Loading video...

Video Failed to Load

There was a problem loading this video. This could be due to a temporary network issue or the video might be unavailable.

I made a quick sketch and transformed it into a hyper-realistic image in a matter of minutes. Here's what that looked like! The detail level in the final version almost make me question our reality.. almost😅 Speaking of that, this actually reminds me of the feeling I had after... show more

Martin Nebelong

33,689 subscribers

46,154 views • 2 years ago •via X (Twitter)

Education Science & Technology Arts

Anya Rossi• Live Now

Private livecam show

10 Comments

Martin Nebelong2 years ago

The name of the bookstore is "His Oldilooks Books" apparently..

Sabine2 years ago

Love how that did not start as a bookshop the ai decided it and u just lied and went oh yes this is what I wanted ai “art” won’t best or be real art it’s a way for second rate talentless people to claim they are artists or sellouts like you to steal and use others work, shame

Everett World2 years ago

It looks incredible, and the way it gets better so fast, makes me think, that we might be in a sort of metaverse/matrix/simulation, and now we create a simulation within a simulation, haha! Deep stuff :D

Martin Nebelong2 years ago

That's probably not as far out as it sounds :D Had this idea that our reality is something another civilization made their AGI run to keep it occupied and to avoid getting wiped out themselves by it.. I wonder if anyone ever wrote a sci-fi novel about that.

UKKỌ2 years ago

Give it 3 years or less and you will definitely question reality

Kris Lukanov2 years ago

Wow, what a level of detail!

Ant A2 years ago

Until it can turn into a 3D scene with each physical object that have physics, until it can make us touch every generative piece that feels real, until we can smell the screne, it isn’t complete.

👾James (Game Dev) Anderson👾2 years ago

Wow, that's really cool. Mind-blowing!

Alex Patrascu2 years ago

This is nuts, Martin! And as you said, the tools are just being released. Can’t wait to see what’s coming next 🤯

Matt Antony2 years ago

Now I got it - amazing!

Related Videos

Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.

Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.

Stefan 3D AI

45,935 views • 11 days ago

A lot of you don’t know this about me because I don’t post my art much or talk about it but I was an honors art student, accepted with scholarships to nearly every prestigious art school in the country, and my original major was illustration. The “sketch” portion of this video is embarrassing. It does not in any way resemble someone sketching from scratch, but rather it bears very distinct tells of someone drawing over an existing image and trying to pass it off as an original sketch. Everything about the sketch is what I would call “performative” - she’s doing what she *thinks* people do when they sketch, but she doesn’t actually know what that entails. There’s also a reason she recorded this with a secondary device rather than using the built-in screen recording tools on the device/app she’s using. doing that would have revealed the hidden layers that she carefully edited out. Anyway, here’s a real drawing I made. It isn’t good, but I drew it from scratch with my own hands, and that makes me 1000x better than a fraud like her.

A lot of you don’t know this about me because I don’t post my art much or talk about it but I was an honors art student, accepted with scholarships to nearly every prestigious art school in the country, and my original major was illustration. The “sketch” portion of this video is embarrassing. It does not in any way resemble someone sketching from scratch, but rather it bears very distinct tells of someone drawing over an existing image and trying to pass it off as an original sketch. Everything about the sketch is what I would call “performative” - she’s doing what she thinks people do when they sketch, but she doesn’t actually know what that entails. There’s also a reason she recorded this with a secondary device rather than using the built-in screen recording tools on the device/app she’s using. doing that would have revealed the hidden layers that she carefully edited out. Anyway, here’s a real drawing I made. It isn’t good, but I drew it from scratch with my own hands, and that makes me 1000x better than a fraud like her.

She-Rage, Princess of Pain

18,009 views • 10 months ago

Did you know that mangaka use different tools for different parts of the inking process?💖 Speaking of tools, Im using a lightbox to trace my sketch in this video! Someone thought I was plagarizing by tracing, but the sketch underneath is my drawing too 🥹

Did you know that mangaka use different tools for different parts of the inking process?💖 Speaking of tools, Im using a lightbox to trace my sketch in this video! Someone thought I was plagarizing by tracing, but the sketch underneath is my drawing too 🥹

