正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

Hollywood isn't dead. It's evolving. And we're leading that evolution. We just shipped Koyal v2.5: The best Agentic AI filmmaking platform. It goes from your script or music to full video with consistent characters, settings & storylines. Large Production houses, music labels & ad agencies use koyal.ai (YC F25)... for storyboarding & pre-viz. Smaller studios use it for making content they never had the time, budget or resources to create. Write a scene. Direct the camera. Build a world. koyal.ai (YC F25) brings it to life. Here's what's new: - Go from script to video: Write a scene with dialogue, pacing, emotion. Koyal fully realizes it. Using the best voice models on the planet. - Direct the camera: Push in. Pull back. Drift through a scene. Real 3D camera blocking. Shape the shot the way you see it in your head. - Build a world that stays:Lock in a location and return to it. Your scenes stay consistent from the first frame to the last. Plus: dialogue, SFX, annotations for editing, and more control over every shot. Under the hood, we benchmark 40+ models weekly with real humans so Koyal always uses the best available (more on that next week!) Our agents pick the best models for each scene in run-time so you focus on the story, we handle the complexity. You don't need to prompt a film, you can direct it. With Koyal, we're looking to replace the camera, not the filmmaker behind it. Try it now at beta [dot] koyal [dot] ai DM me for credits!show more

Mehul Agarwal

4,262 subscribers

74,702 次观看 • 6 个月前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

56 条评论

Rodolfo Ocampo 的头像

Rodolfo Ocampo6 个月前

brother, respectfully, you cant be saying your tool will change film making when your video looks like it was edited in 2009 imovie by an intern. Anyone with a minimal eye and taste for quality film making would be turned off by this. godspeed

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Brother, X auto downgraded it to 720P before I could catch it. I’ve uploaded the higher quality. Don’t let the quality of the video fool you, you can also go on our website to see everything :)

Lina Colucci 的头像

Lina Colucci6 个月前

Huge! The nod back to traditional principles like "costuming" and "location scouting" is awesome. Also, y'all are getting crazy good data to RLHF on :)

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Hahaha yesss

Adi Singh 的头像

Adi Singh6 个月前

is that the titanic background? then life of pi? my god this felt like a movie in itself

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Titanic, Life of Pi, Jurrasic Park, Pixar, Disney & Star Wars :) We pay homage to every thing awesome that came before us <3

Chandan Perla 的头像

Chandan Perla6 个月前

Brick by brick, Mehul building the upcoming world of Ai film making

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Supported by trailblazers like you sir

Deb Mukherjee 的头像

Deb Mukherjee6 个月前

LFG! Would love the credits

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

DM 😉

Akash Bansal 的头像

Akash Bansal6 个月前

@BlendiByl LFG!

wen 的头像

wen6 个月前

My favorite Bollywood founders

Adil Mania. 的头像

Adil Mania.6 个月前

bro cooked 👌

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

I'm just giving you fire visuals for your twitter recap this week 😉

Adil Mania. 的头像

Adil Mania.6 个月前

hahahaha

Julia Li 的头像

Julia Li6 个月前

YESS

Ollie Forsyth 的头像

Ollie Forsyth6 个月前

Congrats on the great progress!

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Thanks Ollie!

Rohil Agarwal 的头像

Rohil Agarwal6 个月前

I need you to drop a YC movie

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Added to the backlog

Gauri Gupta 的头像

Gauri Gupta6 个月前

lfg!!! You are already a movie star! Congrats on the launchh 🚀🚀

Parth Maheshwari 的头像

Parth Maheshwari6 个月前

petition to make the dinosaur a mainstay

Navvye Anand 的头像

Navvye Anand6 个月前

MY GOAT!!

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

no you brother

James Fong 的头像

James Fong6 个月前

Wow! Major improvements. Hopping on now.

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Exciteddd

jun 的头像

jun6 个月前

bro is about to wipe out hollywood filmmakers

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

No no no. We're gonna empower them and give them way more to play with!

jun 的头像

jun6 个月前

makes sense!

shivani 的头像

shivani6 个月前

congrats @meh_agarwal and @gauri_al !!!

