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Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style... show more

Jerome | InsaneUnreal

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16,388 次观看 • 2 个月前 •via X (Twitter)

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I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.

I can finally announce the project I've been working on with Joce ! Fondant is building a new app that brings avatars and vtubing to Web. Multiplayer lobbies for vtuber streamer collabs or just hangouts with friends, as well as character customization tools building up to a full creator. We are using a WebGL and WebGPU techstack, so part of the point is to provide a cross-platform alternative to the current Unity based app ecosystem, and also to build tools that people can use to create or modify characters without going through a DCC (Blender, Maya, etc). For now we're starting with the basics: multiplayer lobbies, VRM support, and some tools like merging accessories into existing VRMs in the quoted post, and transferring Custom Vertex Normals from proxy meshes. My role is stylized shaders and procedural character creation. I've been working on NPR Shaders and tools to help build and customize 3D anime characters in Blender for years. With WebGPU, we can bring it into Web. My hope is to build a full character customization system for the Web with next gen toon shaders, and also a matching set of tools in Blender for serious content creators. But it is early days still, and there's a lot to be done! Here's the latest WIP of the rig for fitting proxy meshes to new faces.

aVersionOfReality

65,704 次观看 • 1 年前

I made a cute 3D wizard in minutes... for free The combo was simple: Unbound + Tripo. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual heavy workflow. The whole process felt fast, playful, and easy to experiment with If you’re a 3D artist, a visual creator, or just starting to explore 3D, try Unbound while it’s still free for a limited time. You can use it to create characters, creatures, and 3D models without feeling overwhelmed I'm sure many visual creators are going to love this Link in the first comment 👇🏻

I made a cute 3D wizard in minutes... for free The combo was simple: Unbound + Tripo. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual heavy workflow. The whole process felt fast, playful, and easy to experiment with If you’re a 3D artist, a visual creator, or just starting to explore 3D, try Unbound while it’s still free for a limited time. You can use it to create characters, creatures, and 3D models without feeling overwhelmed I'm sure many visual creators are going to love this Link in the first comment 👇🏻

Amira Zairi

18,116 次观看 • 3 个月前

Thinking about the character style I should use for my PS1 cat game. Imported the model from The 3rd Birthday (PSP) as a test and wow… PS1 can have had NPCs that look like THIS?

Thinking about the character style I should use for my PS1 cat game. Imported the model from The 3rd Birthday (PSP) as a test and wow… PS1 can have had NPCs that look like THIS?

Elias Daler

100,934 次观看 • 4 个月前

It was a pleasure to work on this character. Thank you for the opportunity Lucas Ridley and thank you for the great model #3d #rigging #rig #maya #animation #character #modeling #design

It was a pleasure to work on this character. Thank you for the opportunity Lucas Ridley and thank you for the great model #3d #rigging #rig #maya #animation #character #modeling #design

Artem Dubyna

326,969 次观看 • 3 年前

For Emma I'm using a flat shading style so there are 3 empties that control the shading One for fake Normal Lighting And two for Light+Shadow gradients I can use to tint her I'm using Node Groups shared across materials and custom properties for this. #b3d #blender #npr

For Emma I'm using a flat shading style so there are 3 empties that control the shading One for fake Normal Lighting And two for Light+Shadow gradients I can use to tint her I'm using Node Groups shared across materials and custom properties for this. #b3d #blender #npr

Krysidian

39,146 次观看 • 1 年前

This was way too easy... I created a cute 3D character in minutes instead of hours using this combo: Unbound + Tripo I’m not a 3D artist, but this made the whole process feel simple, playful, and actually accessible. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual complicated workflow If you are a 3D artist or you are just starting, try Unbound. It’s free, open for everyone to experiment with, and a fun way to create characters, creatures, and 3D models without feeling overwhelmed I had so much fun using it today, and I think many visual creators are going to love it. Link in the first comment 👇🏻

This was way too easy... I created a cute 3D character in minutes instead of hours using this combo: Unbound + Tripo I’m not a 3D artist, but this made the whole process feel simple, playful, and actually accessible. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual complicated workflow If you are a 3D artist or you are just starting, try Unbound. It’s free, open for everyone to experiment with, and a fun way to create characters, creatures, and 3D models without feeling overwhelmed I had so much fun using it today, and I think many visual creators are going to love it. Link in the first comment 👇🏻

