Загрузка видео...

Не удалось загрузить видео

Возникла проблема при загрузке этого видео. Это может быть связано с временными проблемами сети или видео может быть недоступно.

На главную

Take a tour around this Interactive Architectural Visualisation, created by Architect Skandar Ben Fradj during his journey to learn Unreal Engine. The project includes daylight cycle & lighting control, Material & furniture changers, live section mode & 3D measurement tools and more! "When working on an ArchViz project, it's... show more

Unreal Engine

598,339 subscribers

19,422 просмотров • 10 дней назад •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

Комментарии: 5

Фото профиля Skandar Ben Fradj

Skandar Ben Fradj10 дней назад

So grateful to have this project featured! A huge thank you to @UnrealEngine for sharing this! ✨

Фото профиля QDY

QDY10 дней назад

@Skann_bf looks nice work.

Фото профиля RenderShots

RenderShots10 дней назад

@Skann_bf The daylight cycle is the part clients actually use. They rarely ask "what material is that?" — they ask "what does it look like at 6pm?"

Фото профиля Flora 🌼

Flora 🌼10 дней назад

@Skann_bf ❤️

Фото профиля Vovô Leandro 🧔

Vovô Leandro 🧔10 дней назад

@Skann_bf Are you discontinuing Twinmotion? Could you please add a fillet edge through shaders or materials, and grass by material in Unreal Engine?

Похожие видео

Stuck in Roots by Lighting Artist Karim Yasser is an environment made using Unreal Engine 5.5.1 which takes us deep into the woods 🌳 The creation of this project is rooted in Quixel Megascans assets, unique meshes made with Unreal's modelling tools, Lumen and Nanite. Through these tools, Karim was able to approach the project like a canvas to create a more stylized look with higher quality lighting on.

Stuck in Roots by Lighting Artist Karim Yasser is an environment made using Unreal Engine 5.5.1 which takes us deep into the woods 🌳 The creation of this project is rooted in Quixel Megascans assets, unique meshes made with Unreal's modelling tools, Lumen and Nanite. Through these tools, Karim was able to approach the project like a canvas to create a more stylized look with higher quality lighting on.

Unreal Engine

20,208 просмотров • 1 год назад

Mountain Shrine by Environment Artist David Szieber is a serene Japanese mountain shrine environment built in Unreal Engine and Substance 3D Designer and is a personal tribute to traditional architecture. The project is a great reference for structure detailing, natural composition, and the use of warm lighting to build peaceful exploration spaces. "I was very pleased with the material layering system in Unreal as it helped me keep a very consistent look for my meshes throughout my project using only a small material library." - David Szieber

Mountain Shrine by Environment Artist David Szieber is a serene Japanese mountain shrine environment built in Unreal Engine and Substance 3D Designer and is a personal tribute to traditional architecture. The project is a great reference for structure detailing, natural composition, and the use of warm lighting to build peaceful exploration spaces. "I was very pleased with the material layering system in Unreal as it helped me keep a very consistent look for my meshes throughout my project using only a small material library." - David Szieber

Unreal Engine

12,752 просмотров • 1 год назад

Wasteland Muse is a Realtime UE 5.7 character and self improvement challenge by 3D Sculptor @lisa_she_. With this project, Lisa focused on pushing their skills in texturing, anatomy and Unreal Engine implementation. "I've learned a lot during this project. It was actually my first experience working in Unreal Engine, so I faced many technical challenges along the way. Fortunately, I managed to solve almost all of them through research, experimentation, and iteration. Starting with a new software is always confusing and a bit intimidating, especially when you step outside of your comfort zone. However, this experience helped me better understand real-time workflows, material and lighting setup, and of course character presentation inside Unreal Engine 5." - Lisa She

Wasteland Muse is a Realtime UE 5.7 character and self improvement challenge by 3D Sculptor @lisa_she_. With this project, Lisa focused on pushing their skills in texturing, anatomy and Unreal Engine implementation. "I've learned a lot during this project. It was actually my first experience working in Unreal Engine, so I faced many technical challenges along the way. Fortunately, I managed to solve almost all of them through research, experimentation, and iteration. Starting with a new software is always confusing and a bit intimidating, especially when you step outside of your comfort zone. However, this experience helped me better understand real-time workflows, material and lighting setup, and of course character presentation inside Unreal Engine 5." - Lisa She

