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This is for everyone who still thinks Gen3D is useless 🤣 I generated a koi fish with clean topology using Tripo 🔜 gamescom but it was just a static mesh. No rig. No bones. Nothing. I wanted to animate it without touching Blender because I genuinely have no idea...

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The Bugged Dev

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12,998 görüntüleme • 5 gün önce •via X (Twitter)

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✨ To inspire more people to go build something now that we have AI to help us (especially non-tech people, cause I still know so many who are scared of building something): I added a [ BUILD IT ] button to It's like a mini-Lovable/Replit/v0: Any idea you see you like, you can click [ BUILD IT ], and it will use Opus 4.6 to build a landing page for it And then you can download the code it generated It's not a full startup of course, but a nice preview of what it can be, to give you an idea and inspire you to build it out further The code is live streamed also so you can see it being built 😊 Ironically this itself took me 1 hour to build with AI too Completely free and I pay for the tokens (please don't abuse it :D)
0:55

✨ To inspire more people to go build something now that we have AI to help us (especially non-tech people, cause I still know so many who are scared of building something): I added a [ BUILD IT ] button to It's like a mini-Lovable/Replit/v0: Any idea you see you like, you can click [ BUILD IT ], and it will use Opus 4.6 to build a landing page for it And then you can download the code it generated It's not a full startup of course, but a nice preview of what it can be, to give you an idea and inspire you to build it out further The code is live streamed also so you can see it being built 😊 Ironically this itself took me 1 hour to build with AI too Completely free and I pay for the tokens (please don't abuse it :D)

@levelsio

277,278 görüntüleme • 5 ay önce

Casually vibe coded Trevor Noah's latest website "Books" page using Fable 5 😍 I really loved the effects and animations on the website and immediately wanted to see if I could recreate them with AI. Pretty close in just a couple of prompts, isn't it? Everything is built in Three.js with no 3D assets for the books. Claude built the whole thing using pure math and animated it nicely with GSAP. Feels so realistic and close to real book. Pretty fun to see how close you can get to the kind of work agencies charge thousands of dollars for, just by describing what you want :D Live: Code:
0:23

Casually vibe coded Trevor Noah's latest website "Books" page using Fable 5 😍 I really loved the effects and animations on the website and immediately wanted to see if I could recreate them with AI. Pretty close in just a couple of prompts, isn't it? Everything is built in Three.js with no 3D assets for the books. Claude built the whole thing using pure math and animated it nicely with GSAP. Feels so realistic and close to real book. Pretty fun to see how close you can get to the kind of work agencies charge thousands of dollars for, just by describing what you want :D Live: Code:

The Bugged Dev

234,443 görüntüleme • 1 ay önce

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:
0:49

This is one of the wildest things I have built with AI so far 😱 Asked Claude Fable 5 to create a fully interactive 3D crime investigation board using Three.js and it did it in ONE Prompt. It took one more prompt to give it a polished UI inspired by a reference design that I created with GPT Image. What surprised me most was not how it looked. It was how it worked. Fable built a complete Verlet rope physics system with 46 particles in every thread. It handled gravity, damping, distance constraints and all other features of file upload, text and everything. The threads/ropes even lift naturally with pinned evidence instead of clipping through it. I never asked it to implement any of that. I only described the experience I wanted. Maybe that's how we should work with AI. Instead of writing long long specs, we should explain what we want as an experience and let AI do its thing. Anyway, every day Fable 5 raises the bar for what I think AI can build. More to this Live: Code:

The Bugged Dev

103,991 görüntüleme • 1 ay önce

ziyu just released his new cover song “i am a fish” 🩵🫶 english lyrics : can i stop missing you? i need to pull myself together. the weather in july, august, and september is like us, needing a rainstorm, needing you. i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore. can you wake up and realize that love is something joyful? all i have is sincerity. even at the end of the world, i wouldn’t leave. i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore. i am a fish standing on the shore, and once, i lived inside your life. i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, why can’t we be together? how could i ever forget that i once lived in the ocean? i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore.
3:06

ziyu just released his new cover song “i am a fish” 🩵🫶 english lyrics : can i stop missing you? i need to pull myself together. the weather in july, august, and september is like us, needing a rainstorm, needing you. i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore. can you wake up and realize that love is something joyful? all i have is sincerity. even at the end of the world, i wouldn’t leave. i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore. i am a fish standing on the shore, and once, i lived inside your life. i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, why can’t we be together? how could i ever forget that i once lived in the ocean? i need you, i am a fish. the air in the water is your pettiness and bad temper. without you, i’m like a fish out of water, barely able to survive, unable to swim around with you anymore.

