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I think I've pushed Figma's new Variables and Advanced prototyping to its limit... I present a fully working version of Flappy Bird!! 🔥 Featuring: - Scoring + highscores - Pseudo-randomised pipe placement - Physics based movement - Uses 46 variables #Config2023

Dave Williames

4,288 subscribers

1,146,335 görüntüleme • 3 yıl önce •via X (Twitter)

Bilim & Teknoloji Sanat Oyun #Config2023

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Dave Williames profil fotoğrafı

Dave Williames3 yıl önce

Most of this is done by creating a component to work as the game loop, infinitely swapping between two variants every few milliseconds. Each variant holds a "logic" component which will automatically run a bunch of conditions and set variables each step of the game loop.

Dave Williames profil fotoğrafı

Dave Williames3 yıl önce

To move the position of the bird, I mapped the bottom padding of an Auto Layout frame to the 'yPosition' variable.

Dave Williames profil fotoğrafı

Dave Williames3 yıl önce

Just published the file for this now!

Florian Schulz profil fotoğrafı

Florian Schulz3 yıl önce

@figma Okay I need to digest this for a minute 😱 Not sure I’d have the patience to click all this together myself, but it definitely shows how powerful the new feature is. Thanks for sharing!

Andrei Iancu profil fotoğrafı

Andrei Iancu3 yıl önce

@figma Did you start making this after config, or early access? 👀 If you've done this in ~1 week, then I'll take it as a proof that the 👽 are among us. 😆

Dave Williames profil fotoğrafı

Dave Williames3 yıl önce

@figma Haha, thanks Andrei! 🙌 I didn't have early access at all, I just fiddled around for a couple of hours across the weekend to make it work.

vijay verma profil fotoğrafı

vijay verma3 yıl önce

@figma This is amazing. I'm on it to creating a Farming game :)

Nour Sofanati profil fotoğrafı

Nour Sofanati3 yıl önce

@figma Figma is turing complete now.

Chris Frantz profil fotoğrafı

Chris Frantz3 yıl önce

@figma Dev mode on this thing will be wild

Charles Patterson profil fotoğrafı

Charles Patterson3 yıl önce

@figma God mode activated

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Mochie

18,271 görüntüleme • 9 ay önce

👀 I used OpenAI's Code Interpreter to make Flappy Bird 🐦in 7 minutes: Code Interpreter/GPT-4 for code generation. Pre-existing or AI-generated assets for graphics. --- Here's how to make the game in only 6 steps: (1): Enter the following prompt: "write p5.js code for Flappy Bird where you control a yellow bird continuously flying between a series of green pipes. The bird flaps every time you left click the mouse. If the bird falls to the ground or hits a pipe, you lose. This game goes on infinitely until you lose and you get points the further you go". (2): Use generative AI or existing game assets and spirits. I searched "flappy bird assets" on Google and used the first link, a GitHub repo with pngs from the original Flappy Bird. (3): Use this prompt to link assets to the code: "Please generate the entire file again based on the fact I'm using a unique background, spirits for the bird, and pipes. Here is the list of assets I'm using: [list of file names]." Code Interpreter should modify the code accordingly to include the list of file names. (4) Make an account OpenProcessing -> create a sketch -> paste in the code generated by Code Interpreter -> upload in-game assets from step (2). (5) (Optional) Ask ChatGPT to make changes to improve the in-game experience e.g., adding a high score, restarting the game when the bird dies, etc. Copy the new code into your OpenProcessing sketch and reload the game. (6) If something doesn't work, ask GPT4 to fix it. Copy and paste the error message and ask it to regenerate the code. --- Bonus Tips: - Iteratively test code. Each time you make a change using Code Interpreter, test the updated code by playing the game so you catch new bugs early. - Learn programming by asking questions: "Act as a senior programmer very good at explaining concepts to a beginner. Tell me how gravity works in this game and how you used code to make this happen."Code Interpreter/GPT4 for code generation. Download Pre-existing assets or generate new images for graphics. Excited to see what you make!

