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Ice Age (2002) would be remembered much more fondly if it had stayed a standalone. The first film is lean, character driven, and surprisingly dry in its humor. The endless sequels inflated the tone and buried how well that original actually works.

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13,326 görüntüleme • 6 ay önce •via X (Twitter)

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The Hangover (2009) would likely be remembered as a modern comedy classic if it had stayed a one-and-done. The sequels didn’t ruin the jokes, they just softened how sharp, nasty, and perfectly timed that first film really was.
0:58

The Hangover (2009) would likely be remembered as a modern comedy classic if it had stayed a one-and-done. The sequels didn’t ruin the jokes, they just softened how sharp, nasty, and perfectly timed that first film really was.

cinesthetic.

312,661 görüntüleme • 6 ay önce

The Hangover (2009) would likely be remembered as a modern comedy classic if it had stayed a one-and-done. The sequels didn’t ruin the jokes, they just softened how sharp, nasty, and perfectly timed that first film really was.
0:58

The Hangover (2009) would likely be remembered as a modern comedy classic if it had stayed a one-and-done. The sequels didn’t ruin the jokes, they just softened how sharp, nasty, and perfectly timed that first film really was.

cinesthetic.

117,322 görüntüleme • 5 ay önce

Blade Runner 2049 surprisingly matches and sometimes outperforms the original in the way it conveys loneliness. Ryan Gosling’s character desperately wanting to be human resonates even more strongly than Harrison Ford’s arc in the first film.
0:29

Blade Runner 2049 surprisingly matches and sometimes outperforms the original in the way it conveys loneliness. Ryan Gosling’s character desperately wanting to be human resonates even more strongly than Harrison Ford’s arc in the first film.

Emir Han

24,838 görüntüleme • 6 ay önce

With only a few months left until its release, I'm wondering how close #GodzillaMinusOne is to the original 1954 #Godzilla film. If it is a prequel or remake, let us hope it'll be an amazing recreation of the first film and as epic as this is!
0:54

With only a few months left until its release, I'm wondering how close #GodzillaMinusOne is to the original 1954 #Godzilla film. If it is a prequel or remake, let us hope it'll be an amazing recreation of the first film and as epic as this is!

Kaiju No. 14

16,526 görüntüleme • 3 yıl önce

First Blood (1982) is a quiet, bruised character study disguised as an action movie. The sequels rewrote Rambo as mythic muscle, and history keeps mistaking the original for something it never was.
3:15

First Blood (1982) is a quiet, bruised character study disguised as an action movie. The sequels rewrote Rambo as mythic muscle, and history keeps mistaking the original for something it never was.

cinesthetic.

70,646 görüntüleme • 6 ay önce

The Intouchables (2011) is a genuinely great film built on warmth and humanity. It avoids sentimentality by grounding everything in character, letting humor and compassion grow naturally. A French crowd-pleaser that earns its emotion without forcing it.
1:39

The Intouchables (2011) is a genuinely great film built on warmth and humanity. It avoids sentimentality by grounding everything in character, letting humor and compassion grow naturally. A French crowd-pleaser that earns its emotion without forcing it.

cinesthetic.

17,265 görüntüleme • 8 ay önce

David Lean explains how one can learn Filmmaking by watching movies and what constitutes a good movie: "Interviewer: Do you believe that the same principles are involved in making a good amateur film as a good professional film? David Lean: Absolutely the same. The only difference lies in the ambitiousness of the production, but a good film is good on any level, amateur or professional. Interviewer: Then you believe that the amateur can learn something about film technique from watching good professional movies? David Lean: Certainly, if he watches them in the proper way. Interviewer: How would you advice an amateur to watch a film in order to learn from it? For example, how would you advise the amateur to watch 'Bridge on the River Kwai' (1957)? David Lean: I would hope that he would be quite incapable of appreciating the technique of the film. I think that really good filmmaking conceals technique. If a film is really successful, the audience should be so caught up in it that they do not notice how it was made. Interviewer: Do you think then that to really study a movie you should see it more than once, the first time for impact and to enjoy it, and the second time to learn from it? David Lean: This sounds like a plug, but I think so. To really study a film you should have reached the point where you are no longer involved in the dramatic action. In a sense you must become bored with the story before you can study the technique. Of course as you become more and more accustomed to watching films in this manner you will automatically become more sensitive to technique on the first viewing. Interviewer: Did you use this technique in learning? David Lean: In my younger days, I used to spend hours in movie houses to watch the cutting. Interviewer: From a Technical stand point what do you think is the mark of a good film? David Lean: It tells its story in pictures. This is always the problem of good filmmaking. This is one of the biggest things that can be learned from any good movie. The amateur who wants to learn from viewing the films should try to constantly notice how the director is telling his story in terms of visuals. 'How can I show it?' is the questing the director must constantly ask himself. Of course, it is faster in shooting and much easier to tell a story in dialogue, but it is not as effective. Dialogue compared to visuals is a bore; you are using a moving picture camera." (David Lean's interview with Charles Reynolds, 1958)
1:25

