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BoomerOnBase Productions 🎬 – “Built Different” Work hard. Play harder. Then do it again tomorrow. No shortcuts. Just swings. 🪓😎 🎬 Base App OK Boomer #baseposting 👇

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BOOMER

11,821 subscribers

43,509 просмотров • 7 месяцев назад •via X (Twitter)

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Boomer dads really built their entire personality around “I worked hard and figured it out.” Cool. You also: Bought a house on one income at 26. Paid $400 a semester for college. Got a job with benefits straight out of high school. Had a pension waiting at the end. Paid $90 a month for health insurance. Filled up a tank for $18. Raised a family on one salary and still took a vacation every summer. You didn’t just work hard. You worked hard in an economy that was designed to reward hard work. We work hard in an economy designed to extract it. Same effort. Completely different machine. But sure dad. Tell me again about your bootstraps.
0:17

Boomer dads really built their entire personality around “I worked hard and figured it out.” Cool. You also: Bought a house on one income at 26. Paid $400 a semester for college. Got a job with benefits straight out of high school. Had a pension waiting at the end. Paid $90 a month for health insurance. Filled up a tank for $18. Raised a family on one salary and still took a vacation every summer. You didn’t just work hard. You worked hard in an economy that was designed to reward hard work. We work hard in an economy designed to extract it. Same effort. Completely different machine. But sure dad. Tell me again about your bootstraps.

Fermsy 🎒

14,654 просмотров • 3 месяцев назад

Still using AI tools that can’t turn your ideas into real apps? Most tools can write bits of code but fail when it’s time to actually build something complete. That’s where Replit ⠕ changes everything. I just asked Replit: “can you redesign this website in professional way.." In minutes, it built the entire website— clean design, full logic, animations, and dark/light mode included. No setup. No debugging. Just pure vibe coding. Here’s why Replit stands out 👇 ✅ Build with plain English – Describe what you want, Replit builds it. ✅ All-in-one platform – Code, AI help, hosting, database, and auth in one place. ✅ Create anywhere – Use the Replit mobile app on iOS or Android. ✅ Instant integrations – Connect to Notion, Slack, Google Drive, Dropbox, and more. ✅ From design to live app – Import from Figma and launch in minutes. No chaos. No micromanaging. Just you, your idea, and Replit doing the hard work. 👉 Try it now: 🎁 Get $10 credit when you purchase Replit Core via my link: #Replit #VibeCoding #AIApps #NoCode #BuildWithReplit #AItools #ReplitCore
0:19

Still using AI tools that can’t turn your ideas into real apps? Most tools can write bits of code but fail when it’s time to actually build something complete. That’s where Replit ⠕ changes everything. I just asked Replit: “can you redesign this website in professional way.." In minutes, it built the entire website— clean design, full logic, animations, and dark/light mode included. No setup. No debugging. Just pure vibe coding. Here’s why Replit stands out 👇 ✅ Build with plain English – Describe what you want, Replit builds it. ✅ All-in-one platform – Code, AI help, hosting, database, and auth in one place. ✅ Create anywhere – Use the Replit mobile app on iOS or Android. ✅ Instant integrations – Connect to Notion, Slack, Google Drive, Dropbox, and more. ✅ From design to live app – Import from Figma and launch in minutes. No chaos. No micromanaging. Just you, your idea, and Replit doing the hard work. 👉 Try it now: 🎁 Get $10 credit when you purchase Replit Core via my link: #Replit #VibeCoding #AIApps #NoCode #BuildWithReplit #AItools #ReplitCore

Fakhr

24,152 просмотров • 9 месяцев назад

We're hiring (again). This time, your only job is to roast us, the founders (me, Pratyush Rai, endu-kun & Thine). Just make us question why we posted this. If any meme / roast from this challenge crosses 7M impressions, we'll get you one of these: - iPhone 18 - AirPods - Bangkok trip with founders - Bora Bora Clan membership And If your meme gets you trending on X then just self invite yourself in our office and consider yourself hired. Boring but imp stuff: - Role: Virality (& whatever else you're insanely good at) - Application: Roast us & be brutal - Platform: Twitter / LinkedIn / Instagram / A poster outside our office (?) - Tag us: So we actually see it. - Pay: Starts at ₹69k (50k base + 19k bonus). No cap if you're exceptional. No more "Why do you want to work here?", just tell us "Why do we deserve to be roasted?" Happy Roasting :) Ps: Boardy any suggestions on who should apply for this?
0:10

We're hiring (again). This time, your only job is to roast us, the founders (me, Pratyush Rai, endu-kun & Thine). Just make us question why we posted this. If any meme / roast from this challenge crosses 7M impressions, we'll get you one of these: - iPhone 18 - AirPods - Bangkok trip with founders - Bora Bora Clan membership And If your meme gets you trending on X then just self invite yourself in our office and consider yourself hired. Boring but imp stuff: - Role: Virality (& whatever else you're insanely good at) - Application: Roast us & be brutal - Platform: Twitter / LinkedIn / Instagram / A poster outside our office (?) - Tag us: So we actually see it. - Pay: Starts at ₹69k (50k base + 19k bonus). No cap if you're exceptional. No more "Why do you want to work here?", just tell us "Why do we deserve to be roasted?" Happy Roasting :) Ps: Boardy any suggestions on who should apply for this?

Siddhartha Saxena

23,473 просмотров • 26 дней назад

13 years old. making $20,000 a month. working just 1-2 hours a day. he didn’t work harder. he built a system. every morning, it looks at what’s trending. it finds the best posts from the last 24 hours. then it gives him 10 content ideas, ranked from best to worst. he picks one. one AI writes the post in his style. another checks it for mistakes. another posts it to 5 different platforms. one idea. five platforms. almost no manual work. after each post goes live, the system tracks what people liked, shared, and saved. it uses that data to make the next posts better. so the content keeps improving on its own. the results add up. 5 million views in 2 weeks. 100,000 bookmarks in 2 months. bookmarks matter. people only save posts they want to come back to. when lots of people save a post, platforms keep showing it to more people. that’s why his posts keep getting views… while he’s at school. while he’s sleeping. while he’s doing something else. the biggest advantage today isn’t working more. it’s building a system that works even when you don’t. watch the video. then read the full breakdown below.
0:17

13 years old. making $20,000 a month. working just 1-2 hours a day. he didn’t work harder. he built a system. every morning, it looks at what’s trending. it finds the best posts from the last 24 hours. then it gives him 10 content ideas, ranked from best to worst. he picks one. one AI writes the post in his style. another checks it for mistakes. another posts it to 5 different platforms. one idea. five platforms. almost no manual work. after each post goes live, the system tracks what people liked, shared, and saved. it uses that data to make the next posts better. so the content keeps improving on its own. the results add up. 5 million views in 2 weeks. 100,000 bookmarks in 2 months. bookmarks matter. people only save posts they want to come back to. when lots of people save a post, platforms keep showing it to more people. that’s why his posts keep getting views… while he’s at school. while he’s sleeping. while he’s doing something else. the biggest advantage today isn’t working more. it’s building a system that works even when you don’t. watch the video. then read the full breakdown below.

