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Steven Soderbergh said recently that his next film will feature a significant amount of AI. My initial, knee-jerk reaction is I hate this news. It feels beneath Soderbergh, a director I love. But…if anyone deserves the benefit of the doubt with AI, isn’t it at least Soderbergh?

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Cinema Tweets

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26,817 просмотров • 3 месяцев назад •via X (Twitter)

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Erin Brockovich won Julia Roberts her only Oscar & my god, she deserved it. Roberts is so commanding & so audacious in this film. I love Roberts & Steven Soderbergh - they’re an excellent duo. I wanted this type of Roberts in After the Hunt, but it wasn’t the same caliber work.
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Erin Brockovich won Julia Roberts her only Oscar & my god, she deserved it. Roberts is so commanding & so audacious in this film. I love Roberts & Steven Soderbergh - they’re an excellent duo. I wanted this type of Roberts in After the Hunt, but it wasn’t the same caliber work.

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Traffic is one of those films I recommend to anyone I know who has yet to give it a shot. Steven Soderbergh has never made a film better than this- including Ocean’s Eleven. It’s an engaging, visually stylish story that dives into the wide net cast by addiction. Strong recommend.
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Traffic is one of those films I recommend to anyone I know who has yet to give it a shot. Steven Soderbergh has never made a film better than this- including Ocean’s Eleven. It’s an engaging, visually stylish story that dives into the wide net cast by addiction. Strong recommend.

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Matt Damon is likely the best interview in Hollywood. His recent conversation with Amy Poehler is 100% worth listening to in full. Damon shares a lot of knowledge on his time shooting The Informant! & the direction Steven Soderbergh gave him. The entire interview taught me something. Also a reminder that The Informant! is a fantastically underrated film.
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Matt Damon is likely the best interview in Hollywood. His recent conversation with Amy Poehler is 100% worth listening to in full. Damon shares a lot of knowledge on his time shooting The Informant! & the direction Steven Soderbergh gave him. The entire interview taught me something. Also a reminder that The Informant! is a fantastically underrated film.

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90,184 просмотров • 7 дней назад

Gladiator was Ridley Scott’s best chance at an Oscar in 2001. He lost the award to Steven Soderbergh for Traffic, a decision I can’t necessarily argue with? Traffic is exceptional. But so is Gladiator. Crowe won Best Actor & this film won Best Picture. Ridley just came up short.
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Gladiator was Ridley Scott’s best chance at an Oscar in 2001. He lost the award to Steven Soderbergh for Traffic, a decision I can’t necessarily argue with? Traffic is exceptional. But so is Gladiator. Crowe won Best Actor & this film won Best Picture. Ridley just came up short.

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23,812 просмотров • 1 месяц назад

This is my favorite sequence from the entire Ocean’s trilogy. Ocean’s 11 is a film that’s aged exceptionally well, in part because of its distinct style. But this sequence is vintage Soderbergh & the perfect opportunity for Elliott Gould- a living legend- to chew up scenery.
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This is my favorite sequence from the entire Ocean’s trilogy. Ocean’s 11 is a film that’s aged exceptionally well, in part because of its distinct style. But this sequence is vintage Soderbergh & the perfect opportunity for Elliott Gould- a living legend- to chew up scenery.

