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Thief (1981) Dir. Michael Mann Released in theaters 45 years ago today, Thief remains one of the greatest neo-noir heist thrillers ever made. It was Michael Mann’s feature debut, though he’d already spent years working in television, many of the film’s visual ideas had been developing in him for...

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23,892 görüntüleme • 4 ay önce •via X (Twitter)

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One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.
2:59

One of the things that makes the ending of Heat so powerful is its music—Moby's "God Moving Over the Face of the Waters." At the time, Moby was relatively unknown, yet Michael Mann somehow discovered the obscure track and decided it was perfect for the final scene. Moby explains: “Let’s get in our little time machine and go back to 1994. I was part of the rave scene, and I was making my first album, Everything Is Wrong. One of the songs—in fact, the last song on the album—that I was desperate to include was "God Moving Over the Face of the Waters." It could arguably be the strangest song ever included on what was supposed to be a dance album. There are no drums and nothing overtly electronic about it. When I was working on it and mixing it, I fell in love with it almost more than anything I’d ever done. So I put it on the album, and it sat there at the end, largely ignored. But somehow, and I still don’t know how, Michael Mann heard it and wanted to use it in this movie he was working on called Heat, with Al Pacino, Robert De Niro, Val Kilmer, on and on and on. This real movie. I was baffled. How does Michael Mann know who I am? How does Michael Mann know about this piece of music? But I said yes, of course. It was such an amazing opportunity. This major Hollywood director knew who I was and wanted to use my music. They flew me to Los Angeles and put me in a professional studio to tailor “God Moving” to the closing scene of the film. Until then, I had only ever worked in my homemade studio in an abandoned loft building in New York… One of the most terrifying professional moments of my life came when someone told me, “Michael Mann wants to talk to you.” And I was like, “Can’t he just leave me alone? I’m terrified. I don’t want to talk to humans.” I thought, “Okay, Michael Mann is going to call me, and it’s going to be scary, but I can deal with it because I’m a big boy.” The phone rang, I picked it up, and Michael Mann talked for about 45 minutes. He talked about archetypes within the film, classical narrative elements and tropes. It was like he gave me this masterclass in what Heat was about, and then just hung up the phone. And then it came out, and to hear the music that I’d made against this phenomenal, beautiful scene—it really was special. I’m thrilled that, 30 years later, people are still discovering the film and “God Moving Over the Face of the Waters.” Spoiler warning: The clip below contains the ending of Heat. If you haven't seen the film, don't watch past the first 30 seconds. The music doesn't begin until about a minute into the scene.

Gangster Cinema Central

27,798 görüntüleme • 24 gün önce

Justin Verlander, who is retiring at the end of the season, reflects on his time with the Mets: "I really fell in love with the city. It was short, obviously. Didn't go the way we wanted. There's a lot of things that were sad about it. But I think the relationship with Steve Cohen and his wife Alex, how great they were to me and my family. Getting to play that short time in New York was incredible. I still have my apartment in the city. There's not a lot of positives. I made some great relationships there. I think another thing that I appreciate was getting the chance to play with Max again, kind of rekindle that relationship after some years away. Just a lot of growth. I remember my daughter like bebopping around the city in her little scooter. Just a lot of, like, life memories there. It was a cool time for me in my life."
0:43

Justin Verlander, who is retiring at the end of the season, reflects on his time with the Mets: "I really fell in love with the city. It was short, obviously. Didn't go the way we wanted. There's a lot of things that were sad about it. But I think the relationship with Steve Cohen and his wife Alex, how great they were to me and my family. Getting to play that short time in New York was incredible. I still have my apartment in the city. There's not a lot of positives. I made some great relationships there. I think another thing that I appreciate was getting the chance to play with Max again, kind of rekindle that relationship after some years away. Just a lot of growth. I remember my daughter like bebopping around the city in her little scooter. Just a lot of, like, life memories there. It was a cool time for me in my life."

