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Claude Fable 5 just one shot this procedural creatures! 🤯 Built a whole procedural 3D character generator in Three.js with: > Ragdoll-like characters made from primitive shapes that merge into one seamless body > Custom vertex shader + SDF tech that removes all seams and blends normals/colors perfectly >... Fully procedural animation system that works for 2 legs, 4 legs, 6 legs, hopping, or flying > Physics-based tails/ears that stay seamlessly fused > Entire character defined in ~15 lines of JSON (AI can generate infinite new ones) PROMPT: Build with Three.js and explore a new procedurally generated 3D character style ragdoll-like characters composed of primitive shapes that look like one seamless body via a custom, mobile-performant tech-art/shader solution, with toon styling, plus a procedural animation system that works for 2-legged, any-legged, no-legged (hopping) and flying characters with arms. Goal: a unique, easily AI-generatable style with heavy juice and polish "HOLY SH** THIS WAS DONE WITH AI?" quality, "for the next billion dollar game."show more

Tim Jayas

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48,018 görüntüleme • 3 ay önce •via X (Twitter)

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Day 3/30 I built Archie - an AI-powered procedural architecture generator. Describe a building in natural language and Claude interprets it into a 25-parameter genome that drives a Three.js 3D generator in real-time. Breed variants through genetic crossover, tweak every parameter from chaos to verticality, and export to GLTF for Blender/Rhino/Unreal. Features: - Text-to-architecture via Claude - Evolutionary breeding with a 4-variant selection grid - Batch generation of 8+ variants from a single prompt - AI critique that references real architectural movements - 6 style presets (Deconstructivist, Brutalist, Metabolist, Hi-Tech, Parametric, Minimal) - 6 environment moods with dynamic lighting and fog - GLTF + PNG export

Day 3/30 I built Archie - an AI-powered procedural architecture generator. Describe a building in natural language and Claude interprets it into a 25-parameter genome that drives a Three.js 3D generator in real-time. Breed variants through genetic crossover, tweak every parameter from chaos to verticality, and export to GLTF for Blender/Rhino/Unreal. Features: - Text-to-architecture via Claude - Evolutionary breeding with a 4-variant selection grid - Batch generation of 8+ variants from a single prompt - AI critique that references real architectural movements - 6 style presets (Deconstructivist, Brutalist, Metabolist, Hi-Tech, Parametric, Minimal) - 6 environment moods with dynamic lighting and fog - GLTF + PNG export

vc

15,715 görüntüleme • 7 ay önce

I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.

I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.

aVersionOfReality

65,803 görüntüleme • 1 yıl önce

This ad format is one of the rare formats that educates, entertains, and sells at the same time. Zack D Films Style Animation. The clip below was made entirely with AI using a Claude skill file we built. We packaged the entire production system into one free file: → A Claude skill file that takes one idea and builds the full pipeline → 11 copy-paste prompt templates from script to final export → Character lock method that keeps the same face across every shot → A real 60-second production brief with working prompts → Character performance notes that make the animation feel human → Quality control checklist before you publish This is up for the next 72 hours. Reply "ANIMATE" and we will send it over

This ad format is one of the rare formats that educates, entertains, and sells at the same time. Zack D Films Style Animation. The clip below was made entirely with AI using a Claude skill file we built. We packaged the entire production system into one free file: → A Claude skill file that takes one idea and builds the full pipeline → 11 copy-paste prompt templates from script to final export → Character lock method that keeps the same face across every shot → A real 60-second production brief with working prompts → Character performance notes that make the animation feel human → Quality control checklist before you publish This is up for the next 72 hours. Reply "ANIMATE" and we will send it over