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Steven Soderbergh on the movies that influenced him in his childhood: "Interviewer: What are your origins and what was your childhood like? Soderbergh: My family moved around a lot. I was born in Atlanta, Georgia, on January 14, 1963 and after living in a number of different places we finally settled down in Louisiana when I was thirteen years old. My father was an education professor and he would change jobs whenever he was offered a better position elsewhere. He would let me see any films I wanted. As a result, when I was ten or eleven, I discovered films like 'Five Easy Pieces' (1970), 'The Conversation' (1974), 'Scarecrow' (1973) that had a tremendous impact on me. When I was thirteen, my father was teaching at Louisiana State University in Baton Rouge and there was an animation course taught by film students to adolescents. Knowing that I was interested in cinema, my father signed me up for the course; but it soon became too draining because animation is laborious work. So I got a camera and started shooting live action and I discovered that this was an ideal form of expression for me, through words and images. I could use all the equipment from the course and needed only to provide the film stock, and I ended up making a number of shorts." (Steven Soderbergh, Michel Ciment and Hubert Niogret, 1989) Clip from: Five Easy Pieces (1970) Director: Bob Rafelson
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Steven Soderbergh on the movies that influenced him in his childhood: "Interviewer: What are your origins and what was your childhood like? Soderbergh: My family moved around a lot. I was born in Atlanta, Georgia, on January 14, 1963 and after living in a number of different places we finally settled down in Louisiana when I was thirteen years old. My father was an education professor and he would change jobs whenever he was offered a better position elsewhere. He would let me see any films I wanted. As a result, when I was ten or eleven, I discovered films like 'Five Easy Pieces' (1970), 'The Conversation' (1974), 'Scarecrow' (1973) that had a tremendous impact on me. When I was thirteen, my father was teaching at Louisiana State University in Baton Rouge and there was an animation course taught by film students to adolescents. Knowing that I was interested in cinema, my father signed me up for the course; but it soon became too draining because animation is laborious work. So I got a camera and started shooting live action and I discovered that this was an ideal form of expression for me, through words and images. I could use all the equipment from the course and needed only to provide the film stock, and I ended up making a number of shorts." (Steven Soderbergh, Michel Ciment and Hubert Niogret, 1989) Clip from: Five Easy Pieces (1970) Director: Bob Rafelson

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#WATCH | Delhi: #IndiaAImpactSummit2026 | CEO of OpenAI, Sam Altman says, "It is amazing to be here, obviously the work happening in India and the adoption of AI is leading the world, and I can't wait to see what goes next. This will be one of the biggest markets for AI in the world, and I think India will have a huge amount of influence... It (AI) will definitely impact the job market, but we always find new things to do, and I have no doubt we will find lots of better ones this time."
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#WATCH | Delhi: #IndiaAImpactSummit2026 | CEO of OpenAI, Sam Altman says, "It is amazing to be here, obviously the work happening in India and the adoption of AI is leading the world, and I can't wait to see what goes next. This will be one of the biggest markets for AI in the world, and I think India will have a huge amount of influence... It (AI) will definitely impact the job market, but we always find new things to do, and I have no doubt we will find lots of better ones this time."

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Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”
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Can we call this AI directing? 😂 Seedance 2.0 with the Omni Reference feature honestly feels like a total game changer. Summer Trip is one of my film which I made used Omni Reference, not only start frame anymore and for the first time, it genuinely feels like I’m directing the AI instead of just prompting it. The reasoning in Seedance 2.0 is seriously impressive. It understands intent in a way that feels collaborative. Of course, in production it still needs proper touch-ups in post, grading, timing, polishing details, but the foundation it gives is strong. Like it or not, we’re already here. And to be honest, my workflow has to evolve too. I can’t approach this the same way I did before. It’s less about generating random shots and more about guiding, refining, and thinking like a director from the start. Personally, I see this as a shift, not replacing filmmaking, but reshaping the role of the filmmaker. Now the question isn’t “Can AI make it?” but “How well can you direct it?”

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The tide has turned. In the last week, this is what Sandra Bullock, Reese Witherspoon, Steven Soderbergh, and Christopher Nolan said about AI: "It’s here. We have to observe it. We have to understand it. We have to lean into it. We have to use it in a really constructive and creative way, make it our friend rather than — I mean, we have to be incredibly cautious and aware of it because there are people who will use it for evil and not good. But I do feel that there’s a place for it… it’s here. We have to just be friends in some dark way." - Sandra bullock “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?” - Reese Witherspoon “Five years from now, we all may be going, ‘That was a fun phase.’ We may end up not using it as much as we thought we were going to. There are some people that I have absolute love and respect for that refuse to engage with it. That’s their privilege. But I’m not built that way. You show me a new tool. I want to get my hands on it and see what’s going on.” - Steven Soderbergh “I think any tool, whether AI generated, whether it's computer based, or whatever, it's all another tool for filmmakers to create with. And so as long as we have faith in our in our human beings, creating these tools now, I think the medium of film will continue to develop in exciting ways.” - Christopher Nolan

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Doubt Roger Boyes will ever remove the stink of his "I hate to say it" turd. But at least he made a meme for people to reply to such shit takes.
1:20

Doubt Roger Boyes will ever remove the stink of his "I hate to say it" turd. But at least he made a meme for people to reply to such shit takes.

