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Systems like OpenAI's new Sora video model, just shows us that anyone can create a pretty video or a beautiful picture using nothing but a text prompt. But if we are to use the technology to create interesting art, thought-provoking cinema, and great games.. we need control of the...

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Martin Nebelong

33,734 subscribers

52,888 次观看 • 2 年前 •via X (Twitter)

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10 条评论

Tieguaili 3D | Commissions Open | 3D Artist 的头像
Tieguaili 3D | Commissions Open | 3D Artist2 年前

no, they just prove that people can find new ways to avoid learning how to actually do shit themselves, when you prompt the model you're asking it to make you something, you don't make shit yourself, that's why none of these promptjockeys are artists

Martin Nebelong 的头像
Martin Nebelong2 年前

You have a very narrow definition of what's art and what isn't. Did you build your phone from scratch? No? What about your shoes.. Did you make those? You're lazy if you didn't! Do you use the gradient tool in photoshop? Color correction? Lazy. I agree that if you write a single text prompt, get a picture and call it your artwork, that's stretching it a bit.. But anything that involves time and effort like any other medium? Why is that lazy?

O C E A N 的头像
O C E A N2 年前

Ya when I’m working on video and graphics I want the specifics of my work to be shape shifting into new faces with new features everytime I click. This is gonna rock

Martin Nebelong 的头像
Martin Nebelong2 年前

Haha.. it's just a matter of time before the temporal consistency is improved I'm sure. The point of my post is more about the underlying level of control a workflow like this offers. The AI layer will eventually be like a renderer that stays consistent as you work on or move around in the scene.

๏ώℓąţя๏ɲ 的头像
๏ώℓąţя๏ɲ2 年前

I'm hoping we can use AI models like we currently use shaders. Swapping training data sets, prompt and algorithms on a seed geometry/material level. With 3d positional data not image recognition. Making that temporal coherence simpler maybe.

Martin Nebelong 的头像
Martin Nebelong2 年前

Yeah I imagine something like that 😊

Andy ⤴️ 的头像
Andy ⤴️2 年前

Literally crafting narratives from the imagination of machines.. What an incredible time to be alive.

MΞntis 🇦🇺 的头像
MΞntis 🇦🇺2 年前

It’s much more than just a pretty face…

Iamfarzad🌎 的头像
Iamfarzad🌎2 年前

The novelty will wear off pretty quickly once out and Sora is a tool, not an artist. It can’t understand or create meaning from prompts. Art is more than visuals, it’s emotion and expression. Art takes passion and dedication, not just pixels. So I agree, granular control is 🔑

Ben Pielstick 的头像
Ben Pielstick2 年前

Canvas editors have been great for creating precise static images. I’m curious what that will look like for video. I think it will need some kind of timeline and motion inpainting and maybe a camera controller.

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For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai
0:32

For generative AI to become an interesting art tool, we need much more control over the output. The slot-machine-like nature of pure text-to-image leaves too much to chance. Using the "Real-time Latent Consistency Model" that I'm using in the example here, is the first time I truly got a glimpse of a future where we'll be able to use our artistic skills and sensibility, to get control over AI image gen. Systems like these will never be able to match the quality or originality of a skilled artist, it won't surprise us in the same way an artist can. Things are a mess in terms of the training data these models are based on, and the questions about copyright concerns and about a time when everything will look the same are very valid. At some point capabilities like these will be embedded in photoshop, and anyone will be able to generate a pretty picture. But to create interesting designs, to tell original stories and to surprise us, we need creatives and artists with something on their mind. We'll be able to create immersive worlds, by making brush-strokes and sculpt marks, without needing to worry about all the dials, plugins, wires of our 3d and 2d tools today. I love to sculpt, I love to draw, and I love to explore new mediums and new ways to create. The Gen AI tools we have today are far from perfect, and things need to be steered in a better direction. For that we need artists to help point the way. Gen AI isn't going away.. it's too powerful and has the potential to allow us to tell stories like never before. Like all other big technological shifts, tech like this will come at a cost, but it will also open up new opportunities and empower a new generation of storytellers. I might be naive, but I believe that human ingenuity and creativity will persevere in this new world ♥️ #art #ai

