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Christopher Nolan says Satyajit Ray's Pather Panchali is "an absolutely incredible film," praising the Apu Trilogy. He admitted he still hasn't seen Aparajito or Apur Sansar but excited to see them. Nolan joins Scorsese, Kurosawa, and Wes Anderson in praising Ray's work.

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10,148 görüntüleme • 8 gün önce •via X (Twitter)

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Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.
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Christopher Nolan Explains Why He Doesn’t Use CGI and Shoots on IMAX Robert Downey Jr.: Why Christopher Nolan doesn’t use CGI. Christopher Nolan: I find CGI, however versatile it is, but it always tends to feel a little safe to me. Christopher Nolan: I think if you want something to have a bit of bite, you’ve got the imagery to a better threat, even if it’s a miniature, even if it’s something very fake, but something real on camera. Christopher Nolan: I think it gives you a better result. Robert Downey Jr.: Why does Christopher Nolan shoot on film? Christopher Nolan: I shoot on film because it’s the highest quality imaging format ever devised, particularly IMAX film, large-format film. Christopher Nolan: Film shows you the world kind of the way your eye sees it. Robert Downey Jr.: Where does Christopher Nolan get his ideas? Christopher Nolan: All over the place. Different on every film. Christopher Nolan: Oppenheimer, I’d been interested in a long time, didn’t know that much about the specifics of his story, then came to the book American Prometheus, and that absolutely got me hooked. Christopher Nolan: So, in the case of Oppenheimer, the idea… I trace it right back to, like, as a kid in the eighties, and we all thought we were gonna die in nuclear Armageddon. Robert Downey Jr.: Absolutely. Me too.

‏ً

133,161 görüntüleme • 17 gün önce

Christopher Nolan himself admitted he changed the ending to make it less misogynistic. The woke feminist translator whose work inspired the film saw it and said it's poorly written and not true to the source material. When the lib tattooed feminist translator thinks your movie is bad that's how you know it's really bad.
1:20

Christopher Nolan himself admitted he changed the ending to make it less misogynistic. The woke feminist translator whose work inspired the film saw it and said it's poorly written and not true to the source material. When the lib tattooed feminist translator thinks your movie is bad that's how you know it's really bad.

Lauren Chen

21,553 görüntüleme • 2 gün önce

Benicio del Toro spent 2025 making films with directors last name “Anderson” (Paul, Wes), and I think del Toro should continue to work with both forever. In PTA’s 2014 film Inherent Vice, del Toro shows up sparingly, but when he does, every moment is incredible. What an actor.
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Benicio del Toro spent 2025 making films with directors last name “Anderson” (Paul, Wes), and I think del Toro should continue to work with both forever. In PTA’s 2014 film Inherent Vice, del Toro shows up sparingly, but when he does, every moment is incredible. What an actor.

Cinema Tweets

21,517 görüntüleme • 2 ay önce

Nicolas Cage says Christopher Nolan, Woody Allen and Paul Thomas Anderson never called him again after he turned them down “David O. Russell is someone that offered me a movie a million years ago. I don’t remember the name of the movie, but anyway, it was a good movie, and he offered it and I said no” “And he’s the only director that I ever said no to who actually came back and offered me another movie” “Most of them, they get their feelings hurt or something and don’t call you back” “It’s happened a million times to me. It’s happened with Christopher Nolan. It’s happened with Woody Allen. It’s happened with Paul Thomas Anderson” “They don’t call me back”
0:33

