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Clipse says that Pharrell forced them to be more structured with their verses instead of freestyling, which helped ‘LGSEO’ go from good to great: “This whole album was based on ‘stay in the pattern and inject all of the steroids into the pattern’ and he was right” We Sound Crazy

169,947 次观看 • 4 个月前 •via X (Twitter)

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People of Nabi Ball!❤️✌🏾 There is progress in this team👏🏾 The patterns need time to develop and for the team to be consistent in them. ■ The left side looked better with Mmodi and Shinga✅️ ■ We needed Duba to attack the box and be available more when these 2 attacked on the left. He dropped to the edge of the box very often. ■ Unlike in the 1st half, there was a better understanding between Shinga and the LW. When Shinga overlapped, Mmodi was willing to occupy the pockets and combine. ▪︎ When Shinga inverted, Mmodi was happy to hug the line and take his man on. This understanding was key in that side coming to life in the 2nd half. ■ What was also impressive was the ability for them to create good combinations and movements with Mdu and Duba on the offense from the left side. ■ Lilepo from the right was getting into good goal scoring positions when the left was creating in the 2nd half, but poor decisions on the ball and slow reactions were a problem. He should compete on the LW with Mmodi. ■ In the 1st half, it was Monyane and Vilakazi on the right, and 2nd half it was Mmodi and Shinga with some of our best moments in attack. Overall, you can see the general attitude of this team changing. They want to play now. They want to stay on the ball and create chances from a position of control, not rely heavily on transitional moments to create chances. We have shown signs that we can control and be patient, but when opportunities to attack comes we are relentless, and we use a lot of speed to enter the final 3rd. We just need to work on the combinations and finishing in the final 3rd. Like I said before, we are a work in progress, and we will get better only if we build on the positives and remove the negatives. Protagonist Tiki-taka is coming!❤️✌🏾

El Capitano⚪

21,726 次观看 • 10 个月前

Gang Starr - “Mass Appeal” “Mass Appeal” was a turning point for DJ Premier. I remember the first time I heard “Mass Appeal.” It was on Gang Starr’s 1994 album, ‘Hard to Earn.’ I played this song over and over. Serious repeat! What caught my attention the most was how Premier chopped the sample, and then arranged it in a way that the ends exploded every time the loop turned over. What’s more, at the point where the loop turns, there isn’t a dominate kick, which was typical of most hip hop/rap songs of that period. The absence of the kick on the loop turning point convinced me that Premier was in the midst of a sound change. Having heard his beatwork on ‘Illmatic’ just a couple of months before, I was wondering if his beats would be in the same vein or take a different direction. Two songs into ‘Hard to Earn,’ I knew Premier was going for a new sound. And what tipped me off was his experimentation with his drums. I was paying extra close attention to Premier’s use of the kick drum. Specifically, I was studying the ways in which he was starting to “relax” the punch of his kicks while still coming up with non-conventional drum frameworks. On “Mass Appeal,” it was if Premier had challenged himself to devise a moderately syncopated kick pattern underneath a deceptively simple sample arrangement. If you listen to “Mass Appeal,” pay careful attention to how the end of the sample seems to speed up. Truth is, it doesn’t. By chopping the end of the sample the way he did, and by easing up on the attack (the front-end) of the sample, an otherwise simple 1-bar measure is transformed into something akin to break in a record being “pushed” forward by the DJ. And what makes this all more complex than most people realize is the fact that the tempo — which stays the same throughout — is managed thoroughly by the kick pattern and shuffling hat pattern.

The Art of Sampling

21,979 次观看 • 3 个月前