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I made a quick sketch and transformed it into a hyper-realistic image in a matter of minutes. Here's what that looked like! The detail level in the final version almost make me question our reality.. almost😅 Speaking of that, this actually reminds me of the feeling I had after... show more

Martin Nebelong

33,800 subscribers

45,949 просмотров • 2 лет назад •via X (Twitter)

Образование Наука и технологии Искусство

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Комментарии: 10

Фото профиля Martin Nebelong

Martin Nebelong2 лет назад

The name of the bookstore is "His Oldilooks Books" apparently..

Фото профиля Sabine

Sabine2 лет назад

Love how that did not start as a bookshop the ai decided it and u just lied and went oh yes this is what I wanted ai “art” won’t best or be real art it’s a way for second rate talentless people to claim they are artists or sellouts like you to steal and use others work, shame

Фото профиля Everett World

Everett World2 лет назад

It looks incredible, and the way it gets better so fast, makes me think, that we might be in a sort of metaverse/matrix/simulation, and now we create a simulation within a simulation, haha! Deep stuff :D

Фото профиля Martin Nebelong

Martin Nebelong2 лет назад

That's probably not as far out as it sounds :D Had this idea that our reality is something another civilization made their AGI run to keep it occupied and to avoid getting wiped out themselves by it.. I wonder if anyone ever wrote a sci-fi novel about that.

Фото профиля UKKỌ

UKKỌ2 лет назад

Give it 3 years or less and you will definitely question reality

Фото профиля Kris Lukanov

Kris Lukanov2 лет назад

Wow, what a level of detail!

Фото профиля Ant A

Ant A2 лет назад

Until it can turn into a 3D scene with each physical object that have physics, until it can make us touch every generative piece that feels real, until we can smell the screne, it isn’t complete.

Фото профиля 👾James (Game Dev) Anderson👾

👾James (Game Dev) Anderson👾2 лет назад

Wow, that's really cool. Mind-blowing!

Фото профиля Alex Patrascu

Alex Patrascu2 лет назад

This is nuts, Martin! And as you said, the tools are just being released. Can’t wait to see what’s coming next 🤯

Фото профиля Matt Antony

Matt Antony2 лет назад

Now I got it - amazing!

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A lot of you don’t know this about me because I don’t post my art much or talk about it but I was an honors art student, accepted with scholarships to nearly every prestigious art school in the country, and my original major was illustration. The “sketch” portion of this video is embarrassing. It does not in any way resemble someone sketching from scratch, but rather it bears very distinct tells of someone drawing over an existing image and trying to pass it off as an original sketch. Everything about the sketch is what I would call “performative” - she’s doing what she *thinks* people do when they sketch, but she doesn’t actually know what that entails. There’s also a reason she recorded this with a secondary device rather than using the built-in screen recording tools on the device/app she’s using. doing that would have revealed the hidden layers that she carefully edited out. Anyway, here’s a real drawing I made. It isn’t good, but I drew it from scratch with my own hands, and that makes me 1000x better than a fraud like her.

A lot of you don’t know this about me because I don’t post my art much or talk about it but I was an honors art student, accepted with scholarships to nearly every prestigious art school in the country, and my original major was illustration. The “sketch” portion of this video is embarrassing. It does not in any way resemble someone sketching from scratch, but rather it bears very distinct tells of someone drawing over an existing image and trying to pass it off as an original sketch. Everything about the sketch is what I would call “performative” - she’s doing what she thinks people do when they sketch, but she doesn’t actually know what that entails. There’s also a reason she recorded this with a secondary device rather than using the built-in screen recording tools on the device/app she’s using. doing that would have revealed the hidden layers that she carefully edited out. Anyway, here’s a real drawing I made. It isn’t good, but I drew it from scratch with my own hands, and that makes me 1000x better than a fraud like her.

