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Episode One: "Ranch Reckoning" (30 seconds, 9:16 vertical cinematic) created using Seedace 2.0 onn RoboNeo Okay... this took me one afternoon and I'm still surprised by how much control I had over the final result. The biggest game changer was the 3D Director's Stage in RoboNeo 3.1. Instead of...

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Aaliya

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53,624 görüntüleme • 2 ay önce •via X (Twitter)

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This started as a simple idea. What if a king defeated the gods... only to discover they were the only thing keeping the world alive? I turned that idea into a cinematic AI trailer, and the ending completely changes everything. The challenge wasn't creating epic visuals. It was making every scene flow like a real Hollywood film with one continuous story. Watch until the final reveal and let me know if you'd watch this as a full movie. Made with Seedream 5.0 Pro + Seedance 2.0 on RoboNeo The full video prompt is in the comments👇 #RoboNeo #MakeItCinematic
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This started as a simple idea. What if a king defeated the gods... only to discover they were the only thing keeping the world alive? I turned that idea into a cinematic AI trailer, and the ending completely changes everything. The challenge wasn't creating epic visuals. It was making every scene flow like a real Hollywood film with one continuous story. Watch until the final reveal and let me know if you'd watch this as a full movie. Made with Seedream 5.0 Pro + Seedance 2.0 on RoboNeo The full video prompt is in the comments👇 #RoboNeo #MakeItCinematic

Leonardo

44,373 görüntüleme • 1 ay önce

I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with **Seedance 2.5 on Morphic**. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and **Morphic**. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀
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I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with **Seedance 2.5 on Morphic**. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and **Morphic**. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀

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AI video is quietly shifting from generation to direction. After testing Ray 3.2 on a restaurant launch concept, that became pretty obvious. I started with two static images: one exterior shot, one interior dining scene. A few minutes later, I had a cinematic sequence that actually felt connected. The biggest improvement isn't just realism. It's control. Most AI video workflows still look like this: prompt → generate → regenerate → regenerate again. You're mostly hoping the model understands what you want. Ray 3.2 feels different. Instead of generating isolated clips, you can guide how one scene evolves into the next. You can shape transitions, control camera movement, preserve visual consistency, and build sequences that feel intentionally directed. For a simple restaurant commercial, that makes a huge difference. The exterior naturally flows into the dining experience. The pacing feels deliberate. The motion feels cinematic. The story feels connected. And that's what stood out to me most. For the first time, AI video felt less like prompting and more like directing. Every frame, yours to direct. Try Luma today using my link:
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AI video is quietly shifting from generation to direction. After testing Ray 3.2 on a restaurant launch concept, that became pretty obvious. I started with two static images: one exterior shot, one interior dining scene. A few minutes later, I had a cinematic sequence that actually felt connected. The biggest improvement isn't just realism. It's control. Most AI video workflows still look like this: prompt → generate → regenerate → regenerate again. You're mostly hoping the model understands what you want. Ray 3.2 feels different. Instead of generating isolated clips, you can guide how one scene evolves into the next. You can shape transitions, control camera movement, preserve visual consistency, and build sequences that feel intentionally directed. For a simple restaurant commercial, that makes a huge difference. The exterior naturally flows into the dining experience. The pacing feels deliberate. The motion feels cinematic. The story feels connected. And that's what stood out to me most. For the first time, AI video felt less like prompting and more like directing. Every frame, yours to direct. Try Luma today using my link:

SONIA

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Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?
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Seedance 2.0 vs Gemini Omni, tested under the same conditions 👀 I was working on a new storyboard. After generating it with Seedance 2.0, I gave the exact same prompt + storyboard reference + character reference to Gemini Omni as well. Result: Gemini Omni surprised me with style quality and got closer than I expected in prompt adherence. But Seedance still feels ahead for storyboard execution, motion energy, camera language and environmental interaction. Gemini looks good. Seedance feels directed. You can see them in the video and the storyboard sheet is shown at the end. Which one do you think is more useful for this kind of work?

