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I created my own custom water material and underwater post process material in UEFN! It uses distance fields to create foam and ripples around objects on the surface and I can also add algae/pondscum to the surface. I plan on adding more features to this material soon! For underwater,... show more

PixelatedDreams 🍔

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14,020 просмотров • 1 год назад •via X (Twitter)

Наука и технологии Игры

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I experimented with adding automatic beaches and snow coverage to my landscape material! There's no paint on the landscape at all, it's all handled in the material #UEFN #Fortnite

I experimented with adding automatic beaches and snow coverage to my landscape material! There's no paint on the landscape at all, it's all handled in the material #UEFN #Fortnite

PixelatedDreams 🍔

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Here's a progress update on my recreation of the Simpsons landscape material! I created a post process material that outlines edges of surfaces, I drew a cliff texture for slopes as well as a bush texture and its masks so I have full control over its outline and shadowing, and I improved the variation of colors and patterns on the ground. I'm so proud on how this is turning out so far! #UEFN #Fortnite

Here's a progress update on my recreation of the Simpsons landscape material! I created a post process material that outlines edges of surfaces, I drew a cliff texture for slopes as well as a bush texture and its masks so I have full control over its outline and shadowing, and I improved the variation of colors and patterns on the ground. I'm so proud on how this is turning out so far! #UEFN #Fortnite

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14,162 просмотров • 10 месяцев назад

I saw this post a while ago, so I recreated the material in #UEFN it's been a while since my last post, and I've got so much to share in the coming days 😄

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#UEFN Material tips 🗣️🔥 Use Bump Offset to create fake depth for textures. In this example, I used it to add a darker secondary fence texture that feels behind the main one, like in the 3D world, while remaining a 2D texture applied to the mesh.

#UEFN Material tips 🗣️🔥 Use Bump Offset to create fake depth for textures. In this example, I used it to add a darker secondary fence texture that feels behind the main one, like in the 3D world, while remaining a 2D texture applied to the mesh.

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17,118 просмотров • 1 год назад

Doug Leone on realizing material possessions don’t make you happy: “I spoiled myself with material things and then realized they don't make me happy at all. I sold my fancy cars at great discount. I just wanted them gone. One day I woke up and I just didn't want to have cars with vowels at the end of the name. I just got rid of them. I just wanted a more simple life. I wanted to to start to enjoy the little things in life.”

Doug Leone on realizing material possessions don’t make you happy: “I spoiled myself with material things and then realized they don't make me happy at all. I sold my fancy cars at great discount. I just wanted them gone. One day I woke up and I just didn't want to have cars with vowels at the end of the name. I just got rid of them. I just wanted a more simple life. I wanted to to start to enjoy the little things in life.”

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The Rehbinder effect is a phenomenon in physics that reduces the hardness and ductility of a material by a surfactant film. A surfactant is a substance that lowers the surface tension of a liquid, such as water. When a ceramic cup is submerged in water, the water acts as a surfactant and weakens the bonds between the atoms on the surface of the cup. This makes it easier to pierce the cup with a nail without breaking it.

The Rehbinder effect is a phenomenon in physics that reduces the hardness and ductility of a material by a surfactant film. A surfactant is a substance that lowers the surface tension of a liquid, such as water. When a ceramic cup is submerged in water, the water acts as a surfactant and weakens the bonds between the atoms on the surface of the cup. This makes it easier to pierce the cup with a nail without breaking it.

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🚨 THIS IS INSANE... I built a custom Material Editor inside UEFN using nothing but Python. What it does: - Live preview color and surface changes - 15 built-in presets (Chrome, Gold, Neon, Hologram...) - Save your own custom presets - Randomize colors across objects - Paint gradients across your map - Auto team color splits - Checkerboard and stripe patterns - Glow pulse preview - Color harmony generator - Full undo support

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DolphinDom 🐬 | Dominic Catelani

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🧵1/3 I partnered with Kling to make a promo for their new 3.0 model. I came up with the concept, created it and delivered it all on my own in 3 days of early access, I wanted to make something that showed how Kling could be used to tell a diverse range of stories in a diverse range of styles. I've honestly been blown away be how incredible the model is and I haven't even scratched the surface of features like the new 3.0 OMNI model. For me Kling 2.6 was already best in class for most things but 3.0 sees massive improvements to video quality and detail (no need to add grain to mask imperfections) and prompt adherence. Also you can time your generations to be as long as 15 seconds and as short as 3, this is fantastic for pacing your scenes. Read on to find out more about the new Performance and Multi shot features!👇

