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Claude Fable 5 just one shot this procedural creatures! 🤯 Built a whole procedural 3D character generator in Three.js with: > Ragdoll-like characters made from primitive shapes that merge into one seamless body > Custom vertex shader + SDF tech that removes all seams and blends normals/colors perfectly >...

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Tim Jayas

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48,018 görüntüleme • 1 ay önce •via X (Twitter)

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I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.
2:14

I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.

aVersionOfReality

65,803 görüntüleme • 1 yıl önce

fable, I want you to grab a MetaHuman file off of Unreal Engine Marketplace or Fab Marketplace or something like that. There should be free ones. Find a character controller that works with that for web and threeJS. Specifically for flying, like Superman, generate a World Labs outdoor environment of your choosing and set up a threeJS project where we can fly around with a character like Superman, with really nice flying animations, camera animations, and camera zoom and shake effects when you're flying. Put some nice post-processing on it with some bloom and grain and stuff like that. Really just make this feel as polished as you can, where we get to fly around in a world where the flight feels similar to Superman. Do it in one shot and without any input from me. optimize it 2 prompts - NOT BAD!! Honestly could get this feeling/looking 10x better with probably 2 more prompts. I'd likely use a larger city GLB, populate the outskirts with World Labs gsplats, manually grab a better character to use, and add some objectives. But I wanted to see what it could do in 1 prompt (basically) Try it out 👇
0:38

fable, I want you to grab a MetaHuman file off of Unreal Engine Marketplace or Fab Marketplace or something like that. There should be free ones. Find a character controller that works with that for web and threeJS. Specifically for flying, like Superman, generate a World Labs outdoor environment of your choosing and set up a threeJS project where we can fly around with a character like Superman, with really nice flying animations, camera animations, and camera zoom and shake effects when you're flying. Put some nice post-processing on it with some bloom and grain and stuff like that. Really just make this feel as polished as you can, where we get to fly around in a world where the flight feels similar to Superman. Do it in one shot and without any input from me. optimize it 2 prompts - NOT BAD!! Honestly could get this feeling/looking 10x better with probably 2 more prompts. I'd likely use a larger city GLB, populate the outskirts with World Labs gsplats, manually grab a better character to use, and add some objectives. But I wanted to see what it could do in 1 prompt (basically) Try it out 👇

Nicholas | WithLore

88,652 görüntüleme • 2 ay önce

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.
1:17

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.

Jerome | InsaneUnreal

16,388 görüntüleme • 2 ay önce

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:
0:49

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

The Bugged Dev

103,991 görüntüleme • 1 ay önce

Generative AI is cool and all, but procedural 3D modeling just hits different. Check out this Houdini setup by Pepe Buendia. Why this is cool: Instead of manually placing every building and car, this system generates an NYC-style city that builds itself -- automatically spawning buildings with unique variations, plus a traffic system where cars actually obey traffic lights and avoid crashing into each other (all orchestrated through houdini VEX code). Each car knows exactly which road it's on and makes real-time decisions about navigation. The whole thing runs on custom algorithms that handle everything from road directions to building placement. If you did this with generative AI, even approaches to conditioning and taming the chaos -- you'd still get a ton of variance which might be an issue for visual and spatial consistency. To me this is procedural modeling at its finest - precise control meets infinite scalability. Immensely useful for media & entertainment, but also synthetic training data for robotics and augmented reality. I of course can't wait until multimodal LLMs to have the spatial understanding to write these kind of controllable 3D worlds for us. Claude counting 2D pixels on a screen is a step in this direction. Soon they'll be able to manipulate 2D ortho viewports, and eventually spawn procedural 3D worlds.
0:24

