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🟢Substance Painter Tip: The Passthrough blend mode in combination with the Smudge tool lets you adjust generated/filter results in a non-destructive way. E.g.: The Blur filter operates in 2D space, which can cause visible seams at the UV island borders. A fix for that is to add Paint above...

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Keeki | 3D Artist

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28,838 Aufrufe • vor 1 Monat •via X (Twitter)

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🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!
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🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

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you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.
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you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.

Pilgrim

205,887 Aufrufe • vor 2 Jahren

Blend Space Assets in Unreal Engine actually have an Analysis mode that will look at the foot placement to calculate how fast a character was moving and put the animation in the correct position on the blend space. Way better results than just "eye balling it". #UETips
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Blend Space Assets in Unreal Engine actually have an Analysis mode that will look at the foot placement to calculate how fast a character was moving and put the animation in the correct position on the blend space. Way better results than just "eye balling it". #UETips

Chris Murphy

18,215 Aufrufe • vor 2 Jahren

Did you know that the Clone Tool in Substance Painter makes it simple to fix seams? This is how 👇 ‼️ Press V and area to set the source area to use Clone.
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Did you know that the Clone Tool in Substance Painter makes it simple to fix seams? This is how 👇 ‼️ Press V and area to set the source area to use Clone.

Michal Kalisz

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CSS Trick 🫠 You can create gooey effects with filter using CSS or SVG if you want color 🎨 .blobs { filter: blur(20px) contrast(30); } .blobs { filter: url(#​goo); } The trick is to blur the thing, then cut the blur off with contrast. You can make some cool effects with it ✨ The CSS approach is basic and limits you to black and white. You need to blur the subject and then use contrast to lessen the blur. .blobs { filter: blur(20px) contrast(30); } The SVG approach gives you a lot more freedom. That looks like a lot 😬 What the filter does is take some source and pipe it through different effects. At a high level, you're doing this: 1. Blur the subject with standard deviation "stdDeviation" 2. Mess with the alpha channel values inside feColorMatrix to get the contrast 3. Composite the effects Good thing with SVG filters is you can rinse and repeat and use them on other things 🤙 Have a play with the demo and check out the DevTools where you can see the effects of using different values CodePen.IO link below! 👇
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CSS Trick 🫠 You can create gooey effects with filter using CSS or SVG if you want color 🎨 .blobs { filter: blur(20px) contrast(30); } .blobs { filter: url(#​goo); } The trick is to blur the thing, then cut the blur off with contrast. You can make some cool effects with it ✨ The CSS approach is basic and limits you to black and white. You need to blur the subject and then use contrast to lessen the blur. .blobs { filter: blur(20px) contrast(30); } The SVG approach gives you a lot more freedom. That looks like a lot 😬 What the filter does is take some source and pipe it through different effects. At a high level, you're doing this: 1. Blur the subject with standard deviation "stdDeviation" 2. Mess with the alpha channel values inside feColorMatrix to get the contrast 3. Composite the effects Good thing with SVG filters is you can rinse and repeat and use them on other things 🤙 Have a play with the demo and check out the DevTools where you can see the effects of using different values CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

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I just got the "Window Magnetism" feature that is rolling out as part of Horizon OS 2.1! In both Passthrough and VR, windows will automatically Anchor to flat surfaces, and can be easily detached. It also (thankfully) doesn't require a Space Setup scan to work in Passthrough.
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I just got the "Window Magnetism" feature that is rolling out as part of Horizon OS 2.1! In both Passthrough and VR, windows will automatically Anchor to flat surfaces, and can be easily detached. It also (thankfully) doesn't require a Space Setup scan to work in Passthrough.

Luna

27,061 Aufrufe • vor 5 Monaten

The way Dynamic Island works is unusual yet satisfying at the same time. The combination of bouncy animations, blur effects, and the flow of every icon involved in the experience is just awesome to me.
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The way Dynamic Island works is unusual yet satisfying at the same time. The combination of bouncy animations, blur effects, and the flow of every icon involved in the experience is just awesome to me.

Alvin

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Here's a tip for the new Vertical Streamers! You can source clone your game play and use a composite blur filter to make your backdrop aesthetically pleasing!
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Here's a tip for the new Vertical Streamers! You can source clone your game play and use a composite blur filter to make your backdrop aesthetically pleasing!