Nicolas Cage says Christopher Nolan, Woody Allen and Paul Thomas Anderson never called him again after he turned them down “David O. Russell is someone that offered me a movie a million years ago. I don’t remember the name of the movie, but anyway, it was a good movie, and he offered it and I said no” “And he’s the only director that I ever said no to who actually came back and offered me another movie” “Most of them, they get their feelings hurt or something and don’t call you back” “It’s happened a million times to me. It’s happened with Christopher Nolan. It’s happened with Woody Allen. It’s happened with Paul Thomas Anderson” “They don’t call me back”

sara

375,423 görüntüleme • 8 gün önce

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."
2:21

Christopher Nolan says The Odyssey is a promise he made to himself at 16, watching a volcano documentary in a dome-screen IMAX in Chicago. Christopher Nolan: "Going to the Museum of Science and Industry in Chicago when I was 16 years old, seeing a documentary about volcanoes in the OmniMax format, and thinking... why on earth isn't Hollywood using this format? I always wanted to be a director. If I ever got the chance, could I shoot a film in this way?" Christopher Nolan: "I called my friends at IMAX and said, look... if ever we're going to make a film entirely on IMAX, this is The Odyssey. This is the one. Can you find a way to alleviate the limiting factor? The cameras are extremely loud." Christopher Nolan: "What they did is they came up with a way of blimping the camera... a high-tech box that silences it. The thing weighed about 300 pounds. But it let us, for the first time ever, get the quiet scenes, the dramatic scenes, and therefore do the whole film."

PrimeNic

47,984 görüntüleme • 15 gün önce

Christopher Nolan’s next film is only 63 days away but the doubters are out in full force- you can hear them from miles away. I’d like to offer an olive branch to those questioning Nolan in this moment: there’s still time for you to reverse course & stop doubting Nolan. I’m truly surprised by how many have suggested that The Odyssey could be a full-blown failure. The “bust potential” conversations around this film are growing, albeit needlessly. Many have criticized Nolan’s casting decisions & creative decisions- without even seeing the film. This is all without mentioning that Nolan just won multiple Oscars- he just gave us an immediate classic with Oppenheimer. Doesn’t that mean he gets the benefit of the doubt? Shouldn’t people hold their reservations until they see Nolan’s vision through? It doesn’t make any sense to me. Let this be a line of demarcation. 63 days out from The Odyssey, if you’re one of those folks doubting/questioning Nolan, this might be one of your last chance to be on the right side of history when Nolan drops another classic.
0:24

Christopher Nolan’s next film is only 63 days away but the doubters are out in full force- you can hear them from miles away. I’d like to offer an olive branch to those questioning Nolan in this moment: there’s still time for you to reverse course & stop doubting Nolan. I’m truly surprised by how many have suggested that The Odyssey could be a full-blown failure. The “bust potential” conversations around this film are growing, albeit needlessly. Many have criticized Nolan’s casting decisions & creative decisions- without even seeing the film. This is all without mentioning that Nolan just won multiple Oscars- he just gave us an immediate classic with Oppenheimer. Doesn’t that mean he gets the benefit of the doubt? Shouldn’t people hold their reservations until they see Nolan’s vision through? It doesn’t make any sense to me. Let this be a line of demarcation. 63 days out from The Odyssey, if you’re one of those folks doubting/questioning Nolan, this might be one of your last chance to be on the right side of history when Nolan drops another classic.

Cinema Tweets

73,259 görüntüleme • 2 ay önce

Christopher Nolan reveals the first time an actor said no to him was David Bowie, and he had to personally beg him to change his mind. Jimmy Fallon: Have you ever gotten a “no”? Christopher Nolan: Have I ever gotten a “no”? Yeah, I have. Jimmy Fallon: Besides me when I said I didn’t want to do Batman. Christopher Nolan: The only “no” I’ll admit to is David Bowie for The Prestige. He was my great idol, and I thought he’d be perfect to play Nikola Tesla. Christopher Nolan: We sent him the script and everything, and he said no. It was the first time I ever went back and said, “Can I just go and meet him? Can I try and convince him in the room?” Christopher Nolan: They agreed, so I quickly wrote him a better speech for his first appearance, showed up with a new script, and basically begged. I managed to turn that “no” into a “yes.” Jimmy Fallon: Yes! But you did get a “no” from the coolest kid in school.
0:48

