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The worst take about the web is that you should not use JS/React/etc because HTML alone is good enough. It's an 'austerity mind virus' that has captured even some smart engineers. The idea that the web is for 'documents' and if it stays in its own little box like...

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Guillermo Rauch

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431,799 görüntüleme • 1 yıl önce •via X (Twitter)

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DOM3 is made from HTML, CSS and Javascript, closer to a document than a canvas. It's a strange contemporary material that shapes much of our digital lives. The rhythm of endless creation and deletion in DOM3 is a self-driving version of what happens when you browse the web. "The Document Object Model (DOM) connects web pages to scripts or programming languages by representing the structure of a document—such as the HTML representing a web page—in memory." A html element, and a rectangle on a canvas, are not the same thing. It's a different material. Even if it all ends up controlling the same pixels, the process is different. The html element kind of actually exists, in this abstract context of a document object model. And in memory, in the moment. If it was possible to measure its weight, it would be heavier than a pixel on a canvas.
0:18

DOM3 is made from HTML, CSS and Javascript, closer to a document than a canvas. It's a strange contemporary material that shapes much of our digital lives. The rhythm of endless creation and deletion in DOM3 is a self-driving version of what happens when you browse the web. "The Document Object Model (DOM) connects web pages to scripts or programming languages by representing the structure of a document—such as the HTML representing a web page—in memory." A html element, and a rectangle on a canvas, are not the same thing. It's a different material. Even if it all ends up controlling the same pixels, the process is different. The html element kind of actually exists, in this abstract context of a document object model. And in memory, in the moment. If it was possible to measure its weight, it would be heavier than a pixel on a canvas.

Leander Herzog

11,466 görüntüleme • 9 ay önce

A web that transcends borders, resists censorship, and disperses power. NEAR is at the forefront, crafting this reality. It's time to make the open web your own. Step in.
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A web that transcends borders, resists censorship, and disperses power. NEAR is at the forefront, crafting this reality. It's time to make the open web your own. Step in.

NEAR Protocol

4,550,760 görüntüleme • 2 yıl önce

I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!
0:18

I always wondered "What if I port my three.js game to Rust? Will it improve performance?" I finally ported it to both Rust Desktop and Rust WASM (that runs on the browser) Comparing the three.js version with the Rust desktop I had a clear winner: Rust desktop. But now I took the time to port it to the web using Web Assembly (WASM) And my conclusion is... A tie! Both versions averaged 42FPS (60FPS if running one at a time) So if your goal is to ship a web game, it doesn't even matter the tech you use. (Three.js is recommended because the ecossystem is huge though) As long you optmize well (Web workers, reduce triangles, draw calls, etc) you should be good to go. But in the event you want to ship a native game to publish on Steam a system language (Rust, C++, etc) will be better for you. Now I want to port the three.js game to Desktop using Electron and see the results. I'll let you know. Btw, I'm open to new freelance projects. If you have anything for me, my DMs are open!

André → andreelias.dev

19,531 görüntüleme • 1 ay önce

"Pros won’t use generative AI, and when the bubble pops, nobody will ever talk about it again." No. That’s delusional. 1/ Generative AI is already being used professionally at the level of big studios like Disney ($1B to OpenAI), and there’s zero doubt that studios like Industrial Light & Magic, Netflix, Hollywood VFX experts, etc. are already experimenting with it too. Or do you think they’re idiots? They’re not idiots at all. They have the experience and, more importantly, the DISTRIBUTION POWER. The point is: someone with taste, judgment, and storytelling experience, basically from their living room, will have access to (almost, or not even almost) the same capability as the big guys, because the pure "making stuff" skills have been commoditized, and the new way to create is just NATURAL LANGUAGE. What hasn’t been commoditized is good taste, the ability to create great stories that move people, and the ability to get them in front of people. So in the end, what wins is story quality and distribution. Having good taste, making a name for yourself, and owning strong IP (Marvel, etc.) will still matter. That’ll be true right up until AI is genuinely opinionated and can create by itself: if it comes to that, with zero human direction, stuff as good as (or better than) the very best human experts today, and on top of that, interactive in real time... Because yeah: there’s nothing in this universe that actually prevents that from happening. BUT WE’RE NOT THERE. For now, generative AI is a tool that needs direction and taste to make anything decent. And I hope it stays that way for a long time, because otherwise that’s going to be a brutal hit to humanity’s ego. 2/ On the "bubble": you have to distinguish between a stock valuation bubble (possible, I actually believe it) vs a bubble like some people imagine where it "pops" and we never hear about AI again. That obviously makes no sense given how insanely useful it is. It can only grow, and it’s going to grow fast, regardless of any stock market drawdowns (the internet kept growing even when valuations got nuked in 2000). Either way, the near future is going to be extremely interesting.
0:15