Generative AI is cool and all, but procedural 3D modeling just hits different. Check out this Houdini setup by Pepe Buendia. Why this is cool: Instead of manually placing every building and car, this system generates an NYC-style city that builds itself -- automatically spawning buildings with unique variations, plus a traffic system where cars actually obey traffic lights and avoid crashing into each other (all orchestrated through houdini VEX code). Each car knows exactly which road it's on and makes real-time decisions about navigation. The whole thing runs on custom algorithms that handle everything from road directions to building placement. If you did this with generative AI, even approaches to conditioning and taming the chaos -- you'd still get a ton of variance which might be an issue for visual and spatial consistency. To me this is procedural modeling at its finest - precise control meets infinite scalability. Immensely useful for media & entertainment, but also synthetic training data for robotics and augmented reality. I of course can't wait until multimodal LLMs to have the spatial understanding to write these kind of controllable 3D worlds for us. Claude counting 2D pixels on a screen is a step in this direction. Soon they'll be able to manipulate 2D ortho viewports, and eventually spawn procedural 3D worlds.

Bilawal Sidhu

527,529 görüntüleme • 1 yıl önce

I just cracked the code on AI animation ads 🤯 every one of these cost me 12 cents and under 20 seconds to make Gemini Omni + Claude Code is f*cking wild. i built a system that turns any product into an end-to-end AI animated ad in ANY style you want.. claymation, pixar-style 3D, anime, paper cutout, lego, you name it you drop in your product photo and a one line pitch and it handles everything end to end. images, video, voiceover, music, captions, all generated with AI inside Claude.. AI animation ads are crushing on Meta right now and everyone still assumes you need an expensive editor with a 3-week turnaround time to make one. you don't. you just need the right workflow. Im making full end to end high quality AI animation ads in under 3 minutes with this system and they work just as hard organically on TikTok, reels and shorts so i packaged the whole thing up… here's what you're getting: > every prompt i used across all 8 steps > the exact tool stack + the order to run it in > style recipes for claymation, pixar, anime, wes anderson, retro cartoon + CGI > one system that works for paid Meta AND organic built across Claude Code and Gemini Omni RT + reply 'STYLES' and i'll send it over (must be following so i can dm)
0:22

I just cracked the code on AI animation ads 🤯 every one of these cost me 12 cents and under 20 seconds to make Gemini Omni + Claude Code is f*cking wild. i built a system that turns any product into an end-to-end AI animated ad in ANY style you want.. claymation, pixar-style 3D, anime, paper cutout, lego, you name it you drop in your product photo and a one line pitch and it handles everything end to end. images, video, voiceover, music, captions, all generated with AI inside Claude.. AI animation ads are crushing on Meta right now and everyone still assumes you need an expensive editor with a 3-week turnaround time to make one. you don't. you just need the right workflow. Im making full end to end high quality AI animation ads in under 3 minutes with this system and they work just as hard organically on TikTok, reels and shorts so i packaged the whole thing up… here's what you're getting: > every prompt i used across all 8 steps > the exact tool stack + the order to run it in > style recipes for claymation, pixar, anime, wes anderson, retro cartoon + CGI > one system that works for paid Meta AND organic built across Claude Code and Gemini Omni RT + reply 'STYLES' and i'll send it over (must be following so i can dm)

Miko

113,338 görüntüleme • 1 ay önce

I made an interactive three.js site that constructs towers with weather and time of day effects. I went from making mostly static sites with huge images to three.js with highly textured, detailed 3D models, and the entire site is under 1-2mb. Because it's 3D, you can ask AI to customize everything: themed towers from different countries, ancient and modern styles, weather like snow and rain, lighting from morning to night. The surprising part is that with a solid foundation it creates those changes pretty much one-shot. It's like starting a design system, where the AI figures out how to stay consistent in quality with the rest of the design. The hard part is avoiding 3D slop, which is easier thanks to Opus 5 and open-source projects. I used Claude Code for the harness, Higgsfield to generate textures and soundfx/music. Let me know if you'd like the open-source. Inspiration: Btw, I love that we get auto-translated posts from around the world. It really expands our horizon in terms of inspiration.
0:57