She-Rage, Princess of Pain

18,009 просмотров • 8 месяцев назад

Did you know that mangaka use different tools for different parts of the inking process?💖 Speaking of tools, Im using a lightbox to trace my sketch in this video! Someone thought I was plagarizing by tracing, but the sketch underneath is my drawing too 🥹

Did you know that mangaka use different tools for different parts of the inking process?💖 Speaking of tools, Im using a lightbox to trace my sketch in this video! Someone thought I was plagarizing by tracing, but the sketch underneath is my drawing too 🥹

りにあ・かたや💖✨ 夏コミ日曜西ひ-47a

222,456 просмотров • 3 месяцев назад

Such a strange feeling to see brush-strokes, compositions and color transform like this with AI as I paint.. almost like seeing worlds and images flow from the tip of the Wacom pencil. Done using Krea ai as an overlay over my painting software as I paint. The final zoom is a combination of Krea and Magnific enhancements over the original sequence. #art #ai

Such a strange feeling to see brush-strokes, compositions and color transform like this with AI as I paint.. almost like seeing worlds and images flow from the tip of the Wacom pencil. Done using Krea ai as an overlay over my painting software as I paint. The final zoom is a combination of Krea and Magnific enhancements over the original sequence. #art #ai

Martin Nebelong

67,934 просмотров • 2 лет назад

Alex Proyas on the Commercial failure of 'Dark City' (1998) & its similarities with 'The Matrix' (1999): "Interviewer: Are you surprised by how big a cult film it has become? Proyas: I was surprised it didn't achieve commercial success initially, but I'm happy it has had this long-lasting life after the fact. I was pretty disappointed the studio hadn't really managed to sell the movie in the way that they could have. I don't think they really knew what to make of it quite frankly. The studio put out a trailer that was quite clever. It was completely non-narrative, just music and imagery. The guys who made the trailer specifically wrote a piece of music for the trailer, and the whole thing felt handcrafted and definitely had a personality. I think people were genuinely impressed by it but it didn't explain to them what the movie was or give them an idea of the kind of experience they were going to get. I think it made audiences think it was some kind of a horror movie. As a result people kind of overlooked it in the theaters. I know 99% of the people who loved it and always ask me about it are people who saw it on video years later. How do you feel about the similarities the later 'The Matrix' (1999) has to 'Dark City' (1998)? If I answer that question honestly it sounds like sour grapes because obviously 'The Matrix' did better commercially than 'Dark City' did. 'Dark City' came out a year before 'The Matrix', one of my producers on 'Dark City' worked on 'The Matrix', and the Wachowskis saw 'Dark City' a good nine months before 'Dark City' came out in the theaters, so they had a good run at picking the more important cherries off the cake. I feel like it's a question I can't answer in any more detail than that, other than to say that maybe the Wachowskis should be asked the question rather than me." (Alex Proyas' interview with Paul Rowlands, 2017)

Alex Proyas on the Commercial failure of 'Dark City' (1998) & its similarities with 'The Matrix' (1999): "Interviewer: Are you surprised by how big a cult film it has become? Proyas: I was surprised it didn't achieve commercial success initially, but I'm happy it has had this long-lasting life after the fact. I was pretty disappointed the studio hadn't really managed to sell the movie in the way that they could have. I don't think they really knew what to make of it quite frankly. The studio put out a trailer that was quite clever. It was completely non-narrative, just music and imagery. The guys who made the trailer specifically wrote a piece of music for the trailer, and the whole thing felt handcrafted and definitely had a personality. I think people were genuinely impressed by it but it didn't explain to them what the movie was or give them an idea of the kind of experience they were going to get. I think it made audiences think it was some kind of a horror movie. As a result people kind of overlooked it in the theaters. I know 99% of the people who loved it and always ask me about it are people who saw it on video years later. How do you feel about the similarities the later 'The Matrix' (1999) has to 'Dark City' (1998)? If I answer that question honestly it sounds like sour grapes because obviously 'The Matrix' did better commercially than 'Dark City' did. 'Dark City' came out a year before 'The Matrix', one of my producers on 'Dark City' worked on 'The Matrix', and the Wachowskis saw 'Dark City' a good nine months before 'Dark City' came out in the theaters, so they had a good run at picking the more important cherries off the cake. I feel like it's a question I can't answer in any more detail than that, other than to say that maybe the Wachowskis should be asked the question rather than me." (Alex Proyas' interview with Paul Rowlands, 2017)