Christopher Nolan reveals the first time an actor said no to him was David Bowie, and he had to personally beg him to change his mind. Jimmy Fallon: Have you ever gotten a “no”? Christopher Nolan: Have I ever gotten a “no”? Yeah, I have. Jimmy Fallon: Besides me when I said I didn’t want to do Batman. Christopher Nolan: The only “no” I’ll admit to is David Bowie for The Prestige. He was my great idol, and I thought he’d be perfect to play Nikola Tesla. Christopher Nolan: We sent him the script and everything, and he said no. It was the first time I ever went back and said, “Can I just go and meet him? Can I try and convince him in the room?” Christopher Nolan: They agreed, so I quickly wrote him a better speech for his first appearance, showed up with a new script, and basically begged. I managed to turn that “no” into a “yes.” Jimmy Fallon: Yes! But you did get a “no” from the coolest kid in school.

gee

894,069 görüntüleme • 11 gün önce

When Christopher Nolan explains the plot of Momento, he draws a hairpin. It’s an idea I keep coming back to: Stories as shapes. In Momento, half of the movie moves forward in time while the other half moves backward. Then, toward the end, the two sides meet near the tip of the hairpin. Point 1: Nolan says to “approach structure mathematically with diagrams.” In storytelling, the idea of structure is everywhere: • 3 Act • StoryGrid • Hero’s Journey But Nolan claims those restrict his creativity. He prefers to think in ‘shapes’ rather than in hard rules. “What I do is draw many diagrams,” Nolan says, “Particularly if there’s a type of structural complexity.” Point 2: I’m reminded of Kurt Vonnegut, who taught about the “shapes of stories” at Harvard and Case Western. He broke down stories into ~8 unique shapes. Each runs on 2 axes: • X – Time • Y – Good vs ill fortune For example, Nolan’s plot map of Inception looks like Vonnegut’s “Man In Hole” shape. But Momento is non-linear so it doesn’t follow any of the 8. And yet Nolan still describes it as a shape. *** “Breaking rules isn’t interesting. It’s making up new ones that keeps things exciting.” – Christopher Nolan Follow Nathan Baugh for more ideas like this!
1:18

When Christopher Nolan explains the plot of Momento, he draws a hairpin. It’s an idea I keep coming back to: Stories as shapes. In Momento, half of the movie moves forward in time while the other half moves backward. Then, toward the end, the two sides meet near the tip of the hairpin. Point 1: Nolan says to “approach structure mathematically with diagrams.” In storytelling, the idea of structure is everywhere: • 3 Act • StoryGrid • Hero’s Journey But Nolan claims those restrict his creativity. He prefers to think in ‘shapes’ rather than in hard rules. “What I do is draw many diagrams,” Nolan says, “Particularly if there’s a type of structural complexity.” Point 2: I’m reminded of Kurt Vonnegut, who taught about the “shapes of stories” at Harvard and Case Western. He broke down stories into ~8 unique shapes. Each runs on 2 axes: • X – Time • Y – Good vs ill fortune For example, Nolan’s plot map of Inception looks like Vonnegut’s “Man In Hole” shape. But Momento is non-linear so it doesn’t follow any of the 8. And yet Nolan still describes it as a shape. *** “Breaking rules isn’t interesting. It’s making up new ones that keeps things exciting.” – Christopher Nolan Follow Nathan Baugh for more ideas like this!

Nathan Baugh

256,319 görüntüleme • 3 yıl önce

Yonna shows SUPPORT to Reggie and says she could tell he hasn't been HAPPY in the past but can tell he is in a better place now♥️ "when I seen him at Rakai's party he looked happy and that's what I like to see"🥹
0:27

Yonna shows SUPPORT to Reggie and says she could tell he hasn't been HAPPY in the past but can tell he is in a better place now♥️ "when I seen him at Rakai's party he looked happy and that's what I like to see"🥹

Onyx

320,295 görüntüleme • 8 ay önce

Christopher Nolan almost says “Far From Home” during a serious answer. He catches himself mid-sentence and turns it into a joke. Nolan: "I was about to say far from home" at 0:38 "immediately stops and laughs" Nolan: "I didn’t want to say that… Just going to say if you see only one Tom Holland film this summer" at 0:48 "Tom Holland start laughing, whole room loses it with laughter and applause" Pure accidental Spider-Man reference from the man himself. Nolan’s timing is unmatched 😂 Save this.
1:03