"Pros won’t use generative AI, and when the bubble pops, nobody will ever talk about it again." No. That’s delusional. 1/ Generative AI is already being used professionally at the level of big studios like Disney ($1B to OpenAI), and there’s zero doubt that studios like Industrial Light & Magic, Netflix, Hollywood VFX experts, etc. are already experimenting with it too. Or do you think they’re idiots? They’re not idiots at all. They have the experience and, more importantly, the DISTRIBUTION POWER. The point is: someone with taste, judgment, and storytelling experience, basically from their living room, will have access to (almost, or not even almost) the same capability as the big guys, because the pure "making stuff" skills have been commoditized, and the new way to create is just NATURAL LANGUAGE. What hasn’t been commoditized is good taste, the ability to create great stories that move people, and the ability to get them in front of people. So in the end, what wins is story quality and distribution. Having good taste, making a name for yourself, and owning strong IP (Marvel, etc.) will still matter. That’ll be true right up until AI is genuinely opinionated and can create by itself: if it comes to that, with zero human direction, stuff as good as (or better than) the very best human experts today, and on top of that, interactive in real time... Because yeah: there’s nothing in this universe that actually prevents that from happening. BUT WE’RE NOT THERE. For now, generative AI is a tool that needs direction and taste to make anything decent. And I hope it stays that way for a long time, because otherwise that’s going to be a brutal hit to humanity’s ego. 2/ On the "bubble": you have to distinguish between a stock valuation bubble (possible, I actually believe it) vs a bubble like some people imagine where it "pops" and we never hear about AI again. That obviously makes no sense given how insanely useful it is. It can only grow, and it’s going to grow fast, regardless of any stock market drawdowns (the internet kept growing even when valuations got nuked in 2000). Either way, the near future is going to be extremely interesting.

Javi Lopez ⛩️

75,190 görüntüleme • 4 ay önce

While I have premium I definitely want to do a long post breaking down the main scene from this show that I obsess with. There's so much that I feel could be learned from it. Not just for expansion animators either. There's honestly a LOT that can be learned from how this show directed its expansion scenes that can be applied to even safe for work animations. Obviously yes, the expansion alone is really good. What makes it so good though is just the fact that there's things you pick up on that you likely don't even realize until you re-watch. I'm using this scene as an example as it's not AS good I would say, but it still has a lot going for it. One thing I've always loved from it that I want to use in my own animations someday is that the expansion sort of comes in waves as opposed to one consistent growth. In a way, it makes it feel more natural while also selling how tight the top is getting. It could have been accompanied by showing the knot getting tighter or smaller with each growth. It's a small part of the animation but just that one thing already adds another layer to appreciate. It's not like most expansion scenes where there's very little outside of just "growing" on its own. There's a bunch of little things that subtly improve it without being obnoxious. The first expansion scene has WAY more that I want to talk about honestly. Far more than this one has. It will probably be a really long post now that I think about it...
0:13

While I have premium I definitely want to do a long post breaking down the main scene from this show that I obsess with. There's so much that I feel could be learned from it. Not just for expansion animators either. There's honestly a LOT that can be learned from how this show directed its expansion scenes that can be applied to even safe for work animations. Obviously yes, the expansion alone is really good. What makes it so good though is just the fact that there's things you pick up on that you likely don't even realize until you re-watch. I'm using this scene as an example as it's not AS good I would say, but it still has a lot going for it. One thing I've always loved from it that I want to use in my own animations someday is that the expansion sort of comes in waves as opposed to one consistent growth. In a way, it makes it feel more natural while also selling how tight the top is getting. It could have been accompanied by showing the knot getting tighter or smaller with each growth. It's a small part of the animation but just that one thing already adds another layer to appreciate. It's not like most expansion scenes where there's very little outside of just "growing" on its own. There's a bunch of little things that subtly improve it without being obnoxious. The first expansion scene has WAY more that I want to talk about honestly. Far more than this one has. It will probably be a really long post now that I think about it...