I made an interactive three.js site that constructs towers with weather and time of day effects. I went from making mostly static sites with huge images to three.js with highly textured, detailed 3D models, and the entire site is under 1-2mb. Because it's 3D, you can ask AI to customize everything: themed towers from different countries, ancient and modern styles, weather like snow and rain, lighting from morning to night. The surprising part is that with a solid foundation it creates those changes pretty much one-shot. It's like starting a design system, where the AI figures out how to stay consistent in quality with the rest of the design. The hard part is avoiding 3D slop, which is easier thanks to Opus 5 and open-source projects. I used Claude Code for the harness, Higgsfield to generate textures and soundfx/music. Let me know if you'd like the open-source. Inspiration: Btw, I love that we get auto-translated posts from around the world. It really expands our horizon in terms of inspiration.

Meng To

130,721 görüntüleme • 7 gün önce

GLM-5.1 > Claude Code (Opus 4.6)? I'm tripping or CC has become very bad but built a Three.js racing game to eval and it's extremely impressive. Thoughts: - One-shot car physics with real drift mechanics (this is hard) - My fav part: Awesome at self iterating (with no vision!) created 20+ Bun.WebView debugging tools to drive the car programmatically and read game state. Proved a winding bug with vector math without ever seeing the screen - 531-line racing AI in a single write: 4 personalities, curvature map, racing lines, tactical drifting. Built telemetry tools to compare player vs AI speed curves and data-tuned parameters - All assets from scratch: 3D models, procedural textures, sky shader, engine sounds, spatial AI audio! - Can do hard math: proved road normals pointed DOWN via vector cross products, computed track curvature normalized by arc length to tune AI cornering speed You are going to hear about this model a lot in the next months - open source let's go 🚀🚀
0:25

GLM-5.1 > Claude Code (Opus 4.6)? I'm tripping or CC has become very bad but built a Three.js racing game to eval and it's extremely impressive. Thoughts: - One-shot car physics with real drift mechanics (this is hard) - My fav part: Awesome at self iterating (with no vision!) created 20+ Bun.WebView debugging tools to drive the car programmatically and read game state. Proved a winding bug with vector math without ever seeing the screen - 531-line racing AI in a single write: 4 personalities, curvature map, racing lines, tactical drifting. Built telemetry tools to compare player vs AI speed curves and data-tuned parameters - All assets from scratch: 3D models, procedural textures, sky shader, engine sounds, spatial AI audio! - Can do hard math: proved road normals pointed DOWN via vector cross products, computed track curvature normalized by arc length to tune AI cornering speed You are going to hear about this model a lot in the next months - open source let's go 🚀🚀

Victor M

202,313 görüntüleme • 4 ay önce

A really impressive set of Three.js graphics experiments just got open sourced, and these are much more than little visual demos. They are basically reusable procedural systems for oceans, vegetation, fluids and even whole planets. 🔹 Poseidon A real-time FFT ocean running on WebGPU. It simulates large swells, smaller ripples, foam, reflections, choppy displacement and physically inspired wave spectra entirely in the browser. 🔹 Gaia A procedural grass generator where every blade, seed head and field comes from a deterministic genome and environmental parameters. No authored grass models. 🔹 Dryad A procedural flora system that generates trees and other plant forms from physics, environmental conditions and a seed. No authored 3D models or textures are needed for the plants themselves. 🔹 Tiamat A real-time GPU fluid simulation using around 100,000 SPH particles, with the resulting water rendered directly in the browser. 🔹 Demiurge Probably the craziest one. It procedurally builds an entire planet from tectonic plates, then lets uplift drive erosion, erosion and latitude drive climate, and climate drive biomes, wind and weather. You can move seamlessly from orbit down to the surface. What I really like here is that these are not just pretty outputs. They are actual building blocks. Ocean simulation, vegetation generation, fluid dynamics and procedural worlds are exactly the kinds of systems that can be plugged into games, simulations and agent-built 3D environments. Project by: Owen
1:17