りにあ・かたや💖✨ 夏コミ日曜西ひ-47a

222,456 views • 5 months ago

Alex Proyas on the Commercial failure of 'Dark City' (1998) & its similarities with 'The Matrix' (1999): "Interviewer: Are you surprised by how big a cult film it has become? Proyas: I was surprised it didn't achieve commercial success initially, but I'm happy it has had this long-lasting life after the fact. I was pretty disappointed the studio hadn't really managed to sell the movie in the way that they could have. I don't think they really knew what to make of it quite frankly. The studio put out a trailer that was quite clever. It was completely non-narrative, just music and imagery. The guys who made the trailer specifically wrote a piece of music for the trailer, and the whole thing felt handcrafted and definitely had a personality. I think people were genuinely impressed by it but it didn't explain to them what the movie was or give them an idea of the kind of experience they were going to get. I think it made audiences think it was some kind of a horror movie. As a result people kind of overlooked it in the theaters. I know 99% of the people who loved it and always ask me about it are people who saw it on video years later. How do you feel about the similarities the later 'The Matrix' (1999) has to 'Dark City' (1998)? If I answer that question honestly it sounds like sour grapes because obviously 'The Matrix' did better commercially than 'Dark City' did. 'Dark City' came out a year before 'The Matrix', one of my producers on 'Dark City' worked on 'The Matrix', and the Wachowskis saw 'Dark City' a good nine months before 'Dark City' came out in the theaters, so they had a good run at picking the more important cherries off the cake. I feel like it's a question I can't answer in any more detail than that, other than to say that maybe the Wachowskis should be asked the question rather than me." (Alex Proyas' interview with Paul Rowlands, 2017)

Alex Proyas on the Commercial failure of 'Dark City' (1998) & its similarities with 'The Matrix' (1999): "Interviewer: Are you surprised by how big a cult film it has become? Proyas: I was surprised it didn't achieve commercial success initially, but I'm happy it has had this long-lasting life after the fact. I was pretty disappointed the studio hadn't really managed to sell the movie in the way that they could have. I don't think they really knew what to make of it quite frankly. The studio put out a trailer that was quite clever. It was completely non-narrative, just music and imagery. The guys who made the trailer specifically wrote a piece of music for the trailer, and the whole thing felt handcrafted and definitely had a personality. I think people were genuinely impressed by it but it didn't explain to them what the movie was or give them an idea of the kind of experience they were going to get. I think it made audiences think it was some kind of a horror movie. As a result people kind of overlooked it in the theaters. I know 99% of the people who loved it and always ask me about it are people who saw it on video years later. How do you feel about the similarities the later 'The Matrix' (1999) has to 'Dark City' (1998)? If I answer that question honestly it sounds like sour grapes because obviously 'The Matrix' did better commercially than 'Dark City' did. 'Dark City' came out a year before 'The Matrix', one of my producers on 'Dark City' worked on 'The Matrix', and the Wachowskis saw 'Dark City' a good nine months before 'Dark City' came out in the theaters, so they had a good run at picking the more important cherries off the cake. I feel like it's a question I can't answer in any more detail than that, other than to say that maybe the Wachowskis should be asked the question rather than me." (Alex Proyas' interview with Paul Rowlands, 2017)

DepressedBergman

66,180 views • 8 months ago

Such a strange feeling to see brush-strokes, compositions and color transform like this with AI as I paint.. almost like seeing worlds and images flow from the tip of the Wacom pencil. Done using Krea ai as an overlay over my painting software as I paint. The final zoom is a combination of Krea and Magnific enhancements over the original sequence. #art #ai

Such a strange feeling to see brush-strokes, compositions and color transform like this with AI as I paint.. almost like seeing worlds and images flow from the tip of the Wacom pencil. Done using Krea ai as an overlay over my painting software as I paint. The final zoom is a combination of Krea and Magnific enhancements over the original sequence. #art #ai

Martin Nebelong

67,967 views • 2 years ago

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Martin Nebelong

1,668,825 views • 2 years ago

Gemini Omni can transform even a basic sketch into a new reality. Try for yourself in the Gemini app. Upload a video of someone drawing a circle and then enter this prompt: When I finish drawing the circle, it becomes ___.

Gemini Omni can transform even a basic sketch into a new reality. Try for yourself in the Gemini app. Upload a video of someone drawing a circle and then enter this prompt: When I finish drawing the circle, it becomes ___.

Google Gemini

2,184,646 views • 4 months ago

I came across The Last King of Men Went Into the Forest Alone by Epic AI Films — and found out it was made with Dreamina AI. That got me curious about what I could create myself, so I took one of the visual references and tried recreating the scene with Dreamina. Can I turn a single image into something that actually feels cinematic?

I came across The Last King of Men Went Into the Forest Alone by Epic AI Films — and found out it was made with Dreamina AI. That got me curious about what I could create myself, so I took one of the visual references and tried recreating the scene with Dreamina. Can I turn a single image into something that actually feels cinematic?

Zyro AI

40,305 views • 20 days ago

This is a worlds first I believe.. Realtime sculpting and animation directly transformed to video. This is a Realtime ai "render", running on top of sculpting and animation I'm doing as I see the video playing. Done using the beta version of KREA AI's new Realtime video model ❤️

This is a worlds first I believe.. Realtime sculpting and animation directly transformed to video. This is a Realtime ai "render", running on top of sculpting and animation I'm doing as I see the video playing. Done using the beta version of KREA AI's new Realtime video model ❤️

Martin Nebelong

19,125 views • 1 year ago

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.