MIKE

2,877,814 просмотров • 2 месяцев назад

🚨The Clarity Act just made it out of committee. THAT IS A WIN, no question. And yes, I believe American-made digital assets like $XRP $HBAR $XLM $ONDO $TEL $ZBCN $ADA $LINK $ALGO and others will benefit over the long term. BUT SLOW DOWN! This does not mean you sell your house and lever yourself to the moon. This is not the finish line. This is the warm-up lap. There is still more work ahead. The Senate still has to debate it, vote on it, and work through the rest of the process. Then it goes to the President’s desk. And even after that, the real regulatory work begins. So yes, enjoy the progress. Raise a glass tonight if you want. But do not bet the farm. The rails are being built. This is a long-term shift. Do not expect straight-up price action from here. There can still be shakeouts. There can still be pullbacks. There can still be downtrends that test your conviction. But if you zoom out and look at the bigger picture, the direction still looks up to me. That is why I keep saying patience matters. Clarity will not reward the most emotional people. It will reward the people who stay focused long enough to let the thesis play out. Do you have the guts to think long term and hold for generational gains? 👇
0:18

🚨The Clarity Act just made it out of committee. THAT IS A WIN, no question. And yes, I believe American-made digital assets like $XRP $HBAR $XLM $ONDO $TEL $ZBCN $ADA $LINK $ALGO and others will benefit over the long term. BUT SLOW DOWN! This does not mean you sell your house and lever yourself to the moon. This is not the finish line. This is the warm-up lap. There is still more work ahead. The Senate still has to debate it, vote on it, and work through the rest of the process. Then it goes to the President’s desk. And even after that, the real regulatory work begins. So yes, enjoy the progress. Raise a glass tonight if you want. But do not bet the farm. The rails are being built. This is a long-term shift. Do not expect straight-up price action from here. There can still be shakeouts. There can still be pullbacks. There can still be downtrends that test your conviction. But if you zoom out and look at the bigger picture, the direction still looks up to me. That is why I keep saying patience matters. Clarity will not reward the most emotional people. It will reward the people who stay focused long enough to let the thesis play out. Do you have the guts to think long term and hold for generational gains? 👇

X Finance Bull

139,024 просмотров • 3 месяцев назад

Two weeks apart. Same person. Different choices. This isn’t a “fell off” post. This isn’t shame. This is reality. This is part of the story. After the show, I went from 168.4 lbs to 182.2 lbs. And at this point… it’s a choice. I’ve realized something about myself: When I hit a peak, I tend to sabotage it so I have something to chase again. But the truth is.. Greatness is built by staying disciplined after the high, not restarting from the low. And as someone who’s lived both extremes more times than I can count, I’ll say this with full honesty: The pain of discipline is ALWAYS better than the pain of regret. So here’s the good news… I get to use this moment as fuel. I get to document the entire climb back and show you exactly how I’m going to do it using the same systems I teach in G7 Coaching and the G7 Fitness App. No waiting for New Year’s. No “Diet Starts Tomorrow.” We start today. It’s Game Time. 💪🏾😤
0:11

Two weeks apart. Same person. Different choices. This isn’t a “fell off” post. This isn’t shame. This is reality. This is part of the story. After the show, I went from 168.4 lbs to 182.2 lbs. And at this point… it’s a choice. I’ve realized something about myself: When I hit a peak, I tend to sabotage it so I have something to chase again. But the truth is.. Greatness is built by staying disciplined after the high, not restarting from the low. And as someone who’s lived both extremes more times than I can count, I’ll say this with full honesty: The pain of discipline is ALWAYS better than the pain of regret. So here’s the good news… I get to use this moment as fuel. I get to document the entire climb back and show you exactly how I’m going to do it using the same systems I teach in G7 Coaching and the G7 Fitness App. No waiting for New Year’s. No “Diet Starts Tomorrow.” We start today. It’s Game Time. 💪🏾😤

FOUSEY

17,755 просмотров • 9 месяцев назад

Microsoft is cooking! Windows 11’s faster app launches released today, and everything is noticeably faster on low-end PCs. Windows 11’s CPU boost feature is no longer just for Start, Search, and shell flyouts. After installing the August 2026 security update, it is now silently active while opening apps too. We tested this on the same PC before and after KB5121003, and the difference is real. Notepad, Calculator, Chrome, VLC, PowerPoint, Weather, and even the Epic Games Store now trigger the same Low Latency Profile behavior Microsoft first rolled out for the Windows shell in June. The moment you open an app, Windows briefly pushes the CPU close to its maximum frequency for one to three seconds, finishes the launch work faster, and then drops back to idle. This is called “race to sleep,” and it is not a lazy trick. macOS and Linux already do similar things. CPU utilization does not spike the same way, so this is not your PC suddenly working harder forever. It is a short frequency burst to make Windows feel more responsive. I know people love mocking Windows performance, and often for good reason, but this one actually works. Apps open faster now, especially on budget and older PCs where every second of delay is noticeable. Windows 11 is finally getting the kind of performance work it should have had from day one.
0:11

Microsoft is cooking! Windows 11’s faster app launches released today, and everything is noticeably faster on low-end PCs. Windows 11’s CPU boost feature is no longer just for Start, Search, and shell flyouts. After installing the August 2026 security update, it is now silently active while opening apps too. We tested this on the same PC before and after KB5121003, and the difference is real. Notepad, Calculator, Chrome, VLC, PowerPoint, Weather, and even the Epic Games Store now trigger the same Low Latency Profile behavior Microsoft first rolled out for the Windows shell in June. The moment you open an app, Windows briefly pushes the CPU close to its maximum frequency for one to three seconds, finishes the launch work faster, and then drops back to idle. This is called “race to sleep,” and it is not a lazy trick. macOS and Linux already do similar things. CPU utilization does not spike the same way, so this is not your PC suddenly working harder forever. It is a short frequency burst to make Windows feel more responsive. I know people love mocking Windows performance, and often for good reason, but this one actually works. Apps open faster now, especially on budget and older PCs where every second of delay is noticeable. Windows 11 is finally getting the kind of performance work it should have had from day one.

Windows Latest

712,223 просмотров • 18 дней назад

“More than that, we rejoice in our sufferings, knowing that suffering produces endurance, and endurance produces character, and character produces hope.” - Romans 5:3-4 Last week a story went viral that says a difficult life isn’t worth living. I want to offer a different perspective: The Hard Road Is The Point. There’s a growing lie baked into modern culture that life is supposed to be smooth. Convenient. Perfect. That if things are difficult, something’s gone wrong. That suffering is a malfunction, not a feature. So people spend their lives optimizing for comfort. Avoiding friction and inconvenience. Looking for the shortcut, the hack, the easier path. And they miss the whole point. The beauty of a life well-lived isn’t found despite the struggle - it’s forged inside it. Character doesn’t grow in comfort. It grows under pressure, strain, stress and adversity. Gratitude doesn’t come from ease. It comes from having walked through something hard and making it to the other side. The ancient understanding - the one we’ve traded for comfort - is that suffering carries meaning. That the valley isn’t a detour. It is the journey. Truth is, when you strip away the hard parts, you don’t get a better life. You get a shallow one. Because the rough road isn’t a sign you’re doing it wrong. It might be the surest sign you’re doing it right. My son Iron Will has Down syndrome. He spent his earliest months in a walker just to build the strength to stand. Every step was a fight. Every inchstone and milestone was hard won. And watching him work, really work, for things that come effortlessly to other kids didn’t break my heart. It expanded it. Because what I saw wasn’t limitation. I saw determination unencumbered by societal expectations. I saw joy that doesn’t depend on easy. I saw a little boy who gets up every single time, grins, and goes again on his own terms, at his own pace. My brave little son didn’t teach me about suffering. He taught me what it looks like to pursue life fully - without fear, without shortcuts, and without ever being told what he can’t do. When we decide a life will be too hard before it begins - based on the inherent limitations of our mortal understanding - we end a story before it ever has the chance to be written. We will never tell Iron Will, or any of our children, that the hard road isn’t worth it. Because the greatest stories ever told involve suffering that produces endurance that produces character that produces hope. And hope changes everything. #TeamIronWill #DownSyndromeAdvocacy #IronWill #SayYesToPossibility
0:12