DepressedBergman

66,180 просмотров • 6 месяцев назад

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Here's a quick test of a new tool called Krea. It's like the Real-time latent consistency model tests I've done with my photoshop and Dreams creations, but instead in a single application with faster refresh rates and higher quality output. I find that it strays too far from the drawing, and the editor is still quite limited but it's interesting to see nonetheless. It's not too difficult to imagine tech like this built right into Photoshop. And yes, I do know how to draw even if it doesn't show here 😅, I've been sculpting, painting and drawing for most of my life and I think it's exciting that tools like this will eventually help us break down some of the technical walls between our imagination and the visuals we create. And I'm not necessarily talking about drawing alone here because I don't see that going away as an art form, and I wouldn't want it to. But a hybrid of different art forms merging into a new, immersive art medium where anything is possible. Want to change the camera angle of your painting? Sure, go ahead. Want to make an animation of moving the camera around and seeing the light change in the scene as you do? In the example here, being able to move things around, change lighting and see it all reflected in the resulting image, is pretty amazing. Like a combination of the benefits of working in 3D, but with 2d tools. The moving version at the end of the video was made using Runways Gen-2. #art #ai

Martin Nebelong

1,668,469 просмотров • 2 лет назад

Gemini Omni can transform even a basic sketch into a new reality. Try for yourself in the Gemini app. Upload a video of someone drawing a circle and then enter this prompt: When I finish drawing the circle, it becomes ___.

Gemini Omni can transform even a basic sketch into a new reality. Try for yourself in the Gemini app. Upload a video of someone drawing a circle and then enter this prompt: When I finish drawing the circle, it becomes ___.

Google Gemini

2,184,143 просмотров • 2 месяцев назад

This is a worlds first I believe.. Realtime sculpting and animation directly transformed to video. This is a Realtime ai "render", running on top of sculpting and animation I'm doing as I see the video playing. Done using the beta version of KREA AI's new Realtime video model ❤️

This is a worlds first I believe.. Realtime sculpting and animation directly transformed to video. This is a Realtime ai "render", running on top of sculpting and animation I'm doing as I see the video playing. Done using the beta version of KREA AI's new Realtime video model ❤️

Martin Nebelong

19,125 просмотров • 11 месяцев назад

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.

Jason Segel revealed that he made a huge glass pipe that he and Seth Rogen used for smoking weed. Jason Segel: All we kind of knew is that you and I both liked to smoke weed. Seth Rogen: Yes, and a side note to The Matrix coming out is this Bill Pope, who's the cinematographer of The Matrix, was shooting our pilot. And the whole marketing campaign for The Matrix was "What is The Matrix?" and we'd always go to Bill and be like, "What is The Matrix?" And he wouldn’t tell us! But it actually came out the day the pilot wrapped. Jason Segel: Holy shit. Seth Rogen: So the whole, in my head, the whole pilot was just a march to The Matrix being released. Jason Segel: 100%! And then we rolled giant joints... Seth Rogen: Yeah. Jason Segel: ...and we drove to the movie theater, and we saw The Matrix together. Seth Rogen: We actually smoked weed out of a giant glass pipe that you had in your car! Like a huge, like a comically large, like dragon-shaped glass pipe. Jason Segel: I think I made that pipe because I had graduated high school with the assumption that you just start doing professional acting.