FancyPlanks 🐀

16,420 görüntüleme • 7 ay önce

This ◉ ʜᴜᴍᴀɴ ○ ᴍᴀᴄʜɪɴᴇ toggle by Parallel Web Systems is brilliant. It's a beautiful illustration of what the web will "look like" to agents. It will look like a whole lotta markdown 😄 Incidentally, we just made it such that links automatically render as markdown when agents consume it (we do the same for /𝚍𝚘𝚌𝚜). Page went from 500kb to 2kb. The web for agents will be very efficient! Try: curl -H 'accept: text/markdown'
0:18

This ◉ ʜᴜᴍᴀɴ ○ ᴍᴀᴄʜɪɴᴇ toggle by Parallel Web Systems is brilliant. It's a beautiful illustration of what the web will "look like" to agents. It will look like a whole lotta markdown 😄 Incidentally, we just made it such that links automatically render as markdown when agents consume it (we do the same for /𝚍𝚘𝚌𝚜). Page went from 500kb to 2kb. The web for agents will be very efficient! Try: curl -H 'accept: text/markdown'

Guillermo Rauch

184,896 görüntüleme • 5 ay önce

CURT MILLS: The reality here is that this war is not going to end until President Trump says no to Israel. If he's unwilling or unable to do that, this war will continue in some form. At worst it will be a pause, and then we'll go back in the summer, which would be a catastrophe. Curt Mills
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CURT MILLS: The reality here is that this war is not going to end until President Trump says no to Israel. If he's unwilling or unable to do that, this war will continue in some form. At worst it will be a pause, and then we'll go back in the summer, which would be a catastrophe. Curt Mills

Bannon’s WarRoom

13,839 görüntüleme • 3 ay önce

Jones: We are the most powerful country in the world… what is the use in developing and creating and sacrificing for that power if you can't use it to fix the most egregious wrongs like whatever a red card is. Perino: President Trump should do a flyover over the stadium.
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Jones: We are the most powerful country in the world… what is the use in developing and creating and sacrificing for that power if you can't use it to fix the most egregious wrongs like whatever a red card is. Perino: President Trump should do a flyover over the stadium.

Acyn

246,493 görüntüleme • 1 gün önce

Apparently, I saw this video online and I decided to share. What this worker is applying is called bitumen, or what many of us know as bituminous coating. Most people think a wall is a solid, impenetrable block, but in reality, it is more like a sponge. Concrete and blocks have microscopic pores that pull water from the earth through a process we call capillary action. This thick black substance is the shield that stops that water from climbing up into the house. It is not about making the wall look good because this part will be buried under the dirt forever. It is about creating a skin that water cannot breathe through. When do you need to do this? The need for this arises because the soil is a very aggressive environment. Water is not your only enemy.. The ground also contains salts and sulfates that want to eat away at the cement. If this moisture finds its way to the steel bars inside the columns, those bars will start to rust. And when steel rusts, it expands, and that expansion is what cracks the concrete from the inside out. This coating is the only thing standing between your foundation and that kind of slow destruction. Thats is why if you see wet patches at the bottom of your walls inside your house, it usually means someone skipped this step or did it poorly during construction. You can apply this anytime you are building parts of a structure that will stay in contact with the ground. It is common in areas where the water table is high or where the soil stays damp for most of the year. This is a one-shot opportunity. Once you backfill the soil, you can never go back to fix it without a lot of expense and a lot of digging. It is about having the foresight to protect the heart of the building while it is still exposed. Please don’t ignore this if you need to. If you ignore it now to save a bit of money, you will be funding the future decay of your own home. I hope this helps.
0:11