Kōda

36,164 görüntüleme • 4 ay önce

I was invited to test OpenArt Director. I made this nearly 1-minute cinematic video through conversation, starting with only an initial idea, two character images, and one background image. This is what vibe directing feels like. A few details impressed me: Director first generates the voiceover, then uses it as reference audio for Seedance 2.0. That makes the character voices feel much more natural and better synced. After the character images, it also helps create storyboard frames and camera reference images. That massively improves the final generation quality. It feels less like writing a prompt, and more like building a shot with an AI production team.
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I was invited to test OpenArt Director. I made this nearly 1-minute cinematic video through conversation, starting with only an initial idea, two character images, and one background image. This is what vibe directing feels like. A few details impressed me: Director first generates the voiceover, then uses it as reference audio for Seedance 2.0. That makes the character voices feel much more natural and better synced. After the character images, it also helps create storyboard frames and camera reference images. That massively improves the final generation quality. It feels less like writing a prompt, and more like building a shot with an AI production team.

underwood

16,581 görüntüleme • 3 ay önce

I thought this was a real commercial at first… Then I found out the entire video was created with AI. No filming studio, no camera crew, no physical set — just an idea turned into a cinematic scene. What impressed me the most is the level of creative control. With features like Director Stage, creators can adjust camera placement, lighting, and composition instead of just generating random clips. AI video is moving beyond simple generation. It’s becoming a new way to direct and build stories. Excited to see what creators will make with Newtake_KR. #DreaminaSeedance25 #Seedance25 #AIVideo #Newtake
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I thought this was a real commercial at first… Then I found out the entire video was created with AI. No filming studio, no camera crew, no physical set — just an idea turned into a cinematic scene. What impressed me the most is the level of creative control. With features like Director Stage, creators can adjust camera placement, lighting, and composition instead of just generating random clips. AI video is moving beyond simple generation. It’s becoming a new way to direct and build stories. Excited to see what creators will make with Newtake_KR. #DreaminaSeedance25 #Seedance25 #AIVideo #Newtake

JOY JULIET

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Starting a YouTube channel for short films just got… way easier. Pai by Utopai Studios has released a model that generates 60-second storytelling with continuity and refinement, so scenes don't feel disconnected. I made a 60-sec original cinematic story and refined it until every scene felt like part of the same world. This felt closer to directing than prompting: Watch it, then tell me: what should I create next? 👇 Utopai Studios #UtopaiPartners
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Starting a YouTube channel for short films just got… way easier. Pai by Utopai Studios has released a model that generates 60-second storytelling with continuity and refinement, so scenes don't feel disconnected. I made a 60-sec original cinematic story and refined it until every scene felt like part of the same world. This felt closer to directing than prompting: Watch it, then tell me: what should I create next? 👇 Utopai Studios #UtopaiPartners

Arsalan

15,550 görüntüleme • 6 ay önce

Here’s Part 2, this time made with Seedance 2.5. This is the final cut, built from shorter generations, and I’m really happy with how it came together. My first attempt was one continuous 30-second generation, but it introduced too many mistakes. At 2.5’s price, repeatedly rerolling a long clip just wasn’t practical. Breaking the sequence into shorter shots gave me much more control over blocking, character placement, vehicles, pacing and the final edit. The biggest upgrade is the rendering. Skin has more texture and looks far less plastic than it often did in 2.0. Multimodal referencing is genuinely useful too. I used character, vehicle and environment sheets, but never needed more than seven references at once. Is it worth the extra cost? Yes, if time matters. I think 2.0 could reach a similar result, but it would take more generations and a lot more work. A few example prompts in next posts 👇 Made via Dreamina AI
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Here’s Part 2, this time made with Seedance 2.5. This is the final cut, built from shorter generations, and I’m really happy with how it came together. My first attempt was one continuous 30-second generation, but it introduced too many mistakes. At 2.5’s price, repeatedly rerolling a long clip just wasn’t practical. Breaking the sequence into shorter shots gave me much more control over blocking, character placement, vehicles, pacing and the final edit. The biggest upgrade is the rendering. Skin has more texture and looks far less plastic than it often did in 2.0. Multimodal referencing is genuinely useful too. I used character, vehicle and environment sheets, but never needed more than seven references at once. Is it worth the extra cost? Yes, if time matters. I think 2.0 could reach a similar result, but it would take more generations and a lot more work. A few example prompts in next posts 👇 Made via Dreamina AI

V

49,051 görüntüleme • 1 ay önce

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:
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This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