A really impressive set of Three.js graphics experiments just got open sourced, and these are much more than little visual demos. They are basically reusable procedural systems for oceans, vegetation, fluids and even whole planets. 🔹 Poseidon A real-time FFT ocean running on WebGPU. It simulates large swells, smaller ripples, foam, reflections, choppy displacement and physically inspired wave spectra entirely in the browser. 🔹 Gaia A procedural grass generator where every blade, seed head and field comes from a deterministic genome and environmental parameters. No authored grass models. 🔹 Dryad A procedural flora system that generates trees and other plant forms from physics, environmental conditions and a seed. No authored 3D models or textures are needed for the plants themselves. 🔹 Tiamat A real-time GPU fluid simulation using around 100,000 SPH particles, with the resulting water rendered directly in the browser. 🔹 Demiurge Probably the craziest one. It procedurally builds an entire planet from tectonic plates, then lets uplift drive erosion, erosion and latitude drive climate, and climate drive biomes, wind and weather. You can move seamlessly from orbit down to the surface. What I really like here is that these are not just pretty outputs. They are actual building blocks. Ocean simulation, vegetation generation, fluid dynamics and procedural worlds are exactly the kinds of systems that can be plugged into games, simulations and agent-built 3D environments. Project by: Owen

Token Gremlin

20,884 görüntüleme • 3 gün önce

NEW AI TUTORIAL (for beginners) this is the tutorial that'll make you launch an ai startup and start building AI characters it took us 90 minutes to create a 3d avatar that talks, thinks, and tells us the weather you'll learn: 1) how to use key AI tools like daily & daily bots which handles the heavy lifting (voice, llms, integrations 2) how to make your AI look really cool with skins 3) how to deploy your 3d character super easily the birth of a sassy AI weatherman on an iPhone bonus: eric's vtuber demo will melt your brain full episode below (watch now): (subscribe/comment and i reply to most comments) my mind is blown because i didn't think creating intelligent 3d characters was this easy pretty crazy remember: characters are the new apps personality is the new UX conversation is the new UI we're living in sci-fi what AI character are you birthing into existence?
38:16

NEW AI TUTORIAL (for beginners) this is the tutorial that'll make you launch an ai startup and start building AI characters it took us 90 minutes to create a 3d avatar that talks, thinks, and tells us the weather you'll learn: 1) how to use key AI tools like daily & daily bots which handles the heavy lifting (voice, llms, integrations 2) how to make your AI look really cool with skins 3) how to deploy your 3d character super easily the birth of a sassy AI weatherman on an iPhone bonus: eric's vtuber demo will melt your brain full episode below (watch now): (subscribe/comment and i reply to most comments) my mind is blown because i didn't think creating intelligent 3d characters was this easy pretty crazy remember: characters are the new apps personality is the new UX conversation is the new UI we're living in sci-fi what AI character are you birthing into existence?

GREG ISENBERG

184,568 görüntüleme • 1 yıl önce

A robot that works with 1 to 6 legs? This reconfigurable robot adapts like a spider, switching between different movement styles on the fly. SnapBot isn’t just a legged robot: it’s a shape-shifting machine. With up to 700 configurations, it can walk, crawl, or row its way through any terrain. Why this is exciting: ✅ Changes its setup from one to six legs for different tasks ✅ Moves in multiple ways, including walking, rowing, and crawling ✅ Adapts to its environment like nature’s best climbers and crawlers ✅ A step toward robots that adjust to real-world challenges instantly Nature-inspired robotics is unlocking new ways to move. SnapBot proves that flexibility is key to the future of locomotion.
0:25

A robot that works with 1 to 6 legs? This reconfigurable robot adapts like a spider, switching between different movement styles on the fly. SnapBot isn’t just a legged robot: it’s a shape-shifting machine. With up to 700 configurations, it can walk, crawl, or row its way through any terrain. Why this is exciting: ✅ Changes its setup from one to six legs for different tasks ✅ Moves in multiple ways, including walking, rowing, and crawling ✅ Adapts to its environment like nature’s best climbers and crawlers ✅ A step toward robots that adjust to real-world challenges instantly Nature-inspired robotics is unlocking new ways to move. SnapBot proves that flexibility is key to the future of locomotion.

