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🟢Substance Painter Tip: The Passthrough blend mode in combination with the Smudge tool lets you adjust generated/filter results in a non-destructive way. E.g.: The Blur filter operates in 2D space, which can cause visible seams at the UV island borders. A fix for that is to add Paint above... show more

Keeki | 3D Artist

5,695 subscribers

29,483 görüntüleme • 3 ay önce •via X (Twitter)

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SirB3ar profil fotoğrafı

SirB3ar3 ay önce

recommend you use this one dont break the uv and use 3d space not the uv for reference

Keeki | 3D Artist profil fotoğrafı

Keeki | 3D Artist3 ay önce

Oh yea this one is cool, thank you!

BlueSnapdragons🔨🤖 profil fotoğrafı

BlueSnapdragons🔨🤖3 ay önce

That’s genius…

Laru🌱 profil fotoğrafı

Laru🌱3 ay önce

thank you so much

Licht profil fotoğrafı

Licht3 ay önce

I love it! I'm really interested—where or how can I learn to texture like that using Substance Painter?

Keeki | 3D Artist profil fotoğrafı

Keeki | 3D Artist3 ay önce

Thanks! I think the best way is just to start, and then improve on what you dont like

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🟢Substance Painter Tip: Often, instead of using the symmetry mode, you can use the Mirror filter. It's less buggy and very helpful when you accidentally forget to enable the symmetry mode. It also allows you to mirror other filters, patterns, etc.! Note that it mirrors in UV space, not in geometry space. So there are cases where you cannot use it. You might want to keep that in mind when working on the UVs.

🟢Substance Painter Tip: Often, instead of using the symmetry mode, you can use the Mirror filter. It's less buggy and very helpful when you accidentally forget to enable the symmetry mode. It also allows you to mirror other filters, patterns, etc.! Note that it mirrors in UV space, not in geometry space. So there are cases where you cannot use it. You might want to keep that in mind when working on the UVs.

Keeki | 3D Artist

14,269 görüntüleme • 26 gün önce

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

🟢Substance Painter Tip With "Anchor Points" you can link layers together (e.g. use one layer as a mask for another), which makes workflows much faster. Example: You have a shadow layer and want to add an outline around it. Instead of repainting the outline every time you change the shadows, use an Anchor Point: 1. Add an Anchor Point to the shadow layer 2. Add a Fill Filter for the shadow outline layer 3. For the Fill grayscale, select the Anchor Point 4. Add a "Mask Outline" filter 5. If you paint new shadows now, the outline will adjust automatically!

Keeki | 3D Artist

38,950 görüntüleme • 4 ay önce

you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.

you can easily paint in sculpted folds in Substance painter by using the following setup: (the Sculpted Folds folder) New layer with just height info. Paint effect in the black mask to paint where you want the folds. Blur Directions to create the falloff. Blur to soften it all.

Pilgrim

206,089 görüntüleme • 2 yıl önce

Blend Space Assets in Unreal Engine actually have an Analysis mode that will look at the foot placement to calculate how fast a character was moving and put the animation in the correct position on the blend space. Way better results than just "eye balling it". #UETips

Blend Space Assets in Unreal Engine actually have an Analysis mode that will look at the foot placement to calculate how fast a character was moving and put the animation in the correct position on the blend space. Way better results than just "eye balling it". #UETips

Chris Murphy

18,235 görüntüleme • 2 yıl önce

Did you know that the Clone Tool in Substance Painter makes it simple to fix seams? This is how 👇 ‼️ Press V and area to set the source area to use Clone.

Did you know that the Clone Tool in Substance Painter makes it simple to fix seams? This is how 👇 ‼️ Press V and area to set the source area to use Clone.

Michal Kalisz

55,877 görüntüleme • 2 yıl önce

CSS Trick 🫠 You can create gooey effects with filter using CSS or SVG if you want color 🎨 .blobs { filter: blur(20px) contrast(30); } .blobs { filter: url(#goo); } The trick is to blur the thing, then cut the blur off with contrast. You can make some cool effects with it ✨ The CSS approach is basic and limits you to black and white. You need to blur the subject and then use contrast to lessen the blur. .blobs { filter: blur(20px) contrast(30); } The SVG approach gives you a lot more freedom. That looks like a lot 😬 What the filter does is take some source and pipe it through different effects. At a high level, you're doing this: 1. Blur the subject with standard deviation "stdDeviation" 2. Mess with the alpha channel values inside feColorMatrix to get the contrast 3. Composite the effects Good thing with SVG filters is you can rinse and repeat and use them on other things 🤙 Have a play with the demo and check out the DevTools where you can see the effects of using different values CodePen.IO link below! 👇