👀 I used OpenAI's Code Interpreter to make Flappy Bird 🐦in 7 minutes: Code Interpreter/GPT-4 for code generation. Pre-existing or AI-generated assets for graphics. --- Here's how to make the game in only 6 steps: (1): Enter the following prompt: "write p5.js code for Flappy Bird where you control a yellow bird continuously flying between a series of green pipes. The bird flaps every time you left click the mouse. If the bird falls to the ground or hits a pipe, you lose. This game goes on infinitely until you lose and you get points the further you go". (2): Use generative AI or existing game assets and spirits. I searched "flappy bird assets" on Google and used the first link, a GitHub repo with pngs from the original Flappy Bird. (3): Use this prompt to link assets to the code: "Please generate the entire file again based on the fact I'm using a unique background, spirits for the bird, and pipes. Here is the list of assets I'm using: [list of file names]." Code Interpreter should modify the code accordingly to include the list of file names. (4) Make an account OpenProcessing -> create a sketch -> paste in the code generated by Code Interpreter -> upload in-game assets from step (2). (5) (Optional) Ask ChatGPT to make changes to improve the in-game experience e.g., adding a high score, restarting the game when the bird dies, etc. Copy the new code into your OpenProcessing sketch and reload the game. (6) If something doesn't work, ask GPT4 to fix it. Copy and paste the error message and ask it to regenerate the code. --- Bonus Tips: - Iteratively test code. Each time you make a change using Code Interpreter, test the updated code by playing the game so you catch new bugs early. - Learn programming by asking questions: "Act as a senior programmer very good at explaining concepts to a beginner. Tell me how gravity works in this game and how you used code to make this happen."Code Interpreter/GPT4 for code generation. Download Pre-existing assets or generate new images for graphics. Excited to see what you make!

Alex Ker 🔭

739,874 görüntüleme • 3 yıl önce

Another week, another attempt by woke academics to push sex pseudoscience. In my video, I explain why a new paper in Neurotoxicology claiming that "sex is a spectrum," a "mosaic of factors," and a "conglomeration of variables" isn't just wrong, but totally self-refuting. It tries to argue that the term "sex differences" is an "underdefined generalization that creates a distinct binary" when sex is actually a "spectrum." So instead of saying "sex differences," the authors propose a new term: "Sex-Associated Variables," or SAVs. These SAVs, according to the authors, include morphological, genetic, and endocrine factors. The authors state that "The use of SAVs allows for a more nuanced analysis of potential sex differences by using several different sex related characteristics as a defined variable that can be correlated with outcomes, rather than a reductive category." But ask yourself this: How do the authors know which variables are "associated" with being male or female without knowing what males and females are independently of these SAVs? The entire point of the paper is to deny a gamete-based view of sex on grounds that it is overly "reductive" and fails to capture the complexity of sex differences. But the authors are totally oblivious (or at least willfully ignorant) to the fact that their ability to assign SAVs to a particular sex, not just in humans but in non-human animals as well, necessarily presupposes the validity of the gamete-based view of sex. Watch the video for a more detailed breakdown. I've covered this argument, and many others, in great detail in my scholarly paper "Why There Are Exactly Two Sexes." If you want a solid framework that exposes the central flaws in woke pseudoscience surrounding biological sex, I strongly recommend reading it. It's open access and relatively short. Why There Are Exactly Two Sexes:

Another week, another attempt by woke academics to push sex pseudoscience. In my video, I explain why a new paper in Neurotoxicology claiming that "sex is a spectrum," a "mosaic of factors," and a "conglomeration of variables" isn't just wrong, but totally self-refuting. It tries to argue that the term "sex differences" is an "underdefined generalization that creates a distinct binary" when sex is actually a "spectrum." So instead of saying "sex differences," the authors propose a new term: "Sex-Associated Variables," or SAVs. These SAVs, according to the authors, include morphological, genetic, and endocrine factors. The authors state that "The use of SAVs allows for a more nuanced analysis of potential sex differences by using several different sex related characteristics as a defined variable that can be correlated with outcomes, rather than a reductive category." But ask yourself this: How do the authors know which variables are "associated" with being male or female without knowing what males and females are independently of these SAVs? The entire point of the paper is to deny a gamete-based view of sex on grounds that it is overly "reductive" and fails to capture the complexity of sex differences. But the authors are totally oblivious (or at least willfully ignorant) to the fact that their ability to assign SAVs to a particular sex, not just in humans but in non-human animals as well, necessarily presupposes the validity of the gamete-based view of sex. Watch the video for a more detailed breakdown. I've covered this argument, and many others, in great detail in my scholarly paper "Why There Are Exactly Two Sexes." If you want a solid framework that exposes the central flaws in woke pseudoscience surrounding biological sex, I strongly recommend reading it. It's open access and relatively short. Why There Are Exactly Two Sexes:

