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img2threejs 1.5.1 is out 🚀 Checkout: This release introduces a new approach to image → 3D → Three.js. Image → Tripo → img2threejs → reconstructed geometry → Three.js Instead of using the generated 3D model as the final asset, img2threejs uses it as a reference to rebuild the character... show more

Nick

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113,781 Aufrufe • vor 7 Tagen •via X (Twitter)

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After testing img2threejs by Nick, I used the exact same Canyon gravel bike image with Blender MCP. The difference is pretty clear: Blender produced a much more detailed and faithful reconstruction, especially around the frame geometry, cockpit, drivetrain and braking system. img2threejs remains incredibly fast for generating a procedural Three.js result directly from an image, while Blender MCP offers much more control and precision when you want to push the reconstruction further. Same reference image, two completely different workflows. Which result do you prefer?

After testing img2threejs by Nick, I used the exact same Canyon gravel bike image with Blender MCP. The difference is pretty clear: Blender produced a much more detailed and faithful reconstruction, especially around the frame geometry, cockpit, drivetrain and braking system. img2threejs remains incredibly fast for generating a procedural Three.js result directly from an image, while Blender MCP offers much more control and precision when you want to push the reconstruction further. Same reference image, two completely different workflows. Which result do you prefer?

Givros

31,979 Aufrufe • vor 1 Monat

One completely still photograph. Nothing moved - Nothing breathed. It is now a fully alive, fully controllable 3D character written entirely in pure Three.js code - complete geometry, full skeleton, full animations, and every part editable. Built with the img2threejs skill: No Blender. No GLB. No black-box mesh. Just native code you can own, modify, and ship.I spent a full day on this character. Does this result feel more satisfying to you? Showcase:

One completely still photograph. Nothing moved - Nothing breathed. It is now a fully alive, fully controllable 3D character written entirely in pure Three.js code - complete geometry, full skeleton, full animations, and every part editable. Built with the img2threejs skill: No Blender. No GLB. No black-box mesh. Just native code you can own, modify, and ship.I spent a full day on this character. Does this result feel more satisfying to you? Showcase:

Nick

27,323 Aufrufe • vor 13 Tagen

Another WTF moment. Using Codex as a fully custom game engine With the newly discovered and *insane* img2threejs skill 1) GPT imageGen a 3D item you want 2) ask GPT 5.6 Sol to use img2threejs 3) my harness brings it into the game automatically Just watch how good this is

Another WTF moment. Using Codex as a fully custom game engine With the newly discovered and insane img2threejs skill 1) GPT imageGen a 3D item you want 2) ask GPT 5.6 Sol to use img2threejs 3) my harness brings it into the game automatically Just watch how good this is

Nicolas Zullo

267,097 Aufrufe • vor 1 Monat

I made a Dark Souls-inspired Three.js game with Sol Ultra using Codex Sites. It's fully playable in the browser. I handled the prompts, references, and libraries like img2threejs. The game has shield blocking, dodge rolls, archery, and a full inventory system. Still blows my mind that you can build a 3D game like this in a single afternoon.

I made a Dark Souls-inspired Three.js game with Sol Ultra using Codex Sites. It's fully playable in the browser. I handled the prompts, references, and libraries like img2threejs. The game has shield blocking, dodge rolls, archery, and a full inventory system. Still blows my mind that you can build a 3D game like this in a single afternoon.

Meng To

169,453 Aufrufe • vor 1 Monat

GPT-5.6 Sol Ultra was given a full set of character references and asked to rebuild the character in Blender, rig it, create three animations, export a real GLB, and build a complete Three.js showcase around it. The entire pipeline was completed in 2 hours and 11 minutes. The final model still loses some of the original proportions, costume structure, and material fidelity, but going from reference images to a rigged, animated 3D character running in the browser is already a very strong result. Cc: Givros

GPT-5.6 Sol Ultra was given a full set of character references and asked to rebuild the character in Blender, rig it, create three animations, export a real GLB, and build a complete Three.js showcase around it. The entire pipeline was completed in 2 hours and 11 minutes. The final model still loses some of the original proportions, costume structure, and material fidelity, but going from reference images to a rigged, animated 3D character running in the browser is already a very strong result. Cc: Givros

Token Gremlin

37,583 Aufrufe • vor 1 Monat

Late night experiment. I built a demo that generates 3D environments from images into 3DGS, then uses them as a spatial reference for directing real-time AR camera movements. The capture is then run through Seedance 2.0 for the final output. all running on the web via three.js↓

Late night experiment. I built a demo that generates 3D environments from images into 3DGS, then uses them as a spatial reference for directing real-time AR camera movements. The capture is then run through Seedance 2.0 for the final output. all running on the web via three.js↓

Ian Curtis

28,168 Aufrufe • vor 2 Monaten

I generated this 3D enviroment using a single image using "Marble" from World Labs. The new version can generate a mesh from the splat and is directly usable in Unreal Engine 5.7.

