the same as frame 0 except... It's flashing. If you were paying attention, you'll notice you could see flashing at frame 90 and frame 120, but they didn't persist for long. At around 150 it started to reach stability and 180 it was solidified. Between frames 150 and 180 there is flashing, but the image is still moving. Only for a brief moment at frame 180 is the movement frozen and the flashing persists. Think of that like your computer screen. It's what your screen is doing right now as you read this. Even tho the text isn't moving, the screen is flashing at 60 or 120hz. The images appear on your device because this flashing brings things to life. The entire material realm and your physical body right now, is doing the same thing. While you look solid... You're flashing in and out of existence at very high frequencies. You can look at frame 180 and frame 0 as the same essence but it is the mid point between an octave change. In the video, the ying and yang was vertical, now it is horizontal. This is a phase shift. If you notice at exactly frame 180, the rotation freezes and then the direction of rotation changes. The process then repeats all the way to frame 360 but in the opposite sequence. Once it reaches frame 360, that is an octave change and the process repeats. Each time you repeat the process is a layering of the same patterns into higher octaves. This is the same as your chakras or how other things work. They are like russian nesting dolls where every octave is layering onto the next. The complexity of your body is a layering of basic principles that emerged in earlier stages. Your organs are built of systems that are built with cells that are built with proteins that are built with atoms and so on. The atoms, work just like your body at a basic level. Your body works just like the galaxies. At each level you'll have the same pattern. This is where the idea "As Above, So Below" from. The monad, splits in two, and so on and so on. One cell, splits into two through mitosis in the same logic. We could spend all day going through examples of how biology, physics, spirituality, etc. aren't really different. They are just categories that we use to dissect these frequencies and octaves of energy but they only start paying attention within the confines of materialism. The problem is, none of the sciences start at the root patterns. Because that is reserved for religion or spirituality. It's too woo-woo to take seriously so it's dismissed. And because of that... We're left ignorant on the simple explanations for how things work. Now you need some expert with tools you don't have access to in order to explain things. When you could be understanding them without the tools. The Yin and Yang symbol in this video is 3,000 years old. It's simple. Yet I just showed you how it explains deeper layers of reality.

Jamal ☯︎ 🔆🧘🏽🧠

13,149 Aufrufe • vor 4 Monaten