Unreal Engine

14,662 просмотров • 7 месяцев назад

Jolan Huijskes explored the custom Blender and Unreal Engine 5 tools he developed for large-scale game environments, using them to build a fully playable world inspired by Saros. "This fan art project is an exploration of how environment art tools can be used to create large-scale levels for games with maximum control for Level Artists. I focused on tool development, composition, and art direction. In this article, I will explore how and why I developed these tools for my fan art project: Blender Fracture Generation (a tool to be released for free soon), Unreal Engine Array Tool, Unreal Engine Fracturing Tool, Unreal Engine PCG Scattering with Artist Control." Read the interview:

Jolan Huijskes explored the custom Blender and Unreal Engine 5 tools he developed for large-scale game environments, using them to build a fully playable world inspired by Saros. "This fan art project is an exploration of how environment art tools can be used to create large-scale levels for games with maximum control for Level Artists. I focused on tool development, composition, and art direction. In this article, I will explore how and why I developed these tools for my fan art project: Blender Fracture Generation (a tool to be released for free soon), Unreal Engine Array Tool, Unreal Engine Fracturing Tool, Unreal Engine PCG Scattering with Artist Control." Read the interview:

80 LEVEL

29,394 просмотров • 1 месяц назад

I created my own custom water material and underwater post process material in UEFN! It uses distance fields to create foam and ripples around objects on the surface and I can also add algae/pondscum to the surface. I plan on adding more features to this material soon! For underwater, I project a caustics material along surface normals in the underwater post process material as well as using scene depth to make things up close appear clear and things farther away appear not as clear. #UEFN #Fortnite

I created my own custom water material and underwater post process material in UEFN! It uses distance fields to create foam and ripples around objects on the surface and I can also add algae/pondscum to the surface. I plan on adding more features to this material soon! For underwater, I project a caustics material along surface normals in the underwater post process material as well as using scene depth to make things up close appear clear and things farther away appear not as clear. #UEFN #Fortnite

PixelatedDreams 🍔

14,020 просмотров • 1 год назад

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Unreal Engine

45,769 просмотров • 8 месяцев назад

First Realm is 3D/2D Artist Anesajjj's very first environment piece, created during a design class. The piece's concept was provided for the class but Anesa brought it to life with a collection of tools including Unreal Engine for scene set up and lighting. "I found that adding small animations and interactions can make a huge difference in how an environment feels and looks. I’d say it’s worth experimenting with different colors and lighting to see what works best for your scene instead of sticking to your first idea." - Anesa Jashari

First Realm is 3D/2D Artist Anesajjj's very first environment piece, created during a design class. The piece's concept was provided for the class but Anesa brought it to life with a collection of tools including Unreal Engine for scene set up and lighting. "I found that adding small animations and interactions can make a huge difference in how an environment feels and looks. I’d say it’s worth experimenting with different colors and lighting to see what works best for your scene instead of sticking to your first idea." - Anesa Jashari

Unreal Engine

20,657 просмотров • 1 месяц назад

The WoodLand Pizzeria is a project in a hand-painted art style from EanWinnie to help them explore procedural workflows. Inspired by an illustration from Japanese artist Nonohara, the scene is reinterpreted as an explorable 3D environment. "One thing I found especially useful during this project was using UE’s PCG framework to create the snow-covered version of the environment. I used PCG to create the snow-covered assets needed throughout the entire scene. Compared to manually creating each snow-covered asset individually, this made iteration much faster and saved me a significant amount of time. I also used custom materials and shaders to control colors, values, and surface response, helping maintain a consistent hand-painted look across different lighting and seasonal conditions." - Shuming Zhang Check out the project on ArtStation:

The WoodLand Pizzeria is a project in a hand-painted art style from EanWinnie to help them explore procedural workflows. Inspired by an illustration from Japanese artist Nonohara, the scene is reinterpreted as an explorable 3D environment. "One thing I found especially useful during this project was using UE’s PCG framework to create the snow-covered version of the environment. I used PCG to create the snow-covered assets needed throughout the entire scene. Compared to manually creating each snow-covered asset individually, this made iteration much faster and saved me a significant amount of time. I also used custom materials and shaders to control colors, values, and surface response, helping maintain a consistent hand-painted look across different lighting and seasonal conditions." - Shuming Zhang Check out the project on ArtStation:

Unreal Engine

20,872 просмотров • 2 месяцев назад

This Roman Real-Time Environment is a project by Junior 3D Artist Davide Maddalo for presentation in Unreal Engine 5. Modelled mainly in Maya, the project was a practice in exploring the full real-time pipeline with a focus on how all aspects, from assets to lighting, work together. "One feature I found particularly useful while working on this environment was tri-planar mapping. I learned how it can help project textures consistently across surfaces without relying entirely on traditional UV mapping, which was especially useful for creating more flexible and natural-looking materials within the environment." - Davide Maddalo