Amira Zairi

186,621 次观看 • 3 个月前

What about a 2 day version? After Andrew Price posted about the two extremes (fully manual vs fully AI car modeling), I wanted to try a hybrid approach. Not sure if his examples were more film or game-focused, but I’m aiming for a game-ready asset. Using AssetHub for the main workflow hub. Because of the canvas and part splitting tools , iterating is smooth here. Generating high poly meshes with Tripo inside AssetHub. Retopoly with Hunyuan 3D Studio. Texturing with Trellis2 in ComfyUI. Did some manual modeling for the rims since i still dont trust AI generated rims being 100% circular😄 Assembly in Blender. End result: car exterior + interior 36K tris. Wheels total still 32K hehe. I’d bake those tire detail normals onto a simple cylinder next. In UEFN / Unreal Engine i used a clear coat material to give the car some nice reflections. Is it perfect? No. retopo and texturing are still the weak spots, but that gap is closing. Would I use this in a game? 100%! (after improving the tires). If you want to try AssetHub, you can sign up and use JR1627 to skip the waitlist.

What about a 2 day version? After Andrew Price posted about the two extremes (fully manual vs fully AI car modeling), I wanted to try a hybrid approach. Not sure if his examples were more film or game-focused, but I’m aiming for a game-ready asset. Using AssetHub for the main workflow hub. Because of the canvas and part splitting tools , iterating is smooth here. Generating high poly meshes with Tripo inside AssetHub. Retopoly with Hunyuan 3D Studio. Texturing with Trellis2 in ComfyUI. Did some manual modeling for the rims since i still dont trust AI generated rims being 100% circular😄 Assembly in Blender. End result: car exterior + interior 36K tris. Wheels total still 32K hehe. I’d bake those tire detail normals onto a simple cylinder next. In UEFN / Unreal Engine i used a clear coat material to give the car some nice reflections. Is it perfect? No. retopo and texturing are still the weak spots, but that gap is closing. Would I use this in a game? 100%! (after improving the tires). If you want to try AssetHub, you can sign up and use JR1627 to skip the waitlist.

Jerome | InsaneUnreal

26,229 次观看 • 3 个月前

I built a fully playable 3D platformer game in exactly 3 days, using almost entirely AI-generated assets. To test whether AI can really replace the asset grind, I came up with a steampunk cat universe from scratch and brought it straight into Unreal Engine 5. Here is how it was done, step by step: 👇 🎨 World and prop concepting 🧩 Tripo 3.1 for low-poly smart meshes and PBR textures 🩹 Blender for geometry cleanup and AO baking 🦴 AccuRIG for character animation 🚀 UE5 for level design and blueprints The craziest part is that AI handled the routine, and I still had the creative energy to make the level actually fun. Watch the full workflow and gameplay reveal: #GameDev #TripoAI #UnrealEngine5 #3DModeling #IndieDev #Blender3D

I built a fully playable 3D platformer game in exactly 3 days, using almost entirely AI-generated assets. To test whether AI can really replace the asset grind, I came up with a steampunk cat universe from scratch and brought it straight into Unreal Engine 5. Here is how it was done, step by step: 👇 🎨 World and prop concepting 🧩 Tripo 3.1 for low-poly smart meshes and PBR textures 🩹 Blender for geometry cleanup and AO baking 🦴 AccuRIG for character animation 🚀 UE5 for level design and blueprints The craziest part is that AI handled the routine, and I still had the creative energy to make the level actually fun. Watch the full workflow and gameplay reveal: #GameDev #TripoAI #UnrealEngine5 #3DModeling #IndieDev #Blender3D

Stefan 3D AI

17,426 次观看 • 3 个月前

In this experiment I wanted to try something with facial expressions and have it work with native Unreal Engine tools. I did find that generating the head with an open mouth helped to get some extra details. Creating those blend shapes was still not easy and this result is far from perfect. Ideally i want 58 generated expression references and have AI figure that out haha. btw first time baking the high poly details onto the low poly generated character. That worked surprisingly well! Endresult has 34k triangles! Built this character in 4 separate parts in Blender and generated each part in Hunyuan 3D Studio. The original references came from Nano Banana 2 and Grok. Trellis 2 in ComfyUI for the texturing. The animation was done with Control Rig in UEFN / Unreal Engine. With all the experiments so far, file and version management start to become a challenge. Getting files from different platforms with each platform having their own filename logic. I’ll have to find something to keep it more organized. Any suggestions?