Christopher Nolan almost says “Far From Home” during a serious answer. He catches himself mid-sentence and turns it into a joke. Nolan: "I was about to say far from home" at 0:38 "immediately stops and laughs" Nolan: "I didn’t want to say that… Just going to say if you see only one Tom Holland film this summer" at 0:48 "Tom Holland start laughing, whole room loses it with laughter and applause" Pure accidental Spider-Man reference from the man himself. Nolan’s timing is unmatched 😂 Save this.

DANTE

1,682,096 görüntüleme • 19 gün önce

“Milton Williams is an animal and I can not wait to see how he performs against the Texans in the Divisional Round.” We may not have Anderson or Hunter but we have Williams and Barmore. 🔥 IG: Film Watchers | NFL on ESPN
1:25

“Milton Williams is an animal and I can not wait to see how he performs against the Texans in the Divisional Round.” We may not have Anderson or Hunter but we have Williams and Barmore. 🔥 IG: Film Watchers | NFL on ESPN

Michael Rodnick

77,777 görüntüleme • 6 ay önce

Christopher Nolan on Robin Williams's creepy performance in "Insomnia" (2002): "Nolan: You wouldn't notice him sitting next to you on the bus. To me that's why he's so creepy, because he's a very ordinary guy who's crossed this line and he's trying to figure out where that's going to take him, I've seen his performance in this movie, one way or another, thousands of times at this point, and it's totally real. It absolutely stands up to multiple viewings. Most performances don't. Most performances, after you've watched them and watched them and watched them, you start to see the tricks. It starts to get stale. Interviewer: What isn't ordinary about the character is that his mind is so meticulous. Watching Williams, you get the sense that everything he does is premeditated, even when he's winging it. Nolan: Right. but if you watch the film again, if you step outside Pacino's perception of the situation, he's not as sharp as you think he is. Al is progressively strung out. He's missing things. Interviewer: So was it hard to get such a reserved performance out of the famously hyperactive Williams? Nolan: I didn't find it so, to be quite honest. What I found was that all of the control he has as a performer- that allows him to create these various characters be they manic or whatever -- it's exactly the same control that allows him to reign it in." (Christopher Nolan's interview with Rob Blackwelder, Splicedwire, 2002) P.S: On this day, 24 years ago, "Insomnia" (2002) was released in the USA and Canada.
1:36

Christopher Nolan on Robin Williams's creepy performance in "Insomnia" (2002): "Nolan: You wouldn't notice him sitting next to you on the bus. To me that's why he's so creepy, because he's a very ordinary guy who's crossed this line and he's trying to figure out where that's going to take him, I've seen his performance in this movie, one way or another, thousands of times at this point, and it's totally real. It absolutely stands up to multiple viewings. Most performances don't. Most performances, after you've watched them and watched them and watched them, you start to see the tricks. It starts to get stale. Interviewer: What isn't ordinary about the character is that his mind is so meticulous. Watching Williams, you get the sense that everything he does is premeditated, even when he's winging it. Nolan: Right. but if you watch the film again, if you step outside Pacino's perception of the situation, he's not as sharp as you think he is. Al is progressively strung out. He's missing things. Interviewer: So was it hard to get such a reserved performance out of the famously hyperactive Williams? Nolan: I didn't find it so, to be quite honest. What I found was that all of the control he has as a performer- that allows him to create these various characters be they manic or whatever -- it's exactly the same control that allows him to reign it in." (Christopher Nolan's interview with Rob Blackwelder, Splicedwire, 2002) P.S: On this day, 24 years ago, "Insomnia" (2002) was released in the USA and Canada.