“More than that, we rejoice in our sufferings, knowing that suffering produces endurance, and endurance produces character, and character produces hope.” - Romans 5:3-4 Last week a story went viral that says a difficult life isn’t worth living. I want to offer a different perspective: The Hard Road Is The Point. There’s a growing lie baked into modern culture that life is supposed to be smooth. Convenient. Perfect. That if things are difficult, something’s gone wrong. That suffering is a malfunction, not a feature. So people spend their lives optimizing for comfort. Avoiding friction and inconvenience. Looking for the shortcut, the hack, the easier path. And they miss the whole point. The beauty of a life well-lived isn’t found despite the struggle - it’s forged inside it. Character doesn’t grow in comfort. It grows under pressure, strain, stress and adversity. Gratitude doesn’t come from ease. It comes from having walked through something hard and making it to the other side. The ancient understanding - the one we’ve traded for comfort - is that suffering carries meaning. That the valley isn’t a detour. It is the journey. Truth is, when you strip away the hard parts, you don’t get a better life. You get a shallow one. Because the rough road isn’t a sign you’re doing it wrong. It might be the surest sign you’re doing it right. My son Iron Will has Down syndrome. He spent his earliest months in a walker just to build the strength to stand. Every step was a fight. Every inchstone and milestone was hard won. And watching him work, really work, for things that come effortlessly to other kids didn’t break my heart. It expanded it. Because what I saw wasn’t limitation. I saw determination unencumbered by societal expectations. I saw joy that doesn’t depend on easy. I saw a little boy who gets up every single time, grins, and goes again on his own terms, at his own pace. My brave little son didn’t teach me about suffering. He taught me what it looks like to pursue life fully - without fear, without shortcuts, and without ever being told what he can’t do. When we decide a life will be too hard before it begins - based on the inherent limitations of our mortal understanding - we end a story before it ever has the chance to be written. We will never tell Iron Will, or any of our children, that the hard road isn’t worth it. Because the greatest stories ever told involve suffering that produces endurance that produces character that produces hope. And hope changes everything. #TeamIronWill #DownSyndromeAdvocacy #IronWill #SayYesToPossibility

Andrew Daub

60,893 просмотров • 2 месяцев назад

Sorry if I did not answer many of you. I’ve never been a fan of the online eulogy. The immediate fallout is always about loved ones. And we should leave those closest be. And then I realised of course I was just incredibly upset, and a large digital outpouring is inevitable and testament to his character. My devastation came from having to watch it all unfold. From spending years trying to help and actually getting him close to a point where he almost had a normal life again - then being powerless to stop him doing things he should not have. Powerless in every sense as it also meant it sometimes not being my place to say anything. In the end watching some of the evil shits around enable the worst of it was too much for me, I had to step back it was too painful to watch. I told my mate who was filling in for me looking after him “ah I just need some space from it all, I’ll be back with him after Christmas” and then suddenly there was no Christmas. And it turned out no one was to blame, and I immediately looked to blame myself most of all, fearing the worst. But it was a simple accident in the end. A bolt out of the blue. So if you are ever estranged or overwhelmed by friends and family and think it will all be OK one day - DON’T put it off. Reach out now. Grab that person and hold them tight. There may not be a tomorrow. You might not be around to see them off. There may not be the grand luxury of time available you thought there was. He died in the arms of his beloved son, and that is a measure of comfort, if a passing can ever have any. He was my mentor, my friend and my glad burden. And there was nothing I would not do for him.
0:11

Sorry if I did not answer many of you. I’ve never been a fan of the online eulogy. The immediate fallout is always about loved ones. And we should leave those closest be. And then I realised of course I was just incredibly upset, and a large digital outpouring is inevitable and testament to his character. My devastation came from having to watch it all unfold. From spending years trying to help and actually getting him close to a point where he almost had a normal life again - then being powerless to stop him doing things he should not have. Powerless in every sense as it also meant it sometimes not being my place to say anything. In the end watching some of the evil shits around enable the worst of it was too much for me, I had to step back it was too painful to watch. I told my mate who was filling in for me looking after him “ah I just need some space from it all, I’ll be back with him after Christmas” and then suddenly there was no Christmas. And it turned out no one was to blame, and I immediately looked to blame myself most of all, fearing the worst. But it was a simple accident in the end. A bolt out of the blue. So if you are ever estranged or overwhelmed by friends and family and think it will all be OK one day - DON’T put it off. Reach out now. Grab that person and hold them tight. There may not be a tomorrow. You might not be around to see them off. There may not be the grand luxury of time available you thought there was. He died in the arms of his beloved son, and that is a measure of comfort, if a passing can ever have any. He was my mentor, my friend and my glad burden. And there was nothing I would not do for him.

The Secret DJ.

40,740 просмотров • 1 год назад

> be Navneet Dalal > spawn in Chandigarh, India > do your engineering degree at NSIT, Delhi > grind two years in Indian software firms > get bored, fly to France > do a PhD on a problem most people call unsolvable > "teach a machine to find a human being in an image" > don't just improve the state of the art > beat it by 100 to 1000x > publish it in 2005 > call it Histograms of Oriented Gradients > watch it become THE standard for a decade > 25,000+ citations > every pedestrian-detection system on earth ends up running your work > a car brakes for someone in a crosswalk? that's your math > ...this is still just the PhD > not enough > co-found a webcam startup that reads hand gestures, 2011, no cloud, runs on the device > Apple names it App of the Year > rank #1 in 72 countries > Google tests it against their OWN algorithms > yours wins > Google buys the whole company for $40M > go run the vision behind Nest's cameras > installed in millions of homes > ...you are now, by any measure, at the top of the entire field > could name your price at any AI lab on earth > the man who built the iPod personally tells you not to do your next idea > do it anyway > disappear into 9 years on the single unsexiest machine in the house > refuse the LiDAR crutch everyone else bolts on > teach a robot to see a cluttered home the way your paper taught cars to see people > sock, cable, dog, spill, all understood, all handled, in real time > run all of it on a chip inside the robot so nothing ever leaves the house > ship Matic > WIRED 10/10. Benioff buys one. > everyone in AI is racing to build a mind > you spent 9 years on the quieter, harder thing > a machine that truly sees a living room > "he lost it" → "he saw it first"
0:18

> be Navneet Dalal > spawn in Chandigarh, India > do your engineering degree at NSIT, Delhi > grind two years in Indian software firms > get bored, fly to France > do a PhD on a problem most people call unsolvable > "teach a machine to find a human being in an image" > don't just improve the state of the art > beat it by 100 to 1000x > publish it in 2005 > call it Histograms of Oriented Gradients > watch it become THE standard for a decade > 25,000+ citations > every pedestrian-detection system on earth ends up running your work > a car brakes for someone in a crosswalk? that's your math > ...this is still just the PhD > not enough > co-found a webcam startup that reads hand gestures, 2011, no cloud, runs on the device > Apple names it App of the Year > rank #1 in 72 countries > Google tests it against their OWN algorithms > yours wins > Google buys the whole company for $40M > go run the vision behind Nest's cameras > installed in millions of homes > ...you are now, by any measure, at the top of the entire field > could name your price at any AI lab on earth > the man who built the iPod personally tells you not to do your next idea > do it anyway > disappear into 9 years on the single unsexiest machine in the house > refuse the LiDAR crutch everyone else bolts on > teach a robot to see a cluttered home the way your paper taught cars to see people > sock, cable, dog, spill, all understood, all handled, in real time > run all of it on a chip inside the robot so nothing ever leaves the house > ship Matic > WIRED 10/10. Benioff buys one. > everyone in AI is racing to build a mind > you spent 9 years on the quieter, harder thing > a machine that truly sees a living room > "he lost it" → "he saw it first"

Kritarth Mittal | Soshals

97,274 просмотров • 11 дней назад

I learned this the hard way: do NOT use SwiftUI if you want your app to look and feel amazing. At least when coding with AI. (sorry, Apple colleagues reading this 😅) I'm sharing my process vibe coding this calorie tracker. I get a lot of questions about the fluid transition in the video. Here's the whole story. Initially, Claude built the grid with SwiftUI. It was quick and easy, and looked good! But the transition to the day view was a boring navigation push/pop. No fun. I wanted something custom. I asked Claude to make it a fluid transition that remaps the food tiles from their source to destination positions. All hell broke loose. Claude tried a bunch of horrible things. Initially it used matched geometry effects, which worked OK but didn't lend themselves well to gesture-driven animations. So it resorted to SwiftUI preference keys + geometry readers to figure out the source and destination positions and calculate the interpolated position based on gesture progress, coordinating across grid and day views. But this meant it had to write a custom layout because it couldn't reposition tiles inside the native SwiftUI grid. And it had to do an awkward handoff between views, which always created ugly pops or jumps. And don't get me started on trying to put it on a bouncy spring, that only made the math 10x buggier. Fortunately, Claude Fable was smart enough to see that this was becoming a disaster (and discover most of the issues itself, in the simulator), so it pivoted away from SwiftUI. Opus might not be so wise, so you'll have to pay attention and intervene. Ultimately, it rewrote it in plain UIKit and everything turned out great. After that, we moved from 2D images to 3D assets, which introduced a new set of performance challenges and yet another rewrite to a single Metal layer, which is what you see below. I can write more about the 2D-to-3D saga if anyone's interested. If I were to do it again, I'd just say "Don't use SwiftUI" from the very first prompt, and save a few hours of headaches. SwiftUI can be amazing for a human iterating directly in code. But agents don't benefit from any of its advantages. Plus, agents have seen decades of UIKit training data, so they're great at writing it, and it's far more flexible. Here's hoping we see more agent-friendly iterations of SwiftUI in the future. Till then, I'm probably going to avoid it.
0:12