SNY Mets

167,196 görüntüleme • 1 ay önce

Please spare a thought for Michael Ward, who was born on this day (yesterday, sorry Michael!) in Carnmenellis, Cornwall in 1909. Michael was the very first actor I plucked up the courage to contact for an interview, way back in April 1989. He’d recently celebrated his 80’s birthday yet was wheelchair bound, had no family and had basically been forgotten about by the industry. As well as getting my interview we became firm friends and I kind of looked after him for the last eight years of his life. Every Sunday I’d arrive at his flat in Maida Vale and take him to my mum’s place where we’d have lunch and watch videos of some of the films he was in. Apart from the odd television repeat I don’t think he’d really seen himself on TV much and as the memories came flooding back he’d reel off story after story. One of my last memories of Michael happened shortly before he died in 1997. He’d decided to grow a beard and when I saw him I said something along the lines of, ‘My word, you look very distinguished’. ‘Surely you mean extinguished,’ he replied.
2:22

Please spare a thought for Michael Ward, who was born on this day (yesterday, sorry Michael!) in Carnmenellis, Cornwall in 1909. Michael was the very first actor I plucked up the courage to contact for an interview, way back in April 1989. He’d recently celebrated his 80’s birthday yet was wheelchair bound, had no family and had basically been forgotten about by the industry. As well as getting my interview we became firm friends and I kind of looked after him for the last eight years of his life. Every Sunday I’d arrive at his flat in Maida Vale and take him to my mum’s place where we’d have lunch and watch videos of some of the films he was in. Apart from the odd television repeat I don’t think he’d really seen himself on TV much and as the memories came flooding back he’d reel off story after story. One of my last memories of Michael happened shortly before he died in 1997. He’d decided to grow a beard and when I saw him I said something along the lines of, ‘My word, you look very distinguished’. ‘Surely you mean extinguished,’ he replied.

James Hogg

24,900 görüntüleme • 4 ay önce

This is not the Portland, Oregon that I grew up in. I was a Trail Blazers Dancer in my early 20’s for several years and I used to LOVE being out in the city, especially at night! Those were some of the best years of my life. Now I worry about parking downtown in the middle of the day and getting my car broken into… not to mention all of the protests and riots taking place. It’s honestly just sad.
1:00

This is not the Portland, Oregon that I grew up in. I was a Trail Blazers Dancer in my early 20’s for several years and I used to LOVE being out in the city, especially at night! Those were some of the best years of my life. Now I worry about parking downtown in the middle of the day and getting my car broken into… not to mention all of the protests and riots taking place. It’s honestly just sad.

Taren Feist

54,457 görüntüleme • 7 ay önce

Michael Vick says he had $13,000,000 in the bank but still had the hood in him when he got involved in dog fighting “I had $13 million in the bank when I was 25 or 26 years old and didn't know what to do with it” “I went to Arther Blank, I said ‘I don't know what to do with this money. I got everything I want, every car, every house, and there's more coming. I got to protect this now. Introduce me to some people and help me grow this’” “We had a sit down, but it was just a little too late. They took everything from me. That came from my play. I saved everything. I might have spent maybe liquid $2 million” “That had nothing to do with any of my friends. I grew up under that. I grew up seeing that, grew up watching it. I still had the hood in me” “Nobody ever went to prison though. I didn't go to prison for that. I went to prison for interstate commerce. That’s water under the bridge”
2:21