Martin Nebelong

1,660,426 次观看 • 2 年前

As you know, my explorations of the Gen AI space is ultimately all about creative control. You should be able to shape the generative matter using all your artistic sensibilities and your aesthetic sense. OpenAI's Sora is a huge technological leap, but what excites me the most about it is the modalities where it depends on input other than text alone. Such as video to video. Here's an example of how Sora can change an input video. Base video🧵
0:25

As you know, my explorations of the Gen AI space is ultimately all about creative control. You should be able to shape the generative matter using all your artistic sensibilities and your aesthetic sense. OpenAI's Sora is a huge technological leap, but what excites me the most about it is the modalities where it depends on input other than text alone. Such as video to video. Here's an example of how Sora can change an input video. Base video🧵

Martin Nebelong

7,520,411 次观看 • 2 年前

here's how to create consistent characters with sora 2: sora just dropped character cameos and nobody's using it right the trick is you need to generate your character INSIDE sora first here's the exact process: - generate a video of your character standing/talking on white background in sora - hit the 3 dots -> create character - trim to the exact length you want - boom, now you have a reusable cameo normally you can't upload real people as cameos, but if you generate them in sora first, the system lets you save them this means you can now use the same AI character across 100+ videos without consistency issues video guide below
0:45

here's how to create consistent characters with sora 2: sora just dropped character cameos and nobody's using it right the trick is you need to generate your character INSIDE sora first here's the exact process: - generate a video of your character standing/talking on white background in sora - hit the 3 dots -> create character - trim to the exact length you want - boom, now you have a reusable cameo normally you can't upload real people as cameos, but if you generate them in sora first, the system lets you save them this means you can now use the same AI character across 100+ videos without consistency issues video guide below

Miko

16,019 次观看 • 10 个月前

Richard Dolan, on our need for collective self-reflection as we face the alien presence. 👽 "Here's another scenario, because I love to speculate about this. So what if these beings have an IQ of like 500+. Like they’re orders of magnitude beyond us. And they're telepathic, so they can crawl inside your mind. And they're part of their own hive mind so that they have instant access to a complete like encyclopedia, a Galactica Encyclopedia of information. And they have an emotional disposition that makes it so that maybe they don't laugh at all of your jokes. And they look at you and they can see your naked soul before them. So does it matter if they look human or not? If you're sitting in a room across from one of them and they're just staring at you? Well, that would be very intimidating, I think. And that doesn't strike me as impossible a scenario. "So if they are like that, we are going to have to find our own center of being. I mean, some people might think this sounds very wishy washy, but I've really come to believe that it is probably essential that, for us to deal with them, we need to have a very much better understanding of ourselves. "For example, think of the kind of society that we create. Constant stimulation. Constant screen attachment. Screen addiction. Waiting for the notifications. Bing bing bing. The endorphins. And we're constantly chasing, chasing after whatever we're chasing in this world of ours. Like the hamster wheel that you never get off of. That's the world for many of us. That is not a society conducive to self-examination and self-exploration. When you are dealing with a series of intelligences that are probably leaps and bounds beyond our operational capacity to begin with. "So if we're going actually to deal with them in any way that's meaningful, we probably need to just stop and engage in some seriously deep self-reflection about what we are. And then maybe that means spirituality, like it probably does, to be honest. And the kind of system that we've developed in our world, I just, at this point in my life, I don't think is all that conducive to us being able to effectively, psychologically relate to these other beings."
2:14

Richard Dolan, on our need for collective self-reflection as we face the alien presence. 👽 "Here's another scenario, because I love to speculate about this. So what if these beings have an IQ of like 500+. Like they’re orders of magnitude beyond us. And they're telepathic, so they can crawl inside your mind. And they're part of their own hive mind so that they have instant access to a complete like encyclopedia, a Galactica Encyclopedia of information. And they have an emotional disposition that makes it so that maybe they don't laugh at all of your jokes. And they look at you and they can see your naked soul before them. So does it matter if they look human or not? If you're sitting in a room across from one of them and they're just staring at you? Well, that would be very intimidating, I think. And that doesn't strike me as impossible a scenario. "So if they are like that, we are going to have to find our own center of being. I mean, some people might think this sounds very wishy washy, but I've really come to believe that it is probably essential that, for us to deal with them, we need to have a very much better understanding of ourselves. "For example, think of the kind of society that we create. Constant stimulation. Constant screen attachment. Screen addiction. Waiting for the notifications. Bing bing bing. The endorphins. And we're constantly chasing, chasing after whatever we're chasing in this world of ours. Like the hamster wheel that you never get off of. That's the world for many of us. That is not a society conducive to self-examination and self-exploration. When you are dealing with a series of intelligences that are probably leaps and bounds beyond our operational capacity to begin with. "So if we're going actually to deal with them in any way that's meaningful, we probably need to just stop and engage in some seriously deep self-reflection about what we are. And then maybe that means spirituality, like it probably does, to be honest. And the kind of system that we've developed in our world, I just, at this point in my life, I don't think is all that conducive to us being able to effectively, psychologically relate to these other beings."