Ruzy

465,368 views • 4 months ago

I'm finally revisiting my Sketch Shader that I started a couple of years ago! I wasn't really happy with the results from the previous version and I knew I could do better, so this is progress towards actually releasing it! #blender #b3d

I'm finally revisiting my Sketch Shader that I started a couple of years ago! I wasn't really happy with the results from the previous version and I knew I could do better, so this is progress towards actually releasing it! #blender #b3d

Niall

54,782 views • 2 years ago

Thanks so much for the kind words! I'm thrilled to hear that you connected with the piece😳. Xavier's story always carries a bittersweet feeling, doesn't it?🥲 I was so eager to capture the essence of the moment that I ended up with a somewhat hasty painting. But in a way, it worked out even better because I listened to the Lost Ark soundtracks (Song of Lazernes and Sweet Dreams, My Dear) while drawing, which helped me completely immerse myself in the mythical story🫠

Thanks so much for the kind words! I'm thrilled to hear that you connected with the piece😳. Xavier's story always carries a bittersweet feeling, doesn't it?🥲 I was so eager to capture the essence of the moment that I ended up with a somewhat hasty painting. But in a way, it worked out even better because I listened to the Lost Ark soundtracks (Song of Lazernes and Sweet Dreams, My Dear) while drawing, which helped me completely immerse myself in the mythical story🫠

mimi💫

80,530 views • 1 year ago

I made a stream overlay that lets Twitch chat draw my new vtuber into existence. Each time they tap a section on the screen, they sketch out more of the vtuber. After being fully colored, the model pops out of the paper and comes to life.

I made a stream overlay that lets Twitch chat draw my new vtuber into existence. Each time they tap a section on the screen, they sketch out more of the vtuber. After being fully colored, the model pops out of the paper and comes to life.

shindigs

615,521 views • 6 months ago

Harry on when he finished the album and why he chose 'Aperture' as the first single “I finished the album at the end of the summer of end of last summer. Um, I finished this song in like the end of June, I think. […] I think Aperture it's track one on the album. It was the last song that was made for the record. It was kind of when we were at our most free I think making music and was just like this is the first song that I played to people when I'm when I showed them what the new music sounds like that it just felt like the obvious ended up feeling like the obvious choice of what should come first. I think the idea of opening up and kind of being the doorway into that kind of transition felt like that's what I wanted to communicate. I think like as you know there's nothing better as a musician than putting work out that you feel in line like as you're kind of as you're going through things in your life, you're like ‘This song that I'm putting out right now still represents me where I'm at.’ ” - SiriusXM

Harry on when he finished the album and why he chose 'Aperture' as the first single “I finished the album at the end of the summer of end of last summer. Um, I finished this song in like the end of June, I think. […] I think Aperture it's track one on the album. It was the last song that was made for the record. It was kind of when we were at our most free I think making music and was just like this is the first song that I played to people when I'm when I showed them what the new music sounds like that it just felt like the obvious ended up feeling like the obvious choice of what should come first. I think the idea of opening up and kind of being the doorway into that kind of transition felt like that's what I wanted to communicate. I think like as you know there's nothing better as a musician than putting work out that you feel in line like as you're kind of as you're going through things in your life, you're like ‘This song that I'm putting out right now still represents me where I'm at.’ ” - SiriusXM

HSNews

106,265 views • 8 months ago

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

RadiantFilm

97,385 views • 11 months ago

Dana White says he left a job that a lot of people would kill for in his twenties and decided to chase his dreams "I literally walked out of a job that, at the time and in that place, a lot of people would kill for. It checked all the boxes: I made cash every day, got a paycheck every week, 401k, full dental and medical, all the things that people are looking for." "But I didn't like working for other people. I always felt like working in the hotel industry was incredibly disrespectful, the way that they would treat you and talk to you. I never liked it. It was never for me." "So I walked out one day and I said, I'm gonna get into the fight business. At the time I didn't know exactly what that meant or at what level, but that was my goal."

Dana White says he left a job that a lot of people would kill for in his twenties and decided to chase his dreams "I literally walked out of a job that, at the time and in that place, a lot of people would kill for. It checked all the boxes: I made cash every day, got a paycheck every week, 401k, full dental and medical, all the things that people are looking for." "But I didn't like working for other people. I always felt like working in the hotel industry was incredibly disrespectful, the way that they would treat you and talk to you. I never liked it. It was never for me." "So I walked out one day and I said, I'm gonna get into the fight business. At the time I didn't know exactly what that meant or at what level, but that was my goal."

Mikli

63,177 views • 9 days ago

Florence Pugh says she had "the best first boyfriend" that she did everything with, and she is still in touch with him today. Florence Pugh: "I had the best first boyfriend that I did everything with, and I'm so grateful. He's called Yvan, and I'm still in touch with him now. We got together when I was 16 or 17... and it was just like the best experience of having a first boyfriend. So that's a great question, and I'm very proud to answer that."

Florence Pugh says she had "the best first boyfriend" that she did everything with, and she is still in touch with him today. Florence Pugh: "I had the best first boyfriend that I did everything with, and I'm so grateful. He's called Yvan, and I'm still in touch with him now. We got together when I was 16 or 17... and it was just like the best experience of having a first boyfriend. So that's a great question, and I'm very proud to answer that."

KO

1,603,292 views • 1 month ago