I generated this 3D enviroment using a single image using "Marble" from World Labs. The new version can generate a mesh from the splat and is directly usable in Unreal Engine 5.7.

Matt Workman

42,460 Aufrufe • vor 9 Monaten

This first-person shooter was built from a single prompt, using 404-generated 3D assets. On the latest Novelty Search, 404 explains how SN17 is moving from Titan, its open image-to-3D model built with miners, toward 3D assets generated as code that AI agents can edit and use directly in games. That work is part of a broader direction for 404: building world models where AI agents can learn and act. Hosted by const Full episode in the first comment

This first-person shooter was built from a single prompt, using 404-generated 3D assets. On the latest Novelty Search, 404 explains how SN17 is moving from Titan, its open image-to-3D model built with miners, toward 3D assets generated as code that AI agents can edit and use directly in games. That work is part of a broader direction for 404: building world models where AI agents can learn and act. Hosted by const Full episode in the first comment

Openτensor Foundaτion

14,279 Aufrufe • vor 3 Tagen

$I think I accidentally created a completely new game genre. I’ve been working on this nonstop for months, and I’m finally ready to show just a tiny fraction of the gameplay. No traditional 3D models. Everything is generated in Three.js through pure math. This is completely insane guys. The actual main feature is still hidden—and it changes EVERYTHING. #threejs$

I think I accidentally created a completely new game genre. I’ve been working on this nonstop for months, and I’m finally ready to show just a tiny fraction of the gameplay. No traditional 3D models. Everything is generated in Three.js through pure math. This is completely insane guys. The actual main feature is still hidden—and it changes EVERYTHING. #threejs

OmedTheVibeCoder

37,476 Aufrufe • vor 1 Monat

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

This is probably the most complex workflow I’ve ever built, only with open-source tools. It took my 4 days. It takes four inputs: author, title, and style; and generates a full visual animated story in one click in ComfyUI . I worked on it for four days. There are still some bugs, but here’s the first preview. Here’s a quick breakdown: - The four inputs are sent to LLMs with precise instructions to generate: first, prompts for images and image modifications; second, prompts for animations; third, prompts for generating music. - All voices are generated from the text and timed precisely, as they determine the length of each animation segment. - The first image and video are generated to serve as the title, but also as the guide for all other images created for the video. - Titles and subtitles are also added automatically in Comfy. - I also developed a lot of custom nodes for minor frame calculations, mostly to match audio and video. - The full system is a large loop that, for each line of text, generates an image and then a video from that image. The loop was the hardest part to build in this workflow, so it can process either a 20-second video or a 2-minute video with the same input. - There are multiple combinations of LLMs that try to understand the text in the best way to provide the best prompts for images and video. - The final video is assembled entirely within ComfyUI. - The music is generated based on the LLM output and matches the exact timing of the full animation. - Done! For reference, this workflow uses a lot of models and only works on an RTX 6000 Pro with plenty of RAM. My goal is not to replace humans, as I’ll try to explain later, this workflow is highly controlled and can be adapted or reworked at any point by real artists! My aim was to create a tool that can animate text in one go, allowing the AI some freedom while keeping a strict flow. I don’t know yet how I’ll share this workflow with people, I still need to polish it properly, but maybe through Patreon. Anyway, I hope you enjoy my research, and let’s always keep pushing further! :)

Lovis Odin

58,841 Aufrufe • vor 11 Monaten

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai

Martin Nebelong

48,280 Aufrufe • vor 2 Jahren

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,461 Aufrufe • vor 5 Monaten

No Three.js. No fake web-based depth-of-field or focal-length emulation. Customize in web, render in Blender. While everyone is vibe-coding apps for flat pattern generators, or at most Three.js-based 3D scenes, we’re already one step ahead. We built an app that lets you use a web UI to control an actual Blender 3D render. Eevee engine is used for streaming quick previews back into the app, while Cycles renders the final image for better material quality and lighting. So simple to use that you can even give it to your client. Of course, built with Toolcraft.

No Three.js. No fake web-based depth-of-field or focal-length emulation. Customize in web, render in Blender. While everyone is vibe-coding apps for flat pattern generators, or at most Three.js-based 3D scenes, we’re already one step ahead. We built an app that lets you use a web UI to control an actual Blender 3D render. Eevee engine is used for streaming quick previews back into the app, while Cycles renders the final image for better material quality and lighting. So simple to use that you can even give it to your client. Of course, built with Toolcraft.