David Windt

54,218 次观看 • 1 年前

🪐 WORLD CREATORS Generative AI opened the door for everyone to tell their stories without the need for a crew or a big budget. We started slowly with images and saw an enormous interest in tools like Midjourney, DALL-E, or Leonardo. Now, a bit more than a year later, we find ourselves in front of new technologies that are transforming our way of life, how we create, and how we consume content. ChatGPT is rapidly replacing Googling, and all the generative AI tools are replacing all the stock photos and videos, with tools like Runway enabling storytelling for everyone. And we won't take over Hollywood. We will surpass it in ways we can't even imagine right now. We'll be able to create worlds and stories beyond our wildest imagination. Generative AI is enabling creative people to go 1000x on what was possible before. At the core of everything we'll still need human creativity, and we have to understand that AI tools without it will be nothing. Until then, enjoy a short video I've put together to illustrate a small fraction of the worlds we will create soon. What worlds and stories are you excited to create?
2:01

🪐 WORLD CREATORS Generative AI opened the door for everyone to tell their stories without the need for a crew or a big budget. We started slowly with images and saw an enormous interest in tools like Midjourney, DALL-E, or Leonardo. Now, a bit more than a year later, we find ourselves in front of new technologies that are transforming our way of life, how we create, and how we consume content. ChatGPT is rapidly replacing Googling, and all the generative AI tools are replacing all the stock photos and videos, with tools like Runway enabling storytelling for everyone. And we won't take over Hollywood. We will surpass it in ways we can't even imagine right now. We'll be able to create worlds and stories beyond our wildest imagination. Generative AI is enabling creative people to go 1000x on what was possible before. At the core of everything we'll still need human creativity, and we have to understand that AI tools without it will be nothing. Until then, enjoy a short video I've put together to illustrate a small fraction of the worlds we will create soon. What worlds and stories are you excited to create?

Alex Patrascu

59,270 次观看 • 2 年前

Mikel Arteta on whether his players look any different as champions: "They look exactly the same to me. Inside of each player, I don't know what's going on. What I did transmit is more desire and more will to improve, to be better and to earn the right to be better than anybody else, and that's what we want to do." Asked if they look a bit relaxed: "I don't like a lot 'they can flow, relax'. No - I think they need to be with the right level of clarity. They know how to do it, they know what they have to do. They look really connected and they play with a lot of purpose, which I really like."
0:36

Mikel Arteta on whether his players look any different as champions: "They look exactly the same to me. Inside of each player, I don't know what's going on. What I did transmit is more desire and more will to improve, to be better and to earn the right to be better than anybody else, and that's what we want to do." Asked if they look a bit relaxed: "I don't like a lot 'they can flow, relax'. No - I think they need to be with the right level of clarity. They know how to do it, they know what they have to do. They look really connected and they play with a lot of purpose, which I really like."

Connor Humm

21,071 次观看 • 8 天前

Since announcing the acquisition over a year ago now, we’ve talked a lot about what the future could look like, but we haven’t shown it. So, we came together with scott belsky and the @adobe team to imagine “what if ...” We wanted to share some of our ideas with you.
1:27

Since announcing the acquisition over a year ago now, we’ve talked a lot about what the future could look like, but we haven’t shown it. So, we came together with scott belsky and the @adobe team to imagine “what if ...” We wanted to share some of our ideas with you.

Yuhki Yamashita

516,689 次观看 • 2 年前

One of the functions of a president is to explain to us why we should be proud of each other, why we are part of a community, why our country is great, what our future is going to look like, and to inspire all of us with that vision. That is what a real leader does. How can you promote your vision if you cannot give an interview?
5:44

One of the functions of a president is to explain to us why we should be proud of each other, why we are part of a community, why our country is great, what our future is going to look like, and to inspire all of us with that vision. That is what a real leader does. How can you promote your vision if you cannot give an interview?