DepressedBergman

45,737 görüntüleme • 2 ay önce

RIP Tatsuya Nakadai, the greatest Japanese actor of all time. I always get excited when I see his name in opening credits. He was incredible in Harakiri and The Human Condition trilogy, but my favorite performance of his still has to be The Beast Shall Die (1959). Wild eyes.
2:03

RIP Tatsuya Nakadai, the greatest Japanese actor of all time. I always get excited when I see his name in opening credits. He was incredible in Harakiri and The Human Condition trilogy, but my favorite performance of his still has to be The Beast Shall Die (1959). Wild eyes.

Public Hakita Is a Good Idea

23,054 görüntüleme • 8 ay önce

Christopher Nolan spoke about his long conversation with Park Chanwook today in South Korea: "At the end, he asked me what I was doing next. I said, 'I didn't know because I don't.' But he said, 'I'm sure you'll take a holiday and take a rest, but you shouldn't do that for too long because I want you to make another film,' which, frankly, just made me feel very, very tired. "He's an incredible filmmaker. I've loved his work for years. There are many wonderful Korean filmmakers, and it's been amazing to see how people from here have spread out into the world—their work is just spreading all across the world and really changing the culture internationally."
0:50

Christopher Nolan spoke about his long conversation with Park Chanwook today in South Korea: "At the end, he asked me what I was doing next. I said, 'I didn't know because I don't.' But he said, 'I'm sure you'll take a holiday and take a rest, but you shouldn't do that for too long because I want you to make another film,' which, frankly, just made me feel very, very tired. "He's an incredible filmmaker. I've loved his work for years. There are many wonderful Korean filmmakers, and it's been amazing to see how people from here have spread out into the world—their work is just spreading all across the world and really changing the culture internationally."

Christopher Nolan Updates

163,743 görüntüleme • 9 saat önce

Why Christopher Nolan chose everyday American accents and Travis Scott over traditional cinema voices, and why he says the old way has absolutely no logic. Interviewer: I’m curious about the use of American accents. It felt like an intentional choice. Christopher Nolan: To me, I didn't want to look back to the Hollywood of the 50s and 60s where everyone spoke with an elevated Mid-Atlantic or British accent. There's no logic to that. We're trying to be what I find in the poem, which is earthy, grounded, accessible, and stunningly relevant. Academics talk about how Homer's story was passed down as oral formulaic poetry, but they'll talk about Yugoslav folk poets instead of looking at rap or a guy like Travis Scott. That's why I've got Travis in the movie. He got it immediately, this is how this story has been handed down, and we have that in our culture today.
2:28

Why Christopher Nolan chose everyday American accents and Travis Scott over traditional cinema voices, and why he says the old way has absolutely no logic. Interviewer: I’m curious about the use of American accents. It felt like an intentional choice. Christopher Nolan: To me, I didn't want to look back to the Hollywood of the 50s and 60s where everyone spoke with an elevated Mid-Atlantic or British accent. There's no logic to that. We're trying to be what I find in the poem, which is earthy, grounded, accessible, and stunningly relevant. Academics talk about how Homer's story was passed down as oral formulaic poetry, but they'll talk about Yugoslav folk poets instead of looking at rap or a guy like Travis Scott. That's why I've got Travis in the movie. He got it immediately, this is how this story has been handed down, and we have that in our culture today.

Fola

65,668 görüntüleme • 24 gün önce

Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”
6:18

Since he was 16, Christopher Nolan has been dreaming of a way to shoot an entire film on IMAX, and with “The Odyssey,” he’s finally done it. The Oscar-winning director told Gayle King about the challenges of shooting across six countries and on a boat in open waters — and why he still feels nervous before debuting his films in theaters: “The movie’s really not done until the audience kind of tells me what it is.”