In this experiment I wanted to try something with facial expressions and have it work with native Unreal Engine tools. I did find that generating the head with an open mouth helped to get some extra details. Creating those blend shapes was still not easy and this result is far from perfect. Ideally i want 58 generated expression references and have AI figure that out haha. btw first time baking the high poly details onto the low poly generated character. That worked surprisingly well! Endresult has 34k triangles! Built this character in 4 separate parts in Blender and generated each part in Hunyuan 3D Studio. The original references came from Nano Banana 2 and Grok. Trellis 2 in ComfyUI for the texturing. The animation was done with Control Rig in UEFN / Unreal Engine. With all the experiments so far, file and version management start to become a challenge. Getting files from different platforms with each platform having their own filename logic. I’ll have to find something to keep it more organized. Any suggestions?

Jerome | InsaneUnreal

46,245 次观看 • 5 个月前

Hard surface model test: 3D model of an unfinished overland build. Got really nice images again from Grok. Also realised an ‘unfinished’ vehicle might not be the best idea lol. Anyways, I was well surprised with the results. I don’t trust rotating a generated wheel yet 😁, so I made the wheels in Blender. Very similar workflow as the mech character: Images from Grok Imagine, Tripo for raw 3D generation, Hunyuan 3D Studio for lowpoly and UV unwrap, Trellis2 in ComfyUI for texturing + upscaling. Blender final preparation. Unreal Engine / UEFN shaders. Next time i'd work a bit longer on the normals.

Hard surface model test: 3D model of an unfinished overland build. Got really nice images again from Grok. Also realised an ‘unfinished’ vehicle might not be the best idea lol. Anyways, I was well surprised with the results. I don’t trust rotating a generated wheel yet 😁, so I made the wheels in Blender. Very similar workflow as the mech character: Images from Grok Imagine, Tripo for raw 3D generation, Hunyuan 3D Studio for lowpoly and UV unwrap, Trellis2 in ComfyUI for texturing + upscaling. Blender final preparation. Unreal Engine / UEFN shaders. Next time i'd work a bit longer on the normals.

Jerome | InsaneUnreal

167,148 次观看 • 6 个月前

GPT-5.6 Sol Ultra was given a full set of character references and asked to rebuild the character in Blender, rig it, create three animations, export a real GLB, and build a complete Three.js showcase around it. The entire pipeline was completed in 2 hours and 11 minutes. The final model still loses some of the original proportions, costume structure, and material fidelity, but going from reference images to a rigged, animated 3D character running in the browser is already a very strong result. Cc: Givros

GPT-5.6 Sol Ultra was given a full set of character references and asked to rebuild the character in Blender, rig it, create three animations, export a real GLB, and build a complete Three.js showcase around it. The entire pipeline was completed in 2 hours and 11 minutes. The final model still loses some of the original proportions, costume structure, and material fidelity, but going from reference images to a rigged, animated 3D character running in the browser is already a very strong result. Cc: Givros

Token Gremlin

37,583 次观看 • 1 个月前

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,461 次观看 • 4 个月前

We just released our new Character Control Rig Addon for Blender! We listened to our user's requests, and this was created specifically to help them with their MetaHuman animation workflows in Blender. Want to learn more? We just dropped a new tutorial demoing how you can use it with Rigify, Mixamo, and Unreal's robust Retargetor. Importing and exporting animations onto FK controls and the MetaHuman Face Board is dead simple now. #BlenderTutorial #MetaHuman #UE5 #blender

We just released our new Character Control Rig Addon for Blender! We listened to our user's requests, and this was created specifically to help them with their MetaHuman animation workflows in Blender. Want to learn more? We just dropped a new tutorial demoing how you can use it with Rigify, Mixamo, and Unreal's robust Retargetor. Importing and exporting animations onto FK controls and the MetaHuman Face Board is dead simple now. #BlenderTutorial #MetaHuman #UE5 #blender