This Roman Real-Time Environment is a project by Junior 3D Artist Davide Maddalo for presentation in Unreal Engine 5. Modelled mainly in Maya, the project was a practice in exploring the full real-time pipeline with a focus on how all aspects, from assets to lighting, work together. "One feature I found particularly useful while working on this environment was tri-planar mapping. I learned how it can help project textures consistently across surfaces without relying entirely on traditional UV mapping, which was especially useful for creating more flexible and natural-looking materials within the environment." - Davide Maddalo

Unreal Engine

20,469 просмотров • 1 месяц назад

Watch: Susan Sarandon, Hannah Einbinder, Cynthia Nixon and Michael Stipe (Michael Stipe) join B’Tselem’s call to stop Israel’s Elimination Project in the West Bank. In the video, the artists and B’Tselem team members say that “Israel is carrying out a campaign to eliminate Palestinian collective existence in the West Bank.” They call on the international community to take action to stop this project and note that “U.S. taxpayer dollars are funding these crimes." Our new report, “The Elimination Project”, examines how Israel is dismantling the material, social and political conditions that enable Palestinians to exist as a society and as a collective in the West Bank: to live on their land, earn a living, maintain communities, social ties and political institutions, organize and exercise their collective rights, and uphold the possibility of a future. By violently reshaping the territory, Israel is working to permanently cement exclusive Jewish-Israeli control and sovereignty over the entire area. What is happening in the West Bank is not a series of isolated incidents. When you look closely and connect the dots, the picture is clear: this is all part of one political project. Read more about “The Elimination Project” >>

Watch: Susan Sarandon, Hannah Einbinder, Cynthia Nixon and Michael Stipe (Michael Stipe) join B’Tselem’s call to stop Israel’s Elimination Project in the West Bank. In the video, the artists and B’Tselem team members say that “Israel is carrying out a campaign to eliminate Palestinian collective existence in the West Bank.” They call on the international community to take action to stop this project and note that “U.S. taxpayer dollars are funding these crimes." Our new report, “The Elimination Project”, examines how Israel is dismantling the material, social and political conditions that enable Palestinians to exist as a society and as a collective in the West Bank: to live on their land, earn a living, maintain communities, social ties and political institutions, organize and exercise their collective rights, and uphold the possibility of a future. By violently reshaping the territory, Israel is working to permanently cement exclusive Jewish-Israeli control and sovereignty over the entire area. What is happening in the West Bank is not a series of isolated incidents. When you look closely and connect the dots, the picture is clear: this is all part of one political project. Read more about “The Elimination Project” >>

B'Tselem בצלם بتسيلم

32,961 просмотров • 1 месяц назад

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ___________________________________________________ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

🎓Learn how to create a powerful Dynamic Embers smart material in a matter of seconds, in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. _ In this video, the steps are as follows: 1. Create a fill layer to then apply the base maps for our asset into it. 2. Bake out the world space, AO, Curvature, and Position maps. These maps will be crucial for the smart material to function. Also, be sure to add an emissive channel to the project. 3. Next, create another fill layer labeled (Fire animation gradient) with a black mask and inside the mask apply a paint layer. Select the paint layer and paint a simple pill shape using a soft brush. Add an anchorpoint to the mask and disable all channels in this fill layer. 4. Create a folder labeled (embers smart material) and set it to pass through. Add a paint layer inside this folder and set it to pass through as well followed by an anchorpoint. 5. Create another fill layer and apply the paint layers anchorpoint information into its color channel. From here an HSL filter should be added to desaturate and darken the colors. 6. Next, create an additional fill layer with an orange-colored emissive channel. Add a black mask to this fill layer and inside its mask apply a dirt generator. This will give us the illusion of the embers glowing from inside the charred tree. Duplicate this fill layer and tweak its emissive color to a yellowish hue and reduce its mask amount. Do this a second time but with a white-colored emissive channel. This will now create an effect of the embers appearing brighter the deeper they are inside the tree. 7. Lastly, add these layers into a folder with a black mask and apply the (Fire Animation Gradient) anchorpoint into its mask via a fill layer. Now we have a charred embers effect wherever we paint using the paint layer created inside the gradient mask! This gradient mask can also be exported into Unreal engine to create some stunning real-time dynamic animations or the new material can simply be used for in-engine vertex painting. __ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #3dmodeling #texturing #madewithsubstance #ue5 #unrealengine #unity #vfx

