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Hollywood isn't dead. It's evolving. And we're leading that evolution. We just shipped Koyal v2.5: The best Agentic AI filmmaking platform. It goes from your script or music to full video with consistent characters, settings & storylines. Large Production houses, music labels & ad agencies use koyal.ai (YC F25)... for storyboarding & pre-viz. Smaller studios use it for making content they never had the time, budget or resources to create. Write a scene. Direct the camera. Build a world. koyal.ai (YC F25) brings it to life. Here's what's new: - Go from script to video: Write a scene with dialogue, pacing, emotion. Koyal fully realizes it. Using the best voice models on the planet. - Direct the camera: Push in. Pull back. Drift through a scene. Real 3D camera blocking. Shape the shot the way you see it in your head. - Build a world that stays:Lock in a location and return to it. Your scenes stay consistent from the first frame to the last. Plus: dialogue, SFX, annotations for editing, and more control over every shot. Under the hood, we benchmark 40+ models weekly with real humans so Koyal always uses the best available (more on that next week!) Our agents pick the best models for each scene in run-time so you focus on the story, we handle the complexity. You don't need to prompt a film, you can direct it. With Koyal, we're looking to replace the camera, not the filmmaker behind it. Try it now at beta [dot] koyal [dot] ai DM me for credits!show more

Mehul Agarwal

4,262 subscribers

74,702 views • 6 months ago •via X (Twitter)

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56 Comments

Rodolfo Ocampo6 months ago

brother, respectfully, you cant be saying your tool will change film making when your video looks like it was edited in 2009 imovie by an intern. Anyone with a minimal eye and taste for quality film making would be turned off by this. godspeed

Mehul Agarwal6 months ago

Brother, X auto downgraded it to 720P before I could catch it. I’ve uploaded the higher quality. Don’t let the quality of the video fool you, you can also go on our website to see everything :)

Lina Colucci6 months ago

Huge! The nod back to traditional principles like "costuming" and "location scouting" is awesome. Also, y'all are getting crazy good data to RLHF on :)

Mehul Agarwal6 months ago

Hahaha yesss

Adi Singh6 months ago

is that the titanic background? then life of pi? my god this felt like a movie in itself

Mehul Agarwal6 months ago

Titanic, Life of Pi, Jurrasic Park, Pixar, Disney & Star Wars :) We pay homage to every thing awesome that came before us <3

Chandan Perla6 months ago

Brick by brick, Mehul building the upcoming world of Ai film making

Mehul Agarwal6 months ago

Supported by trailblazers like you sir

Deb Mukherjee6 months ago

LFG! Would love the credits

Mehul Agarwal6 months ago

DM 😉

Akash Bansal6 months ago

@BlendiByl LFG!

wen6 months ago

My favorite Bollywood founders

Adil Mania.6 months ago

bro cooked 👌

Mehul Agarwal6 months ago

I'm just giving you fire visuals for your twitter recap this week 😉

Adil Mania.6 months ago

hahahaha

Julia Li6 months ago

YESS

Ollie Forsyth6 months ago

Congrats on the great progress!

Mehul Agarwal6 months ago

Thanks Ollie!

Rohil Agarwal6 months ago

I need you to drop a YC movie

Mehul Agarwal6 months ago

Added to the backlog

Gauri Gupta6 months ago

lfg!!! You are already a movie star! Congrats on the launchh 🚀🚀

Parth Maheshwari6 months ago

petition to make the dinosaur a mainstay

Navvye Anand6 months ago

MY GOAT!!

Mehul Agarwal6 months ago

no you brother

James Fong6 months ago

Wow! Major improvements. Hopping on now.

Mehul Agarwal6 months ago

Exciteddd

jun6 months ago

bro is about to wipe out hollywood filmmakers

Mehul Agarwal6 months ago

No no no. We're gonna empower them and give them way more to play with!

jun6 months ago

makes sense!

shivani6 months ago

congrats @meh_agarwal and @gauri_al !!!