Colin Wright

38,031 görüntüleme • 1 ay önce

Today I'm excited to introduce Hark, a new artificial intelligence lab building the most advanced, personal intelligence in the world We've been in stealth for 8 months, assembling one of the greatest AI and hardware teams on the planet I want to explain why I started Hark and what we're focused on I've spent the last 3 years working on the hardest AI challenge imaginable: giving AI a humanoid body. On the digital side, I've been using all the existing LLM chatbots - and I have to say, they feel incredibly dumb to me AGI, in the limit, should feel like a sci-fi movie. It should be able to listen and talk. It should have persistent memory and be highly personalized. It should see and touch the world. But we're far from this today We are crafting a new interface to AGI. Intelligence that lets you offload your mental workload into a system that begins to think like you and sometimes ahead of you We started Hark with one goal: build the world's most advanced personal intelligence - paired with next-generation hardware designed to serve as a universal interface between humans and machines

Today I'm excited to introduce Hark, a new artificial intelligence lab building the most advanced, personal intelligence in the world We've been in stealth for 8 months, assembling one of the greatest AI and hardware teams on the planet I want to explain why I started Hark and what we're focused on I've spent the last 3 years working on the hardest AI challenge imaginable: giving AI a humanoid body. On the digital side, I've been using all the existing LLM chatbots - and I have to say, they feel incredibly dumb to me AGI, in the limit, should feel like a sci-fi movie. It should be able to listen and talk. It should have persistent memory and be highly personalized. It should see and touch the world. But we're far from this today We are crafting a new interface to AGI. Intelligence that lets you offload your mental workload into a system that begins to think like you and sometimes ahead of you We started Hark with one goal: build the world's most advanced personal intelligence - paired with next-generation hardware designed to serve as a universal interface between humans and machines

Brett Adcock

1,412,377 görüntüleme • 4 ay önce

Faster, Jesus! Kill! Kill! Col. Wilkerson: I think the U.S. military, especially in its present configuration, which I call mercenary, has still got enough of its American nature, if you will, and there are still enough people in there—I don’t know what the percentage is, but it’s much more than I thought—who think this is a holy war. They think they’re going to war for Jesus and for God, and they think Pete Hegseth is the manifestation of that at the highest rank in their department. I don’t know how many it is; I wish I had some idea of just how many it is, but I know that it’s in all the ranks, all the way from private to four-star general, and I know that it is being pushed every day in the Pentagon. Even tomorrow, I think, or the next day, they’re having another prayer meeting. He’s having about one or two prayer meetings a week in the Pentagon, calling people in, and the more you listen—I’ve had a couple of tapes sent to me—the more you listen to his prayers and his comments in these prayer meetings, the more you hear, in the back of your mind, if you will, this plaintive cry from Hegseth himself, that God is on his side. Almost like he’s begging God—divine providence, although he doesn’t use those terms; it’s Jesus and Jesus and Jesus—he’s begging them to be on his side, to help him, to help all the soldiers and sailors and airmen and marines. That’s the way he presents these meetings and gets down on his knees and prays. This is very new to me, and I think I’m right in saying, very new to the Department of Defense or war.