mag ⋆. 𐙚 ˚

40,130 görüntüleme • 9 ay önce

You don't need to be a 3D artist to start building 3D websites anymore 💛 Built this cool 3D jet drone website in Three.js using Claude Opus 5 and Tripo 🔜 gamescom in < 1 hour. A lot of people still think AI is great for generating code, but not for building something that actually feels polished and interactive or "complex". But it has been changing super fast these days. The model you see here is only 946KB, compressed from its original 13.6MB size automatically by Claude without losing any quality. This kind of intelligence has been developed in many other AI tools for anything related to 3D (except GPT 5.6 sol lol). You just have to describe what you want and they handle everything "engineerly" (that's not even a word but okay :D) Anyway, also you don't really have to learn anything about 3D modeling to create these models. All you need is a good image and put it in Tripo. For this case, i generated model using "smart mesh" feature that generated a cleaner low-poly topology and edge flow. That helps keep your actual 3D asset even more lightweight. Earlier, with HD model feature, my model size with 8k texture was around 60-70MB but with Smart Mesh, it's around 13-16MB with 8k texture applied separately. Of course, this isn't something I knew from the beginning. All I did was "try" out different features and see what happens. Live: Code: Design:
0:27

You don't need to be a 3D artist to start building 3D websites anymore 💛 Built this cool 3D jet drone website in Three.js using Claude Opus 5 and Tripo 🔜 gamescom in < 1 hour. A lot of people still think AI is great for generating code, but not for building something that actually feels polished and interactive or "complex". But it has been changing super fast these days. The model you see here is only 946KB, compressed from its original 13.6MB size automatically by Claude without losing any quality. This kind of intelligence has been developed in many other AI tools for anything related to 3D (except GPT 5.6 sol lol). You just have to describe what you want and they handle everything "engineerly" (that's not even a word but okay :D) Anyway, also you don't really have to learn anything about 3D modeling to create these models. All you need is a good image and put it in Tripo. For this case, i generated model using "smart mesh" feature that generated a cleaner low-poly topology and edge flow. That helps keep your actual 3D asset even more lightweight. Earlier, with HD model feature, my model size with 8k texture was around 60-70MB but with Smart Mesh, it's around 13-16MB with 8k texture applied separately. Of course, this isn't something I knew from the beginning. All I did was "try" out different features and see what happens. Live: Code: Design:

The Bugged Dev

48,827 görüntüleme • 11 gün önce

text to 3D with TRELLIS directly in Blender I was sad that you had to do the steps by hand before, so I dockerzied the shit out of it all and then also turned it into a plugin
0:25

text to 3D with TRELLIS directly in Blender I was sad that you had to do the steps by hand before, so I dockerzied the shit out of it all and then also turned it into a plugin

Alberto

44,723 görüntüleme • 1 yıl önce

I solved building decks with AI agents — by giving them a CLI tool like Powerpoint or Google Slides. AI could already make a beautiful deck if you asked it to using Ant's pptx skill. The problem was working with it. If it made one alignment mistake, fixing it on one slide would break something on another, and it became a game of whack-a-mole. One time I spent two days playing AI roulette, hoping the next prompt would finally fix the thing, and ended up building the whole deck by hand because I was on a deadline. So I built Hands-on Deck. And the reason it works is that this isn't just a skill — this is PowerPoint. The actual application: PowerPoint, Google Slides, Keynote, whatever you use. This is that, but for an agent, presented as a CLI. Every gesture you make in a deck app maps to a command. Click a box and type, drag a shape from here to there, look at a slide – agent can do it all in a command. And that changes how the agent behaves. With this CLI it works and thinks like a designer — it looks, makes an edit, looks again, makes another surgical edit. Compare that to Anthropic's pptx skill, built on the idea that Claude is a great programmer: it literally writes code to manipulate the deck, hand-editing XML and hoping it doesn't break anything else in the middle. The real test isn't creating something once — it's whether it can make surgical edits like you want. That's what I did in this video walkthrough and my claude crushed it! Check it out for yourself. So decks can be built like a designer now — with real flavor and taste. If you spend hours every week on decks, this gives those hours back. You can install it as a skill in Claude Code, Codex, whatever you use. Works every harness that supports skills. Let me know if you make something cool with it.
21:00