Rohan Dua 的头像

Rohan Dua6 个月前

From backlots to bandwidth. Filmmaking tools have weighed tons and cost millions. If this works at scale, you’re not just evolving Hollywood, you’re handing a studio to anyone with a story and a creativity. That’s equal parts exciting and disruptive. 👏. I am already smacking my lips at the mouthful prospect of my interaction with you on this. Among first things when I board next flight to the US. Exciting @meh_agarwal 👍🏻✌️

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Thanks for such thoughtful comments. Can’t wait to meet you

Sarah Lynn Dawson 的头像

Sarah Lynn Dawson6 个月前

Congrats!! And thanks for the credits :)

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Ofc!!

arman 的头像

arman6 个月前

🙌🙌🙌

Nick Khami 的头像

Nick Khami6 个月前

congrats on the announcement!

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Thanks Nick!!

Ayesha 的头像

Ayesha6 个月前

🚀🚀🚀

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

To the moon

Elvira D 的头像

Elvira D6 个月前

That's crazy, you auto selecting models based on performance? How do you know which one is the best for particular shot?

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

1000 humans every week

Elvira D 的头像

Elvira D6 个月前

🤯 that's crazy

Andres Santanilla J 的头像

Andres Santanilla J6 个月前

🚀🚀🚀

Christopher Rathbun 的头像

Christopher Rathbun6 个月前

The updates look incredible!!

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Thank you brother. Next launch video for your company ??

Amir Hanna 🦜 的头像

Amir Hanna 🦜6 个月前

Crazy. Was this made with Koyal? ;)

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

Ofc!!

Udayan Maurya 的头像

Udayan Maurya6 个月前

Congrats!

Andrey 的头像

Andrey6 个月前

Can it create a better version of Star Trek: Starfleet Academy than what I saw on @paramountplus ?

Mehul Agarwal 的头像

Mehul Agarwal6 个月前

@paramountplus YES, but we won't output existing IP

Dhawal Jain 的头像

Dhawal Jain6 个月前

Cracked team 🫡

nalin 的头像

nalin6 个月前

lfg

Sudeep S D 的头像

Sudeep S D6 个月前

Good luck folks!

sid 的头像

sid6 个月前

LFG

Blair Adams 的头像

Blair Adams6 个月前

Directing the camera and automating the tedious parts looks great!

Heather Cooper 的头像

Heather Cooper6 个月前

Congratulations! I am in there right now :)

相关视频

Stop begging a model for magic. Start directing. Koyal is an agentic AI filmmaking platform It turns a script - or even raw audio - into a film you can cut, recut, and release It starts where filmmakers start: performance Then agents do what a crew would: scenes, shots, retakes Multilingual script → audio → video Agentic lip-sync with believable motion Characters that stay themselves across scenes Because real directors don’t “prompt” a movie They write. Perform. Reshoot. Koyal brings AI to that century-old workflow 🎙️ Mehul Agarwal, Co-founder & CEO koyal.ai (YC F25) on Fondo.com Start 00:00 Intro to Mehul and Koyal “Agentic AI filmmaking platform” 01:10 Most exciting videos on the platform 01:34 Music video and filming at a UNESCO site with AI 02:55 Origin story from text-to-3D gaming startup to AI filmmaking 03:24 The early days of Stable Diffusion, Midjourney, and the AI image explosion 04:22 Why the gaming industry is a "thankless" place for startups 04:50 "why isn't this a startup?" moment 05:15 meme pages, standup comedy, and scriptwriting 07:08 How Koyal works: the "Pixar process" without a camera 08:30 Launching the first video hackathon at YC 10:47 Where to follow and try Koyal

Stop begging a model for magic. Start directing. Koyal is an agentic AI filmmaking platform It turns a script - or even raw audio - into a film you can cut, recut, and release It starts where filmmakers start: performance Then agents do what a crew would: scenes, shots, retakes Multilingual script → audio → video Agentic lip-sync with believable motion Characters that stay themselves across scenes Because real directors don’t “prompt” a movie They write. Perform. Reshoot. Koyal brings AI to that century-old workflow 🎙️ Mehul Agarwal, Co-founder & CEO koyal.ai (YC F25) on Fondo.com Start 00:00 Intro to Mehul and Koyal “Agentic AI filmmaking platform” 01:10 Most exciting videos on the platform 01:34 Music video and filming at a UNESCO site with AI 02:55 Origin story from text-to-3D gaming startup to AI filmmaking 03:24 The early days of Stable Diffusion, Midjourney, and the AI image explosion 04:22 Why the gaming industry is a "thankless" place for startups 04:50 "why isn't this a startup?" moment 05:15 meme pages, standup comedy, and scriptwriting 07:08 How Koyal works: the "Pixar process" without a camera 08:30 Launching the first video hackathon at YC 10:47 Where to follow and try Koyal

