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Hollywood isn't dead. It's evolving. And we're leading that evolution. We just shipped Koyal v2.5: The best Agentic AI filmmaking platform. It goes from your script or music to full video with consistent characters, settings & storylines. Large Production houses, music labels & ad agencies use koyal.ai (YC F25)... for storyboarding & pre-viz. Smaller studios use it for making content they never had the time, budget or resources to create. Write a scene. Direct the camera. Build a world. koyal.ai (YC F25) brings it to life. Here's what's new: - Go from script to video: Write a scene with dialogue, pacing, emotion. Koyal fully realizes it. Using the best voice models on the planet. - Direct the camera: Push in. Pull back. Drift through a scene. Real 3D camera blocking. Shape the shot the way you see it in your head. - Build a world that stays:Lock in a location and return to it. Your scenes stay consistent from the first frame to the last. Plus: dialogue, SFX, annotations for editing, and more control over every shot. Under the hood, we benchmark 40+ models weekly with real humans so Koyal always uses the best available (more on that next week!) Our agents pick the best models for each scene in run-time so you focus on the story, we handle the complexity. You don't need to prompt a film, you can direct it. With Koyal, we're looking to replace the camera, not the filmmaker behind it. Try it now at beta [dot] koyal [dot] ai DM me for credits!show more

Mehul Agarwal

3,361 subscribers

74,065 просмотров • 3 месяцев назад •via X (Twitter)

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Stop begging a model for magic. Start directing. Koyal is an agentic AI filmmaking platform It turns a script - or even raw audio - into a film you can cut, recut, and release It starts where filmmakers start: performance Then agents do what a crew would: scenes, shots, retakes Multilingual script → audio → video Agentic lip-sync with believable motion Characters that stay themselves across scenes Because real directors don’t “prompt” a movie They write. Perform. Reshoot. Koyal brings AI to that century-old workflow 🎙️ Mehul Agarwal, Co-founder & CEO koyal.ai (YC F25) on Fondo.com Start 00:00 Intro to Mehul and Koyal “Agentic AI filmmaking platform” 01:10 Most exciting videos on the platform 01:34 Music video and filming at a UNESCO site with AI 02:55 Origin story from text-to-3D gaming startup to AI filmmaking 03:24 The early days of Stable Diffusion, Midjourney, and the AI image explosion 04:22 Why the gaming industry is a "thankless" place for startups 04:50 "why isn't this a startup?" moment 05:15 meme pages, standup comedy, and scriptwriting 07:08 How Koyal works: the "Pixar process" without a camera 08:30 Launching the first video hackathon at YC 10:47 Where to follow and try Koyal

Stop begging a model for magic. Start directing. Koyal is an agentic AI filmmaking platform It turns a script - or even raw audio - into a film you can cut, recut, and release It starts where filmmakers start: performance Then agents do what a crew would: scenes, shots, retakes Multilingual script → audio → video Agentic lip-sync with believable motion Characters that stay themselves across scenes Because real directors don’t “prompt” a movie They write. Perform. Reshoot. Koyal brings AI to that century-old workflow 🎙️ Mehul Agarwal, Co-founder & CEO koyal.ai (YC F25) on Fondo.com Start 00:00 Intro to Mehul and Koyal “Agentic AI filmmaking platform” 01:10 Most exciting videos on the platform 01:34 Music video and filming at a UNESCO site with AI 02:55 Origin story from text-to-3D gaming startup to AI filmmaking 03:24 The early days of Stable Diffusion, Midjourney, and the AI image explosion 04:22 Why the gaming industry is a "thankless" place for startups 04:50 "why isn't this a startup?" moment 05:15 meme pages, standup comedy, and scriptwriting 07:08 How Koyal works: the "Pixar process" without a camera 08:30 Launching the first video hackathon at YC 10:47 Where to follow and try Koyal

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Grok Imagine gives you complete control over your videos, letting you direct the camera's movement, control your character's actions, script their dialogue, and manage how objects in the scene interact. Your characters can smash objects, swing a bat, or walk out of a room. To build seamless videos, start by extracting the last frame from your current clip and using it as the starting frame for the next one.