I learned this the hard way: do NOT use SwiftUI if you want your app to look and feel amazing. At least when coding with AI. (sorry, Apple colleagues reading this 😅) I'm sharing my process vibe coding this calorie tracker. I get a lot of questions about the fluid transition in the video. Here's the whole story. Initially, Claude built the grid with SwiftUI. It was quick and easy, and looked good! But the transition to the day view was a boring navigation push/pop. No fun. I wanted something custom. I asked Claude to make it a fluid transition that remaps the food tiles from their source to destination positions. All hell broke loose. Claude tried a bunch of horrible things. Initially it used matched geometry effects, which worked OK but didn't lend themselves well to gesture-driven animations. So it resorted to SwiftUI preference keys + geometry readers to figure out the source and destination positions and calculate the interpolated position based on gesture progress, coordinating across grid and day views. But this meant it had to write a custom layout because it couldn't reposition tiles inside the native SwiftUI grid. And it had to do an awkward handoff between views, which always created ugly pops or jumps. And don't get me started on trying to put it on a bouncy spring, that only made the math 10x buggier. Fortunately, Claude Fable was smart enough to see that this was becoming a disaster (and discover most of the issues itself, in the simulator), so it pivoted away from SwiftUI. Opus might not be so wise, so you'll have to pay attention and intervene. Ultimately, it rewrote it in plain UIKit and everything turned out great. After that, we moved from 2D images to 3D assets, which introduced a new set of performance challenges and yet another rewrite to a single Metal layer, which is what you see below. I can write more about the 2D-to-3D saga if anyone's interested. If I were to do it again, I'd just say "Don't use SwiftUI" from the very first prompt, and save a few hours of headaches. SwiftUI can be amazing for a human iterating directly in code. But agents don't benefit from any of its advantages. Plus, agents have seen decades of UIKit training data, so they're great at writing it, and it's far more flexible. Here's hoping we see more agent-friendly iterations of SwiftUI in the future. Till then, I'm probably going to avoid it.

Anshu

114,381 просмотров • 2 месяцев назад

Introducing ml-intern, the agent that just automated the post-training team Hugging Face It's an open-source implementation of the real research loop that our ML researchers do every day. You give it a prompt, it researches papers, goes through citations, implements ideas in GPU sandboxes, iterates and builds deeply research-backed models for any use case. All built on the Hugging Face ecosystem. It can pull off crazy things: We made it train the best model for scientific reasoning. It went through citations from the official benchmark paper. Found OpenScience and NemoTron-CrossThink, added 7 difficulty-filtered dataset variants from ARC/SciQ/MMLU, and ran 12 SFT runs on Qwen3-1.7B. This pushed the score 10% → 32% on GPQA in under 10h. Claude Code's best: 22.99%. In healthcare settings it inspected available datasets, concluded they were too low quality, and wrote a script to generate 1100 synthetic data points from scratch for emergencies, hedging, multilingual etc. Then upsampled 50x for training. Beat Codex on HealthBench by 60%. For competitive mathematics, it wrote a full GRPO script, launched training with A100 GPUs on watched rewards claim and then collapse, and ran ablations until it succeeded. All fully backed by papers, autonomously. How it works? ml-intern makes full use of the HF ecosystem: - finds papers on arxiv and reads them fully, walks citation graphs, pulls datasets referenced in methodology sections and on - browses the Hub, reads recent docs, inspects datasets and reformats them before training so it doesn't waste GPU hours on bad data - launches training jobs on HF Jobs if no local GPUs are available, monitors runs, reads its own eval outputs, diagnoses failures, retrains ml-intern deeply embodies how researchers work and think. It knows how data should look like and what good models feel like. Releasing it today as a CLI and a web app you can use from your phone/desktop. CLI: Web + mobile: And the best part? We also provisioned 1k$ GPU resources and Anthropic credits for the quickest among you to use.
0:16

Introducing ml-intern, the agent that just automated the post-training team Hugging Face It's an open-source implementation of the real research loop that our ML researchers do every day. You give it a prompt, it researches papers, goes through citations, implements ideas in GPU sandboxes, iterates and builds deeply research-backed models for any use case. All built on the Hugging Face ecosystem. It can pull off crazy things: We made it train the best model for scientific reasoning. It went through citations from the official benchmark paper. Found OpenScience and NemoTron-CrossThink, added 7 difficulty-filtered dataset variants from ARC/SciQ/MMLU, and ran 12 SFT runs on Qwen3-1.7B. This pushed the score 10% → 32% on GPQA in under 10h. Claude Code's best: 22.99%. In healthcare settings it inspected available datasets, concluded they were too low quality, and wrote a script to generate 1100 synthetic data points from scratch for emergencies, hedging, multilingual etc. Then upsampled 50x for training. Beat Codex on HealthBench by 60%. For competitive mathematics, it wrote a full GRPO script, launched training with A100 GPUs on watched rewards claim and then collapse, and ran ablations until it succeeded. All fully backed by papers, autonomously. How it works? ml-intern makes full use of the HF ecosystem: - finds papers on arxiv and reads them fully, walks citation graphs, pulls datasets referenced in methodology sections and on - browses the Hub, reads recent docs, inspects datasets and reformats them before training so it doesn't waste GPU hours on bad data - launches training jobs on HF Jobs if no local GPUs are available, monitors runs, reads its own eval outputs, diagnoses failures, retrains ml-intern deeply embodies how researchers work and think. It knows how data should look like and what good models feel like. Releasing it today as a CLI and a web app you can use from your phone/desktop. CLI: Web + mobile: And the best part? We also provisioned 1k$ GPU resources and Anthropic credits for the quickest among you to use.

Aksel

1,267,178 просмотров • 4 месяцев назад

Ray Dalio is right about one thing: Bitcoin forces you to think harder. But zoom out. 1) “Bitcoin has no privacy.” Bitcoin is pseudonymous, not anonymous. That’s by design. Transparency is what makes it auditable, trust-minimized, and globally verifiable. Privacy isn’t binary — it’s a spectrum. Second-layer solutions like Lightning Network improve transactional privacy, and self-custody + best practices eliminate counterparty surveillance. If your definition of “privacy” is “opaque like the banking system,” then yes — Bitcoin is different. It replaces institutional secrecy with mathematical transparency. 2) “Central banks don’t want to buy Bitcoin.” Correct. Central banks also didn’t want the internet, stablecoins, or gold leaving their vaults. Bitcoin isn’t competing for central bank approval. It’s competing as neutral collateral in a world of weaponized fiat. When sovereign debt hits structural limits, assets without counterparty risk win. That’s why individuals, institutions, ETFs, and even nation-states accumulate it — regardless of central bank preferences. 3) “Quantum computing issues.” If quantum breaks Bitcoin’s cryptography, it breaks the entire global financial system first — SWIFT, online banking, military communications. Bitcoin can upgrade via consensus long before that scenario materializes. Cryptography evolves. That’s not a flaw; that’s software. 4) “Relatively small and controlled market.” Every monetization process starts small. Gold was once a niche commodity. The internet was once “small and controlled.” Bitcoin’s market cap reflects 15 years of monetization — with no CEO, no marketing budget, and no state backing. And “controlled”? Try censoring a decentralized network running across tens of thousands of nodes worldwide. Dalio views Bitcoin through a macro-hedge lens. But Bitcoin isn’t just an asset. It’s: •Programmatic scarcity (21M hard cap) •Final settlement without intermediaries •Borderless value transfer •A hedge against monetary debasement The real question isn’t whether central banks want Bitcoin. It’s whether individuals want money that can’t be inflated, frozen, or diluted. History suggests they do.
0:10