David J Phillips

25,753 次观看 • 8 个月前

With Atlas, you can literally make films. And it also basically solves first-frame-last-frame transitions. Reconstruct a 3D scene from images, then position the camera exactly where you want it, and let Atlas fill in what the camera would see along that path. You’re in the director's chair, staging the scene. Here we made a 1 min video with a couple images of totally different scenes, and we set where the camera keyframes should move through each part of the scene. The scene-to-scene transitions are great. Atlas makes it feel like a smooth shot with no cuts.

With Atlas, you can literally make films. And it also basically solves first-frame-last-frame transitions. Reconstruct a 3D scene from images, then position the camera exactly where you want it, and let Atlas fill in what the camera would see along that path. You’re in the director's chair, staging the scene. Here we made a 1 min video with a couple images of totally different scenes, and we set where the camera keyframes should move through each part of the scene. The scene-to-scene transitions are great. Atlas makes it feel like a smooth shot with no cuts.

David Pantera

27,529 次观看 • 1 个月前

i built a way to make full ai films with seedance 2.5 + higgsfield without shooting a single frame in real life you start with a screenplay, a treatment, or even just an idea and it gives you an actual production plan: scenes, shots, character references, locations, dialogue, b-roll, sound, captions, everything you need to turn it into a finished film this was supposed to stay internal but f*ck it, i’m sharing the whole workflow here’s how it works: the script gets broken down scene by scene, then every scene gets turned into a proper shot list with prompts that account for character continuity, wardrobe, lighting, locations, camera movement, pacing, and what needs to happen before and after that shot those prompts get run through seedance 2.5, using reference assets and longer generations to keep the film feeling like one world instead of a thousand random ai clips stitched together then the footage gets assembled with voice, sound design, music, dialogue, captions, and transitions into an actual watchable film the whole system is built to take you from script to a finished film seedance 2.5 is coming soon on higgsfield, but i’m sharing the full breakdown before it so you can be prepared: the script-to-scene system that turns a screenplay into a real production plan seedance 2.5 prompt setup for cinematic shots and consistent characters the reference-asset workflow for keeping faces, wardrobe, locations, and visual style locked in the editing, voice, sound, and caption workflow that turns generated clips into a finished movie RT + reply “FILM” and (i’ll send it over must follow so i can dm)

i built a way to make full ai films with seedance 2.5 + higgsfield without shooting a single frame in real life you start with a screenplay, a treatment, or even just an idea and it gives you an actual production plan: scenes, shots, character references, locations, dialogue, b-roll, sound, captions, everything you need to turn it into a finished film this was supposed to stay internal but f*ck it, i’m sharing the whole workflow here’s how it works: the script gets broken down scene by scene, then every scene gets turned into a proper shot list with prompts that account for character continuity, wardrobe, lighting, locations, camera movement, pacing, and what needs to happen before and after that shot those prompts get run through seedance 2.5, using reference assets and longer generations to keep the film feeling like one world instead of a thousand random ai clips stitched together then the footage gets assembled with voice, sound design, music, dialogue, captions, and transitions into an actual watchable film the whole system is built to take you from script to a finished film seedance 2.5 is coming soon on higgsfield, but i’m sharing the full breakdown before it so you can be prepared: the script-to-scene system that turns a screenplay into a real production plan seedance 2.5 prompt setup for cinematic shots and consistent characters the reference-asset workflow for keeping faces, wardrobe, locations, and visual style locked in the editing, voice, sound, and caption workflow that turns generated clips into a finished movie RT + reply “FILM” and (i’ll send it over must follow so i can dm)

Sulfur

49,065 次观看 • 2 个月前

Grok Imagine gives you complete control over your videos, letting you direct the camera's movement, control your character's actions, script their dialogue, and manage how objects in the scene interact. Your characters can smash objects, swing a bat, or walk out of a room. To build seamless videos, start by extracting the last frame from your current clip and using it as the starting frame for the next one.