Robert F. Kennedy Jr

662,014 次观看 • 2 年前

Excited to show some surprising inventions on generative multiplayer games we made at Google with Stanford. We call the work MultiGen. I've always been inspired by early studios like id Software with Doom or Blizzard with Warcraft bringing networked video games to the next level. We are at the point in history where we can make strides like them, but for generative games. It's a strange feeling to be in the age of generative video games while still discovering how exactly to train the models and design the tools that make them useful. All of the tools that have been invented for classic game engines need to be redesigned for generative games. For example level and world design is not entirely possible with existing technology. We introduce editable memory to diffusion game engines that allow for design of new levels via a minimap. But we can easily imagine how this can be expanded with different creation tools. The end goal of this research direction is to allow game designers to be able to guide the generation process of their world, at the granularity that they prefer. Editable memory also allows us to add multiplayer to Generative Doom. We were amazed when we saw GameNGen some years ago, and now you can play it live with friends in real-time, on your couch or even online. Shared representations like our editable memory seem like the future for this type of experience. Models are, in some cases, expensive and approximate encoders but great interpolators and extrapolators. Leveraging their strengths lets you have completely new experiences that can be realized now and not in the distant future. This work was started at my previous team and continued in collaboration with Stanford. Congratulations to all for the discoveries.
0:40

Excited to show some surprising inventions on generative multiplayer games we made at Google with Stanford. We call the work MultiGen. I've always been inspired by early studios like id Software with Doom or Blizzard with Warcraft bringing networked video games to the next level. We are at the point in history where we can make strides like them, but for generative games. It's a strange feeling to be in the age of generative video games while still discovering how exactly to train the models and design the tools that make them useful. All of the tools that have been invented for classic game engines need to be redesigned for generative games. For example level and world design is not entirely possible with existing technology. We introduce editable memory to diffusion game engines that allow for design of new levels via a minimap. But we can easily imagine how this can be expanded with different creation tools. The end goal of this research direction is to allow game designers to be able to guide the generation process of their world, at the granularity that they prefer. Editable memory also allows us to add multiplayer to Generative Doom. We were amazed when we saw GameNGen some years ago, and now you can play it live with friends in real-time, on your couch or even online. Shared representations like our editable memory seem like the future for this type of experience. Models are, in some cases, expensive and approximate encoders but great interpolators and extrapolators. Leveraging their strengths lets you have completely new experiences that can be realized now and not in the distant future. This work was started at my previous team and continued in collaboration with Stanford. Congratulations to all for the discoveries.

Nataniel Ruiz

104,841 次观看 • 5 个月前

2/ To create a new trade bot, we use xAI Grok 3 - Go to: with DeepSearch - Use this prompt: "Hello, Grok 3. Please pretend you are a professional programmer with a Harvard degree and 10 years of experience. Create a bot to interact with the PumpFun Advanced. We need to parse, save, and analyze each coin that migrated to find the patterns using python."
0:25

2/ To create a new trade bot, we use xAI Grok 3 - Go to: with DeepSearch - Use this prompt: "Hello, Grok 3. Please pretend you are a professional programmer with a Harvard degree and 10 years of experience. Create a bot to interact with the PumpFun Advanced. We need to parse, save, and analyze each coin that migrated to find the patterns using python."

Nonzee

11,088 次观看 • 1 年前

What will the future look like? At the IMF, we see a world filled with opportunity and resilience, with an economy that can work for everyone. But for that world to exist, we need to solve today's challenges. Join us October 21-26 for the #IMFmeetings.
0:30

What will the future look like? At the IMF, we see a world filled with opportunity and resilience, with an economy that can work for everyone. But for that world to exist, we need to solve today's challenges. Join us October 21-26 for the #IMFmeetings.

IMF

72,382 次观看 • 1 年前

1/ To create a new trade bot, we use DeepSeek AI. - Go to: and switch on DeepThink - Use this prompt: "Hello, DeepSeek. Please pretend you are a professional programmer with a Harvard degree and 10 years of experience. Create a bot to interact with the PumpFun Advanced. We need to parse, save, and analyze each coin that migrated to find the patterns."
0:55

1/ To create a new trade bot, we use DeepSeek AI. - Go to: and switch on DeepThink - Use this prompt: "Hello, DeepSeek. Please pretend you are a professional programmer with a Harvard degree and 10 years of experience. Create a bot to interact with the PumpFun Advanced. We need to parse, save, and analyze each coin that migrated to find the patterns."