Faster, Jesus! Kill! Kill! Col. Wilkerson: I think the U.S. military, especially in its present configuration, which I call mercenary, has still got enough of its American nature, if you will, and there are still enough people in there—I don’t know what the percentage is, but it’s much more than I thought—who think this is a holy war. They think they’re going to war for Jesus and for God, and they think Pete Hegseth is the manifestation of that at the highest rank in their department. I don’t know how many it is; I wish I had some idea of just how many it is, but I know that it’s in all the ranks, all the way from private to four-star general, and I know that it is being pushed every day in the Pentagon. Even tomorrow, I think, or the next day, they’re having another prayer meeting. He’s having about one or two prayer meetings a week in the Pentagon, calling people in, and the more you listen—I’ve had a couple of tapes sent to me—the more you listen to his prayers and his comments in these prayer meetings, the more you hear, in the back of your mind, if you will, this plaintive cry from Hegseth himself, that God is on his side. Almost like he’s begging God—divine providence, although he doesn’t use those terms; it’s Jesus and Jesus and Jesus—he’s begging them to be on his side, to help him, to help all the soldiers and sailors and airmen and marines. That’s the way he presents these meetings and gets down on his knees and prays. This is very new to me, and I think I’m right in saying, very new to the Department of Defense or war.

🅰pocalypsis 🅰pocalypseos 🇷🇺 🇨🇳 🅉

18,949 görüntüleme • 4 ay önce

How does Cardano work? What is its consensus mechanism? Cardano Community uses a uniquely energy-efficient, peer-reviewed Proof of Stake (PoS) consensus mechanism called Ouroboros. Instead of relying on energy-intensive mining hardware, Ouroboros selects validators (known as slot leaders) to create new blocks based on the amount of cryptocurrency (ADA) they hold and stake in the network. Waves Studio, a design company, and I were discussing how there aren't many short, informative videos out there explaining basic concepts for new users anymore. So we got to work, and from time to time we'll be releasing one. Watch the video and let us know what you think.

How does Cardano work? What is its consensus mechanism? Cardano Community uses a uniquely energy-efficient, peer-reviewed Proof of Stake (PoS) consensus mechanism called Ouroboros. Instead of relying on energy-intensive mining hardware, Ouroboros selects validators (known as slot leaders) to create new blocks based on the amount of cryptocurrency (ADA) they hold and stake in the network. Waves Studio, a design company, and I were discussing how there aren't many short, informative videos out there explaining basic concepts for new users anymore. So we got to work, and from time to time we'll be releasing one. Watch the video and let us know what you think.

Mauro Andreoli || Cardano & Midnight Ambassador

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AOC: "Think that Prime Minister carney's remarks that the World Economic Forum were, um, were words that run around the world in raising this question. But I think that also, in his remarks, as long and as well as part of this larger conversation, there was this undertone, this undercurrent, this suggestion that it was a rules, based order sometimes. And I think that that is the, the issue that lies before us is that in a in a so called rules, based order, the rules for whom, because for all too long, the rules only applied to the United States, europe, its allies, and we would carve out exceptions for the global South. And I think that when you have a rules, based order where you carve out exceptions to our values, exceptions to our rules, eventually the exceptions become the rules. And I think that, to your original point, over the last five years, we've seen such a breaking and such a fraying of these alleged Western values that people wonder if it ever existed in the first place. So I don't know if it's necessarily that we were in a post, if we are in a post, rules based order, I think it's possible that we were in a pre rules based order, and we have an opportunity to explore what a world would look like if we upheld democracy. Human rights, trade that actually centers working class people, instead of accruing overwhelmingly the benefits of trade to the wealthiest Um. But if we reoriented a new era that could actually help people and show how foreign policy and healthy foreign policy can show up and help them in their lives."

AOC: "Think that Prime Minister carney's remarks that the World Economic Forum were, um, were words that run around the world in raising this question. But I think that also, in his remarks, as long and as well as part of this larger conversation, there was this undertone, this undercurrent, this suggestion that it was a rules, based order sometimes. And I think that that is the, the issue that lies before us is that in a in a so called rules, based order, the rules for whom, because for all too long, the rules only applied to the United States, europe, its allies, and we would carve out exceptions for the global South. And I think that when you have a rules, based order where you carve out exceptions to our values, exceptions to our rules, eventually the exceptions become the rules. And I think that, to your original point, over the last five years, we've seen such a breaking and such a fraying of these alleged Western values that people wonder if it ever existed in the first place. So I don't know if it's necessarily that we were in a post, if we are in a post, rules based order, I think it's possible that we were in a pre rules based order, and we have an opportunity to explore what a world would look like if we upheld democracy. Human rights, trade that actually centers working class people, instead of accruing overwhelmingly the benefits of trade to the wealthiest Um. But if we reoriented a new era that could actually help people and show how foreign policy and healthy foreign policy can show up and help them in their lives."