Grok Imagine gives you complete control over your videos, letting you direct the camera's movement, control your character's actions, script their dialogue, and manage how objects in the scene interact. Your characters can smash objects, swing a bat, or walk out of a room. To build seamless videos, start by extracting the last frame from your current clip and using it as the starting frame for the next one.

tetsuo

27,443 次观看 • 1 年前

i built a way to generate realistic AI influencer vlogs without ever touching a camera. this was supposed to stay internal but f*ck it, i'm leaking the entire production system. pick any topic. or paste in a script. a few minutes later you've got a finished influencer-style vlog with: > a consistent AI character > cinematic shots > natural dialogue > realistic iPhone footage > b-roll here's how it works: the workflow first breaks your script into a complete scene-by-scene storyboard with timestamps, camera directions, dialogue, environments, pacing, and shot planning so every clip has a purpose instead of feeling randomly generated. each scene gets its own reference image prompt for Higgsfield that locks the character's identity, clothing, camera angle, lighting, and environment to keep the person looking the same across the entire vlog. those reference images are then animated in Seedance 2.5 using scene-specific prompts that control movement, lip sync, ambient audio, dialogue, camera motion, and timing so every clip feels like it was filmed on an iPhone instead of generated by AI. finally everything gets assembled in CapCut with b-roll, subtitles, transitions, music, pacing, and final polish into a complete vlog that's ready to upload. you're not filming,hiring actors or recording voiceovers. the whole thing goes from idea → finished AI influencer vlog. the document i'm sharing includes: > the complete scene breakdown framework > every Higgsfield image prompt > every Seedance 2.5 animation prompt > dialogue for every scene > b-roll prompts > editing workflow inside capcut > structural notes that make the vlog feel real instead of AI RT + reply "AI VLOG", i'll DM you the entire production blueprint.(must be following so i can DM.)

i built a way to generate realistic AI influencer vlogs without ever touching a camera. this was supposed to stay internal but f*ck it, i'm leaking the entire production system. pick any topic. or paste in a script. a few minutes later you've got a finished influencer-style vlog with: > a consistent AI character > cinematic shots > natural dialogue > realistic iPhone footage > b-roll here's how it works: the workflow first breaks your script into a complete scene-by-scene storyboard with timestamps, camera directions, dialogue, environments, pacing, and shot planning so every clip has a purpose instead of feeling randomly generated. each scene gets its own reference image prompt for Higgsfield that locks the character's identity, clothing, camera angle, lighting, and environment to keep the person looking the same across the entire vlog. those reference images are then animated in Seedance 2.5 using scene-specific prompts that control movement, lip sync, ambient audio, dialogue, camera motion, and timing so every clip feels like it was filmed on an iPhone instead of generated by AI. finally everything gets assembled in CapCut with b-roll, subtitles, transitions, music, pacing, and final polish into a complete vlog that's ready to upload. you're not filming,hiring actors or recording voiceovers. the whole thing goes from idea → finished AI influencer vlog. the document i'm sharing includes: > the complete scene breakdown framework > every Higgsfield image prompt > every Seedance 2.5 animation prompt > dialogue for every scene > b-roll prompts > editing workflow inside capcut > structural notes that make the vlog feel real instead of AI RT + reply "AI VLOG", i'll DM you the entire production blueprint.(must be following so i can DM.)

Sulfur

73,321 次观看 • 2 个月前

Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

Invideo

30,905 次观看 • 3 个月前

We just soft-launched the new Argil. What used to take 3 hours now takes 10 minutes. Two years ago, coding agents changed everything for software. Suddenly one person could ship what used to take a whole team. That moment is now happening for video. We're releasing the first AI storytelling studio. Under the hood, it's brutal: knowing exactly how to prompt each model, keeping characters consistent from shot to shot, chaining an absurd number of tools together just to get 30 seconds of film that actually holds up. You never see any of that. You bring your story. You create your characters and your world. Argil turns it into a storyboard, then a film. You post it. That's it. For now, we're focused on animation, because that's the format performing best on social right now. Some of our customers are already pulling millions of views with it. A new way to make money on social media is opening up, and the people who master storytelling first are going to own it. This is just the start. We're scaling to every format and to long-form. The goal is for Argil to become the stack for making films, series and animated shows. The place you go when you have a story to tell. We're starting to onboard people today with a discount. If there's a story you've always wanted to tell, now's the time.