Ruzy.hl

465,158 просмотров • 1 месяц назад

I'm finally revisiting my Sketch Shader that I started a couple of years ago! I wasn't really happy with the results from the previous version and I knew I could do better, so this is progress towards actually releasing it! #blender #b3d

I'm finally revisiting my Sketch Shader that I started a couple of years ago! I wasn't really happy with the results from the previous version and I knew I could do better, so this is progress towards actually releasing it! #blender #b3d

Niall

54,782 просмотров • 2 лет назад

Thanks so much for the kind words! I'm thrilled to hear that you connected with the piece😳. Xavier's story always carries a bittersweet feeling, doesn't it?🥲 I was so eager to capture the essence of the moment that I ended up with a somewhat hasty painting. But in a way, it worked out even better because I listened to the Lost Ark soundtracks (Song of Lazernes and Sweet Dreams, My Dear) while drawing, which helped me completely immerse myself in the mythical story🫠

Thanks so much for the kind words! I'm thrilled to hear that you connected with the piece😳. Xavier's story always carries a bittersweet feeling, doesn't it?🥲 I was so eager to capture the essence of the moment that I ended up with a somewhat hasty painting. But in a way, it worked out even better because I listened to the Lost Ark soundtracks (Song of Lazernes and Sweet Dreams, My Dear) while drawing, which helped me completely immerse myself in the mythical story🫠

mimi💫

78,024 просмотров • 1 год назад

I made a stream overlay that lets Twitch chat draw my new vtuber into existence. Each time they tap a section on the screen, they sketch out more of the vtuber. After being fully colored, the model pops out of the paper and comes to life.

I made a stream overlay that lets Twitch chat draw my new vtuber into existence. Each time they tap a section on the screen, they sketch out more of the vtuber. After being fully colored, the model pops out of the paper and comes to life.

shindigs

614,514 просмотров • 3 месяцев назад

#CHANYEOL : "during my comeback live, jongin suddenly came in wearing a green shirt and gave me a bouquet of flowers. and the contents of the letter i read, they were very touching..really one for the books! [(fan: don't cry) 🍒 : it's not to that extent! ㅎㅎ] that letter made me feel so good. i'm really grateful, from the bottom of my heart. it made me think of the many worries i had and the effort i put in while working on this album..it felt like i was being rewarded for all that.. so i was really moved and i really appreciate it. when i was having a dilemma about the title track, jongin said: "hyung, go with something cool", that was also such a great feedback!"

#CHANYEOL : "during my comeback live, jongin suddenly came in wearing a green shirt and gave me a bouquet of flowers. and the contents of the letter i read, they were very touching..really one for the books! [(fan: don't cry) 🍒 : it's not to that extent! ㅎㅎ] that letter made me feel so good. i'm really grateful, from the bottom of my heart. it made me think of the many worries i had and the effort i put in while working on this album..it felt like i was being rewarded for all that.. so i was really moved and i really appreciate it. when i was having a dilemma about the title track, jongin said: "hyung, go with something cool", that was also such a great feedback!"

ꓶNꓶN

34,533 просмотров • 11 месяцев назад

Harry on when he finished the album and why he chose 'Aperture' as the first single “I finished the album at the end of the summer of end of last summer. Um, I finished this song in like the end of June, I think. […] I think Aperture it's track one on the album. It was the last song that was made for the record. It was kind of when we were at our most free I think making music and was just like this is the first song that I played to people when I'm when I showed them what the new music sounds like that it just felt like the obvious ended up feeling like the obvious choice of what should come first. I think the idea of opening up and kind of being the doorway into that kind of transition felt like that's what I wanted to communicate. I think like as you know there's nothing better as a musician than putting work out that you feel in line like as you're kind of as you're going through things in your life, you're like ‘This song that I'm putting out right now still represents me where I'm at.’ ” - SiriusXM

Harry on when he finished the album and why he chose 'Aperture' as the first single “I finished the album at the end of the summer of end of last summer. Um, I finished this song in like the end of June, I think. […] I think Aperture it's track one on the album. It was the last song that was made for the record. It was kind of when we were at our most free I think making music and was just like this is the first song that I played to people when I'm when I showed them what the new music sounds like that it just felt like the obvious ended up feeling like the obvious choice of what should come first. I think the idea of opening up and kind of being the doorway into that kind of transition felt like that's what I wanted to communicate. I think like as you know there's nothing better as a musician than putting work out that you feel in line like as you're kind of as you're going through things in your life, you're like ‘This song that I'm putting out right now still represents me where I'm at.’ ” - SiriusXM