Nonzee

140,685 次观看 • 1 年前

Some of our top customers are still choosing Llama 3.1 8B. For a while, we jumped to whatever hottest, latest model was taking up our twitter feed. 🙈 But as we are quickly realizing, to create a SOTA product, you need a model that fits your exact use case. Here’s what our customers tell us: > a lot of the legwork is actually around prompting > there’s an art to selecting and combining multiple models > benchmarks only show part of the picture. you have to understand the unique quirks of each model. Especially as model releases become more and more frequent, we need a clear way to evaluate new models. We have to break free of the naive trend to migrate to the ‘latest and greatest’. And you can easily achieve this using tools like Cerebras and Braintrust to swap models safely (without breaking production).
1:58

Some of our top customers are still choosing Llama 3.1 8B. For a while, we jumped to whatever hottest, latest model was taking up our twitter feed. 🙈 But as we are quickly realizing, to create a SOTA product, you need a model that fits your exact use case. Here’s what our customers tell us: > a lot of the legwork is actually around prompting > there’s an art to selecting and combining multiple models > benchmarks only show part of the picture. you have to understand the unique quirks of each model. Especially as model releases become more and more frequent, we need a clear way to evaluate new models. We have to break free of the naive trend to migrate to the ‘latest and greatest’. And you can easily achieve this using tools like Cerebras and Braintrust to swap models safely (without breaking production).

Cerebras

346,446 次观看 • 8 个月前

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman
0:29

Sora animates with this wonderful wonky, sketchy dreamlike quality that perfectly captures the nostalgic atmosphere of a hazy 90's suburban summer afternoon. While Seedance is just as sophisticated and in some aspects superior, I will miss the quality of Sora. Sora feels like 35mm film, with the nuanced way it captures lighting, color, and perspective, while Seedance feels digital - a bit too clean. I am confident that I can replicate this sketchy quality in Seedance by tweaking my prompts, but Sora has a unique way of animating that really should be preserved. There are many more bugs and mistakes with Sora, but when it gets it right, it REALLY hits a level of artful magic that sets it above all other models. I am shocked that I still appear to be the only person who is creating AI-Generated 2D animation with original characters while developing a unique Western style. Practically no one is doing 2D AI-animation at all, and when they do, it is usually an attempt to mimic an Anime style. 2D really should be attempted more by AI Filmmakers!! Especially with a Western model like Sora, before it is terminated in the fall. Really, everyone should be taking advantage of the way this model so skillfully animates, with the heart and soul of a seasoned professional. I personally feel AI-generated animation is superior to 3D/realistic AI filmmaking. While AI-generated realism is an attempt to mimic real life through a lens, 2D animation IS what it is - not a replica of anything, just a cartoon. I love all my AI filmmaker bros and all of the cutting edge work going on, but I urge all of you to give 2D animation a chance. : ) I'm still not giving up hope that we can save Sora somehow. Now that I see that Seedance is able to animate 2D brilliantly and beautifully, I know that it's not some hidden secret, and we can replicate the weights and maths of Sora. If we can't preserve Sora, we can make a comparable model. It's not just in the interest of AI-Animators like me to preserve this model, but in the interest of the entire American AI community if they want Western AI to be superior. If not, Chinese video models will dominate. And while I am perfectly happy to use a Chinese model and I am just eternally grateful that this technology exists at all, I would love to see American audiovisual models continue to be developed! #AIAnimation #AIFilmmaking #AIArt #SaveSora #SummerofSora #WillStancilShow Elon Musk Marc Andreessen 🇺🇸 Sora Bill Peebles NVIDIA Sam Altman

Emily Youcis

18,940 次观看 • 3 个月前

When creating ingredient images, try to create stylistically consistent images. If you use input images that are too disparate, the output may lead to a cut scene. For example, when generating a reference image, try using a prompt like: “Create the next scene in this storyboard, now show a roadside diner with the same look and feel as the original image.”
0:22

When creating ingredient images, try to create stylistically consistent images. If you use input images that are too disparate, the output may lead to a cut scene. For example, when generating a reference image, try using a prompt like: “Create the next scene in this storyboard, now show a roadside diner with the same look and feel as the original image.”