Cohen Brawley

46,070 просмотров • 2 лет назад

$(1/2) Just in time for back to school: the power of agentic coding has landed in Search. Anyone can now create custom tools and simulations to visualize different topics. One cool example: I asked AI Mode “make an interactive 3D fractal Mandelbulb visual I can zoom into” and it coded and rendered this visualization, right in Search & on the fly. Available globally in English (free of charge). Try it by asking AI Mode to create a simulation for whatever’s on your mind. Plus, we’ve started to roll out these interactive visuals in AI Overviews. lmk what you create!$

(1/2) Just in time for back to school: the power of agentic coding has landed in Search. Anyone can now create custom tools and simulations to visualize different topics. One cool example: I asked AI Mode “make an interactive 3D fractal Mandelbulb visual I can zoom into” and it coded and rendered this visualization, right in Search & on the fly. Available globally in English (free of charge). Try it by asking AI Mode to create a simulation for whatever’s on your mind. Plus, we’ve started to roll out these interactive visuals in AI Overviews. lmk what you create!

Robby Stein

44,320 просмотров • 1 месяц назад

Google's NotebookLM is truly the best AI second brain. You can easily learn, memorize, generate new ideas, and more. Give it the knowledge files you want and: - Ask any question - Create new summaries or other content - Generate an ultra-realistic podcast to learn - Add notes on the fly to expand the info available There's virtually no limit to the number of things you can feed it: the context window is huge (1M tokens?). Unlike other tools, you can use only the information you already trust. This makes the answers much more relevant, and with far fewer hallucinations. As a reminder, it's completely free to use. So it's definitely worth a try if you haven't already.

Google's NotebookLM is truly the best AI second brain. You can easily learn, memorize, generate new ideas, and more. Give it the knowledge files you want and: - Ask any question - Create new summaries or other content - Generate an ultra-realistic podcast to learn - Add notes on the fly to expand the info available There's virtually no limit to the number of things you can feed it: the context window is huge (1M tokens?). Unlike other tools, you can use only the information you already trust. This makes the answers much more relevant, and with far fewer hallucinations. As a reminder, it's completely free to use. So it's definitely worth a try if you haven't already.

Paul Couvert

113,529 просмотров • 2 лет назад

The best Vision Pro projects won't be built by one person. That's why today we're launching Mount Hood, an international dream team of 18 developers, 3D designers, immersive filmmakers, and creators, ready to bring any kind of Vision Pro project to life. This gives companies the opportunity to create ambitious native Vision Pro experiences with exceptional performance and quality. We've also created a fun website where you can learn more about the people and skills behind the Spatial Computing Agency.

The best Vision Pro projects won't be built by one person. That's why today we're launching Mount Hood, an international dream team of 18 developers, 3D designers, immersive filmmakers, and creators, ready to bring any kind of Vision Pro project to life. This gives companies the opportunity to create ambitious native Vision Pro experiences with exceptional performance and quality. We've also created a fun website where you can learn more about the people and skills behind the Spatial Computing Agency.

Phil Traut ᯅ

14,305 просмотров • 2 месяцев назад

This Hytale custom map was built by 2 team members during an internal mod jam a few years ago! They created new blocks, weather, and furniture, and built this map. All in 5 days! After release, we will make these blocks, furniture, and items available for players to use in Creative mode. Maybe someone will create a Cybertale adventure map or even an MMORPG server... Please note that this video doesn't feature our lighting fixes and other improvements we have been doing in the past few weeks. #Hytale

This Hytale custom map was built by 2 team members during an internal mod jam a few years ago! They created new blocks, weather, and furniture, and built this map. All in 5 days! After release, we will make these blocks, furniture, and items available for players to use in Creative mode. Maybe someone will create a Cybertale adventure map or even an MMORPG server... Please note that this video doesn't feature our lighting fixes and other improvements we have been doing in the past few weeks. #Hytale

Hytale

600,977 просмотров • 9 месяцев назад

I’ve been messing around with AI 3D tools lately, and I honestly didn’t expect this to work as well as it did. I gave Hyper3D a single reference with information of the same object and basically told it to figure out the 3D workflow for me. What surprised me was that it didn’t just generate a model from one image. It actually understood the different views and used them together to build a complete asset. And then you can keep working on it. With the Low-Poly N-GONS workflow, I could ask it to add custom controls for different parts, change dimensions, create animations, and even change specific materials just by describing what I wanted. So it feels less like “generate a 3D model and download it” and more like having something you can actually keep iterating on. Generate something → look at it → tell it what to change → keep going. I’ve been having a lot of fun experimenting with this. Try Agentic Mode on Hyper3D by Deemos #Hyper3D #DeemosTech #Rodin #AI3D #AgenticMode #3DModeling #AI