We just soft-launched the new Argil. What used to take 3 hours now takes 10 minutes. Two years ago, coding agents changed everything for software. Suddenly one person could ship what used to take a whole team. That moment is now happening for video. We're releasing the first AI storytelling studio. Under the hood, it's brutal: knowing exactly how to prompt each model, keeping characters consistent from shot to shot, chaining an absurd number of tools together just to get 30 seconds of film that actually holds up. You never see any of that. You bring your story. You create your characters and your world. Argil turns it into a storyboard, then a film. You post it. That's it. For now, we're focused on animation, because that's the format performing best on social right now. Some of our customers are already pulling millions of views with it. A new way to make money on social media is opening up, and the people who master storytelling first are going to own it. This is just the start. We're scaling to every format and to long-form. The goal is for Argil to become the stack for making films, series and animated shows. The place you go when you have a story to tell. We're starting to onboard people today with a discount. If there's a story you've always wanted to tell, now's the time.

Brivael Le Pogam

83,706 次观看 • 8 天前

#PixVerseWorldModel is doing something pretty interesting with AI video. One of the things that stood out to me is the WASD experience. AI video usually follows a simple workflow: write a prompt, generate a clip, and watch the result. With PixVerse World Model, you can actually move around inside the generated world, control the camera, and use prompts to influence the environment, characters, and actions as you move through the scene. The interesting part is how movement and prompting work together. Instead of generating a completely new clip every time you want something to change, you can keep interacting with the world and see how it responds. Text prompts start to feel less like instructions for generating a video and more like another way of interacting with the world itself. It makes PixVerse World Model feel less like traditional AI video and more like a playable, generated environment. Maybe the more interesting question for AI video isn’t just “what can it generate?” It’s “what can we actually do once we’re inside it?” Try now:

#PixVerseWorldModel is doing something pretty interesting with AI video. One of the things that stood out to me is the WASD experience. AI video usually follows a simple workflow: write a prompt, generate a clip, and watch the result. With PixVerse World Model, you can actually move around inside the generated world, control the camera, and use prompts to influence the environment, characters, and actions as you move through the scene. The interesting part is how movement and prompting work together. Instead of generating a completely new clip every time you want something to change, you can keep interacting with the world and see how it responds. Text prompts start to feel less like instructions for generating a video and more like another way of interacting with the world itself. It makes PixVerse World Model feel less like traditional AI video and more like a playable, generated environment. Maybe the more interesting question for AI video isn’t just “what can it generate?” It’s “what can we actually do once we’re inside it?” Try now:

Nayeem Sheikh

14,959 次观看 • 15 天前

$i built a way to generate full ai vlogs for youtube using seedance 2.5, without ever picking up a camera this was supposed to stay internal but f*ck it, i'm leaking the whole thing you give it a script or even just a topic and it comes back with a finished vlog, voiceover, b-roll, captions, ready to upload here's how it works: a custom claude skill breaks your script into scenes and writes timestamped storyboard prompts for each one, matched to pacing so nothing feels random. those prompts get fed into seedance 2.5, using its 30 second continuous generation and reference asset support to keep the visuals consistent across scenes instead of looking like ten unrelated clips stitched together. then it pulls in an ai voiceover that matches the tone of the script, stitches every scene together, and burns in captions automatically you're not filming, not voicing, not editing, not exporting from three different apps the whole thing runs start to finish and outputs a finished 16:9 vlog ready to post, and it costs a fraction of what an editor or camera setup would run you i'm sharing the full breakdown, which includes: the claude skill that handles scene breakdown and storyboard prompts the seedance 2.5 setup that keeps visuals consistent scene to scene the voiceover setup that keeps it from sounding robotic the exact workflow from script to finished vlog RT + reply "PROMPTS" and i'll send it over (must follow so i can dm)$