EcomBos

19,584 görüntüleme • 1 ay önce

fable, I want you to grab a MetaHuman file off of Unreal Engine Marketplace or Fab Marketplace or something like that. There should be free ones. Find a character controller that works with that for web and threeJS. Specifically for flying, like Superman, generate a World Labs outdoor environment of your choosing and set up a threeJS project where we can fly around with a character like Superman, with really nice flying animations, camera animations, and camera zoom and shake effects when you're flying. Put some nice post-processing on it with some bloom and grain and stuff like that. Really just make this feel as polished as you can, where we get to fly around in a world where the flight feels similar to Superman. Do it in one shot and without any input from me. optimize it 2 prompts - NOT BAD!! Honestly could get this feeling/looking 10x better with probably 2 more prompts. I'd likely use a larger city GLB, populate the outskirts with World Labs gsplats, manually grab a better character to use, and add some objectives. But I wanted to see what it could do in 1 prompt (basically) Try it out 👇

fable, I want you to grab a MetaHuman file off of Unreal Engine Marketplace or Fab Marketplace or something like that. There should be free ones. Find a character controller that works with that for web and threeJS. Specifically for flying, like Superman, generate a World Labs outdoor environment of your choosing and set up a threeJS project where we can fly around with a character like Superman, with really nice flying animations, camera animations, and camera zoom and shake effects when you're flying. Put some nice post-processing on it with some bloom and grain and stuff like that. Really just make this feel as polished as you can, where we get to fly around in a world where the flight feels similar to Superman. Do it in one shot and without any input from me. optimize it 2 prompts - NOT BAD!! Honestly could get this feeling/looking 10x better with probably 2 more prompts. I'd likely use a larger city GLB, populate the outskirts with World Labs gsplats, manually grab a better character to use, and add some objectives. But I wanted to see what it could do in 1 prompt (basically) Try it out 👇

Nicholas | WithLore

88,652 görüntüleme • 4 ay önce

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.

Jerome | InsaneUnreal

16,934 görüntüleme • 4 ay önce

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

The Bugged Dev

105,432 görüntüleme • 3 ay önce

I’ve always loved character customization in games, spending way too much time choosing outfits, colors, and small details for my characters. So I wanted to see if I could recreate that feeling with an AI-powered workflow. Starting with MeshyAI, I created the 3D character and clothing pieces as separate assets. Then GPT 6 Astra helped build the experience around them, making it possible to select, swap, and combine different parts like a mini character creation studio. What surprised me most was how quickly a simple character idea could turn into something interactive. It no longer feels like just a 3D model, it feels like a character with its own wardrobe and personality. I can imagine this being really fun for games, virtual worlds, and anyone who wants to create their own digital characters. #Astra #MeshyAI #meshypartner #AI3D

I’ve always loved character customization in games, spending way too much time choosing outfits, colors, and small details for my characters. So I wanted to see if I could recreate that feeling with an AI-powered workflow. Starting with MeshyAI, I created the 3D character and clothing pieces as separate assets. Then GPT 6 Astra helped build the experience around them, making it possible to select, swap, and combine different parts like a mini character creation studio. What surprised me most was how quickly a simple character idea could turn into something interactive. It no longer feels like just a 3D model, it feels like a character with its own wardrobe and personality. I can imagine this being really fun for games, virtual worlds, and anyone who wants to create their own digital characters. #Astra #MeshyAI #meshypartner #AI3D

Fathela Esq

98,162 görüntüleme • 1 ay önce

Generative AI is cool and all, but procedural 3D modeling just hits different. Check out this Houdini setup by Pepe Buendia. Why this is cool: Instead of manually placing every building and car, this system generates an NYC-style city that builds itself -- automatically spawning buildings with unique variations, plus a traffic system where cars actually obey traffic lights and avoid crashing into each other (all orchestrated through houdini VEX code). Each car knows exactly which road it's on and makes real-time decisions about navigation. The whole thing runs on custom algorithms that handle everything from road directions to building placement. If you did this with generative AI, even approaches to conditioning and taming the chaos -- you'd still get a ton of variance which might be an issue for visual and spatial consistency. To me this is procedural modeling at its finest - precise control meets infinite scalability. Immensely useful for media & entertainment, but also synthetic training data for robotics and augmented reality. I of course can't wait until multimodal LLMs to have the spatial understanding to write these kind of controllable 3D worlds for us. Claude counting 2D pixels on a screen is a step in this direction. Soon they'll be able to manipulate 2D ortho viewports, and eventually spawn procedural 3D worlds.