HSNews

106,265 просмотров • 6 месяцев назад

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

Edward Yang on the impact of watching Aguirre, the Wrath of God (1972): "I found a job in Seattle at a research laboratory that contracted to do classified defense projects in microcomputers. I was among the first generation of designers and applicators for microcomputers and microprocessors. By the time I turned thirty I was pretty well established, with a team of seven or eight guys working on some very interesting projects. Later on I made the association that designing is like writing, and I realized that this background helped me a lot. After a couple of years as an engineer, of course, the routine bored me. One night, I was driving after work in downtown Seattle, and I saw a billboard outside a movie theater with the words, German New Wave, and the title, Aguirre: The Wrath of God. It made me curious, so I went in. I was fortunate. I came out a different person. That two hours just blew me away. It restored my sense of competence that I could be a filmmaker. This is what I thought a film should be. Film school would never teach you to make those kind of shots. That was one of the crucial moments of my life. I had turned thirty, I thought I was getting old, and three more years passed before I got the chance to work on a film project with a friend who asked me to write a script for him. I went back to Taipei, and also visited Hong Kong for the first time, and the film was shot in Japan. I got an offer to write and direct a made-for-TV movie in Taiwan, so I didn't go back to Seattle." — The Engineer of Modern Perplexity: An Interview with Edward Yang by Robert Sklar, published in Cineaste, Vol. 25, No. 3 in 2000

RadiantFilm

93,086 просмотров • 9 месяцев назад

So the title might be a bit bombastic, but if this isn't one of the most incredible glimpses of a future way of creating and rendering 3D.. I don't know what is. This was sculpted on my PS5 in mere minutes and transformed as I was sculpting, through a "Real-time Latent Consistency Model". Sony, you should reconsidder your plans for Dreams and make a Dreams V2 with generative AI or sell it to someone that will.. just saying ♥️ No other 3D tool would allow me to sculpt this freely which turns out to be a super-power in the land of AI. #madeindreams #ai

So the title might be a bit bombastic, but if this isn't one of the most incredible glimpses of a future way of creating and rendering 3D.. I don't know what is. This was sculpted on my PS5 in mere minutes and transformed as I was sculpting, through a "Real-time Latent Consistency Model". Sony, you should reconsidder your plans for Dreams and make a Dreams V2 with generative AI or sell it to someone that will.. just saying ♥️ No other 3D tool would allow me to sculpt this freely which turns out to be a super-power in the land of AI. #madeindreams #ai

Martin Nebelong

242,002 просмотров • 2 лет назад

Since I saw that you liked the video clip I made with Morpheus and the pills, I have created a longer video of the Matrix in anime style. It's not perfect, but with it I want to show the potential of the new Midjourney Editor and Retexture feature, coupled with Runway. With this technique I have used, you can create a version of any movie in the style you want. Cool, isn't it?

Since I saw that you liked the video clip I made with Morpheus and the pills, I have created a longer video of the Matrix in anime style. It's not perfect, but with it I want to show the potential of the new Midjourney Editor and Retexture feature, coupled with Runway. With this technique I have used, you can create a version of any movie in the style you want. Cool, isn't it?