CSS Trick 🫠 You can create gooey effects with filter using CSS or SVG if you want color 🎨 .blobs { filter: blur(20px) contrast(30); } .blobs { filter: url(#goo); } The trick is to blur the thing, then cut the blur off with contrast. You can make some cool effects with it ✨ The CSS approach is basic and limits you to black and white. You need to blur the subject and then use contrast to lessen the blur. .blobs { filter: blur(20px) contrast(30); } The SVG approach gives you a lot more freedom. That looks like a lot 😬 What the filter does is take some source and pipe it through different effects. At a high level, you're doing this: 1. Blur the subject with standard deviation "stdDeviation" 2. Mess with the alpha channel values inside feColorMatrix to get the contrast 3. Composite the effects Good thing with SVG filters is you can rinse and repeat and use them on other things 🤙 Have a play with the demo and check out the DevTools where you can see the effects of using different values CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

190,822 görüntüleme • 2 yıl önce

I just got the "Window Magnetism" feature that is rolling out as part of Horizon OS 2.1! In both Passthrough and VR, windows will automatically Anchor to flat surfaces, and can be easily detached. It also (thankfully) doesn't require a Space Setup scan to work in Passthrough.

I just got the "Window Magnetism" feature that is rolling out as part of Horizon OS 2.1! In both Passthrough and VR, windows will automatically Anchor to flat surfaces, and can be easily detached. It also (thankfully) doesn't require a Space Setup scan to work in Passthrough.

Luna

27,061 görüntüleme • 6 ay önce

The way Dynamic Island works is unusual yet satisfying at the same time. The combination of bouncy animations, blur effects, and the flow of every icon involved in the experience is just awesome to me.

The way Dynamic Island works is unusual yet satisfying at the same time. The combination of bouncy animations, blur effects, and the flow of every icon involved in the experience is just awesome to me.

Alvin

14,759 görüntüleme • 3 yıl önce

Here's a tip for the new Vertical Streamers! You can source clone your game play and use a composite blur filter to make your backdrop aesthetically pleasing!

Here's a tip for the new Vertical Streamers! You can source clone your game play and use a composite blur filter to make your backdrop aesthetically pleasing!

Miss Dusk ✧🌙 ➔ Twitch Con

68,386 görüntüleme • 3 ay önce

Here a trick for eye shadows: Add an edge where the eye shadow should start and separate that part in the UVs. That results in a nice, sharp shadow, that you can easily adjust with a shapekey! Usually that area is pretty awkward to paint, so this method works great! Here🔽

Here a trick for eye shadows: Add an edge where the eye shadow should start and separate that part in the UVs. That results in a nice, sharp shadow, that you can easily adjust with a shapekey! Usually that area is pretty awkward to paint, so this method works great! Here🔽

Keeki | 3D Artist

70,610 görüntüleme • 4 ay önce

$CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇$

CSS Tip! 🤙 You can use mask-composite and some JavaScript to create this pointer proximity following glow border ✨ .glow { mask-composite: intersect; mask-clip: padding-box, border-box; mask: linear-gradient(#0000, #0000), conic-gradient(#0000 0deg, #fff, #0000 45deg); } The trick is to mask a background-image with a combination of mask layers. mask-composite: intersect; means the mask used will be the intersection of the layers 🔥 use source-in, xor; in browsers that don't support intersect; In this demo, you can use pseudoelements and rely on scoped custom properties to do a lot of the heavy lifting for you 🙌 Once you've masked the background, you need to update the starting angle of the conic-gradient on pointermove 👆 You can work that out by getting the center point of each card and then calculating the angle between that and the pointer with Math.atan2 🤓 let ANGLE = Math.atan2( event?.y - CARD_CENTER[1], event?.x - CARD_CENTER[0] ) * 180 / Math.PI ANGLE = ANGLE < 0 ? ANGLE + 360 : ANGLE; CARD.style.setProperty('--start', ANGLE + 90) You plug that into your conic-gradient mask as a custom property accounting for --spread ⚡️ conic-gradient(from calc((var(--angle) - (var(--spread) * 0.5)) * 1deg), #000 0deg, #fff, #0000 calc(var(--spread) * 1deg)); To get the blur, you apply a blur to the glow container on each card 🤙 .glows { filter: blur(calc(var(--blur) * 1px); } That's it! Layers of masks that are clipped and composited before being blurred 😎 The added trick is to fade each one in when the pointer is in the defined proximity of the card. For example, don't show unless within 100px of a card. You can see that in the video. Check out the JavaScript code for that 🫶 Couldn't resist making this one 😁 CodePen.IO link below! 👇

jhey ʕ•ᴥ•ʔ

1,180,709 görüntüleme • 2 yıl önce

Mario Kart World is definitely 60fps in handheld mode. I think it looks like a high frame rate because the consistent blur between the two frames makes the motion look smoother. This was filmed in 120fps. You can see the blur in the cracks on the road.