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$Showing off two unique features of my #threejs Advanced Glass Material: colored caustics and glass-to-glass interaction. The glass can actually “see” other glass objects in the scene, preserving their depth, internal reflections, and refractions. The green color being visible through the blue glass shows the color and depth interaction. Powered by #WebGPU and a lot of custom rendering work that I learned on #threejsJourney new TSL lessons from the GOAT Bruno Simon Live demo coming soon. #creativecoding$

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So today, I will actually show some LOVE and post my favorite English dub scene. Why do I like it? Goku's dialogue is VERY close to the JP, and as you know, that is what's most important to fans of the source material, Julius Dobos' SS3 theme; its my favorite of the US score, and Sean's performance.

Geekdom101

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The Office of the eSafety Commissioner does commendable work in protecting children and adults from bullying and, most importantly, removing child abuse material. I praised the Office for this work. However, in my opinion, the eSafety Commissioner has brought the office into disrepute with her personal vendetta against Twitter/X and her attempt to become the world internet police. Last year, the Commissioner finalised investigations into 9,500 pieces of violent and extremist content. I asked what these were. The answer provided was that the Commissioner was taking down material from anywhere in the world, detecting it in part because they actively searched for it, even without a complaint. Given that the Commissioner is positioning herself as the world internet police at our expense, I asked what benefit removing the 9,500 pieces of material had for Australians. The answer relied on one incident, and there was no proof it actually caused a terrorist incident. I asked why there was no explanation of what the other material was, such as a transparency register so we can see what material they are requiring to be taken down to check for political bias. The question was ignored. I also asked what direct benefit her actions had in addressing terrorism and violent material. The Commissioner answered regarding child material, which I had already praised. The Commissioner is avoiding scrutiny of her takedown notices for violent and extremist material, and I believe it is because they follow a political bias. One Nation calls for the eSafety Commissioner to stand down.

The Office of the eSafety Commissioner does commendable work in protecting children and adults from bullying and, most importantly, removing child abuse material. I praised the Office for this work. However, in my opinion, the eSafety Commissioner has brought the office into disrepute with her personal vendetta against Twitter/X and her attempt to become the world internet police. Last year, the Commissioner finalised investigations into 9,500 pieces of violent and extremist content. I asked what these were. The answer provided was that the Commissioner was taking down material from anywhere in the world, detecting it in part because they actively searched for it, even without a complaint. Given that the Commissioner is positioning herself as the world internet police at our expense, I asked what benefit removing the 9,500 pieces of material had for Australians. The answer relied on one incident, and there was no proof it actually caused a terrorist incident. I asked why there was no explanation of what the other material was, such as a transparency register so we can see what material they are requiring to be taken down to check for political bias. The question was ignored. I also asked what direct benefit her actions had in addressing terrorism and violent material. The Commissioner answered regarding child material, which I had already praised. The Commissioner is avoiding scrutiny of her takedown notices for violent and extremist material, and I believe it is because they follow a political bias. One Nation calls for the eSafety Commissioner to stand down.

Malcolm Roberts 🇦🇺

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WATCH: Scott Jennings on Algae being in the Lincoln Memorial Reflecting Pool: “I really feel for the president on this because as a chicken farmer, I have to clean the algae out of my chicken watering jugs every day in the summer. That water is green every day.” “Now, fortunately, it doesn’t harm chickens and it’s not going to harm the reflecting pool either. Water and sun and organic material, that will lead to algae in the summertime.” “If I were the president, we can rebrand this thing right now. The reason that water is green is because this country’s never been wealthier! And that is the marketing advice of the day!”

RedWave Press

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Here are some more demos of my work in engine! How i did some of the material effects, and bringing it to life to chase a player around as a full fledged character, sound effects and all. Link here: #UE5 #3Dartist #characterart

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Teaser for the first out of five short films I plan to make and post here in 2026 in order to master the use of AI actors in visual storytelling, as well as improve my own skills along the way.

Teaser for the first out of five short films I plan to make and post here in 2026 in order to master the use of AI actors in visual storytelling, as well as improve my own skills along the way.

Dacist Rapian

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"AI and The Philosophy of Science” - Director’s Cut This is a longer, higher quality version of a talk I zoomed in to give at RatFest 2025. I mashed up the original with additional material. It also serves as a supplement to my “Doom Debates” chat. Chapters below.

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