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Get any camera move you want, using just your phone. Frame the shot, hit record, and move your camera exactly how you want it - a simple pan, a push-in and swirl, whatever. Load that clip into Agent One and tell it what you want in the shot. Your recorded video drives the camera move, Agent One runs it through Seedance, and you sit back and watch. Pro tip - match your phone frame to your first generated frame. The closer it lines up, the better it lands. Watch the video to see exactly how we did it.

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@levelsio

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passivestar

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We're making a 90-min feature film. Real actors, real sets, real crew, and AI filling in only what the budget can't cover. The one thing we don't have yet is a script. If you've written one, polished it, pitched it, and watched it go nowhere, we want to read it. If we love it, we buy it, and you're in on the whole thing. We want to build it with people who care about it, as much as we do. The whole production runs in public - every workflow, every breakthrough, every failure. The script you stopped pitching might be the one that finally gets made. Don't let it sit in a drawer. Send it over.

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Hedra

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Rick Rubin: "Make what you love, not what you think people will like" "If you want to live in a creative way, which will benefit everything in your life, be a better person in your family, do a better job starting a new business, it's all the same. I don't really know anything about music. It's more a way of looking at the world and wanting it to be the best it could possibly be. And doing whatever it takes to be the best it could possibly be." Rubin shares how his career happened: "From the beginning, I never thought any of the things I'm doing were possible or realistic. I just did things out of the love of them, thinking I would have real jobs. That my passion would be my hobby, and I'd have a job to support my hobby. And it just magically turned out different than that without me knowing it was possible." On why some things connect and others don't: "The stars line up at certain times for certain things to happen. Sometimes you can make something great, and it doesn't connect for whatever reason. Sometimes you make two things you think are the two best things you've ever made. One of them connects with the world. One of them doesn't. And it might not have anything to do with what's in the art. It might be that it came out the same day as something else. Or there was a bigger story at the time. There's so much to it that we don't understand." He continues: "All we can do is make something good and put it out and hope for the best. That's all there is. We never know why things work. Even if you make a piece of art and it works, you may not know why." On talent versus work ethic: "There are a lot of talented people who never make it because they don't have the work ethic. It's not just talent, talent's a piece. And you could argue for some people, the work ethic trumps the talent." Rubin explains what real collaboration is: "Having worked with a lot of bands, I see there's often this friction where people are trying to get their idea in. That's not a collaboration. A real collaboration is when everyone who's there is working together towards whatever is the best thing for the whole. Whether it's your idea or someone else's idea, it doesn't matter. If you're invested in the collaboration, you want the best idea to win. You don't want your idea to win." On what makes art great: "What makes it great is the personal. With all of its imperfections. With all of its quirkiness. That's what makes it great. How you see the world that's different from how everyone else sees the world. That's why you're an artist. That's your purpose in sharing your work with the world." He warns against being derivative: "There are these derivative voices where they're finding what they think other people want to hear, and they start saying it because they've heard other people say similar things that are now successful. Even if they have some short-term success doing that, it's not revolutionary. It doesn't change the world. It doesn't last. The people who you first see and you might not like that you come to like because you don't understand them at first, those are the ones that change the world. Those are the ones you dedicate your fandom to for life." Rubin shares his philosophy on taste: "You can't second-guess your own taste for what someone else is going to like. We're not smart enough to know what someone else is going to like. To make something thinking, 'Well, I don't really like it, but I think this group of people will like it,' it's a bad way to play the game of music or art. You have to do what's personal to you. Take it as far as you can go. Really push the boundaries. And people will resonate with it if they're supposed to resonate with it." He describes creativity as catching waves: "We're really talking about magic. The universe conspiring on our behalf if we let it. Being in this flow of catching these waves that anyone can catch. If you're trying to catch it, you're open to it, you see it coming, you take off on every chance you get. And sometimes the ride happens. It's remarkable how it happens. It doesn't come from preconception. It's not an idea. It's through the doing." Rubin explains how ideas exist in the universe: "Have you ever had that experience where you have an idea for something, you don't do it, and then six months later you see someone else has done it? It's not because they took your idea. It's that it's time for that, and you can act on it or not. The best artists are the ones who have the best antenna for this material that's available. It's coming through. The best comedians see the best jokes. They see them coming. We all live in the same world; the way you see it, you have the best joke because you see it best." He closes with how to stay open: "If we listen to what's going on around us, you can overhear a conversation in a coffee shop, and it is the setup for an idea you're working on. You hear a phrase you don't commonly use. My experience is: when you are open and looking for these clues in the world, they're happening all the time. And they're happening often right when you need them."