Ilir Aliu

78,024 görüntüleme • 1 yıl önce

Sora 2 consistent characters is absolutely insane 🤯 OpenAI just released the ability to create and save consistent characters in Sora 2. And this changes *everything* for AI UGC ads. Perfect for DTC brands & agencies who need the same creator across multiple videos in different scenes. Here's why this matters: Before this update, every Sora 2 video gave you a different person. You couldn't build brand consistency or create multi-video campaigns with the same "creator." Now you can: → Generate your ideal AI creator once (holding your product) → Save them as a consistent character in Sora 2 → Tag that character in unlimited video prompts → Same person, different scenes (car, bathroom, outdoors, etc.) → Build entire UGC campaigns with one consistent face Say "bye-bye" to spending $500 on a single UGC video. What you can create: → Multi-video testimonial series with the same person → Before/after campaigns with consistent character → Product demo sequences that feel cohesive → Entire ad creative libraries with your "brand ambassador" I recorded a 12-minute Loom showing the exact step-by-step process for creating consistent characters in Sora 2. Want the complete walkthrough? > Comment "SORA" > Like this post And I'll send the Loom over (must be following so I can DM)
0:21

Sora 2 consistent characters is absolutely insane 🤯 OpenAI just released the ability to create and save consistent characters in Sora 2. And this changes *everything* for AI UGC ads. Perfect for DTC brands & agencies who need the same creator across multiple videos in different scenes. Here's why this matters: Before this update, every Sora 2 video gave you a different person. You couldn't build brand consistency or create multi-video campaigns with the same "creator." Now you can: → Generate your ideal AI creator once (holding your product) → Save them as a consistent character in Sora 2 → Tag that character in unlimited video prompts → Same person, different scenes (car, bathroom, outdoors, etc.) → Build entire UGC campaigns with one consistent face Say "bye-bye" to spending $500 on a single UGC video. What you can create: → Multi-video testimonial series with the same person → Before/after campaigns with consistent character → Product demo sequences that feel cohesive → Entire ad creative libraries with your "brand ambassador" I recorded a 12-minute Loom showing the exact step-by-step process for creating consistent characters in Sora 2. Want the complete walkthrough? > Comment "SORA" > Like this post And I'll send the Loom over (must be following so I can DM)

Mike Futia

21,818 görüntüleme • 9 ay önce

A SOLO CREATOR CAN TURN ONE CHARACTER INTO A SMALL ANIMATION BUSINES The underrated part of this setup is not the first video, it's what happens after the character exists Claude can keep the story world consistent, write the next episode, create short scenes for TikTok, prepare voice lines, generate product-style descriptions, and turn the same character into Patreon drops, YouTube episodes, Gumroad asset packs, motion comics, and brand-safe explainer visuals Midjourney gives the character a visual identity. Runway gives it motion. ElevenLabs gives it a voice. Suno gives it a world to live inside. Make keeps the pipeline moving without treating every upload like a new project. That is why AI animation gets interesting The creator is not just making cartoons faster They are building reusable IP with a lower production cost than most people spend testing one ad campaign If one character works, it can become a channel, a series, a product library, and a monthly content machine Full article below
1:49

A SOLO CREATOR CAN TURN ONE CHARACTER INTO A SMALL ANIMATION BUSINES The underrated part of this setup is not the first video, it's what happens after the character exists Claude can keep the story world consistent, write the next episode, create short scenes for TikTok, prepare voice lines, generate product-style descriptions, and turn the same character into Patreon drops, YouTube episodes, Gumroad asset packs, motion comics, and brand-safe explainer visuals Midjourney gives the character a visual identity. Runway gives it motion. ElevenLabs gives it a voice. Suno gives it a world to live inside. Make keeps the pipeline moving without treating every upload like a new project. That is why AI animation gets interesting The creator is not just making cartoons faster They are building reusable IP with a lower production cost than most people spend testing one ad campaign If one character works, it can become a channel, a series, a product library, and a monthly content machine Full article below

