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Nvidia recent revealed DLSS 5, a new AI graphics tech that uses generative systems to make video games look more photorealistic, but as a consequence seems to completely alter the artists' original vision. Here are our thoughts on the implications of this new technology:

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56,261 просмотров • 4 месяцев назад •via X (Twitter)

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Watch the announcement trailer for NVIDIA DLSS 5, featuring before-and-after comparisons utilizing the technology, which NVIDIA describes as "an AI-powered breakthrough in visual fidelity for games."
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Reporter: Some are concerned NVIDIA’s DLSS 5 will make games look worse or homogeneous. In our Q&A today, Jensen Huang responded: “They’re completely wrong… you can fine tune the generative AI to your artistic style… if you want cartoon, toon shader, made of glass… it’s up to you. It’s not post processing at the frame level. It’s generative control at the geometry level. This is very different than generative AI. It’s content control generative AI.”
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Reporter: Some are concerned NVIDIA’s DLSS 5 will make games look worse or homogeneous. In our Q&A today, Jensen Huang responded: “They’re completely wrong… you can fine tune the generative AI to your artistic style… if you want cartoon, toon shader, made of glass… it’s up to you. It’s not post processing at the frame level. It’s generative control at the geometry level. This is very different than generative AI. It’s content control generative AI.”

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Future of game graphics is INSANE Completely photorealistic video games are just a few years away with AI. We are not going to be able to tell if the gameplay is real or not.
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Will DLSS 5 ruin art direction in video-games? Jensen himself explained that DLSS 5 is a fusion of 3D controllable graphics with generative AI that is probabilistic. Yet at the same time, the developers will supposedly have full control of their game's unique aesthetic through controls for intensity, color grading and masking?
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Will DLSS 5 ruin art direction in video-games? Jensen himself explained that DLSS 5 is a fusion of 3D controllable graphics with generative AI that is probabilistic. Yet at the same time, the developers will supposedly have full control of their game's unique aesthetic through controls for intensity, color grading and masking?

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Systems like OpenAI's new Sora video model, just shows us that anyone can create a pretty video or a beautiful picture using nothing but a text prompt. But if we are to use the technology to create interesting art, thought-provoking cinema, and great games.. we need control of the output down to a granular level if that's what our project calls for. We need better tools and better interfaces to interact with the generative matter. Here's another example of what that could look like. Imagine this combined with a system like Sora. With complete temporal coherence and an ability to lock down the look of elements once you decide they look as they should. #ThePowerofDreams #Sora
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Jensen Huang says the gamers calling DLSS 5 'AI slop' got it backward — the artist still owns every frame. Lex asked Huang about the gamers calling DLSS 5 "AI slop." Huang didn't dodge. "I don't love AI slop myself," Huang says. "All of the AI generated content increasingly looks similar, and they're all beautiful." "I'm empathetic towards what they're thinking." "That's just not what DLSS 5 is trying to do." Then he named what DLSS 5 actually is: "DLSS 5 is 3D conditioned, 3D guided. It's ground truth structure data guided." "The artist determined the geometry. We are completely truthful to the geometry." "It's conditioned by the textures, the artistry of the artist." "Every single frame, it enhances but it doesn't change anything." AI slop generates without permission. DLSS 5 generates with the artist's blueprint. Same technology. Opposite intent. P.S. I made a playbook breaking down 100+ most powerful decision making mental models used by history's greatest thinkers. 5,000+ downloads. 113 five-star reviews. Grab a free copy here: If you're new here, follow GeniusThinking for content on the greatest minds in economics, psychology, and history. — Jensen Huang ( NVIDIA ), NVIDIA CEO, on Lex Fridman's ( Lex Fridman ) podcast
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Jensen Huang says the gamers calling DLSS 5 'AI slop' got it backward — the artist still owns every frame. Lex asked Huang about the gamers calling DLSS 5 "AI slop." Huang didn't dodge. "I don't love AI slop myself," Huang says. "All of the AI generated content increasingly looks similar, and they're all beautiful." "I'm empathetic towards what they're thinking." "That's just not what DLSS 5 is trying to do." Then he named what DLSS 5 actually is: "DLSS 5 is 3D conditioned, 3D guided. It's ground truth structure data guided." "The artist determined the geometry. We are completely truthful to the geometry." "It's conditioned by the textures, the artistry of the artist." "Every single frame, it enhances but it doesn't change anything." AI slop generates without permission. DLSS 5 generates with the artist's blueprint. Same technology. Opposite intent. P.S. I made a playbook breaking down 100+ most powerful decision making mental models used by history's greatest thinkers. 5,000+ downloads. 113 five-star reviews. Grab a free copy here: If you're new here, follow GeniusThinking for content on the greatest minds in economics, psychology, and history. — Jensen Huang ( NVIDIA ), NVIDIA CEO, on Lex Fridman's ( Lex Fridman ) podcast

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