Rick Rubin: "Make what you love, not what you think people will like" "If you want to live in a creative way, which will benefit everything in your life, be a better person in your family, do a better job starting a new business, it's all the same. I don't really know anything about music. It's more a way of looking at the world and wanting it to be the best it could possibly be. And doing whatever it takes to be the best it could possibly be." Rubin shares how his career happened: "From the beginning, I never thought any of the things I'm doing were possible or realistic. I just did things out of the love of them, thinking I would have real jobs. That my passion would be my hobby, and I'd have a job to support my hobby. And it just magically turned out different than that without me knowing it was possible." On why some things connect and others don't: "The stars line up at certain times for certain things to happen. Sometimes you can make something great, and it doesn't connect for whatever reason. Sometimes you make two things you think are the two best things you've ever made. One of them connects with the world. One of them doesn't. And it might not have anything to do with what's in the art. It might be that it came out the same day as something else. Or there was a bigger story at the time. There's so much to it that we don't understand." He continues: "All we can do is make something good and put it out and hope for the best. That's all there is. We never know why things work. Even if you make a piece of art and it works, you may not know why." On talent versus work ethic: "There are a lot of talented people who never make it because they don't have the work ethic. It's not just talent, talent's a piece. And you could argue for some people, the work ethic trumps the talent." Rubin explains what real collaboration is: "Having worked with a lot of bands, I see there's often this friction where people are trying to get their idea in. That's not a collaboration. A real collaboration is when everyone who's there is working together towards whatever is the best thing for the whole. Whether it's your idea or someone else's idea, it doesn't matter. If you're invested in the collaboration, you want the best idea to win. You don't want your idea to win." On what makes art great: "What makes it great is the personal. With all of its imperfections. With all of its quirkiness. That's what makes it great. How you see the world that's different from how everyone else sees the world. That's why you're an artist. That's your purpose in sharing your work with the world." He warns against being derivative: "There are these derivative voices where they're finding what they think other people want to hear, and they start saying it because they've heard other people say similar things that are now successful. Even if they have some short-term success doing that, it's not revolutionary. It doesn't change the world. It doesn't last. The people who you first see and you might not like that you come to like because you don't understand them at first, those are the ones that change the world. Those are the ones you dedicate your fandom to for life." Rubin shares his philosophy on taste: "You can't second-guess your own taste for what someone else is going to like. We're not smart enough to know what someone else is going to like. To make something thinking, 'Well, I don't really like it, but I think this group of people will like it,' it's a bad way to play the game of music or art. You have to do what's personal to you. Take it as far as you can go. Really push the boundaries. And people will resonate with it if they're supposed to resonate with it." He describes creativity as catching waves: "We're really talking about magic. The universe conspiring on our behalf if we let it. Being in this flow of catching these waves that anyone can catch. If you're trying to catch it, you're open to it, you see it coming, you take off on every chance you get. And sometimes the ride happens. It's remarkable how it happens. It doesn't come from preconception. It's not an idea. It's through the doing." Rubin explains how ideas exist in the universe: "Have you ever had that experience where you have an idea for something, you don't do it, and then six months later you see someone else has done it? It's not because they took your idea. It's that it's time for that, and you can act on it or not. The best artists are the ones who have the best antenna for this material that's available. It's coming through. The best comedians see the best jokes. They see them coming. We all live in the same world; the way you see it, you have the best joke because you see it best." He closes with how to stay open: "If we listen to what's going on around us, you can overhear a conversation in a coffee shop, and it is the setup for an idea you're working on. You hear a phrase you don't commonly use. My experience is: when you are open and looking for these clues in the world, they're happening all the time. And they're happening often right when you need them."