Ray Dalio is right about one thing: Bitcoin forces you to think harder. But zoom out. 1) “Bitcoin has no privacy.” Bitcoin is pseudonymous, not anonymous. That’s by design. Transparency is what makes it auditable, trust-minimized, and globally verifiable. Privacy isn’t binary — it’s a spectrum. Second-layer solutions like Lightning Network improve transactional privacy, and self-custody + best practices eliminate counterparty surveillance. If your definition of “privacy” is “opaque like the banking system,” then yes — Bitcoin is different. It replaces institutional secrecy with mathematical transparency. 2) “Central banks don’t want to buy Bitcoin.” Correct. Central banks also didn’t want the internet, stablecoins, or gold leaving their vaults. Bitcoin isn’t competing for central bank approval. It’s competing as neutral collateral in a world of weaponized fiat. When sovereign debt hits structural limits, assets without counterparty risk win. That’s why individuals, institutions, ETFs, and even nation-states accumulate it — regardless of central bank preferences. 3) “Quantum computing issues.” If quantum breaks Bitcoin’s cryptography, it breaks the entire global financial system first — SWIFT, online banking, military communications. Bitcoin can upgrade via consensus long before that scenario materializes. Cryptography evolves. That’s not a flaw; that’s software. 4) “Relatively small and controlled market.” Every monetization process starts small. Gold was once a niche commodity. The internet was once “small and controlled.” Bitcoin’s market cap reflects 15 years of monetization — with no CEO, no marketing budget, and no state backing. And “controlled”? Try censoring a decentralized network running across tens of thousands of nodes worldwide. Dalio views Bitcoin through a macro-hedge lens. But Bitcoin isn’t just an asset. It’s: •Programmatic scarcity (21M hard cap) •Final settlement without intermediaries •Borderless value transfer •A hedge against monetary debasement The real question isn’t whether central banks want Bitcoin. It’s whether individuals want money that can’t be inflated, frozen, or diluted. History suggests they do.

Asaf · Satoshi Signal ⚡ @SatoshiSignal

22,503 просмотров • 5 месяцев назад

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn
0:01

🦕💬 • 260611 [01:03 AM KST] 41 voice notes transcripted/translated in order: hi how did you like made by riize? you’re asking if i ate dinner? i didn’t eat. i ate lunch kind of late, but i ate a hearty lunch. i also wanted to do a live as i finished work, but while wondering if i should do a live or not, something new to do popped up. and while i was doing it, it got too late. so i'll do a live later. go knicks! lately, the NBA's a hot topic lately. knicks. crazy. i don't know, you know... basketball that well, but i remember growing up they were sort of *the team* that people, yk cheered on. but i don't remember anyone saying that they were doing great, or anything. but apparently they're in the finals rn and they're doing rly well, so also can't forget the world cup. world cup season rn, so... just sports season.. sports season, crazy, yeah? [singing dyd] how is it? riize's challenge. easy, right? do it lots, please~ these days, a lot of short-form [videos] are coming up, as you've probably seen. I thought it might be fun if everyone did that together... what do you think? live... there's a way to turn it on, but even if i turned it on, i'm not sure if i could do it well. i don't have confidence rn so i'm talking like this wa, but there's only 4 days left for our comeback.. only 4 days left... how is it? are you guys looking forward to it? are u guys excited? we're going to ulsan the 15th, and wonbin hyung, said he's buying us lunch... not really. but it's our first time going to ulsan all together. we'll have our comeback there. i think it'll be fun. also, the 15th we're doing a comeback live.. we've been doing it every comeback... and at the live stream we'll be high school students.. but it could honestly be university students too.. or really just do it without a concept, but i think it'll be fun... just... it'll be fun... so, while doing that we'll talk about the comeback whatever happens i want us all to just create fun memories together, and since it’s summer, how about you all enjoy summer together with riize... how does that feel? how's this pfp? i like it ㅎㅎ engddongi, eng, engddon ah, right. also with taro hyung, we'll appear at salon drip... i also think that will be fun when it comes out. the recording was also fun, with doyeon nuna.. please watch it ah... you guys can hear the dryer? i won't tell you who's clothes it's drying, it's a secret~ since you could look at this as something im trying out instead of doing a live stream i won't be able to do it super often or every single day, but I think it wouldn't be bad to use this feature again sometime what do you think? ah, but languages are difficult it's not easy to unify into just one language now, but on the other hand, it's really fun. somehow, this chat room..? is that right? realizing that this place is totally global and international is in a way pretty cool. haha anyway, after a long time i rode a bike again.. there was a lot of sunlight... sunlight.. did lots of photosynthesis but what was a real mistake was first of all the bicycle didnt have a basket, and I didnt wear a comfortable backpack. i came out carrying a somewhat awkward/uncomfortable bag, so i really messed up on top of that the bicycle was incredibly heavy, but then the battery completely died... so I almost cried. without even realizing it I had gone so far away so I suffered a bit. that’s the story i also have the feeling i bruised my butt a bit... ㅎㅎ but that will also become a funny memory, right? how's riizing summer vacation? i think there were really a lot of funny moments... sungchan hyung was so funny... sungchan hyung said somewhere he hasn't eaten ramyeon in a year ㅎㅎ and sungchan hyung honestly isn't the type to eat ramen alone, he's on the not eating it side... but he's always like 'one bite, one bite'... so if we put all that together, wouldn't it be a plate of ramen?ㅎㅎ for me, at the beginning of our debut, it was a bit... you know how while filming content, i ended up grilling meat and all? but now, grilling meat... well, i don't think it's that bad also, back when we went to japan to shoot our album jacket photos and the trailer, we visited a lot of vinyl (LP) shops... and that was actually the first time in my life buying an LP with my own money when i was young i went to la to play, and then there was this famous 'amoeba music' store. i looked around and everything, but honestly back then i really wasn't that much interested in LPs. so i bought things like a lot of stickers and used them to decorate my laptop. somehow, after that time, [it was like] I truly spent time in a vinyl shop? but visiting now that I'm a bit older, it was so much fun there are so many songs I don’t know, and tons of songs that aren't even famous so back then in japan, duran duran is a really famous band, but I bought duran duran's Notorious LP and then I also bought Barry Finnertys,, barrynims NY City LP. what was so surprising was that as soon as I listened to the LP, the sound and quality were so good that I was like, 'wow, what is this?' but when I looked it up on the internet, it only had like 3,000 views on YouTube? I think it was 3,000, so because it was so good, I bought it. and after that yesterday too while wandering around here and there, i happened to walk into a cafe and they had LPs there too so yesterday, I bought one or two ㅎㅎ lp's no mater how you look it they have a vibe... its true that nowadays you can just look up and listen to everything on your phone, but another good thing about it (lps) is that I think it’s really great for finding songs you don't know so when going to the lp shop you get to learn a lot of new songs that you didn't know before. even if you don't go with the sole purpose of buying an LP, it's just... really great for discovering things... should I say? a riize lp would also be good... back then, during boom boom bass, we even went there and did all that stuff with our LP too... how was the video editing? back then when i went to school when doing things like presentations, together with other students we would edit videos.. i did lowkey find that kind of stuff pretty fun though because it was pretty much my first time [doing that] since back during those days... but really i think it was fun like... yeah.. i want to try to do it again when i was young i did draw. i drew for fun but it had been such a long time since i last properly sat down and tried to draw something properly with a pencil.. i think it's been such a long time i'm probably the worst at drawing in my family? ㅎㅎ my dad's good, my mom's also good.. my grandpa also draws reaññu well. but it was fun drawing again, so i also want to try that again... why is there so many things i want to do? really why is it? and above all, i want to work really hard on music so that someday i can show you even more. now, like from the trailer to the full version that was uploaded to our site... those kinds of things are a bit different from just being a song, though.. now everyone, let's try meditating together with me sorry.. anyways.. i have to leave in a couple hours actually, so.. time to hit the hay, yeehaw i can't fall asleep right away ㅎㅎ this.. seems like it might be a bit difficult to interpret/translate.. (yes anton, it is,,,) next time it might be better to just turn on a live stream instead ㅎㅎ sorry wow... sleep is really not coming... [1 video] [1 picture] ok jinja gn