Google AI

23,526 次观看 • 10 个月前

Elon Musk: There are really two choices here: either be a spectator or a participant "I've been a voice saying that we need to slow down AI and we need to slow down all these things and we need to not have a crazy AI race. I've been saying that for a long time for 20+ years But then I came to realize that there are really two choices here: either be a spectator or a participant. And if I'm a spectator, I can't really influence the direction of AI But if I'm a participant, I can try to influence the direction of AI and have a maximally truth-seeking AI with good values that loves humanity And that's what we're trying to create with Grok at xAI. And the researchers, I think, are bearing this out. Grok was the only one of the AIs that weighted human life equally and didn't say For example, that a white guy's life is worth 1/20th of a black woman's life. Literally, that's what the calculation they came up with. So, I’m like, guys, this is very alarming; we’ve got to fix this stuff"
0:54

Elon Musk: There are really two choices here: either be a spectator or a participant "I've been a voice saying that we need to slow down AI and we need to slow down all these things and we need to not have a crazy AI race. I've been saying that for a long time for 20+ years But then I came to realize that there are really two choices here: either be a spectator or a participant. And if I'm a spectator, I can't really influence the direction of AI But if I'm a participant, I can try to influence the direction of AI and have a maximally truth-seeking AI with good values that loves humanity And that's what we're trying to create with Grok at xAI. And the researchers, I think, are bearing this out. Grok was the only one of the AIs that weighted human life equally and didn't say For example, that a white guy's life is worth 1/20th of a black woman's life. Literally, that's what the calculation they came up with. So, I’m like, guys, this is very alarming; we’ve got to fix this stuff"

X Freeze

15,201 次观看 • 6 个月前

Kevin Patullo asked what one thing in particular the #Eagles offense most needs to fix: "When we're on track, we do a pretty good job. And if we get off track, whether its a negative play or penalty, it puts us in a hole and we've had trouble with that. That starts with us a staff.. That's kinda been the thing a little bit. We've had opportunities and we just haven't made the most of them at times.. We know what we are capable of.. The guys are excited about that. They feel like we are moving in the right direction, we just need to explode when we need to."
0:49

Kevin Patullo asked what one thing in particular the #Eagles offense most needs to fix: "When we're on track, we do a pretty good job. And if we get off track, whether its a negative play or penalty, it puts us in a hole and we've had trouble with that. That starts with us a staff.. That's kinda been the thing a little bit. We've had opportunities and we just haven't made the most of them at times.. We know what we are capable of.. The guys are excited about that. They feel like we are moving in the right direction, we just need to explode when we need to."

Eagles Nation

207,696 次观看 • 9 个月前

I built a tool to imagine how AI can help us create better, more transparent research. Instead of only seeing the tiny number of analyses the author chooses to ossify in a static pdf, imagine being able to talk to the papers you read and ask for different analyses. That's what I built. This early prototype uses our vote-by-mail extension. You get to see the initial analyses we thought made sense, but you can ask the LLM to show you way more! e.g., "what would the results look like if we excluded Utah" or "what would the results look like if we excluded Washington and used linear trends" etc. With research agents like Claude code, researchers are going to be able to automatically search across millions of potential analyses. Our current paradigm is not equipped to transmit this complexity effectively or make sure we don't end up with all p-hacked results. My lab and I are thinking about how we can transform the way we do and disseminate research to adjust for this new world. This visualizer is the first of what will hopefully be a wide range of ideas. Big props to Janet Malzahn for suggesting this one. Check out the tool at the link below.
0:26

I built a tool to imagine how AI can help us create better, more transparent research. Instead of only seeing the tiny number of analyses the author chooses to ossify in a static pdf, imagine being able to talk to the papers you read and ask for different analyses. That's what I built. This early prototype uses our vote-by-mail extension. You get to see the initial analyses we thought made sense, but you can ask the LLM to show you way more! e.g., "what would the results look like if we excluded Utah" or "what would the results look like if we excluded Washington and used linear trends" etc. With research agents like Claude code, researchers are going to be able to automatically search across millions of potential analyses. Our current paradigm is not equipped to transmit this complexity effectively or make sure we don't end up with all p-hacked results. My lab and I are thinking about how we can transform the way we do and disseminate research to adjust for this new world. This visualizer is the first of what will hopefully be a wide range of ideas. Big props to Janet Malzahn for suggesting this one. Check out the tool at the link below.

Andy Hall

70,816 次观看 • 7 个月前