Apparently, I saw this video online and I decided to share. What this worker is applying is called bitumen, or what many of us know as bituminous coating. Most people think a wall is a solid, impenetrable block, but in reality, it is more like a sponge. Concrete and blocks have microscopic pores that pull water from the earth through a process we call capillary action. This thick black substance is the shield that stops that water from climbing up into the house. It is not about making the wall look good because this part will be buried under the dirt forever. It is about creating a skin that water cannot breathe through. When do you need to do this? The need for this arises because the soil is a very aggressive environment. Water is not your only enemy.. The ground also contains salts and sulfates that want to eat away at the cement. If this moisture finds its way to the steel bars inside the columns, those bars will start to rust. And when steel rusts, it expands, and that expansion is what cracks the concrete from the inside out. This coating is the only thing standing between your foundation and that kind of slow destruction. Thats is why if you see wet patches at the bottom of your walls inside your house, it usually means someone skipped this step or did it poorly during construction. You can apply this anytime you are building parts of a structure that will stay in contact with the ground. It is common in areas where the water table is high or where the soil stays damp for most of the year. This is a one-shot opportunity. Once you backfill the soil, you can never go back to fix it without a lot of expense and a lot of digging. It is about having the foresight to protect the heart of the building while it is still exposed. Please don’t ignore this if you need to. If you ignore it now to save a bit of money, you will be funding the future decay of your own home. I hope this helps.

A.Y.O

75,105 görüntüleme • 2 ay önce

If this video doesn’t shake you, nothing will. This is a reminder that evil still exists, that innocence is still being stolen, and that not every child gets the chance to grow up in peace. The world is not always the beautiful place we imagine. Be grateful for the life you have, and never forget that somewhere, someone is living through a nightmare.
0:15

If this video doesn’t shake you, nothing will. This is a reminder that evil still exists, that innocence is still being stolen, and that not every child gets the chance to grow up in peace. The world is not always the beautiful place we imagine. Be grateful for the life you have, and never forget that somewhere, someone is living through a nightmare.

Accra Pulse

6,351,739 görüntüleme • 23 gün önce

Faith in humanity is the conviction that, given sufficient will, the collective mind is capable of shaping a civilization in which dignity, freedom, and mutual care become a stable norm of social existence. : The author defines faith in humanity as the deep conviction that, with sufficient collective will, the shared human mind can build a civilization where dignity, freedom, and mutual care form the stable norm of social life. This faith is not blind optimism. It is a deliberate trust in our capacity to choose better. It recognizes the raw material: minds capable of empathy, foresight, and cooperation. The challenge is to direct that capacity toward lasting structures that protect every person’s worth, liberty, and security. When dignity is no longer a privilege but the default, when freedom is paired with responsibility, when care for others is woven into the fabric of society, then humanity proves its own faith justified. The alternative is resignation: accepting division, exploitation, and indifference as inevitable. Faith in humanity rejects that surrender. It insists that we are not condemned to repeat the past. We can decide, together, to make mutual care the rule rather than the exception. That decision is the quiet revolution faith demands. It begins with the belief that we are capable of it. And it ends with a world that finally matches the best of what we are.
0:13

Faith in humanity is the conviction that, given sufficient will, the collective mind is capable of shaping a civilization in which dignity, freedom, and mutual care become a stable norm of social existence. : The author defines faith in humanity as the deep conviction that, with sufficient collective will, the shared human mind can build a civilization where dignity, freedom, and mutual care form the stable norm of social life. This faith is not blind optimism. It is a deliberate trust in our capacity to choose better. It recognizes the raw material: minds capable of empathy, foresight, and cooperation. The challenge is to direct that capacity toward lasting structures that protect every person’s worth, liberty, and security. When dignity is no longer a privilege but the default, when freedom is paired with responsibility, when care for others is woven into the fabric of society, then humanity proves its own faith justified. The alternative is resignation: accepting division, exploitation, and indifference as inevitable. Faith in humanity rejects that surrender. It insists that we are not condemned to repeat the past. We can decide, together, to make mutual care the rule rather than the exception. That decision is the quiet revolution faith demands. It begins with the belief that we are capable of it. And it ends with a world that finally matches the best of what we are.