i built a way to generate full ai vlogs for youtube using seedance 2.5, without ever picking up a camera this was supposed to stay internal but f*ck it, i'm leaking the whole thing you give it a script or even just a topic and it comes back with a finished vlog, voiceover, b-roll, captions, ready to upload here's how it works: a custom claude skill breaks your script into scenes and writes timestamped storyboard prompts for each one, matched to pacing so nothing feels random. those prompts get fed into seedance 2.5, using its 30 second continuous generation and reference asset support to keep the visuals consistent across scenes instead of looking like ten unrelated clips stitched together. then it pulls in an ai voiceover that matches the tone of the script, stitches every scene together, and burns in captions automatically you're not filming, not voicing, not editing, not exporting from three different apps the whole thing runs start to finish and outputs a finished 16:9 vlog ready to post, and it costs a fraction of what an editor or camera setup would run you i'm sharing the full breakdown, which includes: the claude skill that handles scene breakdown and storyboard prompts the seedance 2.5 setup that keeps visuals consistent scene to scene the voiceover setup that keeps it from sounding robotic the exact workflow from script to finished vlog RT + reply "PROMPTS" and i'll send it over (must follow so i can dm)

Sulfur

1,352,967 次观看 • 2 个月前

Introducing the "Geo Method" - A way of filmmaking that tethers AI video to something physically real, and unmistakably human. Our method bridges traditional cinema and the incredibly impressive AI future. "Geo" represents earth, ground, geometry, location. How it works: we build scenes and sets as physical miniatures, hand-crafted, lit, and shot practical on cinema cameras and lenses. That footage becomes our source plate: a live-action anchor with real light, real depth, and real texture that brings unmatched intention and direction to the generative AI process. Then, inside our proprietary software ("ST00DIO"), we bring the plate to life with additional elements. Our mixture of original 3D models and AI-generated assets are integrated into the scene, giving us greater control over performance and animation, directed by humans. AI handles relighting, asset-based set extensions, and atmosphere, but the world itself is born from photographic live action. The final piece is our "Shot Composer" tool for micro adjustments if needed, or entirely new scene framing. From a single still frame from the miniature capture source plate, it generates procedural geometry and a matching, fully directable virtual camera. From there, if we desire, we can further direct the shot with precise control: camera moves that were never physically possible on the practical tabletop, specific composition rebuilds, and explicit blocking for animated characters, then render the new result against the original live-action plate (video). What you get is a true hybrid production for AI animation: the grounded realism of practical miniatures with the creative freedom and speed of AI. The scene is real. The camera becomes editable. The visual effects are picture-perfect. The storytelling is human-led. The Geo Method. Developed at m00m Studios (m00m 🛰) by Jordan Freda and Ben Lam.

Introducing the "Geo Method" - A way of filmmaking that tethers AI video to something physically real, and unmistakably human. Our method bridges traditional cinema and the incredibly impressive AI future. "Geo" represents earth, ground, geometry, location. How it works: we build scenes and sets as physical miniatures, hand-crafted, lit, and shot practical on cinema cameras and lenses. That footage becomes our source plate: a live-action anchor with real light, real depth, and real texture that brings unmatched intention and direction to the generative AI process. Then, inside our proprietary software ("ST00DIO"), we bring the plate to life with additional elements. Our mixture of original 3D models and AI-generated assets are integrated into the scene, giving us greater control over performance and animation, directed by humans. AI handles relighting, asset-based set extensions, and atmosphere, but the world itself is born from photographic live action. The final piece is our "Shot Composer" tool for micro adjustments if needed, or entirely new scene framing. From a single still frame from the miniature capture source plate, it generates procedural geometry and a matching, fully directable virtual camera. From there, if we desire, we can further direct the shot with precise control: camera moves that were never physically possible on the practical tabletop, specific composition rebuilds, and explicit blocking for animated characters, then render the new result against the original live-action plate (video). What you get is a true hybrid production for AI animation: the grounded realism of practical miniatures with the creative freedom and speed of AI. The scene is real. The camera becomes editable. The visual effects are picture-perfect. The storytelling is human-led. The Geo Method. Developed at m00m Studios (m00m 🛰) by Jordan Freda and Ben Lam.

Jordan 🛰️ Freda

105,567 次观看 • 12 天前

I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with **Seedance 2.5 on Morphic**. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and **Morphic**. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀

I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with Seedance 2.5 on Morphic. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and Morphic. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀

Scarlett

254,209 次观看 • 1 个月前

🚨BREAKING: The AI studio behind an estimated $110M in global sales just made their cinematic model available to the public. it's called PAI from Utopai Studios. and it works completely different from Sora, Runway, or Kling. you don't type a prompt and hope for the best. you actually direct. What it actually does: → 4K output, 16 shots per sequence → Characters stay consistent across episodes → Post-render editing in plain English → Original character models from references → Scene-level storyboard control → IP protection baked into every frame i got early access and tested it. for long-form AI video, nothing else is even in the same conversation right now. Thanks Utopai Studios for the early access.