Jaynit

108,769 просмотров • 3 месяцев назад

Insane! A brand-new AI video tool vid.fun just dropped, and it makes videos in a new way. With zero editing skills, you can go from idea to polished video in minutes by using AI agents 🤯🚀 Here’s how it works: • Start with your idea: drop a prompt, links, or even PDFs into the reasoning box (powered by o3-mini), and it will pull research and inspiration for you. • The AI agents handle the flow from over 1,000 style suggestions (or your custom LoRA!) to storyboarding. • choose from the best video models: Minimax, luma Veo2, and others • I chose Minimax for this onea, esily tweak keyframes, then watch Minimax turn them into video clips. • Add camera movements with Minimax Director mode. • Finally, Vid dot fun stitches it all together, adds an Udio soundtrack (also editable), and you’re done. No editor, no manual cuts just fast, smart 30-second video creation from start to finish.

Amira Zairi

16,576 просмотров • 1 год назад

Imagine an AI application that can type anywhere you can and use the full context of what's on your screen. This is the application we all deserve (at least if you have macOS.) Check out Omnipilot. It's an app that works with every other macOS application and uses Claude Sonet 3.5 in the background—it also supports Gemini and GPT-4o. Here is the idea: You can use the tool to ask questions about anything on your screen. Or you can use it to autocomplete the text you are typing. You don't need to copy and paste anymore or waste your time providing context to a model. It sees what you see. It works right where you are. That's pretty cool. Here are a couple of cool examples: • Use it to reply to an email • Use it in the terminal to autocomplete a command • Use it to finish a document • Use to send a message on Slack AI at the system level is bonkers. You can read a ton more on their Product Hunt launch page: Thanks to the Omnipilot team for collaborating with me on this post!

Imagine an AI application that can type anywhere you can and use the full context of what's on your screen. This is the application we all deserve (at least if you have macOS.) Check out Omnipilot. It's an app that works with every other macOS application and uses Claude Sonet 3.5 in the background—it also supports Gemini and GPT-4o. Here is the idea: You can use the tool to ask questions about anything on your screen. Or you can use it to autocomplete the text you are typing. You don't need to copy and paste anymore or waste your time providing context to a model. It sees what you see. It works right where you are. That's pretty cool. Here are a couple of cool examples: • Use it to reply to an email • Use it in the terminal to autocomplete a command • Use it to finish a document • Use to send a message on Slack AI at the system level is bonkers. You can read a ton more on their Product Hunt launch page: Thanks to the Omnipilot team for collaborating with me on this post!

Santiago

72,306 просмотров • 2 лет назад

Friends this is not the time to fear ai 🤖 this is the time to be curious and play with it and understand it … please 🙏 don’t put your head in the sand … there is so much you can’t control when it comes to ai 🤖 and how it will play out … but there is a lot you can control on how you work with it and use it to build something for you and your family !!! Pls If you’re finally ready to not be scared of ai pls leave a 🤖 emoji in the the chat

Friends this is not the time to fear ai 🤖 this is the time to be curious and play with it and understand it … please 🙏 don’t put your head in the sand … there is so much you can’t control when it comes to ai 🤖 and how it will play out … but there is a lot you can control on how you work with it and use it to build something for you and your family !!! Pls If you’re finally ready to not be scared of ai pls leave a 🤖 emoji in the the chat