Michael Vick says he had $13,000,000 in the bank but still had the hood in him when he got involved in dog fighting “I had $13 million in the bank when I was 25 or 26 years old and didn't know what to do with it” “I went to Arther Blank, I said ‘I don't know what to do with this money. I got everything I want, every car, every house, and there's more coming. I got to protect this now. Introduce me to some people and help me grow this’” “We had a sit down, but it was just a little too late. They took everything from me. That came from my play. I saved everything. I might have spent maybe liquid $2 million” “That had nothing to do with any of my friends. I grew up under that. I grew up seeing that, grew up watching it. I still had the hood in me” “Nobody ever went to prison though. I didn't go to prison for that. I went to prison for interstate commerce. That’s water under the bridge”

dank

3,105,752 görüntüleme • 2 ay önce

Lady Gaga shouts out Donatella Versace who's in the crowd of The MAYHEM Ball in Milan tonight: "Donatella is here. That's right! I wanna tell you something about Donatella. During my career I've had many ups and downs. And some were very big, some were in the middle. And, when they happened, so many people around me changed. And so many people didn't support me, or weren't there for me when I wasn't cool. Donatella was always there. Always. In fact, Donatella, I think when I was hurting, you made things even more beautiful. You would go, like, the extra distance to make me smile. And, you know, I didn't have a tons of mentors my whole career, but she was one of them. She taught me how to be kind to people."
0:51

Lady Gaga shouts out Donatella Versace who's in the crowd of The MAYHEM Ball in Milan tonight: "Donatella is here. That's right! I wanna tell you something about Donatella. During my career I've had many ups and downs. And some were very big, some were in the middle. And, when they happened, so many people around me changed. And so many people didn't support me, or weren't there for me when I wasn't cool. Donatella was always there. Always. In fact, Donatella, I think when I was hurting, you made things even more beautiful. You would go, like, the extra distance to make me smile. And, you know, I didn't have a tons of mentors my whole career, but she was one of them. She taught me how to be kind to people."

The MAYHEM Ball

264,874 görüntüleme • 10 ay önce

Thief (1981) Dir. Michael Mann Quentin Tarantino on Michael Mann and the influence of Thief. '"Everyone heard about after the fact that he just kept a water truck on his set all the time just to constantly wet down streets. And then all of a sudden that became the thing for directors to do. "Thief looks fantastic. Let's get a water truck and let's just wet down these night streets and throw lights on them." ...when you're saying it affected your work, I mean, there's lines in Thief that affected my life. Insofar as I have always lived my life trying to be like James Caan insofar as I am Joe Boss of my own life. I am Joe Boss! and I am Joe Boss of my own life!"'
2:24

Thief (1981) Dir. Michael Mann Quentin Tarantino on Michael Mann and the influence of Thief. '"Everyone heard about after the fact that he just kept a water truck on his set all the time just to constantly wet down streets. And then all of a sudden that became the thing for directors to do. "Thief looks fantastic. Let's get a water truck and let's just wet down these night streets and throw lights on them." ...when you're saying it affected your work, I mean, there's lines in Thief that affected my life. Insofar as I have always lived my life trying to be like James Caan insofar as I am Joe Boss of my own life. I am Joe Boss! and I am Joe Boss of my own life!"'

Gangster Cinema Central

116,672 görüntüleme • 5 ay önce

Michael Jordan was not the type to engage in pointless chatter like LeBron. He was solely focused on winning. Dennis Rodman: “Scottie and Michael… in the three years we were in Chicago, we never once had a conversation. The only time we spoke was on the court. That was it. For us, it was all about going there and winning.” ーVia: Graham Bensinger interview
1:18

Michael Jordan was not the type to engage in pointless chatter like LeBron. He was solely focused on winning. Dennis Rodman: “Scottie and Michael… in the three years we were in Chicago, we never once had a conversation. The only time we spoke was on the court. That was it. For us, it was all about going there and winning.” ーVia: Graham Bensinger interview

♣️Jokic & MJ♦️GOATs fan

108,301 görüntüleme • 1 ay önce

Julius Randle on Ayo Dosunmu: “I didn't know he was that damn good. I ain't gonna lie to you. When I was in the East and he was in Chicago, that were those DeMar DeRozan and Zach LaVine teams, so I don’t know if the opportunity was there as much, but damn, I'm glad we got him.”
0:36

Julius Randle on Ayo Dosunmu: “I didn't know he was that damn good. I ain't gonna lie to you. When I was in the East and he was in Chicago, that were those DeMar DeRozan and Zach LaVine teams, so I don’t know if the opportunity was there as much, but damn, I'm glad we got him.”