🧼

37,315 просмотров • 2 месяцев назад

i analysed 1,000 TIKTOK slideshows for consumer apps... here's what i found something that change how you run your app/saas campaign since. most people assume the slideshow with the most views brings in the most installs. i tracked every metric i could pull across 1000+ posts. views, saves, comment sentiment, slide count, where the app got mentioned in the sequence, caption length, niche. the data told a different story. the highest converting slideshows rarely broke 100k views. some sat under 20k. meanwhile some of the viral ones with 2m+ views converted under 0.05%. viral and profitable are two different games. here's the pattern that separated the winners. the format was almost always: content, content, content, content, ad warmup, app push. 4 to 6 slides that feel like normal lifestyle or niche content, no mention of the app at all. then one slide near the end where the product shows up, framed as part of the story instead of an ad. apps that opened with the product on slide 1 underperformed almost every time. the accounts winning were disguising the app inside content people were already scrolling for anyway. travel aesthetics, interior inspiration, "things nobody tells you about x" hooks, niche opinions. the second pattern was volume, not virality. accounts running 8-10 tiktoks, posting 2x a day, same slide formats with fresh variations each time. 90% of posts stayed under 5k views, most even under 300. a handful hit 50k-500k. a rare one crossed 1m. the accounts winning weren't making one perfect post, they were running the format enough times that the algorithm found the winners for them. the workflow behind it, if you want to copy it: research first. search your niche on tiktok, screenshot every top slideshow, save the captions somewhere. this is the raw material for everything after. pull matching visuals from pinterest for each slide type in that screenshot pile. figure out what slide 1 looks like, slide 2, slide 3. download a handful per slide type. not everything from pinterest can be reposted as is. run it through an image api like openai or gemini to generate variations that keep the same vibe. 5 slide types x 100 variations gets you 500 usable images fast. feed the competitor captions into claude code and have it write new caption variations in that same tone, keep the early slides content only, drop the app in near the end. claude code can overlay the captions onto the images directly using ffmpeg, then hand scheduling off to a tool that allows accounts to post automatically without you touching them daily. set this up once and you get months of content queued across every account, running the same proven format with fresh visuals each time. the accounts losing were treating every post as a one off. the accounts winning built a system and let volume do the work.
0:18

i analysed 1,000 TIKTOK slideshows for consumer apps... here's what i found something that change how you run your app/saas campaign since. most people assume the slideshow with the most views brings in the most installs. i tracked every metric i could pull across 1000+ posts. views, saves, comment sentiment, slide count, where the app got mentioned in the sequence, caption length, niche. the data told a different story. the highest converting slideshows rarely broke 100k views. some sat under 20k. meanwhile some of the viral ones with 2m+ views converted under 0.05%. viral and profitable are two different games. here's the pattern that separated the winners. the format was almost always: content, content, content, content, ad warmup, app push. 4 to 6 slides that feel like normal lifestyle or niche content, no mention of the app at all. then one slide near the end where the product shows up, framed as part of the story instead of an ad. apps that opened with the product on slide 1 underperformed almost every time. the accounts winning were disguising the app inside content people were already scrolling for anyway. travel aesthetics, interior inspiration, "things nobody tells you about x" hooks, niche opinions. the second pattern was volume, not virality. accounts running 8-10 tiktoks, posting 2x a day, same slide formats with fresh variations each time. 90% of posts stayed under 5k views, most even under 300. a handful hit 50k-500k. a rare one crossed 1m. the accounts winning weren't making one perfect post, they were running the format enough times that the algorithm found the winners for them. the workflow behind it, if you want to copy it: research first. search your niche on tiktok, screenshot every top slideshow, save the captions somewhere. this is the raw material for everything after. pull matching visuals from pinterest for each slide type in that screenshot pile. figure out what slide 1 looks like, slide 2, slide 3. download a handful per slide type. not everything from pinterest can be reposted as is. run it through an image api like openai or gemini to generate variations that keep the same vibe. 5 slide types x 100 variations gets you 500 usable images fast. feed the competitor captions into claude code and have it write new caption variations in that same tone, keep the early slides content only, drop the app in near the end. claude code can overlay the captions onto the images directly using ffmpeg, then hand scheduling off to a tool that allows accounts to post automatically without you touching them daily. set this up once and you get months of content queued across every account, running the same proven format with fresh visuals each time. the accounts losing were treating every post as a one off. the accounts winning built a system and let volume do the work.

Mufasa

41,947 просмотров • 1 месяц назад

𝗣𝗲𝗼𝗽𝗹𝗲 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗹𝗼𝘀𝗲 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁 𝗶𝗻 𝗡𝗙𝗧𝘀. People lost interest in NFTs that had no reason to exist after mint. That is why Wingston caught my attention. Rally is introducing Wingston as a free mint, but the interesting part is not the price. 𝗜𝘁 𝗶𝘀 𝘁𝗵𝗲 𝗶𝗱𝗲𝗮 𝗯𝗲𝗵𝗶𝗻𝗱 𝗶𝘁. For a long time, most collections followed the same pattern: Build hype → mint → disappear. Wingston looks like it is trying something different. Instead of treating holders like spectators, it connects ownership with participation inside a living ecosystem. From what has been shared so far, Wingston is built around three things: • 𝗦𝘁𝗮𝗸𝗶𝗻𝗴 𝗼𝗽𝗽𝗼𝗿𝘁𝘂𝗻𝗶𝘁𝗶𝗲𝘀 Holding becomes more than collecting. Participation can create long term value. • 𝗩𝗜𝗣 𝗔𝗰𝗰𝗲𝘀𝘀 Early opportunities, ecosystem access, and a more connected experience. • 𝗥𝗮𝗹𝗹𝘆 𝗦𝗰𝗼𝗿𝗲 𝗯𝗼𝗼𝘀𝘁 Your activity and contribution can actually strengthen your position inside Rally. That changes the mindset. You are not just collecting an image. You are building presence. And the part I like most: This is a free mint. No pressure to buy your way in. No race to overpay. No requirement to gamble capital before understanding the product. 𝗦𝗼 𝗵𝗼𝘄 𝗱𝗼 𝗽𝗲𝗼𝗽𝗹𝗲 𝗮𝗰𝘁𝘂𝗮𝗹𝗹𝘆 𝗴𝗲𝘁 𝗮𝗰𝗰𝗲𝘀𝘀? Simple. Join Rally. Enter campaigns. Create original content. Earn rewards. Build your profile. Keep contributing. Your whitelist opportunity comes from participation, not luck. 𝗧𝗵𝗮𝘁 𝗽𝗮𝗿𝘁 𝗺𝗮𝘁𝘁𝗲𝗿𝘀. Creators who usually sit on the sidelines now have a real way to enter while getting rewarded for the work they already do. 𝗖𝗿𝗲𝗮𝘁𝗲.𝗖𝗼𝗺𝗽𝗲𝘁𝗲.𝗘𝗮𝗿𝗻.𝗤𝘂𝗮𝗹𝗶𝗳𝘆. If Rally executes this correctly, Wingston could become one of those collections people look back on and say: This was where NFTs started feeling useful again. Watching this one closely.
0:10