Gary Vaynerchuk

15,342 просмотров • 8 месяцев назад

If I had to start from zero tomorrow and bring in new customers fast, here's exactly what I'd build. Top to bottom. I'd start with the ad. Open ChatGPT or Claude, paste in what you sell and who you sell it to, ask it to write you ten different hooks for a Meta ad. Pick the best three. Then jump into or one of the AI video tools and have it generate the visual. Thirty minutes, you've got a real ad ready to run. You run that ad to one landing page. Not your homepage. One page, one offer, one call to action. Headline that stops the scroll, a few lines of value, an email or phone field, a button. That's it. Build it in HighLevel in about twenty minutes, drag, drop, you're done. The second someone enters their email, they drop into your CRM, automatically tagged with where they came from. Now the part most people skip, the follow-up. The moment that form is filled, a sequence kicks off automatically. Email and SMS, spaced over five to seven days. First message thanks them and delivers what you promised. Then a story. Then social proof. Then an objection you know they have. Then the offer. They don't have to think about you. You're showing up in their inbox and their texts at exactly the right time. The last message has a calendar link or a buy button right inside it. They tap, they book, or they buy. Done. The whole flow runs on its own from the ad all the way to the sale. You build it once. It works while you're sleeping. AI does the creative work. The system runs the customer journey. You spend your time on strategy. That's the play.

If I had to start from zero tomorrow and bring in new customers fast, here's exactly what I'd build. Top to bottom. I'd start with the ad. Open ChatGPT or Claude, paste in what you sell and who you sell it to, ask it to write you ten different hooks for a Meta ad. Pick the best three. Then jump into or one of the AI video tools and have it generate the visual. Thirty minutes, you've got a real ad ready to run. You run that ad to one landing page. Not your homepage. One page, one offer, one call to action. Headline that stops the scroll, a few lines of value, an email or phone field, a button. That's it. Build it in HighLevel in about twenty minutes, drag, drop, you're done. The second someone enters their email, they drop into your CRM, automatically tagged with where they came from. Now the part most people skip, the follow-up. The moment that form is filled, a sequence kicks off automatically. Email and SMS, spaced over five to seven days. First message thanks them and delivers what you promised. Then a story. Then social proof. Then an objection you know they have. Then the offer. They don't have to think about you. You're showing up in their inbox and their texts at exactly the right time. The last message has a calendar link or a buy button right inside it. They tap, they book, or they buy. Done. The whole flow runs on its own from the ad all the way to the sale. You build it once. It works while you're sleeping. AI does the creative work. The system runs the customer journey. You spend your time on strategy. That's the play.

Neil Patel

37,538 просмотров • 3 дней назад

You can easily make an extra $3,000–$5,000/month by selling digital information. With AI, you can do this completely automatically from ideation to content creation to the design of the course itself, using Grok, HeyGen, and Gamma. Here's how you do it: ⤵️ --- Go to Grok and create the course outline and scripts. Simply say, "Hey Grok, I want to create a course about [topic X]. Please create an outline and script for me" and let it do its thing. This gives you the foundation for your entire course without spending hours on research and planning. --- Next, go to HeyGen and create the video using their avatars. Using HeyGen, you can easily create videos for your course using an AI avatar. No need to hire actors or even show your face on camera. The AI handles all the video production while you focus on the bigger picture. --- Then go to Gamma and create a website for your course. Using you can host your course on a domain for free. You can also design it in less than a minute by using a single prompt. Just insert the outline that Grok generated and let it create a beautiful design for you. --- Finally, add the HeyGen videos to the Gamma website. And just like that, you have a course that includes educational information as well as video content that people can consume. Add a paywall behind it and start monetizing it. --- Safe to say that AI is transforming our productivity, and if you're not catching up, you're falling behind. Make sure to save this post and start monetizing by creating digital content.

Mushfiq Sajib

22,621 просмотров • 1 год назад

From time to time, people ask me how I make models so close to the reference, so here it goes: I work in orthographic view on one screen for modeling, and on the other, I keep a viewport with the camera aligned and the reference in front at low opacity using PureRef or Kuadro

From time to time, people ask me how I make models so close to the reference, so here it goes: I work in orthographic view on one screen for modeling, and on the other, I keep a viewport with the camera aligned and the reference in front at low opacity using PureRef or Kuadro

Vicente Moscardó Ribes

52,304 просмотров • 1 год назад