Miss Dusk ✧ Cosmic Enchantress 🌙

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Testing worst case for mesh blend in Wicked Engine, FPS weapon occluding the blend edges. It has the potential to become the next screen space effect that you can hate:
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Testing worst case for mesh blend in Wicked Engine, FPS weapon occluding the blend edges. It has the potential to become the next screen space effect that you can hate:

János Turánszki

23,734 Aufrufe • vor 11 Monaten

Here a trick for eye shadows: Add an edge where the eye shadow should start and separate that part in the UVs. That results in a nice, sharp shadow, that you can easily adjust with a shapekey! Usually that area is pretty awkward to paint, so this method works great! Here🔽
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Here a trick for eye shadows: Add an edge where the eye shadow should start and separate that part in the UVs. That results in a nice, sharp shadow, that you can easily adjust with a shapekey! Usually that area is pretty awkward to paint, so this method works great! Here🔽

Keeki | 3D Artist

69,806 Aufrufe • vor 3 Monaten

CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #​fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.​style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #​fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇
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CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #​fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.​style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #​fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

1,180,253 Aufrufe • vor 2 Jahren

I am releasing "LetMeSee" (LMS), a tool that lets you see your content in VR, with the Unity Editor in Edit Mode. The Scene tab is used as the camera viewpoint. You can use this to fly through avatars and worlds. It's free (MIT License). Documentation:
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I am releasing "LetMeSee" (LMS), a tool that lets you see your content in VR, with the Unity Editor in Edit Mode. The Scene tab is used as the camera viewpoint. You can use this to fly through avatars and worlds. It's free (MIT License). Documentation:

Haï~

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Is there a scientific explanation for this? There’s another video where it goes all the way up and blend in with the rest of the grass. You will not be able to tell which one is it.
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Is there a scientific explanation for this? There’s another video where it goes all the way up and blend in with the rest of the grass. You will not be able to tell which one is it.

Mbali Mashinini

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The Projects listing of TuxCreativeHouse website allows you to navigate through our work in 3 distinct ways: - The list mode for people in a hurry. - The editorial mode for those who like to read. - And the grid mode for people looking for inspiration. →
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The Projects listing of TuxCreativeHouse website allows you to navigate through our work in 3 distinct ways: - The list mode for people in a hurry. - The editorial mode for those who like to read. - And the grid mode for people looking for inspiration. →

Louis Paquet

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At first I found it quite odd that Capcom has added only two difficulty modes in Pragmata; Casual and Standard. The absence of a Hard difficulty mode threw me off a bit, but watching Philip play this game made me realize why Capcom decided to add the easy mode to it. Before entering this section here, you literally get the Decoy Generator which shows you that it will attract a group of enemies This section is intentionally designed for enemies to get in your way so you can use that Decoy Generator and hack the wall I guess Capcom should've thrown more yellow paint at that decoy gun and have Diana constantly suggest using it during this section
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At first I found it quite odd that Capcom has added only two difficulty modes in Pragmata; Casual and Standard. The absence of a Hard difficulty mode threw me off a bit, but watching Philip play this game made me realize why Capcom decided to add the easy mode to it. Before entering this section here, you literally get the Decoy Generator which shows you that it will attract a group of enemies This section is intentionally designed for enemies to get in your way so you can use that Decoy Generator and hack the wall I guess Capcom should've thrown more yellow paint at that decoy gun and have Diana constantly suggest using it during this section

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TPUs incoming 🔥 Stitch is now using Gemini 2.5 Pro Experimental Mode by default . Users have preferred the results of experimental mode 3x versus standard mode. Everything is now generated with Gemini 2.5 Pro, making the output more creative and—most importantly—much easier to edit ✨. This mode hasn't gained the ability to export to Figma, nor theming yet. That's still available in standard mode for now if you need it! Enjoy the new power and let us know what you think! 🚀 [Attached video is sped up. Experimental mode generations are very thorough - taking ~50s]
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TPUs incoming 🔥 Stitch is now using Gemini 2.5 Pro Experimental Mode by default . Users have preferred the results of experimental mode 3x versus standard mode. Everything is now generated with Gemini 2.5 Pro, making the output more creative and—most importantly—much easier to edit ✨. This mode hasn't gained the ability to export to Figma, nor theming yet. That's still available in standard mode for now if you need it! Enjoy the new power and let us know what you think! 🚀 [Attached video is sped up. Experimental mode generations are very thorough - taking ~50s]

Stitch by Google

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If you're wondering how to use windowed mode in FM26, watch this video. Whilst you can no longer manually scale the window to your liking, you can change the resolution of the window to adjust its size instead. As long as the resolution you select is lower than the base resolution of your monitor, the game will appear in a window. It works the same way on both Mac and PC. If someone could let Reddit know how this works that would be great...
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If you're wondering how to use windowed mode in FM26, watch this video. Whilst you can no longer manually scale the window to your liking, you can change the resolution of the window to adjust its size instead. As long as the resolution you select is lower than the base resolution of your monitor, the game will appear in a window. It works the same way on both Mac and PC. If someone could let Reddit know how this works that would be great...

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Here's a quick tip for drawing caves in Dungeon Scrawl: Click "Rough-&gt;On" in the bottom left to turn on rough mode for any drawing tool. Here I'm using the rect and path tool, but it works for regular polygon, polygon, wall, and even the select tool!
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Here's a quick tip for drawing caves in Dungeon Scrawl: Click "Rough-&gt;On" in the bottom left to turn on rough mode for any drawing tool. Here I'm using the rect and path tool, but it works for regular polygon, polygon, wall, and even the select tool!

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