𝗣𝗲𝗼𝗽𝗹𝗲 𝗱𝗶𝗱 𝗻𝗼𝘁 𝗹𝗼𝘀𝗲 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁 𝗶𝗻 𝗡𝗙𝗧𝘀. People lost interest in NFTs that had no reason to exist after mint. That is why Wingston caught my attention. Rally is introducing Wingston as a free mint, but the interesting part is not the price. 𝗜𝘁 𝗶𝘀 𝘁𝗵𝗲 𝗶𝗱𝗲𝗮 𝗯𝗲𝗵𝗶𝗻𝗱 𝗶𝘁. For a long time, most collections followed the same pattern: Build hype → mint → disappear. Wingston looks like it is trying something different. Instead of treating holders like spectators, it connects ownership with participation inside a living ecosystem. From what has been shared so far, Wingston is built around three things: • 𝗦𝘁𝗮𝗸𝗶𝗻𝗴 𝗼𝗽𝗽𝗼𝗿𝘁𝘂𝗻𝗶𝘁𝗶𝗲𝘀 Holding becomes more than collecting. Participation can create long term value. • 𝗩𝗜𝗣 𝗔𝗰𝗰𝗲𝘀𝘀 Early opportunities, ecosystem access, and a more connected experience. • 𝗥𝗮𝗹𝗹𝘆 𝗦𝗰𝗼𝗿𝗲 𝗯𝗼𝗼𝘀𝘁 Your activity and contribution can actually strengthen your position inside Rally. That changes the mindset. You are not just collecting an image. You are building presence. And the part I like most: This is a free mint. No pressure to buy your way in. No race to overpay. No requirement to gamble capital before understanding the product. 𝗦𝗼 𝗵𝗼𝘄 𝗱𝗼 𝗽𝗲𝗼𝗽𝗹𝗲 𝗮𝗰𝘁𝘂𝗮𝗹𝗹𝘆 𝗴𝗲𝘁 𝗮𝗰𝗰𝗲𝘀𝘀? Simple. Join Rally. Enter campaigns. Create original content. Earn rewards. Build your profile. Keep contributing. Your whitelist opportunity comes from participation, not luck. 𝗧𝗵𝗮𝘁 𝗽𝗮𝗿𝘁 𝗺𝗮𝘁𝘁𝗲𝗿𝘀. Creators who usually sit on the sidelines now have a real way to enter while getting rewarded for the work they already do. 𝗖𝗿𝗲𝗮𝘁𝗲.𝗖𝗼𝗺𝗽𝗲𝘁𝗲.𝗘𝗮𝗿𝗻.𝗤𝘂𝗮𝗹𝗶𝗳𝘆. If Rally executes this correctly, Wingston could become one of those collections people look back on and say: This was where NFTs started feeling useful again. Watching this one closely.

Rima

24,085 просмотров • 2 месяцев назад

here's how you can scale to 10k/month on tiktok shop with slideshows so most affiliates are stuck doing the same thing every day. film, edit, post, make like $60-80 in commissions. and the problem isn't effort, it's that your time is the bottleneck. you can't film 15 videos a day. so your output caps and your money caps with it. meanwhile there's a guy in canada who made $18k in his first two weeks. never filmed anything. never showed his face. never even held a product. canada doesn't even support tiktok shop, he's running us tiktok from there. all slideshows. and when i say slideshows i mean 4-7 images posted like a normal tiktok with a product link attached. that's it. someone buys off it, you get paid. making one takes maybe 5% of the skill of making a video. now here's the catch. tiktok gated the feature. most accounts can't attach products to photo posts, you'll get a "product links not available in photo mode" error. some accounts randomly have it. quick way to check: open tiktok studio on desktop (has to be desktop, mobile won't work), hit upload. if you see "videos or photos" you have access. click photos, upload your images, attach the link. if you only see video upload, you're not in yet. uk and europe are getting it randomly right now, us is only top gmv creators for the moment. check every day because tiktok doesn't tell you when you get it, the option just shows up. worst case you build the system now and execute day one when your account unlocks. because the people getting random access with no clue what they're doing are posting random images and making nothing. the format is easy, that doesn't mean it's mindless. the format itself is one thing repeated over and over: pain point first, product second. slide one hits an insecurity. back acne from the gym. car turning into an oven all summer. makeup that never sits right. the person scrolling sees it and goes "wait that's literally me." middle slides twist the knife a bit more. then "so i tried this thing everyone's using," show it working, before and after, and the last slide is just the offer. sale, free shipping, link below. done. that structure sells cold traffic. people who've never seen the product buy off one slideshow because you sold the problem, not the product. and here's the part most people don't clock when they're scrolling past these: none of it is real. the guy holding the ceiling fan doesn't own a ceiling fan. the back acne was generated onto the model. the smoothies were never made. it's all ai images. which kills every excuse at once. no face, no product in hand, no waiting on shipping, no country restrictions. the workflow is dumb simple. screenshot a slideshow style you like, drop it in chatgpt, say "make me 3x4 images in this style." then describe your pain point scene. couple walking to a car that's been baking in the sun, whatever it is. then grab the product image off the tiktok listing, feed it in, "now show them using this." repeat per slide. no fancy prompts, the reference images do all the work. two small things that matter more than they should. keep everything 3:4 or the mixed sizes make the whole post look off. and don't bake text into the images, add it inside tiktok. native text looks like a person posted it. baked text looks like an ad. people can feel the difference even if they can't explain it. if you want it to look even more real, take a photo of your actual kitchen or desk and only generate the product into it. real room, ai product. nobody can tell. for ideas, don't invent anything. steal structure, swap one variable. the number one post in the uk right now is a simpsons style slideshow about linen trousers. take that exact skeleton and run it with a sports set or summer shorts instead. same format, different product, suddenly it's unsaturated again. or take viral videos and turn them into slides. one guy took a viral video about a sink drainage thing, rebuilt it as images, and beat the original with 1.7m views. first week on the platform. the biggest edge though is going backwards. pull products that went viral 2-3 months ago, take the exact hooks that already converted millions of views, and rerun them as slideshows. nobody's done them in this format because the format barely exists. you're not testing ideas, you're re-releasing proven hits. then it just comes down to volume. no filming, no editing, no product costs means each post is basically free. so post 10-15 a day. most will flop, who cares. one will do 500k views in two days and when it does you remake it 50 times and drain it. every gated feature on tiktok runs the same cycle. early access prints, wide rollout saturates, then it's just another format everyone does. slideshows are still in the first part of that cycle.
0:11

here's how you can scale to 10k/month on tiktok shop with slideshows so most affiliates are stuck doing the same thing every day. film, edit, post, make like $60-80 in commissions. and the problem isn't effort, it's that your time is the bottleneck. you can't film 15 videos a day. so your output caps and your money caps with it. meanwhile there's a guy in canada who made $18k in his first two weeks. never filmed anything. never showed his face. never even held a product. canada doesn't even support tiktok shop, he's running us tiktok from there. all slideshows. and when i say slideshows i mean 4-7 images posted like a normal tiktok with a product link attached. that's it. someone buys off it, you get paid. making one takes maybe 5% of the skill of making a video. now here's the catch. tiktok gated the feature. most accounts can't attach products to photo posts, you'll get a "product links not available in photo mode" error. some accounts randomly have it. quick way to check: open tiktok studio on desktop (has to be desktop, mobile won't work), hit upload. if you see "videos or photos" you have access. click photos, upload your images, attach the link. if you only see video upload, you're not in yet. uk and europe are getting it randomly right now, us is only top gmv creators for the moment. check every day because tiktok doesn't tell you when you get it, the option just shows up. worst case you build the system now and execute day one when your account unlocks. because the people getting random access with no clue what they're doing are posting random images and making nothing. the format is easy, that doesn't mean it's mindless. the format itself is one thing repeated over and over: pain point first, product second. slide one hits an insecurity. back acne from the gym. car turning into an oven all summer. makeup that never sits right. the person scrolling sees it and goes "wait that's literally me." middle slides twist the knife a bit more. then "so i tried this thing everyone's using," show it working, before and after, and the last slide is just the offer. sale, free shipping, link below. done. that structure sells cold traffic. people who've never seen the product buy off one slideshow because you sold the problem, not the product. and here's the part most people don't clock when they're scrolling past these: none of it is real. the guy holding the ceiling fan doesn't own a ceiling fan. the back acne was generated onto the model. the smoothies were never made. it's all ai images. which kills every excuse at once. no face, no product in hand, no waiting on shipping, no country restrictions. the workflow is dumb simple. screenshot a slideshow style you like, drop it in chatgpt, say "make me 3x4 images in this style." then describe your pain point scene. couple walking to a car that's been baking in the sun, whatever it is. then grab the product image off the tiktok listing, feed it in, "now show them using this." repeat per slide. no fancy prompts, the reference images do all the work. two small things that matter more than they should. keep everything 3:4 or the mixed sizes make the whole post look off. and don't bake text into the images, add it inside tiktok. native text looks like a person posted it. baked text looks like an ad. people can feel the difference even if they can't explain it. if you want it to look even more real, take a photo of your actual kitchen or desk and only generate the product into it. real room, ai product. nobody can tell. for ideas, don't invent anything. steal structure, swap one variable. the number one post in the uk right now is a simpsons style slideshow about linen trousers. take that exact skeleton and run it with a sports set or summer shorts instead. same format, different product, suddenly it's unsaturated again. or take viral videos and turn them into slides. one guy took a viral video about a sink drainage thing, rebuilt it as images, and beat the original with 1.7m views. first week on the platform. the biggest edge though is going backwards. pull products that went viral 2-3 months ago, take the exact hooks that already converted millions of views, and rerun them as slideshows. nobody's done them in this format because the format barely exists. you're not testing ideas, you're re-releasing proven hits. then it just comes down to volume. no filming, no editing, no product costs means each post is basically free. so post 10-15 a day. most will flop, who cares. one will do 500k views in two days and when it does you remake it 50 times and drain it. every gated feature on tiktok runs the same cycle. early access prints, wide rollout saturates, then it's just another format everyone does. slideshows are still in the first part of that cycle.