Penguin

11,207 görüntüleme • 1 ay önce

Someone on Reddit just built a AAA-quality snow simulation in their browser. Using Claude Opus 5. Millions of snow particles. A character in a robe with cloth physics. Five water-based spells that carve the terrain. A snow surfing system with a wake that throws spray into sunlight. Every footstep displaces snow. Trails form berms at the edges. Trenches slowly refill over time. Spells leave permanent craters. The entire thing runs in one browser tab. WebGPU. No game engine. No 3D modeling software. Just code. He wrote one detailed prompt. Opus 5 planned the architecture, wrote the shaders, built the physics, iterated from screenshots, and documented every decision. 9 hours. ~4 million tokens. You can open it right now and walk around in it. This isn't a demo. This is the kind of thing a small studio would spend months building.
0:47

Someone on Reddit just built a AAA-quality snow simulation in their browser. Using Claude Opus 5. Millions of snow particles. A character in a robe with cloth physics. Five water-based spells that carve the terrain. A snow surfing system with a wake that throws spray into sunlight. Every footstep displaces snow. Trails form berms at the edges. Trenches slowly refill over time. Spells leave permanent craters. The entire thing runs in one browser tab. WebGPU. No game engine. No 3D modeling software. Just code. He wrote one detailed prompt. Opus 5 planned the architecture, wrote the shaders, built the physics, iterated from screenshots, and documented every decision. 9 hours. ~4 million tokens. You can open it right now and walk around in it. This isn't a demo. This is the kind of thing a small studio would spend months building.

Vaibhav Sisinty

1,218,300 görüntüleme • 19 gün önce

THIS SOLO DEV IS BUILDING A 2.5D MEDIEVAL SWORD FIGHTING GAME AND THE COMBAT LOOKS INSANE one person working alone on a full combat system with 2.5D art style he designed and built the art, environments, and animations himself. vibe coded the game mechanics with a game engine the silhouette work and the environments already look polished. the characters move through these detailed medieval landscapes with real weight to the animations 2.5D means the characters and world are flat sprites but rendered in a 3D space so you get depth, parallax, and lighting effects without needing a full 3D engine the combat has directional attacks, parrying, and what looks like a stamina based system. all built by one person i think it needs a bit more hit feedback like hit-stop and sharper audio on contact to make every swing feel heavier. small tweaks that would take it from looking good to feeling incredible but nonetheless this looks pretty slick. insane what one person can do now with vibe coding + a game engine solo game devs are building things that would have required a full studio 5 years ago
1:03

THIS SOLO DEV IS BUILDING A 2.5D MEDIEVAL SWORD FIGHTING GAME AND THE COMBAT LOOKS INSANE one person working alone on a full combat system with 2.5D art style he designed and built the art, environments, and animations himself. vibe coded the game mechanics with a game engine the silhouette work and the environments already look polished. the characters move through these detailed medieval landscapes with real weight to the animations 2.5D means the characters and world are flat sprites but rendered in a 3D space so you get depth, parallax, and lighting effects without needing a full 3D engine the combat has directional attacks, parrying, and what looks like a stamina based system. all built by one person i think it needs a bit more hit feedback like hit-stop and sharper audio on contact to make every swing feel heavier. small tweaks that would take it from looking good to feeling incredible but nonetheless this looks pretty slick. insane what one person can do now with vibe coding + a game engine solo game devs are building things that would have required a full studio 5 years ago