Poly Hammer

11,742 次观看 • 3 个月前

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Been playing with a character consistency workflow again. This came from Nexora that starts with a single GPT Image 2.0 character sheet and turns it into a multi-shot cinematic sequence in Seedance 2.0. One thing I added to the workflow: I first comped the character, environment, and visual style together in Midjourney before bringing everything into GPT Image 2.0 to build the character sheet. I also pushed it a bit further by generating multiple characters, destinations, and art directions at the same time, then turning those into production-style character sheets and shot sequences. It's interesting how much consistency you can get from a single well-defined character board when the visual language, wardrobe, and environment are established upfront. Check out three different character + scenes here 👇

Curious Refuge

12,209 次观看 • 2 个月前

I’m trying to re-texture my avatar in #EmoteLab it’s very cute! > Texture Cache > CoffeeBean > Custom Textures - Go back to EmoteLab and click Reload Textures. Method 2: Easier Way to Edit Textures Directly - Go to Settings → Open Character Folder. - Find the version you are using, then open your character folder. - Click Regions. - You will find the textures used by the character there. You can edit these textures directly as well. 💡Tip: I recommend editing the WeightTransfer folder first, then Click Unload Current Model and Load the model again to refresh the textures. Finally, You will get your own EmoteLab texture!!

B U N R I👾 @Live2D

22,489 次观看 • 5 个月前

🎥 || Lewis Hamilton talking about Fred Vasseur. "I mean Fred brought me to this team so I owe Fred a great deal. We won together back in 2006 and 2005 in Formula 3 and GP2. I'm super grateful for him for believing in me and wanting to bring me to the team 'cause he really made it happen." "I think when you get into a team, when you see, firstly, how big the organisation is, how the structure is set. You come in with a fresh pair of eyes and as opposed to someone who's been in it for a long time, when you come in with a fresh pair of eyes, you see the good and the bad really clearly." "But I definitely think Fred is the guy to take us to the top. So I'm just working as hard as I can to support him and make the changes that are necessary, which there are plenty."

🎥 || Lewis Hamilton talking about Fred Vasseur. "I mean Fred brought me to this team so I owe Fred a great deal. We won together back in 2006 and 2005 in Formula 3 and GP2. I'm super grateful for him for believing in me and wanting to bring me to the team 'cause he really made it happen." "I think when you get into a team, when you see, firstly, how big the organisation is, how the structure is set. You come in with a fresh pair of eyes and as opposed to someone who's been in it for a long time, when you come in with a fresh pair of eyes, you see the good and the bad really clearly." "But I definitely think Fred is the guy to take us to the top. So I'm just working as hard as I can to support him and make the changes that are necessary, which there are plenty."

sin ⁴⁴

51,049 次观看 • 1 年前

And here's the Grok Imagine version. Same method as before: I upload my character sheet as the base image that I made with Nano Banana Pro to create this fake omni-reference 😁 It works really well for me, since I just want to casually animate my AI character consistently with Grok. I really love this approach because I can simply load my character reference and focus 100% on writing the scene I want to show.

And here's the Grok Imagine version. Same method as before: I upload my character sheet as the base image that I made with Nano Banana Pro to create this fake omni-reference 😁 It works really well for me, since I just want to casually animate my AI character consistently with Grok. I really love this approach because I can simply load my character reference and focus 100% on writing the scene I want to show.

DAN · MXVDXN

33,000 次观看 • 5 个月前

Another great character rig example utilizing raster meshes controlled with bones. Pair that with layouts and data binding and you can build unique, dynamic game menus. (Shoutout to JcToon for the amazing rig and animation work here)

Another great character rig example utilizing raster meshes controlled with bones. Pair that with layouts and data binding and you can build unique, dynamic game menus. (Shoutout to JcToon for the amazing rig and animation work here)

Drawsgood

41,488 次观看 • 6 个月前

hi again, i've been learning blender! some of the free character rigs you can get are *really* good, like this sunspot rig for example and yes, he's at the beach in october, fight me

hi again, i've been learning blender! some of the free character rigs you can get are really good, like this sunspot rig for example and yes, he's at the beach in october, fight me

Sable

24,609 次观看 • 10 个月前