Rohan Dua6 months ago

From backlots to bandwidth. Filmmaking tools have weighed tons and cost millions. If this works at scale, you’re not just evolving Hollywood, you’re handing a studio to anyone with a story and a creativity. That’s equal parts exciting and disruptive. 👏. I am already smacking my lips at the mouthful prospect of my interaction with you on this. Among first things when I board next flight to the US. Exciting @meh_agarwal 👍🏻✌️

Mehul Agarwal6 months ago

Thanks for such thoughtful comments. Can’t wait to meet you

Sarah Lynn Dawson6 months ago

Congrats!! And thanks for the credits :)

Mehul Agarwal6 months ago

Ofc!!

arman6 months ago

🙌🙌🙌

Nick Khami6 months ago

congrats on the announcement!

Mehul Agarwal6 months ago

Thanks Nick!!

Ayesha6 months ago

🚀🚀🚀

Mehul Agarwal6 months ago

To the moon

Elvira D6 months ago

That's crazy, you auto selecting models based on performance? How do you know which one is the best for particular shot?

Mehul Agarwal6 months ago

1000 humans every week

Elvira D6 months ago

🤯 that's crazy

Andres Santanilla J6 months ago

🚀🚀🚀

Christopher Rathbun6 months ago

The updates look incredible!!

Mehul Agarwal6 months ago

Thank you brother. Next launch video for your company ??

Amir Hanna 🦜6 months ago

Crazy. Was this made with Koyal? ;)

Mehul Agarwal6 months ago

Ofc!!

Udayan Maurya6 months ago

Congrats!

Andrey6 months ago

Can it create a better version of Star Trek: Starfleet Academy than what I saw on @paramountplus ?

Mehul Agarwal6 months ago

@paramountplus YES, but we won't output existing IP

Dhawal Jain6 months ago

Cracked team 🫡

nalin6 months ago

lfg

Sudeep S D6 months ago

Good luck folks!

sid6 months ago

LFG

Blair Adams6 months ago

Directing the camera and automating the tedious parts looks great!

Heather Cooper6 months ago

Congratulations! I am in there right now :)

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1,352,967 views • 2 months ago

Introducing the "Geo Method" - A way of filmmaking that tethers AI video to something physically real, and unmistakably human. Our method bridges traditional cinema and the incredibly impressive AI future. "Geo" represents earth, ground, geometry, location. How it works: we build scenes and sets as physical miniatures, hand-crafted, lit, and shot practical on cinema cameras and lenses. That footage becomes our source plate: a live-action anchor with real light, real depth, and real texture that brings unmatched intention and direction to the generative AI process. Then, inside our proprietary software ("ST00DIO"), we bring the plate to life with additional elements. Our mixture of original 3D models and AI-generated assets are integrated into the scene, giving us greater control over performance and animation, directed by humans. AI handles relighting, asset-based set extensions, and atmosphere, but the world itself is born from photographic live action. The final piece is our "Shot Composer" tool for micro adjustments if needed, or entirely new scene framing. From a single still frame from the miniature capture source plate, it generates procedural geometry and a matching, fully directable virtual camera. From there, if we desire, we can further direct the shot with precise control: camera moves that were never physically possible on the practical tabletop, specific composition rebuilds, and explicit blocking for animated characters, then render the new result against the original live-action plate (video). What you get is a true hybrid production for AI animation: the grounded realism of practical miniatures with the creative freedom and speed of AI. The scene is real. The camera becomes editable. The visual effects are picture-perfect. The storytelling is human-led. The Geo Method. Developed at m00m Studios (m00m 🛰) by Jordan Freda and Ben Lam.