Om Patel

27,017 görüntüleme • 3 ay önce

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!
2:17

Here is the Geometry Nodes Weighted Normals with Laplacian Blur on a full character (a vroid). It easily improves the shading even on game topology with almost no setup. I built this as part of my quest to improve real time toon shading. 3D anime models are popular, but use of dynamic light is rare even among high quality vtuber models. This is for several reasons, but a big one is simply that it takes a lot of Custom Normals work to make 3D cel shading not look like a jagged mess (other pieces of the puzzle are issues like deformations, multiple lights, etc). And fixing Normals is tedious, especially on existing game topology. I have focused on proxy meshes for priority areas like character faces, but they aren't an efficient solution for the whole body + outfit. I wanted something I could just throw on any model and make it at least not a jagged mess anymore even if it wasn't perfect. As you can see from this clip, this does that very well! And vertex groups can be used to control the style of the effect and power. It still can't smooth beyond what the topology density can support, but the topo itself is no longer a problem (for higher res, could be run on a subdivided version of the model and then baked to a Normal Map.) The only changes I made to this model were adding a weld modifier to merge split edges during interpolation, and a vertex group to select the skirt. I have not yet added full handling and logic for detecting edges with big angles like the skirt, or for handling boundaries like on the hair, so both those areas can get better too. You can also see that while it successfully smooths out the Face, it isn't really stylistically correct there. That is still best done with a proxy mesh to define a new shape. This is part of the tools I am working on for Fondant. We are putting together a Blender Addon to release this + a proxy mesh tool for the face, and are working on resolving other problems in-engine to fully bring dynamic light to real time 3D toon shading. Give us a follow, and send them a DM if you are interested in testing these tools as they develop!

aVersionOfReality

14,679 görüntüleme • 1 yıl önce

- AssetHub officially launched - Using Metahuman Component as parts system in UEFN This is crazy! Just discovered I can use the Metahuman Component in UEFN as a general parts system! Perfect for modular characters. So I had to test it out. First step: character design. With GPT Image 2 I got some really solid characters to work with. These are perfect to test anime/ lowpoly models as well. Gavin Harvey also officially launched so I jumped on a fresh workflow to build the first one. Since I’m aiming for an anime/flat shaded style, I chose Tripo P1 to generate straight to low poly models. Results were perfect for me, UV and textured directly done. Did the main assembly in Blender. I transferred weights onto the new parts (like the jacket here) and used proportional editing to tweak vertices so everything fits together nicely. Then into UEFN / Unreal Engine: For the two-tone shadow look, I made a material that uses the sun direction as a mask. To make all the modular parts work together, I set up a blueprint with the body skeletal mesh as the base, and all the other parts attached as children. Now the really cool part: the Metahuman Component actually lets you plug in extra body parts directly. And every skeletal mesh can have its own Control Rig slot. That means you can layer procedural animations on top of your main animation setup. I used it for procedural eye blinking and hair physics. Since every part is separate, swapping variations is super easy while keeping all animations perfectly synced!
1:17

- AssetHub officially launched - Using Metahuman Component as parts system in UEFN This is crazy! Just discovered I can use the Metahuman Component in UEFN as a general parts system! Perfect for modular characters. So I had to test it out. First step: character design. With GPT Image 2 I got some really solid characters to work with. These are perfect to test anime/ lowpoly models as well. Gavin Harvey also officially launched so I jumped on a fresh workflow to build the first one. Since I’m aiming for an anime/flat shaded style, I chose Tripo P1 to generate straight to low poly models. Results were perfect for me, UV and textured directly done. Did the main assembly in Blender. I transferred weights onto the new parts (like the jacket here) and used proportional editing to tweak vertices so everything fits together nicely. Then into UEFN / Unreal Engine: For the two-tone shadow look, I made a material that uses the sun direction as a mask. To make all the modular parts work together, I set up a blueprint with the body skeletal mesh as the base, and all the other parts attached as children. Now the really cool part: the Metahuman Component actually lets you plug in extra body parts directly. And every skeletal mesh can have its own Control Rig slot. That means you can layer procedural animations on top of your main animation setup. I used it for procedural eye blinking and hair physics. Since every part is separate, swapping variations is super easy while keeping all animations perfectly synced!

Jerome | InsaneUnreal

24,268 görüntüleme • 2 ay önce