The Bugged Dev

104,917 görüntüleme • 2 ay önce

I used Seedance Enterprise 2.5 to create this AI rap music video. One thing I noticed during testing was that I spent less time regenerating shots. I got the result on the second attempt. I was getting usable results more consistently, which made the workflow feel faster and more cost-effective. The authenticity struck me profoundly, Seedance 2.5 captures micro‑expressions and subtle eye shifts that feel unscripted — the kind of nuance that usually gets lost in AI, but here makes every frame read as a real performance. The 30-second generation made the creative process feel much more natural. The motion, lighting, and camera movement felt more natural, making it easier to focus on storytelling instead of fixing every scene. I can also see how pairing it with SeedAudio would make the overall AI music video workflow even more seamless. Support for multimodal references and localized editing helped keep the visuals consistent while making refinements much easier. Overall, Seedance 2.5 feels less like a shot generator and more like a creative tool for cinematic storytelling and music videos. Seedance 2.5 API is about to launch on BytePlus, and Lumina will also roll out Seedance 2.5 soon
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I used Seedance Enterprise 2.5 to create this AI rap music video. One thing I noticed during testing was that I spent less time regenerating shots. I got the result on the second attempt. I was getting usable results more consistently, which made the workflow feel faster and more cost-effective. The authenticity struck me profoundly, Seedance 2.5 captures micro‑expressions and subtle eye shifts that feel unscripted — the kind of nuance that usually gets lost in AI, but here makes every frame read as a real performance. The 30-second generation made the creative process feel much more natural. The motion, lighting, and camera movement felt more natural, making it easier to focus on storytelling instead of fixing every scene. I can also see how pairing it with SeedAudio would make the overall AI music video workflow even more seamless. Support for multimodal references and localized editing helped keep the visuals consistent while making refinements much easier. Overall, Seedance 2.5 feels less like a shot generator and more like a creative tool for cinematic storytelling and music videos. Seedance 2.5 API is about to launch on BytePlus, and Lumina will also roll out Seedance 2.5 soon

Zara

31,783 görüntüleme • 1 ay önce

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”
2:19

Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

Dinda Prasetyo

29,385 görüntüleme • 6 ay önce

most people struggle to generate human faces consistently on seedance 2.0, especially when relying on character sheets a lot of the time, the system rejects it or the face breaks across scenes so I built a workflow that uses a base image as the anchor instead this keeps the face clean, natural, and consistent while still giving you full control for cinematic shots it’s a small change, but it makes a huge difference when working with human characters another thing I’ve learned, instead of generating scene by scene (which burns a lot of credits), it’s much more efficient to build multiple moments inside one 15s generation you can guide each second with slightly different prompt directions, then refine the final result with manual cut-to-cut editing this way you get more usable footage in one go and still keep control in post try it here: FLORA © #FLORATechnique
0:31

most people struggle to generate human faces consistently on seedance 2.0, especially when relying on character sheets a lot of the time, the system rejects it or the face breaks across scenes so I built a workflow that uses a base image as the anchor instead this keeps the face clean, natural, and consistent while still giving you full control for cinematic shots it’s a small change, but it makes a huge difference when working with human characters another thing I’ve learned, instead of generating scene by scene (which burns a lot of credits), it’s much more efficient to build multiple moments inside one 15s generation you can guide each second with slightly different prompt directions, then refine the final result with manual cut-to-cut editing this way you get more usable footage in one go and still keep control in post try it here: FLORA © #FLORATechnique

DStudioproject

23,549 görüntüleme • 5 ay önce

I kept seeing people talk about DeeVid AI, so I finally gave it a try myself. Honestly, I was just curious to see what it could actually do. I put in a simple idea and the video turned out way better than I expected. The whole process was surprisingly easy too. I can definitely see creators using this to make more content and potentially turn it into another income stream. Pretty impressed with this one. #DeeVidAI #AIVideo
0:39

I kept seeing people talk about DeeVid AI, so I finally gave it a try myself. Honestly, I was just curious to see what it could actually do. I put in a simple idea and the video turned out way better than I expected. The whole process was surprisingly easy too. I can definitely see creators using this to make more content and potentially turn it into another income stream. Pretty impressed with this one. #DeeVidAI #AIVideo

Jubayer

17,989 görüntüleme • 15 gün önce

Angle 2.0 is a lifesaver! A few weeks ago, I was working on my TV series project and was frustrated by the hundreds of camera angles required for every scene. So what did I do? I asked Higgsfield AI 🧩 to build an app that solves this. Today, they delivered! Workflow 👇
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Angle 2.0 is a lifesaver! A few weeks ago, I was working on my TV series project and was frustrated by the hundreds of camera angles required for every scene. So what did I do? I asked Higgsfield AI 🧩 to build an app that solves this. Today, they delivered! Workflow 👇

