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Remember when gaming was all about muscle memory and button feel? ๐Ÿ•น๏ธ Titan 2 Elite's physical QWERTY keyboard brings those classic sessions closer to the way you remember them. Enjoy a more immersive full-screen view and more precise control with real tactile feedback on every press.โŒจ๏ธ Keys you can...

24,534 views โ€ข 4 months ago โ€ขvia X (Twitter)

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Jean-Luc Godard explains why Alfred Hitchcock managed to successfully control the public more than Hitler or Napoleon: "Interviewer: [In 'Histoire(s) du cinรฉma'] You certainly concentrate more on specific film subjects in 3a, 3b, and 4a: neorealism, la nouvelle vague, and Hitchcock. Godard: I put in Hitchcock because during a certain epoch, for five years, in my opinion, he really was the master of the universe. More than Hitler, more than Napoleon. He had a control of the public that no one else had. Interviewer: What about Ronald Reagan? Didnโ€™t he have the same control? Godard: No, because Hitchcock was a poet. And Hitchcock was a poet on a universal level, not like Rilke. He was the only poet maudit to have a huge success. Rilke wasnโ€™t one, Rimbaud wasnโ€™t. He was a poet maudit for everyone; 'Notorious' (1946) wasnโ€™t like James Joyce. I remember Andrรฉ Bazin was very angry with us. And something which is very astonishing with Hitchcock is that you donโ€™t remember what the story of 'Notorious' (1946) is, or why Janet Leigh is going to the Bates Motel. You remember one pair of spectacles or a windmill โ€” thatโ€™s what millions and millions of people remember. If you remember 'Notorious', what do you remember? Wine bottles. You donโ€™t remember Ingrid Bergman. When you remember Griffith or Welles or Eisenstein or me, you donโ€™t remember ordinary objects. He is the only one." ('Trailer for Godardโ€™s Histoire(s) du cinรฉma', Jonathan Rosenbaum, 2025)

DepressedBergman

60,161 views โ€ข 6 months ago