Winter

794,575 görüntüleme • 5 ay önce

ELON: "NEW AI ‘GROKIPEDIA’ EXPOSES PROPAGANDA IN SECONDS" "The recent update to Grok is actually, I think, very good at piercing through propaganda. We used that latest version of Grok to create Grokipedia, which I believe is not just more neutral and more accurate than Wikipedia, but also contains a lot more information than a typical Wikipedia page. We’ve finished training a maximally truth-seeking version of Grok that’s strong in cogent analysis, breaking down any argument into its axiomatic elements, assessing whether those axioms are likely true, non-contradictory, and whether the conclusion logically follows. Essentially, we’ve trained Grok in advanced critical thinking." Source: The All-In Podcast, Elon Musk, Grok, xAI, Grokipedia

ELON: "NEW AI ‘GROKIPEDIA’ EXPOSES PROPAGANDA IN SECONDS" "The recent update to Grok is actually, I think, very good at piercing through propaganda. We used that latest version of Grok to create Grokipedia, which I believe is not just more neutral and more accurate than Wikipedia, but also contains a lot more information than a typical Wikipedia page. We’ve finished training a maximally truth-seeking version of Grok that’s strong in cogent analysis, breaking down any argument into its axiomatic elements, assessing whether those axioms are likely true, non-contradictory, and whether the conclusion logically follows. Essentially, we’ve trained Grok in advanced critical thinking." Source: The All-In Podcast, Elon Musk, Grok, xAI, Grokipedia

Mario Nawfal

136,888 görüntüleme • 8 ay önce

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

The Bugged Dev

102,026 görüntüleme • 13 gün önce

How being in GMMTV shaped Gemini's personality 🤍 GEMINI CONCERT PRESS TOUR #GeminiConcertLive #GeminiConcert ♊️: Before I entered the industry, I felt like I was living in a bubble, like I was stuck inside a small box and didn't really know what the outside world was like. My life was basically just school and home. My parents would take me to school, then I'd come home, then school again, then home again. That was pretty much my whole life. I never really went anywhere ♊️: So when I came into GMMTV, it felt like my world really opened up. I started learning what working life is like, what the outside world is like, and how people live. At that time I was the youngest one, and most people around me were all older seniors, so I learned a lot from them, how they live, how they work, how they carry themselves. I feel like I grew up a lot because of that. I feel like I understand the world more now. And all of those experiences, working, meeting fans, meeting new people almost every day, have continuously shaped who I am ♊️: So if you ask whether I've changed, yes, I definitely have. But I think it's been a good change. I actually like this version of myself more than the one I used to be before ♊️: Back then, I used to be super extroverted, really, really extroverted. But after entering the industry, I feel like I became more introverted. Not to the point that I'm completely introverted, but I definitely think I've become more reserved and more private than I used to be

How being in GMMTV shaped Gemini's personality 🤍 GEMINI CONCERT PRESS TOUR #GeminiConcertLive #GeminiConcert ♊️: Before I entered the industry, I felt like I was living in a bubble, like I was stuck inside a small box and didn't really know what the outside world was like. My life was basically just school and home. My parents would take me to school, then I'd come home, then school again, then home again. That was pretty much my whole life. I never really went anywhere ♊️: So when I came into GMMTV, it felt like my world really opened up. I started learning what working life is like, what the outside world is like, and how people live. At that time I was the youngest one, and most people around me were all older seniors, so I learned a lot from them, how they live, how they work, how they carry themselves. I feel like I grew up a lot because of that. I feel like I understand the world more now. And all of those experiences, working, meeting fans, meeting new people almost every day, have continuously shaped who I am ♊️: So if you ask whether I've changed, yes, I definitely have. But I think it's been a good change. I actually like this version of myself more than the one I used to be before ♊️: Back then, I used to be super extroverted, really, really extroverted. But after entering the industry, I feel like I became more introverted. Not to the point that I'm completely introverted, but I definitely think I've become more reserved and more private than I used to be