I solved building decks with AI agents — by giving them a CLI tool like Powerpoint or Google Slides. AI could already make a beautiful deck if you asked it to using Ant's pptx skill. The problem was working with it. If it made one alignment mistake, fixing it on one slide would break something on another, and it became a game of whack-a-mole. One time I spent two days playing AI roulette, hoping the next prompt would finally fix the thing, and ended up building the whole deck by hand because I was on a deadline. So I built Hands-on Deck. And the reason it works is that this isn't just a skill — this is PowerPoint. The actual application: PowerPoint, Google Slides, Keynote, whatever you use. This is that, but for an agent, presented as a CLI. Every gesture you make in a deck app maps to a command. Click a box and type, drag a shape from here to there, look at a slide – agent can do it all in a command. And that changes how the agent behaves. With this CLI it works and thinks like a designer — it looks, makes an edit, looks again, makes another surgical edit. Compare that to Anthropic's pptx skill, built on the idea that Claude is a great programmer: it literally writes code to manipulate the deck, hand-editing XML and hoping it doesn't break anything else in the middle. The real test isn't creating something once — it's whether it can make surgical edits like you want. That's what I did in this video walkthrough and my claude crushed it! Check it out for yourself. So decks can be built like a designer now — with real flavor and taste. If you spend hours every week on decks, this gives those hours back. You can install it as a skill in Claude Code, Codex, whatever you use. Works every harness that supports skills. Let me know if you make something cool with it.

Nityesh

70,020 görüntüleme • 2 ay önce

You probably saw this and felt the same way I did at first: “This is soooo cool… but I have no idea where to even start. I’ve never built a Chrome extension before.” So I just asked Codex to do it 10 minutes later, it was fully working. 😭 Here’s a 3-minute tutorial showing exactly how I made it ↓ You can just build things
3:13

You probably saw this and felt the same way I did at first: “This is soooo cool… but I have no idea where to even start. I’ve never built a Chrome extension before.” So I just asked Codex to do it 10 minutes later, it was fully working. 😭 Here’s a 3-minute tutorial showing exactly how I made it ↓ You can just build things

Safinaz Elhadary

67,205 görüntüleme • 3 ay önce

I asked Garry Tan how to use meta prompting to get better at AI: "My partners at YC Jared Friedman and Pete Koomen showed me how to do this. You can take almost anything that you do all the time and just drop it into a context window. And then say, “Here’s a bunch of inputs and outputs." And maybe you also add a bunch of notes. And then you tell it, “Write me a prompt that can act as an agent that takes this input and makes this output over here.” You can do this for almost any type of knowledge work. And you can even introspect. "What are things you notice that I did to convert this from the input to the output?”. And then you can just start using the prompt. Initially, it’s going to suck. Because it’s just not that smart yet. But what’s funny is now, I also use it to Iterate my writing. You can be very direct, "I would never say that", "Don’t say it like this", or "Oh, you used the long word there, use the short word". Just speak to it conversationally. And then when you're happy with the output, you can use that new output to make a new prompt. "Based on this conversation, give me a better initial prompt that incorporates all the things we talked about." And you can do this with literally everything. And in theory, there’s so much it applies to that people do day-to-day. You could use it for tweets. You could use it for editing podcasts. You can use it for pretty much everything. I have a folder of prompts that I use all the time. My YouTube prompt is on v27 or something. I'll go through this process with all the different max models. I'll use GPT 5.2 Pro. I’ll use Grok. I'll use Claude. Then, I’ll take all the outputs from all the models and put them into Claude and say "Here’s my prompt, here’s the output from four LLMs, including yourself. Rate each response and tell me what the pros and cons of each approach are." And I usually say "give it to me in numbered form". And then you can agree with one, disagree with two, tell it three is this or that. And then after that, you say given all of this, synthesize it."
4:16