David Lean explains how one can learn Filmmaking by watching movies and what constitutes a good movie: "Interviewer: Do you believe that the same principles are involved in making a good amateur film as a good professional film? David Lean: Absolutely the same. The only difference lies in the ambitiousness of the production, but a good film is good on any level, amateur or professional. Interviewer: Then you believe that the amateur can learn something about film technique from watching good professional movies? David Lean: Certainly, if he watches them in the proper way. Interviewer: How would you advice an amateur to watch a film in order to learn from it? For example, how would you advise the amateur to watch 'Bridge on the River Kwai' (1957)? David Lean: I would hope that he would be quite incapable of appreciating the technique of the film. I think that really good filmmaking conceals technique. If a film is really successful, the audience should be so caught up in it that they do not notice how it was made. Interviewer: Do you think then that to really study a movie you should see it more than once, the first time for impact and to enjoy it, and the second time to learn from it? David Lean: This sounds like a plug, but I think so. To really study a film you should have reached the point where you are no longer involved in the dramatic action. In a sense you must become bored with the story before you can study the technique. Of course as you become more and more accustomed to watching films in this manner you will automatically become more sensitive to technique on the first viewing. Interviewer: Did you use this technique in learning? David Lean: In my younger days, I used to spend hours in movie houses to watch the cutting. Interviewer: From a Technical stand point what do you think is the mark of a good film? David Lean: It tells its story in pictures. This is always the problem of good filmmaking. This is one of the biggest things that can be learned from any good movie. The amateur who wants to learn from viewing the films should try to constantly notice how the director is telling his story in terms of visuals. 'How can I show it?' is the questing the director must constantly ask himself. Of course, it is faster in shooting and much easier to tell a story in dialogue, but it is not as effective. Dialogue compared to visuals is a bore; you are using a moving picture camera." (David Lean's interview with Charles Reynolds, 1958)

DepressedBergman

91,395 görüntüleme • 8 ay önce

Didn't expect a film about detective sheep to hit this hard. It balances cozy mystery, dry humor and grief without feeling forced. By the end, the case mattered... but the flock mattered even more. Such a weird premise, yet it works beautifully
0:45

Didn't expect a film about detective sheep to hit this hard. It balances cozy mystery, dry humor and grief without feeling forced. By the end, the case mattered... but the flock mattered even more. Such a weird premise, yet it works beautifully

Cine Vichaar

71,038 görüntüleme • 1 ay önce

Only if we had time to discuss real issues. The changing pattern of rain and snow in HP UK and J&K. It is mid January and HP and UK are facing one of the longest dry spells. Mountains that used to be buried under snow by now are standing bare and dry.
1:25

Only if we had time to discuss real issues. The changing pattern of rain and snow in HP UK and J&K. It is mid January and HP and UK are facing one of the longest dry spells. Mountains that used to be buried under snow by now are standing bare and dry.

Nikhil saini

15,038 görüntüleme • 6 ay önce

This is something that is actually a problem in the Tamil film industry and needs to be talked about more..
0:51

This is something that is actually a problem in the Tamil film industry and needs to be talked about more..