Zafar Mirzo | Quotes

375,065 görüntüleme • 6 ay önce

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏
0:15

If you ever get the chance to go to Normandy, take it. Don't just visit it-take your time and let it sink in, because it is one of the most humbling experiences I've ever had. Standing there, looking out across those beaches, you can almost feel the weight of what happened there. It's hard to fully understand what those soldiers went through until you're standing in that place, realizing the courage it took just to run toward that shore. The beauty of Normandy is quiet and powerful, but so is the sacrifice it represents. The rows of white crosses, the history in the ground, the silence in the air-it all reminds you that freedom came at a tremendous cost. It's the kind of place that stays with you long after you leave. It makes you grateful, reflective, and a little more aware of how much was given for the life we live today. Normandy is more than a battlefield. It is a lesson in sacrifice, bravery, and remembrance. 🙏🇺🇸🙏

G-PA

178,708 görüntüleme • 1 ay önce

"The worst-case scenario in 2027 is that no winner will emerge in the first round, we have to go for a second runoff, and Tinubu will not be on the ballot because he will become a distant third. He has no pathway to win. I have done the mass." Malam Elrufai
0:19

"The worst-case scenario in 2027 is that no winner will emerge in the first round, we have to go for a second runoff, and Tinubu will not be on the ballot because he will become a distant third. He has no pathway to win. I have done the mass." Malam Elrufai

ADC Vanguard

67,527 görüntüleme • 6 ay önce

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland
0:07

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 görüntüleme • 2 yıl önce

This is called the sonder effect. It’s the realization that every stranger you see has an inner life as rich, layered, and emotionally real as your own. The person walking past you is not just “a woman in a red coat” or “some guy in traffic.” He has a past, private fears, people he misses, routines he hates, memories that still sting, and plans he has not told anyone yet. Most of the time, our brains simplify other people into background. Not because we are cruel, but because we have to move through the world from inside our own point of view. Sonder is what happens when that illusion breaks for a second. You stop seeing people as scenery and start seeing them as entire worlds. That is what makes it powerful. It does not just make the world feel bigger. It makes you more humble, more patient, and a little more aware of how much you do not know about the people around you. For one second, the background characters disappear. And everyone becomes real.
0:10

This is called the sonder effect. It’s the realization that every stranger you see has an inner life as rich, layered, and emotionally real as your own. The person walking past you is not just “a woman in a red coat” or “some guy in traffic.” He has a past, private fears, people he misses, routines he hates, memories that still sting, and plans he has not told anyone yet. Most of the time, our brains simplify other people into background. Not because we are cruel, but because we have to move through the world from inside our own point of view. Sonder is what happens when that illusion breaks for a second. You stop seeing people as scenery and start seeing them as entire worlds. That is what makes it powerful. It does not just make the world feel bigger. It makes you more humble, more patient, and a little more aware of how much you do not know about the people around you. For one second, the background characters disappear. And everyone becomes real.