🚨BREAKING: The AI studio behind an estimated $110M in global sales just made their cinematic model available to the public. it's called PAI from Utopai Studios. and it works completely different from Sora, Runway, or Kling. you don't type a prompt and hope for the best. you actually direct. What it actually does: → 4K output, 16 shots per sequence → Characters stay consistent across episodes → Post-render editing in plain English → Original character models from references → Scene-level storyboard control → IP protection baked into every frame i got early access and tested it. for long-form AI video, nothing else is even in the same conversation right now. Thanks Utopai Studios for the early access.

Farhan

102,833 次观看 • 5 个月前

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

OpenArt

7,303,791 次观看 • 6 个月前

We're making a 90-min feature film. Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure. The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.

We're making a 90-min feature film. Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure. The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.

Invideo

68,826 次观看 • 3 个月前

Sharing this Godot quick tip for the new people trying to figure out how to mess with the game while it's running! ✨ (Thanks to Daniel Queiroz Porto and and Ian Williams for pointing this out) 1. Go to the Project Settings 2. Click "Advanced Settings" 3. In "Window" highlight "Always on Top" and create a new editor override for it by choosing "editor" from the list and clicking "Add" 4. Enable the new override you just added 5. Now when you run the scene (Ctrl+R) the window will always stay on top! 6. Press the Camera icon on top of the viewport to sync your editor camera to the game camera 7. Click on the "Remote" tab of the Scene panel. All of the changes you make to these objects will sync with your game in real time! Bonus Tip: You can make it switch to the "Remote" tab by default when you run the game if you go to Editor Settings (Ctrl+Comma) -> Network -> Debugger and click "Auto Switch to Remote Scene Tree"! #godottips

Sharing this Godot quick tip for the new people trying to figure out how to mess with the game while it's running! ✨ (Thanks to Daniel Queiroz Porto and and Ian Williams for pointing this out) 1. Go to the Project Settings 2. Click "Advanced Settings" 3. In "Window" highlight "Always on Top" and create a new editor override for it by choosing "editor" from the list and clicking "Add" 4. Enable the new override you just added 5. Now when you run the scene (Ctrl+R) the window will always stay on top! 6. Press the Camera icon on top of the viewport to sync your editor camera to the game camera 7. Click on the "Remote" tab of the Scene panel. All of the changes you make to these objects will sync with your game in real time! Bonus Tip: You can make it switch to the "Remote" tab by default when you run the game if you go to Editor Settings (Ctrl+Comma) -> Network -> Debugger and click "Auto Switch to Remote Scene Tree"! #godottips

passivestar

96,110 次观看 • 3 年前

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

Autodesk Flow Studio

35,641 次观看 • 2 个月前

Today we're launching iMessage video ads in Claude. Faceless video is the best-performing ad format right now — and Claude can now generate a full one end to end, in one prompt. Here's how it works: 1. Install: npx gooseworks install --all 2. Run: /goose-video make an iMessage ad for [your product] Claude writes the script, generates the photos in the thread, animates the conversation, and closes on your brand. SFX, music, end card, all of it. The trick: it's just HTML. No video generation models, so it's fast and cheap — and it works because it doesn't look like an ad. It's that easy. But this is just the start. We have created a library with 100+ open-source skills for growth that some of the fastest growing startups in the world are using every day to run ads, content, competitor research, gtm, seo and more. Comment Goose and I'll DM you the full open-source skill library.

Soham Mehta

50,641 次观看 • 3 个月前

Runway Characters are now available in the Runway iOS app. Have a conversation on the go. Or point your camera at the world and talk to a character that can actually see what you see. Try it today at the link below.

Runway Characters are now available in the Runway iOS app. Have a conversation on the go. Or point your camera at the world and talk to a character that can actually see what you see. Try it today at the link below.

Runway

17,702 次观看 • 6 个月前

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

Ivan Flugelman — VVSVS™

218,433 次观看 • 1 个月前