CBS Mornings

12,858 görüntüleme • 15 gün önce

THE LONG ROAD HOME: After reporting from the front lines in Iraq and Ukraine, Griff Jenkins says he wasn’t prepared for the emotional journey of watching Odysseus grapple with the things he had seen. Christopher Nolan reveals how he explored the psychological aftermath of war—and why the story still resonates so powerfully with those who have served. “It was important to deal with... the reality of the aftermath of war. This is the story of Odysseus trying to come home after this monumental conflict.”
1:05

THE LONG ROAD HOME: After reporting from the front lines in Iraq and Ukraine, Griff Jenkins says he wasn’t prepared for the emotional journey of watching Odysseus grapple with the things he had seen. Christopher Nolan reveals how he explored the psychological aftermath of war—and why the story still resonates so powerfully with those who have served. “It was important to deal with... the reality of the aftermath of war. This is the story of Odysseus trying to come home after this monumental conflict.”

FOX & Friends

13,305 görüntüleme • 17 gün önce

Christopher Nolan on working with Tom Holland for the first time in ‘THE ODYSSEY’: “Tom Holland is an actor whose work I’ve admired for years, and I felt very confident, you know, he could take on this this coming-of-age story. But I have to say, he dazzled me with with his ability. He’s an extraordinary actor, beyond what I even hoped for or imagined. That’s such a thrill as a director when you you have somebody doing something even more than you saw in the character. He’s really a remarkable young actor.”
0:29

Christopher Nolan on working with Tom Holland for the first time in ‘THE ODYSSEY’: “Tom Holland is an actor whose work I’ve admired for years, and I felt very confident, you know, he could take on this this coming-of-age story. But I have to say, he dazzled me with with his ability. He’s an extraordinary actor, beyond what I even hoped for or imagined. That’s such a thrill as a director when you you have somebody doing something even more than you saw in the character. He’s really a remarkable young actor.”

best of tom holland

183,808 görüntüleme • 21 gün önce

Emily Wilson after watching the Odyssey: ‘The film presents an Odysseus who feels very bad about things that he's done in war, and is struggling to process them in a very modern, psychiatrised way – and needs drugs to do so! He seems to feel bad about being a warrior, and we never actually see him get to do much warrioring ... Nolan makes the protagonist a likeable, all-American hero; Homer's Odysseus wants glory, and he wants to get spoils from the sack of a city! I kept looking in vain for a sense that this was a film about glory. This is a film that has an interest in shame, but I don't think it has any interest in glory.’
1:35

Emily Wilson after watching the Odyssey: ‘The film presents an Odysseus who feels very bad about things that he's done in war, and is struggling to process them in a very modern, psychiatrised way – and needs drugs to do so! He seems to feel bad about being a warrior, and we never actually see him get to do much warrioring ... Nolan makes the protagonist a likeable, all-American hero; Homer's Odysseus wants glory, and he wants to get spoils from the sack of a city! I kept looking in vain for a sense that this was a film about glory. This is a film that has an interest in shame, but I don't think it has any interest in glory.’

Gareth Harney

3,973,167 görüntüleme • 13 gün önce

Matt Damon says Christopher Nolan had no idea how he’d shoot inside The Odyssey’s Trojan Horse, then kept everyone in there for hours Matt: “The horse was next up on the schedule, so I said to Chris, ‘Tuesday we’re doing the horse. How are you going to shoot that?’ He goes, ‘No idea’” “I go, ‘What?’ And he goes, ‘We’re just going to get in there and figure it out.’ It is like shooting an independent film, but at a scale beyond anything I’ve ever had a chance to do” Nolan: “If one guy gets out, we barely got in here. If I let him get out, they’re never getting back in, so we just need to get every shot. We stayed in there for hours. We got it done”
1:20

Matt Damon says Christopher Nolan had no idea how he’d shoot inside The Odyssey’s Trojan Horse, then kept everyone in there for hours Matt: “The horse was next up on the schedule, so I said to Chris, ‘Tuesday we’re doing the horse. How are you going to shoot that?’ He goes, ‘No idea’” “I go, ‘What?’ And he goes, ‘We’re just going to get in there and figure it out.’ It is like shooting an independent film, but at a scale beyond anything I’ve ever had a chance to do” Nolan: “If one guy gets out, we barely got in here. If I let him get out, they’re never getting back in, so we just need to get every shot. We stayed in there for hours. We got it done”

Yonan

855,339 görüntüleme • 16 gün önce