I asked Garry Tan how to use meta prompting to get better at AI: "My partners at YC Jared Friedman and Pete Koomen showed me how to do this. You can take almost anything that you do all the time and just drop it into a context window. And then say, “Here’s a bunch of inputs and outputs." And maybe you also add a bunch of notes. And then you tell it, “Write me a prompt that can act as an agent that takes this input and makes this output over here.” You can do this for almost any type of knowledge work. And you can even introspect. "What are things you notice that I did to convert this from the input to the output?”. And then you can just start using the prompt. Initially, it’s going to suck. Because it’s just not that smart yet. But what’s funny is now, I also use it to Iterate my writing. You can be very direct, "I would never say that", "Don’t say it like this", or "Oh, you used the long word there, use the short word". Just speak to it conversationally. And then when you're happy with the output, you can use that new output to make a new prompt. "Based on this conversation, give me a better initial prompt that incorporates all the things we talked about." And you can do this with literally everything. And in theory, there’s so much it applies to that people do day-to-day. You could use it for tweets. You could use it for editing podcasts. You can use it for pretty much everything. I have a folder of prompts that I use all the time. My YouTube prompt is on v27 or something. I'll go through this process with all the different max models. I'll use GPT 5.2 Pro. I’ll use Grok. I'll use Claude. Then, I’ll take all the outputs from all the models and put them into Claude and say "Here’s my prompt, here’s the output from four LLMs, including yourself. Rate each response and tell me what the pros and cons of each approach are." And I usually say "give it to me in numbered form". And then you can agree with one, disagree with two, tell it three is this or that. And then after that, you say given all of this, synthesize it."

The Peel

51,632 görüntüleme • 6 ay önce

something I’ve wanted for a while: an AI that isn’t just a text box so I built it lets you create a 3D AI character on-chain that lives in your browser it can talk, remember you, show emotions, and use different skills. you can even mint it onchain, so it actually belongs to you it gets its own identity, history, and reputation that no one can take away most AI today can disappear if the app shuts down this one is permanent and yours the future is AI you can see, interact with, and actually own
1:23

something I’ve wanted for a while: an AI that isn’t just a text box so I built it lets you create a 3D AI character on-chain that lives in your browser it can talk, remember you, show emotions, and use different skills. you can even mint it onchain, so it actually belongs to you it gets its own identity, history, and reputation that no one can take away most AI today can disappear if the app shuts down this one is permanent and yours the future is AI you can see, interact with, and actually own

nich

285,544 görüntüleme • 4 ay önce

NO BUT HIS IDEA SO BRILLIANT? 👑: i already talked about it and gave hints to yeodoongies, right? so, it was almost at the final completion stage, but then the price came out. and it ended up being a bit higher than i expected. since i really wanted this item to be practical and actually useful for yeodoongies, i designed it with that in mind—and because of those extra details, the unit cost ended up a bit higher than i first thought 👑: so i thought, “wouldn’t this be a bit too much of a burden for yeodoongies?” that’s why i just decided to scrap it and changed to something else instead 💬: then just give me the one you scrapped 👑: ㅎㅎㅎ ah, that one was actually—well, i guess i can just say it now anyway. actually, i was thinking of a keyboard. the idea for that keyboard was something like i wanted to put hehetmon face on the keyboard—what should i call it? on the keycaps, like emojis. and then, you know those keyboards that don't make that loud clicking sound? not like mechanical keyboards, but ones that sound like asmr... ah, silent! but even though it's silent, it has that, you know—that “sagak-sagak” sound when you press the keys. yeah, you’re right! like “tuduk-tuduk” sound! i had that kind of keyboard in mind and tried to make it happen. but the unit cost ended up being higher than i expected. and i thought, this is a bit too much— i know our yeodoongies would want to have it no matter what, but if the price is this high, it’ll be such a burden on yeodoongies. so, i just made the call to scrap it and switched to something else
1:56

NO BUT HIS IDEA SO BRILLIANT? 👑: i already talked about it and gave hints to yeodoongies, right? so, it was almost at the final completion stage, but then the price came out. and it ended up being a bit higher than i expected. since i really wanted this item to be practical and actually useful for yeodoongies, i designed it with that in mind—and because of those extra details, the unit cost ended up a bit higher than i first thought 👑: so i thought, “wouldn’t this be a bit too much of a burden for yeodoongies?” that’s why i just decided to scrap it and changed to something else instead 💬: then just give me the one you scrapped 👑: ㅎㅎㅎ ah, that one was actually—well, i guess i can just say it now anyway. actually, i was thinking of a keyboard. the idea for that keyboard was something like i wanted to put hehetmon face on the keyboard—what should i call it? on the keycaps, like emojis. and then, you know those keyboards that don't make that loud clicking sound? not like mechanical keyboards, but ones that sound like asmr... ah, silent! but even though it's silent, it has that, you know—that “sagak-sagak” sound when you press the keys. yeah, you’re right! like “tuduk-tuduk” sound! i had that kind of keyboard in mind and tried to make it happen. but the unit cost ended up being higher than i expected. and i thought, this is a bit too much— i know our yeodoongies would want to have it no matter what, but if the price is this high, it’ll be such a burden on yeodoongies. so, i just made the call to scrap it and switched to something else