۟

135,255 görüntüleme • 2 ay önce

It's been nearly three years since it came out and the climax of Nimona still gets me every single time. Words cannot describe how much of a miracle it was that this film got released, how it is, and what it means to me. It's the film Blue Sky deserves to be remembered for.
2:18

It's been nearly three years since it came out and the climax of Nimona still gets me every single time. Words cannot describe how much of a miracle it was that this film got released, how it is, and what it means to me. It's the film Blue Sky deserves to be remembered for.

Animated Antic

300,976 görüntüleme • 7 ay önce

Victoria Derbyshire, "How much of this is about you wanting to be the ambassador to America?" Nigel Farage, "Well it's not going to happen" VD, "How much of this is about that?" NF, "I am not going to be the ambassador even though Trump would love it.. I have actually been in touch with Labour and said if I can be useful given that Trump and his cabinet are my friends, I would do that"
0:54

Victoria Derbyshire, "How much of this is about you wanting to be the ambassador to America?" Nigel Farage, "Well it's not going to happen" VD, "How much of this is about that?" NF, "I am not going to be the ambassador even though Trump would love it.. I have actually been in touch with Labour and said if I can be useful given that Trump and his cabinet are my friends, I would do that"

Farrukh

301,205 görüntüleme • 1 yıl önce

Senua is a bold new action-adventure game set after the events of Hellblade I & II, but designed to be a complete, standalone story for both existing fans and new players. While Senua stays true to the heart of Hellblade with its atmosphere and character-driven storytelling, we’ve placed a much stronger emphasis on action, agency and gameplay.
2:01

Senua is a bold new action-adventure game set after the events of Hellblade I & II, but designed to be a complete, standalone story for both existing fans and new players. While Senua stays true to the heart of Hellblade with its atmosphere and character-driven storytelling, we’ve placed a much stronger emphasis on action, agency and gameplay.

Senua

59,293 görüntüleme • 2 ay önce

INDIANA JONES AND THE TEMPLE OF DOOM (1984) is easily the wildest film in the franchise. Steven Spielberg and George Lucas later said their divorces influenced its much darker tone, and that chaotic energy is all over the movie.
5:41

INDIANA JONES AND THE TEMPLE OF DOOM (1984) is easily the wildest film in the franchise. Steven Spielberg and George Lucas later said their divorces influenced its much darker tone, and that chaotic energy is all over the movie.

cinesthetic.

126,240 görüntüleme • 1 ay önce

How much better would the Mets be if they had a real first baseman in 2026? Andrew Claudio thinks they'd be a .500 team, and Rich MacLeod does NOT agree 👀
1:58

How much better would the Mets be if they had a real first baseman in 2026? Andrew Claudio thinks they'd be a .500 team, and Rich MacLeod does NOT agree 👀

Just Mets

13,639 görüntüleme • 1 ay önce

Well, would you look at that. I guess Chat doesn't consider the Bible a "sacred text". I am curious if it would have quoted the Quran directly if it had been a more “peaceful” verse, and if it still would have directly quoted the Bible had they been more violent verses.
1:45

Well, would you look at that. I guess Chat doesn't consider the Bible a "sacred text". I am curious if it would have quoted the Quran directly if it had been a more “peaceful” verse, and if it still would have directly quoted the Bible had they been more violent verses.

Trump Girl 🇺🇲🦅🇺🇲

33,689 görüntüleme • 2 ay önce

🚨NEW: Chris Cuomo says Jake Tapper’s "Original Sin" book is itself a cover-up🚨 "It’s a cover for something that’s much more serious to me than Biden's age and stage ever were: the reality that many in the media knew d*mn well that Biden was losing it, but they played it down because they wanted Trump to lose more. The original sin is not hiding Biden's age and stage, but hiding this preference." Daily Caller
1:16

🚨NEW: Chris Cuomo says Jake Tapper’s "Original Sin" book is itself a cover-up🚨 "It’s a cover for something that’s much more serious to me than Biden's age and stage ever were: the reality that many in the media knew d*mn well that Biden was losing it, but they played it down because they wanted Trump to lose more. The original sin is not hiding Biden's age and stage, but hiding this preference." Daily Caller

Jason Cohen 🇺🇸

205,309 görüntüleme • 1 yıl önce