Generative AI is cool and all, but procedural 3D modeling just hits different. Check out this Houdini setup by Pepe Buendia. Why this is cool: Instead of manually placing every building and car, this system generates an NYC-style city that builds itself -- automatically spawning buildings with unique variations, plus a traffic system where cars actually obey traffic lights and avoid crashing into each other (all orchestrated through houdini VEX code). Each car knows exactly which road it's on and makes real-time decisions about navigation. The whole thing runs on custom algorithms that handle everything from road directions to building placement. If you did this with generative AI, even approaches to conditioning and taming the chaos -- you'd still get a ton of variance which might be an issue for visual and spatial consistency. To me this is procedural modeling at its finest - precise control meets infinite scalability. Immensely useful for media & entertainment, but also synthetic training data for robotics and augmented reality. I of course can't wait until multimodal LLMs to have the spatial understanding to write these kind of controllable 3D worlds for us. Claude counting 2D pixels on a screen is a step in this direction. Soon they'll be able to manipulate 2D ortho viewports, and eventually spawn procedural 3D worlds.

Bilawal Sidhu

527,890 görüntüleme • 1 yıl önce

I just cracked the code on AI animation ads 🤯 every one of these cost me 12 cents and under 20 seconds to make Gemini Omni + Claude Code is f*cking wild. i built a system that turns any product into an end-to-end AI animated ad in ANY style you want.. claymation, pixar-style 3D, anime, paper cutout, lego, you name it you drop in your product photo and a one line pitch and it handles everything end to end. images, video, voiceover, music, captions, all generated with AI inside Claude.. AI animation ads are crushing on Meta right now and everyone still assumes you need an expensive editor with a 3-week turnaround time to make one. you don't. you just need the right workflow. Im making full end to end high quality AI animation ads in under 3 minutes with this system and they work just as hard organically on TikTok, reels and shorts so i packaged the whole thing up… here's what you're getting: > every prompt i used across all 8 steps > the exact tool stack + the order to run it in > style recipes for claymation, pixar, anime, wes anderson, retro cartoon + CGI > one system that works for paid Meta AND organic built across Claude Code and Gemini Omni RT + reply 'STYLES' and i'll send it over (must be following so i can dm)

I just cracked the code on AI animation ads 🤯 every one of these cost me 12 cents and under 20 seconds to make Gemini Omni + Claude Code is f*cking wild. i built a system that turns any product into an end-to-end AI animated ad in ANY style you want.. claymation, pixar-style 3D, anime, paper cutout, lego, you name it you drop in your product photo and a one line pitch and it handles everything end to end. images, video, voiceover, music, captions, all generated with AI inside Claude.. AI animation ads are crushing on Meta right now and everyone still assumes you need an expensive editor with a 3-week turnaround time to make one. you don't. you just need the right workflow. Im making full end to end high quality AI animation ads in under 3 minutes with this system and they work just as hard organically on TikTok, reels and shorts so i packaged the whole thing up… here's what you're getting: > every prompt i used across all 8 steps > the exact tool stack + the order to run it in > style recipes for claymation, pixar, anime, wes anderson, retro cartoon + CGI > one system that works for paid Meta AND organic built across Claude Code and Gemini Omni RT + reply 'STYLES' and i'll send it over (must be following so i can dm)

Miko

116,241 görüntüleme • 3 ay önce

Turn a single 2D image into a fully interactive, animated 3D character - running directly in your browser.🥊 This is the Ringside Boxer, built with img2threejs v1.5.1. Live showcase: 2D Image → 3D Reconstruction (TripoAI/Hyper3D) → Reference GLB + Specs → Rig & Animation Setup → Animation Loops → Physics VFX → Playable Three.js Scene ( 100% pure typescript ) 🔥 Under the hood: • ~97.5K triangle 3D reconstruction • 41-bone character rig • 19 combat animation clips • Jab, Hook, Body Shot, Footwork, Victory, Defeat & more • Physics-based sweat particles with gravity • Impact shock-ring VFX • Fully interactive 360° orbit + zoom And the important part: 1. The final result is generated as pure Three.js + TypeScript code. 2. No traditional 3D authoring workflow. 3. No Blender setup. 4. Just code that can be inspected, modified, and dropped directly into a WebGL experience. This is where I want img2threejs to go: Image → 3D → Animation → Interactive Web Experience. And this is only v1.5.1. 🚀 #ThreeJS #GameDev #TypeScript #Web3D #img2threejs