I’ve been messing around with AI 3D tools lately, and I honestly didn’t expect this to work as well as it did. I gave Hyper3D a single reference with information of the same object and basically told it to figure out the 3D workflow for me. What surprised me was that it didn’t just generate a model from one image. It actually understood the different views and used them together to build a complete asset. And then you can keep working on it. With the Low-Poly N-GONS workflow, I could ask it to add custom controls for different parts, change dimensions, create animations, and even change specific materials just by describing what I wanted. So it feels less like “generate a 3D model and download it” and more like having something you can actually keep iterating on. Generate something → look at it → tell it what to change → keep going. I’ve been having a lot of fun experimenting with this. Try Agentic Mode on Hyper3D by Deemos #Hyper3D #DeemosTech #Rodin #AI3D #AgenticMode #3DModeling #AI

JOY JULIET

80,402 просмотров • 9 дней назад

When I design an investment plan for clients, I like to walk through "expectations". Because the best investment plan is the one you can stick with. I built this interactive tool with Claude to help educate on different allocations and create more realistic expectations. Still a work in progress, but it's looking pretty good!

When I design an investment plan for clients, I like to walk through "expectations". Because the best investment plan is the one you can stick with. I built this interactive tool with Claude to help educate on different allocations and create more realistic expectations. Still a work in progress, but it's looking pretty good!

Travis Gatzemeier, CFP®

11,204 просмотров • 6 месяцев назад

🏆 Best of Term – Environment | Interior (Fall 2025) Gnomon Certificate in Digital Production student Chiao Lu created this photorealistic, modular game environment. She was inspired by rural mountain towns and local general stores in her home, Taiwan. This project taught Chiao how to set dress an environment & tell a story with a limited number of props. She also learned how to generate procedural assets with Houdini and Unreal Blueprints, which helped make the piece feel more lived in and organic. Congratulations, Chiao! Gnomon Course: Demo Reel 1 Instructors: Anton Napierala, Gabriel Cervantes Software: Autodesk Maya, Unreal Engine, Adobe Substance 3D Designer/Painter, SideFX Houdini, SpeedTree Concept: Original

🏆 Best of Term – Environment | Interior (Fall 2025) Gnomon Certificate in Digital Production student Chiao Lu created this photorealistic, modular game environment. She was inspired by rural mountain towns and local general stores in her home, Taiwan. This project taught Chiao how to set dress an environment & tell a story with a limited number of props. She also learned how to generate procedural assets with Houdini and Unreal Blueprints, which helped make the piece feel more lived in and organic. Congratulations, Chiao! Gnomon Course: Demo Reel 1 Instructors: Anton Napierala, Gabriel Cervantes Software: Autodesk Maya, Unreal Engine, Adobe Substance 3D Designer/Painter, SideFX Houdini, SpeedTree Concept: Original

Gnomon

10,963 просмотров • 5 месяцев назад

The platform of endless creativity: Ascia is the place to create almost anything and everything art related. Ascia AI is a 100% solo project that I've been working on for the past three months. It's been a journey of ups and downs, but in the end, I've built something that I truly believe the artistic/crypto community would appreciate. The final result (even though its only the start) was unexpected. Initially, my goal was to create a standard AI project designer. But then, I came up with the idea of combining standard digital art with a reimagined ASCII art style, assisted by "creative agents". Currently, these creative agents work on the backend, conditioned to output a near-perfect project for your crypto token, business project or just for fun. As for the frontend agents, users will soon be able to create their own creative agent. They will adapt and learn from your ideas to output the exact visions you have. Now, to support the future of Ascia, I've created the $ASCIA token. It will help with growth, funding and to get the name out there. This has essentially become my full-time job now, so I’m in deep. Enjoy this little walkthrough of the create section:

The platform of endless creativity: Ascia is the place to create almost anything and everything art related. Ascia AI is a 100% solo project that I've been working on for the past three months. It's been a journey of ups and downs, but in the end, I've built something that I truly believe the artistic/crypto community would appreciate. The final result (even though its only the start) was unexpected. Initially, my goal was to create a standard AI project designer. But then, I came up with the idea of combining standard digital art with a reimagined ASCII art style, assisted by "creative agents". Currently, these creative agents work on the backend, conditioned to output a near-perfect project for your crypto token, business project or just for fun. As for the frontend agents, users will soon be able to create their own creative agent. They will adapt and learn from your ideas to output the exact visions you have. Now, to support the future of Ascia, I've created the $ASCIA token. It will help with growth, funding and to get the name out there. This has essentially become my full-time job now, so I’m in deep. Enjoy this little walkthrough of the create section:

will

49,966 просмотров • 1 год назад