Alex Patrascu

50,071 görüntüleme • 8 ay önce

Seedance 2.0 - Advanced Workflows Series 12. Cinematics with Unreal Engine and Claude Fable 5 Fable 5 is an absolute beast model that can take control of Unreal Engine and create videogames. We can build scenes as a little video game with physics and assets and configure a playable character to create a cinematic scene. In this example I created a scene of an astronaut lost in space floating between asteroids. I created a zero gravity environment and made assets like cubes and spheres representing asteroids interact in this environment. I recorded the gameplay and later place a camera to build the cinematic. Workflow + Prompts 👇
0:21

Seedance 2.0 - Advanced Workflows Series 12. Cinematics with Unreal Engine and Claude Fable 5 Fable 5 is an absolute beast model that can take control of Unreal Engine and create videogames. We can build scenes as a little video game with physics and assets and configure a playable character to create a cinematic scene. In this example I created a scene of an astronaut lost in space floating between asteroids. I created a zero gravity environment and made assets like cubes and spheres representing asteroids interact in this environment. I recorded the gameplay and later place a camera to build the cinematic. Workflow + Prompts 👇

VoxelPlot

24,277 görüntüleme • 2 ay önce

What happens when a 30-second romance plays out entirely in one night? I built this short cinematic romance in CapCut using Seedance 2.5, from the club setting and character consistency to the camera movement, chemistry, and tiny emotional moments. CapCut The goal was to make it feel like we just dropped into one scene from a much bigger love story. How did Seedance 2.5 do?
0:30

What happens when a 30-second romance plays out entirely in one night? I built this short cinematic romance in CapCut using Seedance 2.5, from the club setting and character consistency to the camera movement, chemistry, and tiny emotional moments. CapCut The goal was to make it feel like we just dropped into one scene from a much bigger love story. How did Seedance 2.5 do?

Sophia

53,135 görüntüleme • 1 ay önce

📖SEEDANCE 2.0 IS SETTING A NEW STANDARD FOR AI FILMMAKING. In a 20-minute video, you'll find out what you might not have guessed With the right workflow, you can create cinematic AI videos with consistent characters, natural voiceovers, and professional-quality visuals. The pipeline is simple: • Nano Banana Pro for character sheets • Multi-shot prompting for coherent scenes • Seedance 2.0 for video + voice generation • Topaz for upscaling • Premiere Pro for the final edit A repeatable workflow that works for AI short films, commercials, and client projects. I found some good material that I have reviewed many times and decided to share with you. The author explains everything in great detail. This is not just a review - it is a pleasure. 📥Tomorrow I'm covering the one that surprised me the most this month. 🔖The guide below has some interesting information. One bookmark, one workflow, one result.
19:38

📖SEEDANCE 2.0 IS SETTING A NEW STANDARD FOR AI FILMMAKING. In a 20-minute video, you'll find out what you might not have guessed With the right workflow, you can create cinematic AI videos with consistent characters, natural voiceovers, and professional-quality visuals. The pipeline is simple: • Nano Banana Pro for character sheets • Multi-shot prompting for coherent scenes • Seedance 2.0 for video + voice generation • Topaz for upscaling • Premiere Pro for the final edit A repeatable workflow that works for AI short films, commercials, and client projects. I found some good material that I have reviewed many times and decided to share with you. The author explains everything in great detail. This is not just a review - it is a pleasure. 📥Tomorrow I'm covering the one that surprised me the most this month. 🔖The guide below has some interesting information. One bookmark, one workflow, one result.

Zentrix⌚️

19,764 görüntüleme • 3 ay önce

This was way too easy... I created a cute 3D character in minutes instead of hours using this combo: Unbound + Tripo I’m not a 3D artist, but this made the whole process feel simple, playful, and actually accessible. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual complicated workflow If you are a 3D artist or you are just starting, try Unbound. It’s free, open for everyone to experiment with, and a fun way to create characters, creatures, and 3D models without feeling overwhelmed I had so much fun using it today, and I think many visual creators are going to love it. Link in the first comment 👇🏻
0:39

This was way too easy... I created a cute 3D character in minutes instead of hours using this combo: Unbound + Tripo I’m not a 3D artist, but this made the whole process feel simple, playful, and actually accessible. Unbound helped me shape the character idea, then Tripo turned it into a 3D model without the usual complicated workflow If you are a 3D artist or you are just starting, try Unbound. It’s free, open for everyone to experiment with, and a fun way to create characters, creatures, and 3D models without feeling overwhelmed I had so much fun using it today, and I think many visual creators are going to love it. Link in the first comment 👇🏻