Turn a single 2D image into a fully interactive, animated 3D character - running directly in your browser.🥊 This is the Ringside Boxer, built with img2threejs v1.5.1. Live showcase: 2D Image → 3D Reconstruction (TripoAI/Hyper3D) → Reference GLB + Specs → Rig & Animation Setup → Animation Loops → Physics VFX → Playable Three.js Scene ( 100% pure typescript ) 🔥 Under the hood: • ~97.5K triangle 3D reconstruction • 41-bone character rig • 19 combat animation clips • Jab, Hook, Body Shot, Footwork, Victory, Defeat & more • Physics-based sweat particles with gravity • Impact shock-ring VFX • Fully interactive 360° orbit + zoom And the important part: 1. The final result is generated as pure Three.js + TypeScript code. 2. No traditional 3D authoring workflow. 3. No Blender setup. 4. Just code that can be inspected, modified, and dropped directly into a WebGL experience. This is where I want img2threejs to go: Image → 3D → Animation → Interactive Web Experience. And this is only v1.5.1. 🚀 #ThreeJS #GameDev #TypeScript #Web3D #img2threejs

Nick

48,263 görüntüleme • 1 ay önce

I made an interactive three.js site that constructs towers with weather and time of day effects. I went from making mostly static sites with huge images to three.js with highly textured, detailed 3D models, and the entire site is under 1-2mb. Because it's 3D, you can ask AI to customize everything: themed towers from different countries, ancient and modern styles, weather like snow and rain, lighting from morning to night. The surprising part is that with a solid foundation it creates those changes pretty much one-shot. It's like starting a design system, where the AI figures out how to stay consistent in quality with the rest of the design. The hard part is avoiding 3D slop, which is easier thanks to Opus 5 and open-source projects. I used Claude Code for the harness, Higgsfield to generate textures and soundfx/music. Let me know if you'd like the open-source. Inspiration: Btw, I love that we get auto-translated posts from around the world. It really expands our horizon in terms of inspiration.

I made an interactive three.js site that constructs towers with weather and time of day effects. I went from making mostly static sites with huge images to three.js with highly textured, detailed 3D models, and the entire site is under 1-2mb. Because it's 3D, you can ask AI to customize everything: themed towers from different countries, ancient and modern styles, weather like snow and rain, lighting from morning to night. The surprising part is that with a solid foundation it creates those changes pretty much one-shot. It's like starting a design system, where the AI figures out how to stay consistent in quality with the rest of the design. The hard part is avoiding 3D slop, which is easier thanks to Opus 5 and open-source projects. I used Claude Code for the harness, Higgsfield to generate textures and soundfx/music. Let me know if you'd like the open-source. Inspiration: Btw, I love that we get auto-translated posts from around the world. It really expands our horizon in terms of inspiration.

Meng To

147,233 görüntüleme • 2 ay önce

Claude Opus 5.5 built a fully working 1857 Napoleon load field cannon in 3D 🤯 And no, no Blender, no 3D assets, no textures. Just procedural Three.js WebGPU and TSL shaders for everything. Also those technical drawings are live orthographic renders of that same model, so you can actually see how elevation, pressure, trajectory and firing change in real time. This is where AI is making learning ridiculously easy. Instead of just reading what a field cannon was, how it worked, you can now generate it, interact with it and understand it visually. Future of learning is going to be super duper crazy.

Claude Opus 5.5 built a fully working 1857 Napoleon load field cannon in 3D 🤯 And no, no Blender, no 3D assets, no textures. Just procedural Three.js WebGPU and TSL shaders for everything. Also those technical drawings are live orthographic renders of that same model, so you can actually see how elevation, pressure, trajectory and firing change in real time. This is where AI is making learning ridiculously easy. Instead of just reading what a field cannon was, how it worked, you can now generate it, interact with it and understand it visually. Future of learning is going to be super duper crazy.