Michael Scotto

1,133,289 görüntüleme • 4 ay önce

I accepted Jesus Christ as my Lord and savior 15 years ago. But I hadn’t ever been baptized. In 2016, I had an opportunity to go to Israel with my church. It was there that I chose to get baptized in the Jordan River. The same river Jesus was baptized in.
0:30

I accepted Jesus Christ as my Lord and savior 15 years ago. But I hadn’t ever been baptized. In 2016, I had an opportunity to go to Israel with my church. It was there that I chose to get baptized in the Jordan River. The same river Jesus was baptized in.

Unkonfined

40,466 görüntüleme • 1 yıl önce

TV critic and broadcaster Scott Bryan talked about autism representation in ‘Heated Rivalry’ on the BBC Breakfast this morning 💗 “The show depicted neurodivergence, many people picking up one of the characters in the drama is autistic. I think it highlighted the traits that he was experiencing in a really grounded way, but also highlighted all of the other parts of his personality as well. His autism wasn’t the only thing we learnt about him. For myself, I found out I was autistic only a couple of years ago and this was the first depiction of autism on TV that I saw to be really quite relatable and realistic, and I know for a lot of other people they found it to be the same way.”
1:17

TV critic and broadcaster Scott Bryan talked about autism representation in ‘Heated Rivalry’ on the BBC Breakfast this morning 💗 “The show depicted neurodivergence, many people picking up one of the characters in the drama is autistic. I think it highlighted the traits that he was experiencing in a really grounded way, but also highlighted all of the other parts of his personality as well. His autism wasn’t the only thing we learnt about him. For myself, I found out I was autistic only a couple of years ago and this was the first depiction of autism on TV that I saw to be really quite relatable and realistic, and I know for a lot of other people they found it to be the same way.”

Hudson Williams Online

27,687 görüntüleme • 5 gün önce

James Caan on the mental state of the protagonist in Michael Mann's "Thief" (1981) & the reason why he couldn't stand the movie when he saw it: "He (Frank) learned to exist in jail. After he achieved the mental attitude that he didn't care about anything, they left him alone. Because if you're going to mess with him, he was willing to go the distance. The way I work, I like to be emotionally available, but this guy is available to nothing. Pretty soon I would find myself getting angry, my personal problems - with my son, with my ex-wife, whatever - would be magnified, because this guy was in existential pain for such a long time. For three months, I was a lunatic, I had migraines 24 hours a day, I lost about 20 pounds. And then when I looked at the movie, I couldn't stand it. My eyes were like two pieces of glass. They scared me. I said, 'That guy's a ki!!er.' '' ("At the movies by Chris Chase; For 'Thief' role, James Caan got first-hand data", The New York Times, 1981.) P.S: On this day, 45 years ago, "Thief" (1981) was released in the USA & Canada.
2:12

James Caan on the mental state of the protagonist in Michael Mann's "Thief" (1981) & the reason why he couldn't stand the movie when he saw it: "He (Frank) learned to exist in jail. After he achieved the mental attitude that he didn't care about anything, they left him alone. Because if you're going to mess with him, he was willing to go the distance. The way I work, I like to be emotionally available, but this guy is available to nothing. Pretty soon I would find myself getting angry, my personal problems - with my son, with my ex-wife, whatever - would be magnified, because this guy was in existential pain for such a long time. For three months, I was a lunatic, I had migraines 24 hours a day, I lost about 20 pounds. And then when I looked at the movie, I couldn't stand it. My eyes were like two pieces of glass. They scared me. I said, 'That guy's a ki!!er.' '' ("At the movies by Chris Chase; For 'Thief' role, James Caan got first-hand data", The New York Times, 1981.) P.S: On this day, 45 years ago, "Thief" (1981) was released in the USA & Canada.