𝒜𝒹ℯ𝓁 🪐🤍

17,244 görüntüleme • 17 gün önce

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Why the character movement in my custom game engine felt janky and how I fixed it. In a game engine, most often, a character moves using the physics engine. Meaning, the player is not just a coordinate in space but a physical body. It has velocity, it handles collisions, and it interacts with the world. Now, as you might know, physics engines need stability. If you run them at variable framerates, things start breaking. Objects phase through walls or fly off into space because the math becomes unpredictable. This is why most game engines lock their physics loop to a 60Hz fixed rate. But here’s the problem: If you have a high-end system, you don't want to limit it at 60 FPS. That's a waste of good hardware. Now, that said, if the GPU is rendering at 144 FPS but the player's position (physics driven) only updates 60 times a second, it creates a micro-stutter that ruins the "smooth" feel of the game. A good way to fix this is to treat the character as two separate things: 1. The Physics Body (Invisible part): This is the "real" character. It lives in the 60Hz physics world, it moves the player and handles collisions. 2. The Visual Model and Camera (Visible part): This is what the player actually sees. It doesn't care about collisions, its only job is to look nice and smooth at whatever framerate the GPU is pushing. Once you have this separation, you can use interpolation to keep them in sync. Every time the physics clock ticks, you save the previous position of the invisible body before moving it to the new one. Between those ticks, calculate how far we are between the last physics update and the next one. By using this to drive the visible parts of the game, the stutters disappear. The physics loop stays fixed behind the scenes, while the visuals slide smoothly between the snapshots. Example: - Right after a tick: blend_weight= 0.0 (The visual model stays at the old physics position). - Halfway to the next: blend_weight= 0.5 (The visual model slides to the middle point). - Just before the next: blend_weight= 0.9 (The visual model is almost at the new physics position). Pro-Tip A critical mistake I made initially, and one many devs make, is parenting the camera and visible parts directly to the player body. If you do this, the camera inherits the discrete 60Hz physics movement by default. In that setup, interpolation won't work because the camera is "stuck" to the physics clock. For this fix to work you must decouple the camera and visuals from the body and move them separately. Player movement processing in Detis Engine: - fixed_process: Physics runs at 60Hz. Handles collisions and raw movement. - process: Variable rate. Mainly used for player input caching in the player case. - late_process: Variable rate. Handles interpolated camera movement after physics and everything else is done being processed. - render. Submits the final interpolated transforms to the GPU. The test environment in the video is running on an old 2070-based laptop. Hopefully the video compression won't introduce any stutter... I’m sharing this in hopes it helps a fellow dev. Cheers.

Ioannis Koukourakis

48,518 görüntüleme • 6 ay önce

I've spent the last 4 days with Claude Opus vibe coding an Elder Scrolls style open world RPG, and I'm quite pleased with the progress we've made. We have several towns, about a hundred NPCs, 50+ dungeons, a bounty board, several schools of magic, over a dozen playable classes, a cool specialization/progression system, and a fat lore book ready to turn into the game. This is a very ambitious first project - I am a web developer, not a game developer. Hardest things to do are graphics, level design and sound effects. I'm focusing entirely on procedural generation using a dependency graph system where, for instance, the town positions depend on the terrain map. The roads depend on the terrain and rivers. NPC locations depend on town layouts. Quests depend on lore. Etc. So I can "re-generate" the entire world from a different seed procedurally. It's a good strategy for prototyping. Once I get 80% of the way there with procedural I'll start pinning things and sharpening them with "pseudo-procedural" generation (gen AI based refinements) and then finally human made refinements. This is the way I've always developed things, so it's a fun experiment and it's working great!

I've spent the last 4 days with Claude Opus vibe coding an Elder Scrolls style open world RPG, and I'm quite pleased with the progress we've made. We have several towns, about a hundred NPCs, 50+ dungeons, a bounty board, several schools of magic, over a dozen playable classes, a cool specialization/progression system, and a fat lore book ready to turn into the game. This is a very ambitious first project - I am a web developer, not a game developer. Hardest things to do are graphics, level design and sound effects. I'm focusing entirely on procedural generation using a dependency graph system where, for instance, the town positions depend on the terrain map. The roads depend on the terrain and rivers. NPC locations depend on town layouts. Quests depend on lore. Etc. So I can "re-generate" the entire world from a different seed procedurally. It's a good strategy for prototyping. Once I get 80% of the way there with procedural I'll start pinning things and sharpening them with "pseudo-procedural" generation (gen AI based refinements) and then finally human made refinements. This is the way I've always developed things, so it's a fun experiment and it's working great!