Mufasa

13,066 просмотров • 13 дней назад

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.
0:13

Would you dare chase justice while swinging thousands of feet above traffic below? Seedance 2 prompt on BudgetPixel AI Create a 15-second ultra-realistic cinematic high-altitude tether-swinging action sequence in strict 16:9 landscape, native 4K, 24fps. Use one seamless continuous drone follow shot with no cuts, no teleporting, and no time skips. The motion must feel physically continuous, dynamic, thrilling, and always readable. REFERENCE: image1 = main heroine reference. Use image1 as the strict identity reference for the heroine’s face, facial proportions, hairstyle, hair color, body proportions, age impression, outfit, shoes, accessories, styling, and overall recognizable appearance. Preserve her identity consistently throughout the whole video. Keep her as an original urban tether-swinging action heroine. Do not redesign her into a branded superhero character. Do not add franchise logos, copyrighted chest emblems, or recognizable third-party superhero symbols. CORE CONCEPT: This is an original urban tether-swinging action short. The heroine moves through the city using thin wrist-launched fiber lines, momentum, wall-running, rooftop movement, and real parkour body mechanics. She travels at high altitude between tall buildings, then lands on a rooftop, defeats one villain, and ends with a powerful shout. HOOK: The first second must be an instant scroll-stopping hook. Start with the heroine already falling backward off the edge of a very tall skyscraper. For a brief moment, it looks like she may actually fall. Then she instantly fires one thin tether line upward, it catches, and her body snaps into a huge high-altitude swing between buildings. STYLE: Photorealistic live-action realism. Premium cinematic action quality. Bright daytime Los Angeles atmosphere with realistic haze, realistic motion blur, realistic fabric movement, realistic body weight, real inertia, and practical environmental interaction. The sequence should feel like a premium action movie shot, not animation, not a game cutscene, and not a cartoon. CAMERA: One uninterrupted drone follow shot only. No cuts. No resets. No jumpy edits. No impossible viewpoint teleporting. The drone camera must stay wide enough to show both the heroine and the environment together. It may tilt, roll, arc, climb, and dive with the motion, but it must always feel like one real flying camera tracking her. Keep the framing intense and fast, but always readable. ENVIRONMENT: Bright daytime in a dense modern city inspired by Los Angeles and Hollywood. Show: - tall glass and concrete high-rises - rooftop edges - billboards and signage - palm trees far below where visible - busy roads and traffic far beneath - bright haze and sunny atmosphere - believable large-scale urban depth The action must happen mainly high above the street between tall buildings, not low near the ground for most of the video. VILLAIN RULE: Only one villain appears in the entire video. The villain is one adult male enemy only. He wears a fitted black suit, black shirt, and black shoes. No mask, no armor, no fantasy costume. He appears only in the rooftop combat section. Do not generate multiple enemies. Do not generate background enemies. Do not clone or duplicate the villain. ACTION RULES: The heroine’s movement must feel hand-and-foot driven, not magical floating. She must visibly: - fire thin tether lines from her hands - swing with real tension and momentum - push off building surfaces - run along walls with clear foot placement - absorb landings with bent knees - sprint briefly on a rooftop - fight one villain using fast practical action - finish in control Her body mechanics must stay realistic: - core engaged during swings - arms extended or flexed according to line tension - knees bend on landing and push-off - visible transfer of momentum between swing, wall-run, leap, landing, and combat Do not make her hover weightlessly. Do not make the tether line act like magic. Do not make her float in place unnaturally. EMOTIONAL ARC: - opening: shock and immediate control - mid-swing: intense focus - rooftop approach: rising confidence - rooftop fight: sharp aggression and urgency - ending: victorious adrenaline and fearless release AUDIO: No music. Effects and ambience only: - rushing wind - tether firing and tension snaps - air pass-by - foot impacts on walls and rooftop surfaces - city ambience far below - distant traffic and horns - fabric movement - breathing - one short rooftop fight impact sequence - one powerful final shout from the heroine TIMELINE: 0:00–0:01 Start from black into a shocking rooftop-edge fall. The heroine is already dropping backward off a skyscraper. For a fraction of a second it feels dangerous and uncontrolled. She immediately flicks her wrist and fires one thin tether line upward. It catches instantly. The drone yanks back and reveals the start of a huge swing. 0:01–0:04 The heroine swings at high altitude between tall buildings. The city is far below. Her body forms a long aerodynamic arc, one arm holding tension through the line, legs trailing cleanly behind. The drone follows wide and slightly rolled, emphasizing height, speed, and scale. 0:04–0:06 At the swing’s forward rise, she releases the line and redirects toward a nearby glass-and-concrete building. She plants onto the wall and runs across it diagonally with 4 to 5 clear steps. Her feet hit the wall with visible force. Her jaw is set and focused. The drone stays close but wide enough to keep the city depth visible. 0:06–0:08 She pushes explosively off the wall, fires a new tether line, and swings again through a narrower corridor between tall buildings. The movement should feel faster and more controlled now. She threads cleanly through the urban gap and angles toward a rooftop landing zone ahead. 0:08–0:09.5 She releases the line and lands hard but controlled on a rooftop. Knees bend deeply to absorb impact. She rolls into a short forward recovery step, then rises immediately into a sprint across the rooftop surface. 0:09.5–0:12 One villain in a black suit steps in to stop her. Keep only this single enemy. The heroine engages him in a short, sharp rooftop fight. She avoids his first attack with a quick slip, grabs or redirects his arm, drives one fast body shot or elbow, then uses his off-balance momentum to throw or slam him down onto the rooftop. The fight must feel quick, practical, and decisive. Real impact reactions. No slow choreography. No extra enemies. 0:12–0:13.5 The villain is down and no longer a threat. The heroine steps past him and moves to the rooftop edge. Wind moves her hair and outfit. She looks outward over the city with intense adrenaline and triumph. 0:13.5–0:15 At the rooftop edge, she turns slightly toward the open skyline, lifts her chest, and shouts one powerful final line: “가자!” She immediately launches forward off the rooftop edge into another leap just as the clip ends. End on the feeling that the action is continuing beyond the cut. IMPORTANT RULES: - one continuous drone follow shot only - no cuts - no teleporting - no cloning - no multiple villains - only one black-suited villain - no giant web canopy - use only thin functional tether lines - no franchise logos - no copyrighted chest symbols - preserve the uploaded identity consistently - action must stay realistic and momentum-driven - rooftop fight must be short, sharp, and readable - final shout must be “가자!” NEGATIVE: no cartoon, no anime, no game-engine look, no fake CGI stiffness, no floating, no weightless hovering, no random disconnected acrobatics, no city-wide web canopy, no superhero logo, no copyrighted spider emblem, no extra enemies, no masked villain, no armored villain, no cloned villain, no empty city, no dark night setting, no rain, no slow motion, no blurred identity, no outfit drift, no face drift, no extra limbs, no broken anatomy, no unrealistic hand deformation, no collision with buildings during swings, no messy unreadable fight.

Sharon Riley

59,224 просмотров • 24 дней назад