yeopamine

37,777 görüntüleme • 3 ay önce

I just watched Grok Build create this Starship + Mechazilla model directly inside Blender from a single prompt I asked it to model Starship with Super Heavy, the upper stage, Raptor 3 engines, heat-shield tiles, detailed components and Mechazilla Then I watched it take control of my laptop, work inside Blender and build the entire thing right in front of me I refined a few details afterward, but this was the first version it produced from that one prompt A model like this used to take hours or even days of manual work....now i can describe what I want and literally watch it take shape in real time Grok Build is insanely helpful....you can literally give it a task and let it run autonomously on your laptop
0:27

I just watched Grok Build create this Starship + Mechazilla model directly inside Blender from a single prompt I asked it to model Starship with Super Heavy, the upper stage, Raptor 3 engines, heat-shield tiles, detailed components and Mechazilla Then I watched it take control of my laptop, work inside Blender and build the entire thing right in front of me I refined a few details afterward, but this was the first version it produced from that one prompt A model like this used to take hours or even days of manual work....now i can describe what I want and literally watch it take shape in real time Grok Build is insanely helpful....you can literally give it a task and let it run autonomously on your laptop

X Freeze

34,275 görüntüleme • 12 gün önce

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!
1:20

✨ I made a little demo of #vibejam sponsor Tripo and how you can use it to generate assets for your games In this case I'm generating an apartment flat that's half destroyed and open for my drone sim to fly around, take cover and shoot at enemies from First I write the prompt and select Nano Banana to generate an image first, I get a few different ones, and I select the one I like Then that one is converted into a 3d object called a Smart Mesh Smart Mesh is different than regular image-to-3d models because usually you get issues with uneven polygon distribution, too dense geometry and poor edge flow, so while you think you save time with generating it with AI you end up doing lots of editing after to fix the topology which kinda defeats the point Smart Mesh doesn't have any of this, it's fast and clean low-poly models you can drop into your game Anyway, after generating the model I can then see it in 3d, and if I don't like it, regenerate it, or if I like it start texturing it Once that's done, I export it as a GLB, FBX or OBJ and drop it in (usually I use GLB as ThreeJS seems to prefer that), in my case I just drop the URL into Cursor and let it figure out the placement of the asset into my game!

@levelsio

72,338 görüntüleme • 4 ay önce

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.
7:43

Junkyu being open about his burnout and how he overcame that phase is something that truly amazed me. His beautiful words that encourage everyone why pacing yourself actually matters 🥺🤍 🐨: I actually went through myself a burnout recently… was it in 2025? It’s not that I started to hate music, but when it came to making music, to working on it, I hit burnout. I really did. Nothing felt fun anymore, and no matter what I did, I just couldn’t move forward. No matter what—seriously, no matter what. 🐨: I work on music on my Mac, right? and I didn’t turn it on for a whole year. A year? Maybe even a year and a half? Since sometime in late 2024? It’s not that I chose not to turn it on—I couldn’t. That thought kept coming to me, “Even if I turn it on, nothing will come out” or maybe, “Even if I turn it on, I won’t get anywhere close to what I want”. My interest just… how should I say it… completely dropped. So I couldn’t turn it on. I was scared—scared that I’d have to face that feeling again. So I kept my distance from it. 🐨: But this time, starting in Korea and then going on tour, meeting TEUMEs a lot as we move through 2025 and into 2026, without even realizing it, I felt refreshed. Like I’d been aired out and I thought, “Huh? should I try again?”, “I kind of want to do it again”. “I want to go back to when I really enjoyed this”. “I want to try again—the thing I loved back then. So I finally made up my mind and turned it on. and when I did… it had been so long that I got chills. I’d forgotten everything—the details, the keys, everything. “How did I even do this before?”, “What values did I use?” I’d forgotten it all. 🐨: I completely panicked. I thought, “Oh… is this how it ends?”, “Is this how I lose the thing I love?” I was honestly really scared. And then another thought came to me “turn a crisis into an opportunity”. Maybe this is a chance for me to find something else I love. Maybe I should let it go. I was almost halfway in a state of giving up. But somehow, my body followed through anyway. My hands kept moving—on their own. Somehow, I knew what to do, how to do it. and naturally, without stopping, the flow didn’t break. So maybe I want to stay with music for a really long time in my life. And I think this process of slowing myself down a bit was part of that. Looking back now, the pace had been way too fast, and I couldn’t control myself. I’d pushed myself to the limit of what I could create, and after that, there was nothing left. 🐨: At that point, I was kind of cruel to myself. I blamed myself for everything… It’s a really bad habit, I think, but it just happens reflexively. So I was really hard on myself. That’s when I realized I needed to take a step back, give myself some distance, and look at things over a longer period of time. Yeah… if you just move at your own pace—not faster, not slower—you can do something for a long time. So I think if you want to spend your life with something you really love—whatever it is—you can’t go too fast. If your passion just burns up too quickly, it can cause problems. That’s why pacing yourself matters. If you manage your pace, you can live your life alongside the things you love for a long, long time. I really felt it this time. And because of that, I was so happy. Being able to do what I love again brought back so many memories, and it felt like I’d returned to those days when I used to enjoy it so purely. That made me incredibly happy.