Chubigans

22,629 görüntüleme • 1 ay önce

I went on an indefinite break from VRChat world creation back in May, with the intention to explore other platforms/options. I won't be returning to VRC as a world creator anymore, the break from it is now permanent. So what did I choose? Standalone games for platforms like Steam. I plan to keep making games for PC VR first (with desktop/non-VR support too), as I fall into the group that desperately want more PC VR games that aren't held back by untethered/mobile VR parity. Mobile VR support will be considered after the pc versions are complete, if doable. How can I? if I don't like the growing complexity of vrc world dev? I'm using a standalone version of Cyantrigger and with the help of my close friends at Studio CyFi, & the transition has been really smooth to standalone. I think this is a key part of my choice and it not being an empty promise, as I'm not working in the dark here. If I need help with something (which is a lot) I have my friends to help me through it. Plus, I have access to everything game devs have the freedom to use like plugins/scripts from asset store. So do I have a project in development? Not yet. I'm in the R&D phase, learning lots of new techniques & aspects of coding to help in future projects. I am already at the stage that I can recreate everything I've done from my past worlds, so anything I learn now is completely new stuff I lacked the skill to do before. A big focus of this R&D phase is learning how to make more advanced NPC/enemy logic, since I want to do more combat heavy projects. 2026, whats the plan? I want to be more open with what I'm working on, sharing stuff I'm happy with and also stuff that I've found difficult so far, so you can keep track of my journey to making my first standalone game for PC VR. So if you do choose to stick around, thank you.

I went on an indefinite break from VRChat world creation back in May, with the intention to explore other platforms/options. I won't be returning to VRC as a world creator anymore, the break from it is now permanent. So what did I choose? Standalone games for platforms like Steam. I plan to keep making games for PC VR first (with desktop/non-VR support too), as I fall into the group that desperately want more PC VR games that aren't held back by untethered/mobile VR parity. Mobile VR support will be considered after the pc versions are complete, if doable. How can I? if I don't like the growing complexity of vrc world dev? I'm using a standalone version of Cyantrigger and with the help of my close friends at Studio CyFi, & the transition has been really smooth to standalone. I think this is a key part of my choice and it not being an empty promise, as I'm not working in the dark here. If I need help with something (which is a lot) I have my friends to help me through it. Plus, I have access to everything game devs have the freedom to use like plugins/scripts from asset store. So do I have a project in development? Not yet. I'm in the R&D phase, learning lots of new techniques & aspects of coding to help in future projects. I am already at the stage that I can recreate everything I've done from my past worlds, so anything I learn now is completely new stuff I lacked the skill to do before. A big focus of this R&D phase is learning how to make more advanced NPC/enemy logic, since I want to do more combat heavy projects. 2026, whats the plan? I want to be more open with what I'm working on, sharing stuff I'm happy with and also stuff that I've found difficult so far, so you can keep track of my journey to making my first standalone game for PC VR. So if you do choose to stick around, thank you.

Lakuza

37,618 görüntüleme • 7 ay önce

Novograt (Mike Novogratz) on CNBC talking about Hyperliquid > Each of this ecosystems are working hard to prove their worth. Crypto gave the investment world the idea that community can create value. > The next generation token has to be easy for equity investors to understand. It has to connect utility. > I think of a project like Hyperliquid, a decentralized version of the Nasdaq, of Binance. It's growing like a weed because all of the profits it makes it uses to buy back its token. An equity investor can get that. > It's very transparent and shows how much money it makes each day. > Full disclosure, we own Hyperliquid in our portfolio. The normal equity investor can make sense of it. Hyperliquid.