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Steven Soderbergh on why "Erin Brockovich" (2000) is more of a Julia Roberts' movie than his: "'Erin Brockovich' (2000) is a Julia Roberts movie. That's how I describe it to people. I just thought she's going to be great in this part. There aren't many roles like this around [for an actress], and she's the perfect person for it. It was as smooth and as pleasant an experience as I've had with any actor, and she's in every scene of the film. She was a dream. I think she's at the absolute peak of her talent, and I think she's in a good place personally —all of that seemed to contribute to her being ready.' (Steven Soderbergh's interview with Scott and Barbara Siegel, 2000) P.S: On this day, 26 years ago, "Erin Brockovich" (2000) premiered in Los Angeles, USA.
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DepressedBergman

107,524 просмотров • 4 месяцев назад

Sam Altman said it straight in a CNBC interview: the companies adopting AI the most are hiring the most, and the ones doing layoffs are the ones adopting AI the least. This completely flips the narrative that AI is killing jobs. At the end of the day, AI is a productivity tool. Yes, some jobs will become redundant and obsolete, that is how it is for every technological revolution. But those who adopt quickly will have a higher chance of making it.
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Sam Altman said it straight in a CNBC interview: the companies adopting AI the most are hiring the most, and the ones doing layoffs are the ones adopting AI the least. This completely flips the narrative that AI is killing jobs. At the end of the day, AI is a productivity tool. Yes, some jobs will become redundant and obsolete, that is how it is for every technological revolution. But those who adopt quickly will have a higher chance of making it.

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Matt Damon reveals Christopher Nolan made The Odyssey because he knows he will eventually be forced to make smaller movies Interviewer: "How do we get artists, how do we get the gatekeepers to take more risks like this?" Matt: "It’s very hard. What’s hard about it is that it is spectacularly difficult to attain some measure of success in the movie business. And so once you have it, the impulse is to protect your beachhead" "I remember having this conversation with Steven Soderbergh 25 years ago about protecting your beachhead, and you need to actively choose not to do that and take some ambitious swing in some other way" "Because the moment you do that, you can feel it. The audience can feel it" "I had the conversation with Chris when he called me about the film. It was such an ambitious idea, and he said, ‘Steven and David’ - he was talking about Soderbergh and Fincher - ‘are always saying, Hey, go do a small one’" "He goes, ‘But I know at some point I’m only going to be able to do small ones. So while I can do the big ones, let’s go for it. Let’s do it. We can do it’" "That spirit was really the one we took into making it. It really was an ambitious undertaking, and Chris really leaned right into it"

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195,886 просмотров • 2 дней назад

This thread reminded me of Thiel's take on biology and the excuses of biologists for why we aren't solving hard problems (I have a biology background and work as a scientist and still agree with him). My take is that AI won't solve biology, but it will help us understand it at a deeper level. Saying that it is impossible is a lazy take. Saying that AI will solve all problems is a lazy take too. There is an in-between where AI will support and help scientists move things forward. I am really tired of the excuses of the gatekeeper boomer scientists and the hype of the AI bros.
1:42

This thread reminded me of Thiel's take on biology and the excuses of biologists for why we aren't solving hard problems (I have a biology background and work as a scientist and still agree with him). My take is that AI won't solve biology, but it will help us understand it at a deeper level. Saying that it is impossible is a lazy take. Saying that AI will solve all problems is a lazy take too. There is an in-between where AI will support and help scientists move things forward. I am really tired of the excuses of the gatekeeper boomer scientists and the hype of the AI bros.

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Thousands of "Star Wars" fans have signed a petition urging Disney to reconsider greenlighting "The Hunt for Ben Solo." The now shelved film, developed by Adam Driver and director Steven Soderbergh, would have explored what happened to Ben Solo after "The Rise of Skywalker." Should Disney give it another look? Read or sign the petition here: The Hunt For Ben Solo Star Wars Holocron #StarWars #AdamDriver #TheHuntForBenSolo #Disney

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