Alex Barashkov

76,260 Aufrufe • vor 1 Monat

The battle of the Text/Image to 3D Model 👍- To make this fair, I tested the same image across all platforms and used the first generated result. No cherry picking allowed! I also tested what I think are the 4 top services to use right now. Let me know what you think is the best 3D mesh generation from these platforms however I think it's quite obvious that Tencent Hy 2.5 is currently the king 👑 It wins in overall detail and sharpness, accuracy in relation to the input image, as well as texture generation and projection. Tripo 2.5 comes in second and Rodin 3rd with Trellis in 4th place. However, Rodin has the best topology since it can generate a mesh in quads BUT I left all of them in triangles to keep it fair. Hi3DGen can't be counted as it can't even generate textures and it has no multi-image support. Meshy was another option but the results were not great. Is there any other AI 3D Gen services that you know of that you want me to test as well?

The battle of the Text/Image to 3D Model 👍- To make this fair, I tested the same image across all platforms and used the first generated result. No cherry picking allowed! I also tested what I think are the 4 top services to use right now. Let me know what you think is the best 3D mesh generation from these platforms however I think it's quite obvious that Tencent Hy 2.5 is currently the king 👑 It wins in overall detail and sharpness, accuracy in relation to the input image, as well as texture generation and projection. Tripo 2.5 comes in second and Rodin 3rd with Trellis in 4th place. However, Rodin has the best topology since it can generate a mesh in quads BUT I left all of them in triangles to keep it fair. Hi3DGen can't be counted as it can't even generate textures and it has no multi-image support. Meshy was another option but the results were not great. Is there any other AI 3D Gen services that you know of that you want me to test as well?

Travis Davids

61,232 Aufrufe • vor 1 Jahr

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

When I saw the mask "Tribes of the Calf" from Kanbas I knew I had to make it into reality. The jewelry and gold really made it stand out for me. Since Sam Spratt's The Masquerade was revealed, I have been spending time sculpting and dissecting the mask to recreate it in 3D as faithfully as possible. I delved into the creation of this mask for many reasons. I love a good challenge and this mask surely was one for me. Creating something in 3D from a 2D image is not easy, and especially when the source has generative nature, some stuff is hard to interpret, but I tried my best to make sure the visual integrity of the mask is as close to the original as possible. Splitting the whole mask into parts, filling the missing pieces so I can build the textures was quite a lot of work. I tried to present the mask in my own style with a slightly different colorway to adapt to the mask itself. Please enjoy this short animation, and turn on sound🔊 This piece is my statement that I am here to stay. That I have a voice that often feels being lost in the void. That I have been creating and posting digital art for over 20 years now and will continue until I'm gone. I have a story to tell and I want to be heard. The space we have here is small, and is shrinking day by day. It doesn't have to be like that. We need to support each other and push ourselves and people here, otherwise we are all doomed. As Kanbas has put in their observation of the mask: "Inspirational. Emotional. Natural." This is what our space can be, and this is me making a statement with this homage. I will share a 4k still below as well as a short video showing the 3D GLB interactive model together with a yt link to the 4k video since compression here is pretty bad.

shoneec

17,888 Aufrufe • vor 1 Jahr

1/ Wanted to see if you could actually get a usable 3D asset out of a flat 2D image without spending hours fixing the mesh. A flat 2D image turned it into a crisp, high-detail 3D model in about 5 minutes flat. Everything is handled entirely inside the browser using Hi3D so there’s zero setup. Here’s a quick look at the final asset and the exact workflow:

1/ Wanted to see if you could actually get a usable 3D asset out of a flat 2D image without spending hours fixing the mesh. A flat 2D image turned it into a crisp, high-detail 3D model in about 5 minutes flat. Everything is handled entirely inside the browser using Hi3D so there’s zero setup. Here’s a quick look at the final asset and the exact workflow:

Chubby♨️

24,114 Aufrufe • vor 17 Tagen

A soda-cans scroll animation using three.js with scroll animation. Completely built with Codex GPT 5.6 Sol Ultra in ~20mins. The textures are being generated by imagegen skill. Not polished version. This is crazy af Demo: Source:

A soda-cans scroll animation using three.js with scroll animation. Completely built with Codex GPT 5.6 Sol Ultra in ~20mins. The textures are being generated by imagegen skill. Not polished version. This is crazy af Demo: Source:

fatih kadir akın

12,933 Aufrufe • vor 1 Monat