The Bugged Dev

18,494 görüntüleme • 5 gün önce

GLM-5.1 > Claude Code (Opus 4.6)? I'm tripping or CC has become very bad but built a Three.js racing game to eval and it's extremely impressive. Thoughts: - One-shot car physics with real drift mechanics (this is hard) - My fav part: Awesome at self iterating (with no vision!) created 20+ Bun.WebView debugging tools to drive the car programmatically and read game state. Proved a winding bug with vector math without ever seeing the screen - 531-line racing AI in a single write: 4 personalities, curvature map, racing lines, tactical drifting. Built telemetry tools to compare player vs AI speed curves and data-tuned parameters - All assets from scratch: 3D models, procedural textures, sky shader, engine sounds, spatial AI audio! - Can do hard math: proved road normals pointed DOWN via vector cross products, computed track curvature normalized by arc length to tune AI cornering speed You are going to hear about this model a lot in the next months - open source let's go 🚀🚀

GLM-5.1 > Claude Code (Opus 4.6)? I'm tripping or CC has become very bad but built a Three.js racing game to eval and it's extremely impressive. Thoughts: - One-shot car physics with real drift mechanics (this is hard) - My fav part: Awesome at self iterating (with no vision!) created 20+ Bun.WebView debugging tools to drive the car programmatically and read game state. Proved a winding bug with vector math without ever seeing the screen - 531-line racing AI in a single write: 4 personalities, curvature map, racing lines, tactical drifting. Built telemetry tools to compare player vs AI speed curves and data-tuned parameters - All assets from scratch: 3D models, procedural textures, sky shader, engine sounds, spatial AI audio! - Can do hard math: proved road normals pointed DOWN via vector cross products, computed track curvature normalized by arc length to tune AI cornering speed You are going to hear about this model a lot in the next months - open source let's go 🚀🚀

Victor M

202,661 görüntüleme • 6 ay önce

Day 5 of building the game I've wanted to play for 15 years with AI. Environment again. The map looked right but felt dead, so today was about giving it life. Claude carried today. A pile of small things: animated cloud shadows, animated trees, grass that changes per location, and a rework of my water shader to fit the style. Claude also helped with decals: cracks across the ground, crop fields, details like that. The one I like most: units now hide in forests. Vision inside the woods is limited, but troops walk through them freely. And tree color grading. I did it procedurally in a shader, tints shift slightly with distance. Even on generated trees everything reads far more interesting now. It can still be better. The map is alive. I have a long list of ideas for this layer and I'll keep going tomorrow. 3D models are coming next, and I'll slowly fill all of this in. Leaving very happy tonight.

Day 5 of building the game I've wanted to play for 15 years with AI. Environment again. The map looked right but felt dead, so today was about giving it life. Claude carried today. A pile of small things: animated cloud shadows, animated trees, grass that changes per location, and a rework of my water shader to fit the style. Claude also helped with decals: cracks across the ground, crop fields, details like that. The one I like most: units now hide in forests. Vision inside the woods is limited, but troops walk through them freely. And tree color grading. I did it procedurally in a shader, tints shift slightly with distance. Even on generated trees everything reads far more interesting now. It can still be better. The map is alive. I have a long list of ideas for this layer and I'll keep going tomorrow. 3D models are coming next, and I'll slowly fill all of this in. Leaving very happy tonight.

Stefan 3D AI

30,967 görüntüleme • 1 ay önce

A really impressive set of Three.js graphics experiments just got open sourced, and these are much more than little visual demos. They are basically reusable procedural systems for oceans, vegetation, fluids and even whole planets. 🔹 Poseidon A real-time FFT ocean running on WebGPU. It simulates large swells, smaller ripples, foam, reflections, choppy displacement and physically inspired wave spectra entirely in the browser. 🔹 Gaia A procedural grass generator where every blade, seed head and field comes from a deterministic genome and environmental parameters. No authored grass models. 🔹 Dryad A procedural flora system that generates trees and other plant forms from physics, environmental conditions and a seed. No authored 3D models or textures are needed for the plants themselves. 🔹 Tiamat A real-time GPU fluid simulation using around 100,000 SPH particles, with the resulting water rendered directly in the browser. 🔹 Demiurge Probably the craziest one. It procedurally builds an entire planet from tectonic plates, then lets uplift drive erosion, erosion and latitude drive climate, and climate drive biomes, wind and weather. You can move seamlessly from orbit down to the surface. What I really like here is that these are not just pretty outputs. They are actual building blocks. Ocean simulation, vegetation generation, fluid dynamics and procedural worlds are exactly the kinds of systems that can be plugged into games, simulations and agent-built 3D environments. Project by: Owen