OscarAI

15,950 просмотров • 1 год назад

Emilia Clarke reveals she hid her first brain hemorrhage from HBO for two weeks so they wouldn't write her out of Game of Thrones "I wrapped the first season of Game of Thrones. But it flipped my life upside down, so I was quite stressed. And we wrapped that in December and February I was in the gym doing a plank and had my first brain hemorrhage" "And then spent the next 2 weeks with my agent trying to not tell HBO until they knew I wouldn't die" "I was in A&E until they worked out what was wrong with me. Then I went to a different hospital and they were plugging me in and I just kept trying to say I've got to go to work. I can't be here. How long is this going to take? And they're like, your brain is bleeding. It's going to take quite some time" "But as soon as I left hospital I had maybe a month and then I was doing press for the first season of Game of Thrones. Still with a bit of morphine" "I was so ashamed that this thing had happened and that the people who had employed me might see me as weak or see me as something that could be broken. It was so like, 'No, fine. Fine. I'm fine'"

Emilia Clarke reveals she hid her first brain hemorrhage from HBO for two weeks so they wouldn't write her out of Game of Thrones "I wrapped the first season of Game of Thrones. But it flipped my life upside down, so I was quite stressed. And we wrapped that in December and February I was in the gym doing a plank and had my first brain hemorrhage" "And then spent the next 2 weeks with my agent trying to not tell HBO until they knew I wouldn't die" "I was in A&E until they worked out what was wrong with me. Then I went to a different hospital and they were plugging me in and I just kept trying to say I've got to go to work. I can't be here. How long is this going to take? And they're like, your brain is bleeding. It's going to take quite some time" "But as soon as I left hospital I had maybe a month and then I was doing press for the first season of Game of Thrones. Still with a bit of morphine" "I was so ashamed that this thing had happened and that the people who had employed me might see me as weak or see me as something that could be broken. It was so like, 'No, fine. Fine. I'm fine'"

sara

7,572,546 просмотров • 29 дней назад

Wow, I actually found it! Of all the Scott Adams clips ... this is the one that means the most to me, personally. This was the moment, during the initial COVID lockdown days, that I decided to cancel my low-grade depression and feeling like "I'm trapped," and replace it with "come out of this stronger, not weaker." (I started writing affirmations shortly after this, and by the time a year had passed, I'd changed career paths, gotten three promotions, and was living in a new house. It worked, Scott. It worked.)

Wow, I actually found it! Of all the Scott Adams clips ... this is the one that means the most to me, personally. This was the moment, during the initial COVID lockdown days, that I decided to cancel my low-grade depression and feeling like "I'm trapped," and replace it with "come out of this stronger, not weaker." (I started writing affirmations shortly after this, and by the time a year had passed, I'd changed career paths, gotten three promotions, and was living in a new house. It worked, Scott. It worked.)

"Doc" Hypnosis 🧠 | BowTied Brain-Hacking

94,785 просмотров • 3 месяцев назад

Edgar Wright explains why he watches "Raising Arizona" (1987) every time before making a new movie: "When I first saw "Raising Arizona" (1987) as a teenager, I watched it immediately again afterwards. I just couldn't quite believe that a comedy could be that stylish and that dense in terms of its visuals and in terms of its dialogue. So funny in so many different ways. I mean, I just think that film is a miracle. It's always a film that I look to when I'm about to make a movie. And certainly it was a movie that me and Simon Pegg talked a lot about before we made 'Shaun of the De@d' (2004). Even though it's not a horror film, there's a lot of things in that film in terms of the pace and the drive, the really inspired Shaun. [Like] the use of callbacks within the script. So, that movie is a huge inspiration to me." ("Four Favorites with Edgar Wright", Letterboxd, 2024)

Edgar Wright explains why he watches "Raising Arizona" (1987) every time before making a new movie: "When I first saw "Raising Arizona" (1987) as a teenager, I watched it immediately again afterwards. I just couldn't quite believe that a comedy could be that stylish and that dense in terms of its visuals and in terms of its dialogue. So funny in so many different ways. I mean, I just think that film is a miracle. It's always a film that I look to when I'm about to make a movie. And certainly it was a movie that me and Simon Pegg talked a lot about before we made 'Shaun of the De@d' (2004). Even though it's not a horror film, there's a lot of things in that film in terms of the pace and the drive, the really inspired Shaun. [Like] the use of callbacks within the script. So, that movie is a huge inspiration to me." ("Four Favorites with Edgar Wright", Letterboxd, 2024)

DepressedBergman

285,050 просмотров • 8 дней назад