Introducing the "Geo Method" - A way of filmmaking that tethers AI video to something physically real, and unmistakably human. Our method bridges traditional cinema and the incredibly impressive AI future. "Geo" represents earth, ground, geometry, location. How it works: we build scenes and sets as physical miniatures, hand-crafted, lit, and shot practical on cinema cameras and lenses. That footage becomes our source plate: a live-action anchor with real light, real depth, and real texture that brings unmatched intention and direction to the generative AI process. Then, inside our proprietary software ("ST00DIO"), we bring the plate to life with additional elements. Our mixture of original 3D models and AI-generated assets are integrated into the scene, giving us greater control over performance and animation, directed by humans. AI handles relighting, asset-based set extensions, and atmosphere, but the world itself is born from photographic live action. The final piece is our "Shot Composer" tool for micro adjustments if needed, or entirely new scene framing. From a single still frame from the miniature capture source plate, it generates procedural geometry and a matching, fully directable virtual camera. From there, if we desire, we can further direct the shot with precise control: camera moves that were never physically possible on the practical tabletop, specific composition rebuilds, and explicit blocking for animated characters, then render the new result against the original live-action plate (video). What you get is a true hybrid production for AI animation: the grounded realism of practical miniatures with the creative freedom and speed of AI. The scene is real. The camera becomes editable. The visual effects are picture-perfect. The storytelling is human-led. The Geo Method. Developed at m00m Studios (m00m 🛰) by Jordan Freda and Ben Lam.

Jordan 🛰️ Freda

105,922 views • 12 days ago

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I wanted to see how far AI video could actually go when you give it a real cinematic story. So I started with one simple idea: a lone astronaut standing on an unknown planet, watching a massive spacecraft emerge from behind the mountains. Then I built the scene with Seedance 2.5 on Morphic. The goal wasn’t just to generate a pretty shot. I wanted the whole sequence to feel like one continuous scene — the same character, the same environment, consistent lighting, realistic ocean reflections, atmospheric movement, and a spacecraft that actually feels massive. What surprised me most was how much control you can get over the storytelling. I could take the scene from a wide cinematic establishing shot → to the astronaut’s reaction → to the spacecraft reveal → and finally into a massive energy portal over the ocean. And the best part? I didn’t need a camera, actors, a film crew, or a huge VFX setup. Just the idea, the prompt, and Morphic. This is the kind of AI video workflow that makes you rethink what a solo creator can actually produce. Seedance 2.5 is now available on Morphic What would you create with it? 👀

Scarlett

254,209 views • 1 month ago

🚨BREAKING: The AI studio behind an estimated $110M in global sales just made their cinematic model available to the public. it's called PAI from Utopai Studios. and it works completely different from Sora, Runway, or Kling. you don't type a prompt and hope for the best. you actually direct. What it actually does: → 4K output, 16 shots per sequence → Characters stay consistent across episodes → Post-render editing in plain English → Original character models from references → Scene-level storyboard control → IP protection baked into every frame i got early access and tested it. for long-form AI video, nothing else is even in the same conversation right now. Thanks Utopai Studios for the early access.

🚨BREAKING: The AI studio behind an estimated $110M in global sales just made their cinematic model available to the public. it's called PAI from Utopai Studios. and it works completely different from Sora, Runway, or Kling. you don't type a prompt and hope for the best. you actually direct. What it actually does: → 4K output, 16 shots per sequence → Characters stay consistent across episodes → Post-render editing in plain English → Original character models from references → Scene-level storyboard control → IP protection baked into every frame i got early access and tested it. for long-form AI video, nothing else is even in the same conversation right now. Thanks Utopai Studios for the early access.

Farhan

102,833 views • 5 months ago

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

Today, we’re launching a new way to create with AI. With OpenArt Worlds, you can generate a fully navigable 3D environment from a single prompt or image, step inside it, and capture shots exactly the way you envision them. No more starting over. No more inconsistent scenes. You build the world once - and create inside it. • Move through your scene freely • Find your angles • Add characters and elements • Capture production-ready shots

OpenArt

7,303,791 views • 6 months ago

We're making a 90-min feature film. Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure. The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.

We're making a 90-min feature film. Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure. The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.