Sovey

12,469 görüntüleme • 3 ay önce

The Circle 🐜 Nobody told the ant about the circle. That, as far as anyone can tell, is the whole problem. A researcher named Kostowski – this was in the early 1970s, at a laboratory in Warsaw that smelled permanently of formaldehyde and institutional coffee – discovered quite by accident that if you draw a continuous line around an ant using a felt-tip pen, the ant will not cross it. It will walk right up to the line, pause with what appears to be genuine philosophical unease, and turn back. It will do this indefinitely. For hours. Sometimes for days. The ant is not stupid. Let’s be clear about that. The creature you are looking at in this photograph – this tiny, improbable machine of chitin and chemical signals, this six-legged marvel that can carry fifty times its own body weight and navigate by polarized light – has a brain roughly the size of a pinhead, and yet that brain contains approximately 250,000 neurons dedicated entirely to making sense of the world. It has survived as a species for 130 million years. It watched the dinosaurs arrive, flourish, and disappear, and then went back to work. And yet here it is. Trapped by a drawing. The reason is chemistry, not cognition. Ants navigate by pheromones – volatile chemical compounds that their legs read like a blind man reads braille. When they encounter the solvent in a felt-tip pen, something in their nervous system fires an alarm. The signal says: boundary. The signal says: edge of the known world. And the ant, loyal to its chemistry in the way that all of us are loyal to ours, obeys. This is the part that stays with you if you think about it too long. The ant’s prison has no walls. No bars. No lock. It is made entirely of information – a chemical whisper laid down by a felt-tip marker – and the ant cannot see past it, because it has no framework for doing so. The circle is not a circle to the ant. The circle is simply: where the world ends. I find myself thinking about this more than is probably healthy. We are, most of us, walking around inside our own circles. They were drawn for us gradually, by parents and teachers and early disappointments, by the limits of what we saw done and the boundaries of what we were told was possible. We bump up against them occasionally – in those moments when a job offer from another city seems too frightening, or a new idea feels somehow presumptuous – and we turn back. Not because anything is stopping us. Because the world, as far as we can tell, simply ends there. The ant in the photograph is walking the inner edge of its circle with a kind of purposeful calm that is almost admirable. It has not given up. It is still looking. It is still moving. It simply cannot conceive of a direction that leads out. Kostowski, for what it’s worth, eventually just picked the ant up and moved it. Sometimes that’s what it takes. Gandalv / Gandalv
0:10

The Circle 🐜 Nobody told the ant about the circle. That, as far as anyone can tell, is the whole problem. A researcher named Kostowski – this was in the early 1970s, at a laboratory in Warsaw that smelled permanently of formaldehyde and institutional coffee – discovered quite by accident that if you draw a continuous line around an ant using a felt-tip pen, the ant will not cross it. It will walk right up to the line, pause with what appears to be genuine philosophical unease, and turn back. It will do this indefinitely. For hours. Sometimes for days. The ant is not stupid. Let’s be clear about that. The creature you are looking at in this photograph – this tiny, improbable machine of chitin and chemical signals, this six-legged marvel that can carry fifty times its own body weight and navigate by polarized light – has a brain roughly the size of a pinhead, and yet that brain contains approximately 250,000 neurons dedicated entirely to making sense of the world. It has survived as a species for 130 million years. It watched the dinosaurs arrive, flourish, and disappear, and then went back to work. And yet here it is. Trapped by a drawing. The reason is chemistry, not cognition. Ants navigate by pheromones – volatile chemical compounds that their legs read like a blind man reads braille. When they encounter the solvent in a felt-tip pen, something in their nervous system fires an alarm. The signal says: boundary. The signal says: edge of the known world. And the ant, loyal to its chemistry in the way that all of us are loyal to ours, obeys. This is the part that stays with you if you think about it too long. The ant’s prison has no walls. No bars. No lock. It is made entirely of information – a chemical whisper laid down by a felt-tip marker – and the ant cannot see past it, because it has no framework for doing so. The circle is not a circle to the ant. The circle is simply: where the world ends. I find myself thinking about this more than is probably healthy. We are, most of us, walking around inside our own circles. They were drawn for us gradually, by parents and teachers and early disappointments, by the limits of what we saw done and the boundaries of what we were told was possible. We bump up against them occasionally – in those moments when a job offer from another city seems too frightening, or a new idea feels somehow presumptuous – and we turn back. Not because anything is stopping us. Because the world, as far as we can tell, simply ends there. The ant in the photograph is walking the inner edge of its circle with a kind of purposeful calm that is almost admirable. It has not given up. It is still looking. It is still moving. It simply cannot conceive of a direction that leads out. Kostowski, for what it’s worth, eventually just picked the ant up and moved it. Sometimes that’s what it takes. Gandalv / Gandalv

Gandalv

28,294 görüntüleme • 3 ay önce

Mike Johnson: "The Ayatollah is no more. That was not the mission of the US, to go in and take out the regime, but that happened and in my estimation that is a great development for freedom loving people around the world."
0:19

Mike Johnson: "The Ayatollah is no more. That was not the mission of the US, to go in and take out the regime, but that happened and in my estimation that is a great development for freedom loving people around the world."

Aaron Rupar

27,942 görüntüleme • 4 ay önce