Novograt (Mike Novogratz) on CNBC talking about Hyperliquid > Each of this ecosystems are working hard to prove their worth. Crypto gave the investment world the idea that community can create value. > The next generation token has to be easy for equity investors to understand. It has to connect utility. > I think of a project like Hyperliquid, a decentralized version of the Nasdaq, of Binance. It's growing like a weed because all of the profits it makes it uses to buy back its token. An equity investor can get that. > It's very transparent and shows how much money it makes each day. > Full disclosure, we own Hyperliquid in our portfolio. The normal equity investor can make sense of it. Hyperliquid.

kirbycrypto

83,116 görüntüleme • 1 yıl önce

I have made over $100k shipping projects with ai. Productivity has gone through the roof but its more stressful than ever tbh. Thats why I built CNVS. Its a place for Ai to not just make you more efficient, but also more organized, like a monk shipping at light speed. Every project gets its own canvas, so you can effortlessly switch between them. Each canvas gets a "recipe", so you can hop right back into deep work in seconds. Eliminating the cognitive overhead of getting started. I built 14 beautiful themes so your brain can start associating the theme with the project. PS - its really hard shipping apps, i hope CNVS makes you feel more in control of your life <3 built with love from a dad working away in the basement. PPS - its a lifetime license because you don't need any more subscriptions in your life. Im shipping new features and improvements based on user feedback every week. PPPS - this uses all your exsisting ai subs ( claude code, codex, cursor, etc.. )

I have made over $100k shipping projects with ai. Productivity has gone through the roof but its more stressful than ever tbh. Thats why I built CNVS. Its a place for Ai to not just make you more efficient, but also more organized, like a monk shipping at light speed. Every project gets its own canvas, so you can effortlessly switch between them. Each canvas gets a "recipe", so you can hop right back into deep work in seconds. Eliminating the cognitive overhead of getting started. I built 14 beautiful themes so your brain can start associating the theme with the project. PS - its really hard shipping apps, i hope CNVS makes you feel more in control of your life <3 built with love from a dad working away in the basement. PPS - its a lifetime license because you don't need any more subscriptions in your life. Im shipping new features and improvements based on user feedback every week. PPPS - this uses all your exsisting ai subs ( claude code, codex, cursor, etc.. )

Max Blade

31,451 görüntüleme • 1 ay önce

To Peterborough United, The club that has been my home since I was 6 years old. Little did I know then that this club would become such a big part of my life. To all the coaches, teammates, and staff I've had the pleasure of working with over the years, thank you. Your guidance and support have shaped me into the player and person I am today. To my teammates, past and present, I couldn't have asked for a better group of lads to share the journey with. I want to say a special thank you to the Gaffer, Barry and the Chairman. Your belief in me means everything. To the fans, your support has been incredible. Playing for you, representing this club, has been an absolute honor. This club, this city, and its people will always hold a special place in my heart. Peterborough United has given me so much more than just a football career. It has given me lifelong friends and unforgettable memories. To everyone at Peterborough United, thank you for believing in me and for allowing me to live my dream. I will forever be grateful for the love and support I've received throughout the years. I will always be a Posh fan and will be cheering from afar. Here's to new beginnings and to always remembering where it all started. Thank you, Peterborough United. H 💙🔵

To Peterborough United, The club that has been my home since I was 6 years old. Little did I know then that this club would become such a big part of my life. To all the coaches, teammates, and staff I've had the pleasure of working with over the years, thank you. Your guidance and support have shaped me into the player and person I am today. To my teammates, past and present, I couldn't have asked for a better group of lads to share the journey with. I want to say a special thank you to the Gaffer, Barry and the Chairman. Your belief in me means everything. To the fans, your support has been incredible. Playing for you, representing this club, has been an absolute honor. This club, this city, and its people will always hold a special place in my heart. Peterborough United has given me so much more than just a football career. It has given me lifelong friends and unforgettable memories. To everyone at Peterborough United, thank you for believing in me and for allowing me to live my dream. I will forever be grateful for the love and support I've received throughout the years. I will always be a Posh fan and will be cheering from afar. Here's to new beginnings and to always remembering where it all started. Thank you, Peterborough United. H 💙🔵

Harrison Burrows

201,431 görüntüleme • 2 yıl önce