DepressedBergman

172,819 görüntüleme • 4 ay önce

Anyone remember Armand’s Pizza. It was Chicago style deep dish pizza that started in DC 50 years ago. At one point there were a bunch of them all over the DMV, but for the last few years, the final one remained in Rockville, Maryland. Well, unfortunately, Armand’s it’s about to be gone for good, as the final location will be closing in a week. Now, if you watch this channel, you know, I prefer Tavern style pizza if I’m in Chicago, and I do not eat deep dish pizza unless I’m inside Chicago 😜 (Shoutout Peaquods). So I had never been here before, but I felt like a lot of people might have some memories of this so I wanted to show them one last pizza. PS: Giordano’s, which is from Chicago just opened up a location in DC so maybe I’ll have to check that one out too lol.
1:00

Anyone remember Armand’s Pizza. It was Chicago style deep dish pizza that started in DC 50 years ago. At one point there were a bunch of them all over the DMV, but for the last few years, the final one remained in Rockville, Maryland. Well, unfortunately, Armand’s it’s about to be gone for good, as the final location will be closing in a week. Now, if you watch this channel, you know, I prefer Tavern style pizza if I’m in Chicago, and I do not eat deep dish pizza unless I’m inside Chicago 😜 (Shoutout Peaquods). So I had never been here before, but I felt like a lot of people might have some memories of this so I wanted to show them one last pizza. PS: Giordano’s, which is from Chicago just opened up a location in DC so maybe I’ll have to check that one out too lol.

DMV Adventures

23,785 görüntüleme • 2 ay önce

Joe Burrow admits that spending more than three years as a backup at Ohio State made him question whether his confidence was actually delusion “At Ohio State, I was definitely questioning myself. I thought, ‘I’m working so hard in the weight room.’ ‘I’m playing really well in practice.’ But I felt like nobody was really taking notice. Nobody was seeing the improvement.” “‘Do I have a warped sense of myself?’ ‘Do I have a warped sense of how I’m playing?’ ‘Or what kind of quarterback I am?’ Those three and a half years were definitely tough.” “I had so much confidence in the work I was putting in. And the growth that I was having. But I felt like not a lot of people had confidence in me. Really, all I had was the confidence in myself… And the work that I was putting in… Would eventually come to light and pay off. Thank God it did.”
1:00

Joe Burrow admits that spending more than three years as a backup at Ohio State made him question whether his confidence was actually delusion “At Ohio State, I was definitely questioning myself. I thought, ‘I’m working so hard in the weight room.’ ‘I’m playing really well in practice.’ But I felt like nobody was really taking notice. Nobody was seeing the improvement.” “‘Do I have a warped sense of myself?’ ‘Do I have a warped sense of how I’m playing?’ ‘Or what kind of quarterback I am?’ Those three and a half years were definitely tough.” “I had so much confidence in the work I was putting in. And the growth that I was having. But I felt like not a lot of people had confidence in me. Really, all I had was the confidence in myself… And the work that I was putting in… Would eventually come to light and pay off. Thank God it did.”

Josh Chambers

550,266 görüntüleme • 23 gün önce

I didn't like very big budget deficits. I thought often when people quoted Keynes about it not always being necessary to balance things one year with another, they always took the deficit years and forgot the years you in fact had a surplus so you had a balance over time. So deficits rose and rose. We got in. I was determined to tackle public expenditure. It was tough. Of course, we had a recession in 1981 and it went up but only very slightly because we were being very tough. In fact, I did the whole Falklands campaign without any increase in expenditure because we had the contingency reserve and that was adequate. At the end of my time, in the last four years, we had a budget surplus: We were able to redeem debt. Now, you don't get that without trying to be tough the whole time. There were some people who said, "Oh we've had a tough time. Consolidate. Don't you think you ought to be more generous to people?" I said, "With who's money?" And so, I left four years' surplus.
1:26