Invideo

68,826 views • 3 months ago

Sharing this Godot quick tip for the new people trying to figure out how to mess with the game while it's running! ✨ (Thanks to Daniel Queiroz Porto and and Ian Williams for pointing this out) 1. Go to the Project Settings 2. Click "Advanced Settings" 3. In "Window" highlight "Always on Top" and create a new editor override for it by choosing "editor" from the list and clicking "Add" 4. Enable the new override you just added 5. Now when you run the scene (Ctrl+R) the window will always stay on top! 6. Press the Camera icon on top of the viewport to sync your editor camera to the game camera 7. Click on the "Remote" tab of the Scene panel. All of the changes you make to these objects will sync with your game in real time! Bonus Tip: You can make it switch to the "Remote" tab by default when you run the game if you go to Editor Settings (Ctrl+Comma) -> Network -> Debugger and click "Auto Switch to Remote Scene Tree"! #godottips

Sharing this Godot quick tip for the new people trying to figure out how to mess with the game while it's running! ✨ (Thanks to Daniel Queiroz Porto and and Ian Williams for pointing this out) 1. Go to the Project Settings 2. Click "Advanced Settings" 3. In "Window" highlight "Always on Top" and create a new editor override for it by choosing "editor" from the list and clicking "Add" 4. Enable the new override you just added 5. Now when you run the scene (Ctrl+R) the window will always stay on top! 6. Press the Camera icon on top of the viewport to sync your editor camera to the game camera 7. Click on the "Remote" tab of the Scene panel. All of the changes you make to these objects will sync with your game in real time! Bonus Tip: You can make it switch to the "Remote" tab by default when you run the game if you go to Editor Settings (Ctrl+Comma) -> Network -> Debugger and click "Auto Switch to Remote Scene Tree"! #godottips

passivestar

96,110 views • 3 years ago

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

AI video has a control problem. Most AI tools generate in 2D. Filmmakers think, stage, and direct in 3D. Today we're introducing Flow Studio 3D Editor + Canvas. Build and direct your scene in 3D. Then use Canvas to render and refine the final look with leading AI models. Stay in 2D when speed matters. Move into 3D when you need precision. AI can build the scene. You still call the shots. Start directing:

Autodesk Flow Studio

35,641 views • 2 months ago

Today we're launching iMessage video ads in Claude. Faceless video is the best-performing ad format right now — and Claude can now generate a full one end to end, in one prompt. Here's how it works: 1. Install: npx gooseworks install --all 2. Run: /goose-video make an iMessage ad for [your product] Claude writes the script, generates the photos in the thread, animates the conversation, and closes on your brand. SFX, music, end card, all of it. The trick: it's just HTML. No video generation models, so it's fast and cheap — and it works because it doesn't look like an ad. It's that easy. But this is just the start. We have created a library with 100+ open-source skills for growth that some of the fastest growing startups in the world are using every day to run ads, content, competitor research, gtm, seo and more. Comment Goose and I'll DM you the full open-source skill library.

Soham Mehta

50,641 views • 3 months ago

Runway Characters are now available in the Runway iOS app. Have a conversation on the go. Or point your camera at the world and talk to a character that can actually see what you see. Try it today at the link below.

Runway Characters are now available in the Runway iOS app. Have a conversation on the go. Or point your camera at the world and talk to a character that can actually see what you see. Try it today at the link below.

Runway

17,702 views • 6 months ago

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

This is not a videogame. No engine. No 3D models. No code. I built it with 3 tools: Midjourney 8.2 for the character and the world. Seedance 2.5 for every shot. Topaz Astra to upscale it. The trick is not the tools. It's how you prompt. I described the camera like a game camera. Rigid follow distance. Snap turns. A HUD locked to the screen. The model did the rest. Here's what I learned: Lock your character first. One clean character sheet. Reference it in every generation. This is what stops the drift. Prompt the medium, not just the scene. "Gameplay capture" gives you a different image than "cinematic shot". Flat exposure, deep focus, no film grain. That's what makes it read as a game. Fights come out stiff. Everyone takes turns. Tell the model everything happens at once and re-render until it does. Generate short clips. Cut them yourself. Add music in post. You have more control than one long generation will ever give you. Now the bigger picture. Video models are becoming world models. They are learning how things move, react, collide. The gap between "video that looks like a game" and "a game you can play" is closing. Soon you won't prompt a trailer. You'll prompt the game itself. The world, the character, the rules. Then you walk in. When that happens, the engine won't be the skill. Your ability to direct worlds will be.

Ivan Flugelman — VVSVS™

218,433 views • 1 month ago