Mario Kart World is definitely 60fps in handheld mode. I think it looks like a high frame rate because the consistent blur between the two frames makes the motion look smoother. This was filmed in 120fps. You can see the blur in the cracks on the road.

Bob Wulff

1,000,606 görüntüleme • 1 yıl önce

Is there a scientific explanation for this? There’s another video where it goes all the way up and blend in with the rest of the grass. You will not be able to tell which one is it.

Is there a scientific explanation for this? There’s another video where it goes all the way up and blend in with the rest of the grass. You will not be able to tell which one is it.

Mbali Mashinini

68,560 görüntüleme • 1 ay önce

I am releasing "LetMeSee" (LMS), a tool that lets you see your content in VR, with the Unity Editor in Edit Mode. The Scene tab is used as the camera viewpoint. You can use this to fly through avatars and worlds. It's free (MIT License). Documentation:

I am releasing "LetMeSee" (LMS), a tool that lets you see your content in VR, with the Unity Editor in Edit Mode. The Scene tab is used as the camera viewpoint. You can use this to fly through avatars and worlds. It's free (MIT License). Documentation:

Haï~

139,668 görüntüleme • 2 yıl önce

The Projects listing of TuxCreativeHouse website allows you to navigate through our work in 3 distinct ways: - The list mode for people in a hurry. - The editorial mode for those who like to read. - And the grid mode for people looking for inspiration. →

The Projects listing of TuxCreativeHouse website allows you to navigate through our work in 3 distinct ways: - The list mode for people in a hurry. - The editorial mode for those who like to read. - And the grid mode for people looking for inspiration. →

Louis Paquet

12,360 görüntüleme • 3 yıl önce

At first I found it quite odd that Capcom has added only two difficulty modes in Pragmata; Casual and Standard. The absence of a Hard difficulty mode threw me off a bit, but watching Philip play this game made me realize why Capcom decided to add the easy mode to it. Before entering this section here, you literally get the Decoy Generator which shows you that it will attract a group of enemies This section is intentionally designed for enemies to get in your way so you can use that Decoy Generator and hack the wall I guess Capcom should've thrown more yellow paint at that decoy gun and have Diana constantly suggest using it during this section

At first I found it quite odd that Capcom has added only two difficulty modes in Pragmata; Casual and Standard. The absence of a Hard difficulty mode threw me off a bit, but watching Philip play this game made me realize why Capcom decided to add the easy mode to it. Before entering this section here, you literally get the Decoy Generator which shows you that it will attract a group of enemies This section is intentionally designed for enemies to get in your way so you can use that Decoy Generator and hack the wall I guess Capcom should've thrown more yellow paint at that decoy gun and have Diana constantly suggest using it during this section

NikTek

1,450,825 görüntüleme • 5 ay önce

TPUs incoming 🔥 Stitch is now using Gemini 2.5 Pro Experimental Mode by default . Users have preferred the results of experimental mode 3x versus standard mode. Everything is now generated with Gemini 2.5 Pro, making the output more creative and—most importantly—much easier to edit ✨. This mode hasn't gained the ability to export to Figma, nor theming yet. That's still available in standard mode for now if you need it! Enjoy the new power and let us know what you think! 🚀 [Attached video is sped up. Experimental mode generations are very thorough - taking ~50s]

TPUs incoming 🔥 Stitch is now using Gemini 2.5 Pro Experimental Mode by default . Users have preferred the results of experimental mode 3x versus standard mode. Everything is now generated with Gemini 2.5 Pro, making the output more creative and—most importantly—much easier to edit ✨. This mode hasn't gained the ability to export to Figma, nor theming yet. That's still available in standard mode for now if you need it! Enjoy the new power and let us know what you think! 🚀 [Attached video is sped up. Experimental mode generations are very thorough - taking ~50s]

Stitch by Google

46,901 görüntüleme • 1 yıl önce

Here's a quick tip for drawing caves in Dungeon Scrawl: Click "Rough->On" in the bottom left to turn on rough mode for any drawing tool. Here I'm using the rect and path tool, but it works for regular polygon, polygon, wall, and even the select tool!

Here's a quick tip for drawing caves in Dungeon Scrawl: Click "Rough->On" in the bottom left to turn on rough mode for any drawing tool. Here I'm using the rect and path tool, but it works for regular polygon, polygon, wall, and even the select tool!

Keir

43,884 görüntüleme • 3 yıl önce