I didn't like very big budget deficits. I thought often when people quoted Keynes about it not always being necessary to balance things one year with another, they always took the deficit years and forgot the years you in fact had a surplus so you had a balance over time. So deficits rose and rose. We got in. I was determined to tackle public expenditure. It was tough. Of course, we had a recession in 1981 and it went up but only very slightly because we were being very tough. In fact, I did the whole Falklands campaign without any increase in expenditure because we had the contingency reserve and that was adequate. At the end of my time, in the last four years, we had a budget surplus: We were able to redeem debt. Now, you don't get that without trying to be tough the whole time. There were some people who said, "Oh we've had a tough time. Consolidate. Don't you think you ought to be more generous to people?" I said, "With who's money?" And so, I left four years' surplus.

Margaret Thatcher

66,907 görüntüleme • 8 ay önce

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.
3:24

John Carpenter on how Howard Hawks's "Rio Bravo" (1959) inspired him to become a filmmaker: "As I got older I began to see that certain directors did certain things. One of the earliest examples of this was Roger Corman. I started going to see these exciting, fast, kind of cheesy but really fun monster movies, and there was one name that kept coming up on the screen: Roger Corman. 'It Conquered the World' (1956), 'Not of This Earth' (1957), 'Attack of the Crab Monsters' (1957), 'The Undead' (1957)... But | really understood for the first time what a director did when I saw 'Rio Bravo' in 1959. There was something about that movie that was like home and I can't really explain it. It was held over in Bowling Green for three or four weeks in a row because people kept coming to see it. I abandoned to see what was new in the other movie house in town to see this movie every weekend again and again because there was something in it that was different from the other westerns I had seen. I had certainly seen John Wayne before. He had become a part of my growing-up experience. He was the action guy, the cowboy. He was the guy in 'Flying Tigers' (1942) who was flying the airplanes. So what was so different about that movie? Then I became aware of this credit: “Howard Hawks’ Rio Bravo.” I looked at the poster and I said to myself, “Who is this guy? He didn't write the movie and he wasn't starring in it so why is his name up here? And why is he last in the credits?” All these things started to occur to me, but it was the emotional impact of the film that got me to start using my brain. Some way I figure out that this director made that movie." ("The Prince of Darkness: The Prince of Darkness", Gilles Boulenger, 2001) P.S: Remembering the great American filmmaker Howard Hawks on his 130th birthday.

DepressedBergman

55,688 görüntüleme • 2 ay önce

#AusGP || Arvid Lindblad about his battle with Lewis Hamilton. “Yeah, I don’t know… I know I’m sort of the young kid and I’m the rookie and stuff but when I’m in the car I’m a fierce competitor and you know, I’m gonna take every opportunity I get and I think I showed that today and it was very exciting for me to battle with those guys.” “Talking about Lewis, I grew up watching him on the TV, he was one of the big reasons why I fell in love with sport so to have a battle with him was really cool, definitely a few ‘pinch me’ moments.”
0:39

#AusGP || Arvid Lindblad about his battle with Lewis Hamilton. “Yeah, I don’t know… I know I’m sort of the young kid and I’m the rookie and stuff but when I’m in the car I’m a fierce competitor and you know, I’m gonna take every opportunity I get and I think I showed that today and it was very exciting for me to battle with those guys.” “Talking about Lewis, I grew up watching him on the TV, he was one of the big reasons why I fell in love with sport so to have a battle with him was really cool, definitely a few ‘pinch me’ moments.”

sin ⁴⁴

178,539 görüntüleme • 5 ay önce

Trump has the audience dying in Chicago "I've known Kamala a long time... She was always of Indian heritage... I didn't know she was Black until a couple of years ago when she happened to turn Black"
0:44

Trump has the audience dying in Chicago "I've known Kamala a long time... She was always of Indian heritage... I didn't know she was Black until a couple of years ago when she happened to turn Black"

johnny maga

1,220,383 görüntüleme • 2 yıl önce