A really impressive set of Three.js graphics experiments just got open sourced, and these are much more than little visual demos. They are basically reusable procedural systems for oceans, vegetation, fluids and even whole planets. 🔹 Poseidon A real-time FFT ocean running on WebGPU. It simulates large swells, smaller ripples, foam, reflections, choppy displacement and physically inspired wave spectra entirely in the browser. 🔹 Gaia A procedural grass generator where every blade, seed head and field comes from a deterministic genome and environmental parameters. No authored grass models. 🔹 Dryad A procedural flora system that generates trees and other plant forms from physics, environmental conditions and a seed. No authored 3D models or textures are needed for the plants themselves. 🔹 Tiamat A real-time GPU fluid simulation using around 100,000 SPH particles, with the resulting water rendered directly in the browser. 🔹 Demiurge Probably the craziest one. It procedurally builds an entire planet from tectonic plates, then lets uplift drive erosion, erosion and latitude drive climate, and climate drive biomes, wind and weather. You can move seamlessly from orbit down to the surface. What I really like here is that these are not just pretty outputs. They are actual building blocks. Ocean simulation, vegetation generation, fluid dynamics and procedural worlds are exactly the kinds of systems that can be plugged into games, simulations and agent-built 3D environments. Project by: Owen

Token Gremlin

34,448 görüntüleme • 1 ay önce

A robot that works with 1 to 6 legs? This reconfigurable robot adapts like a spider, switching between different movement styles on the fly. SnapBot isn’t just a legged robot: it’s a shape-shifting machine. With up to 700 configurations, it can walk, crawl, or row its way through any terrain. Why this is exciting: ✅ Changes its setup from one to six legs for different tasks ✅ Moves in multiple ways, including walking, rowing, and crawling ✅ Adapts to its environment like nature’s best climbers and crawlers ✅ A step toward robots that adjust to real-world challenges instantly Nature-inspired robotics is unlocking new ways to move. SnapBot proves that flexibility is key to the future of locomotion.

A robot that works with 1 to 6 legs? This reconfigurable robot adapts like a spider, switching between different movement styles on the fly. SnapBot isn’t just a legged robot: it’s a shape-shifting machine. With up to 700 configurations, it can walk, crawl, or row its way through any terrain. Why this is exciting: ✅ Changes its setup from one to six legs for different tasks ✅ Moves in multiple ways, including walking, rowing, and crawling ✅ Adapts to its environment like nature’s best climbers and crawlers ✅ A step toward robots that adjust to real-world challenges instantly Nature-inspired robotics is unlocking new ways to move. SnapBot proves that flexibility is key to the future of locomotion.

Ilir Aliu

78,061 görüntüleme • 1 yıl önce

NEW AI TUTORIAL (for beginners) this is the tutorial that'll make you launch an ai startup and start building AI characters it took us 90 minutes to create a 3d avatar that talks, thinks, and tells us the weather you'll learn: 1) how to use key AI tools like daily & daily bots which handles the heavy lifting (voice, llms, integrations 2) how to make your AI look really cool with skins 3) how to deploy your 3d character super easily the birth of a sassy AI weatherman on an iPhone bonus: eric's vtuber demo will melt your brain full episode below (watch now): (subscribe/comment and i reply to most comments) my mind is blown because i didn't think creating intelligent 3d characters was this easy pretty crazy remember: characters are the new apps personality is the new UX conversation is the new UI we're living in sci-fi what AI character are you birthing into existence?

GREG ISENBERG

184,568 görüntüleme • 2 yıl önce