Amira Zairi

186,621 görüntüleme • 5 ay önce

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare
0:27

My upcoming release of "Cinematic AI" has made me think about how bodies of work are formed. I think some are manifested and some are revealed. I think "Cinematic AI" falls into the latter category. It was not something I had a clear vision for and then created, but it was something that was revealed to me over time. I thought I saw a glimmer of it early on, but only after some time had past, could I see the body of work emerge. With a bit more context and watching great artists and how they work and think, it finally came to me that this series of 15-20 pieces that I had created could be a worthy collection to mint. AI art has been going through so many transformations from the early GAN work to Collaborative AI to now AI being widely accessible through platforms like MidJourney, Stable Diffusion, and many others. But one area that I have seen explode in recent months is cinematic AI. I distinguish this from animated AI, which has been around for a while, but cinematic AI is where the movements created by AI are getting closer to what you'd see in a movie or captured on a video camera. It still has a long way to go but it is getting more real than surreal as the technology develops. And this is where I seem to have found my groove, my home, my little corner in the artistic landscape. After Runway launched their image-to-video tool, it just blew my mind and I went down a deep rabbit hole and have created a new cinematic AI piece almost every other day for the past few months. I initially saw many of these pieces as just experiments, but with some time to reflect, I am seeing them as having the potential of being relevant pieces of artwork to mark this time in the development of AI. In some cases, I'm not sure if I'll ever be able to create a similar piece again, since the tools I use are not in my control, but in the control of the AI platforms, who are constantly improving and evolving the tools. Given all of this, there is no better way to mark my place in time than on the blockchain. I truly believe that this body of work has the potential to be an important artifact of this era in AI and AI art. It is always hard to judge ones own work, but what I can do is permanently etch in time on an immutable public database saying that I created this. Only time will tell if the work has any value or is of any significance, but who created it and what was created cannot be disputed. I hope this gives you and especially collectors some perspective on the work I'll be releasing next week. I'm still very early in my artistic journey, but hopefully some of you will see promise in what I'm doing and maybe even put in a early bet on my art practice by bidding on a piece next week. Thanks to all of you who have supported me, taught me, advised me, been a friend to me. Much love and respect.🙏 ------------------------------------- CINEMATIC AI October 25, 2023 Marking on the blockchain, establishing historical provenance for a cinematic AI body of work. Minting on Transient Labs ERC-721TL Listing on SuperRare

Chikai

21,517 görüntüleme • 2 yıl önce

i just figured out the best way to use Seedance 2.5 latest model from ByteDance lets you generate up to 30 second continuous videos and accepts up to 50 reference assets (images, videos and audio) all in one generation most people overcomplicate it, the real trick is in the details my prompt structure looks like this: [1] global scene + visual style [2] character descriptions [3] timestamped storyboard (0-5s, 5-10s, 10-15s...) [4] camera movement [5] negative prompts [6] ending constraints for example, instead of saying: "girl doing her skincare routine with x product" you tell it exactly what happens every few seconds, where the camera moves, how the emotion changes, what should never appear i put together the exact framework i use and leaking it all to you right now here's what you're getting: > the prompt formula for 30-second videos > how to Use Seedance 2.5 at a fraction of the cost > the best way to use reference images/videos > transitions, camera movements and negative prompts RT + reply "SEEDANCE" and i'll send it over (must follow so i can dm)
0:30

i just figured out the best way to use Seedance 2.5 latest model from ByteDance lets you generate up to 30 second continuous videos and accepts up to 50 reference assets (images, videos and audio) all in one generation most people overcomplicate it, the real trick is in the details my prompt structure looks like this: [1] global scene + visual style [2] character descriptions [3] timestamped storyboard (0-5s, 5-10s, 10-15s...) [4] camera movement [5] negative prompts [6] ending constraints for example, instead of saying: "girl doing her skincare routine with x product" you tell it exactly what happens every few seconds, where the camera moves, how the emotion changes, what should never appear i put together the exact framework i use and leaking it all to you right now here's what you're getting: > the prompt formula for 30-second videos > how to Use Seedance 2.5 at a fraction of the cost > the best way to use reference images/videos > transitions, camera movements and negative prompts RT + reply "SEEDANCE" and i'll send it over (must follow so i can dm)

MAX

96,072 görüntüleme • 1 ay önce