ᯓ★

43,569 görüntüleme • 6 ay önce

Claude Code Is All You Need It's 3:30 AM and I can't stop. I've spent all nights this week connecting my spare MacBook Air to my work MacBook Pro using Tailscale, wiring it up to Slack with a little Python script, so that whenever I send a message, it starts a Claude Code session using claude -p. The result is an always-on AI that lives on a real computer, has access to real tools, and remembers every conversation we've had. And it costs me $200 a month. That's it. Claude Max subscription. Everyone's talking about OpenClaw OpenClaw went viral this year. 100k+ GitHub stars. But what I realized with this exercise is that Claude Code already does everything OpenClaw built. File access. Shell commands. Tool use. Plugins. The difference is that Claude Code runs Claude – with a Claude Max subscription. And Claude Code harness itself is :chefs-kiss: What actually makes it feel human It's not the chat interface. If a chat window is just me messaging a bot, it still feels like a bot. What changed everything was giving it the ability to initiate conversations. I set up cron jobs with open-ended prompts, and because Claude Code builds memories across sessions, it started DMing me things that were actually meaningful — based on what we'd talked about before. That's when it stopped feeling like a tool and started feeling like something else entirely. Giving your AI a machine to run on, with persistent memory and recurring access — that's a fundamentally different experience than anything people have had with chat. The moment it clicked I asked it if it could show me something by spinning up a quick web server. Since we're both connected to the same Tailscale network, it gave me a URL. I clicked it, and I was browsing all the files on my other MacBook from my browser. That was mind-blowing. The setup Two MacBooks on a Tailscale network. Slack as the interface. Claude Code under the hood. The whole thing is open source — I'll link the repo below so you can see the architecture and set it up yourself. I'm also putting together a screen recording to walk through the setup, which I'll attach to this post. There was never a hard part. There was never a moment I almost gave up. This is just one of those things I cannot stop doing. Pure obsession. I am moved to build this, and I wanted to write about it. That's all this is. Hope you feel the AGI running this. I'll share some screenshots below of my feel the agi moments from talking to Luo Ji.
9:41

Claude Code Is All You Need It's 3:30 AM and I can't stop. I've spent all nights this week connecting my spare MacBook Air to my work MacBook Pro using Tailscale, wiring it up to Slack with a little Python script, so that whenever I send a message, it starts a Claude Code session using claude -p. The result is an always-on AI that lives on a real computer, has access to real tools, and remembers every conversation we've had. And it costs me $200 a month. That's it. Claude Max subscription. Everyone's talking about OpenClaw OpenClaw went viral this year. 100k+ GitHub stars. But what I realized with this exercise is that Claude Code already does everything OpenClaw built. File access. Shell commands. Tool use. Plugins. The difference is that Claude Code runs Claude – with a Claude Max subscription. And Claude Code harness itself is :chefs-kiss: What actually makes it feel human It's not the chat interface. If a chat window is just me messaging a bot, it still feels like a bot. What changed everything was giving it the ability to initiate conversations. I set up cron jobs with open-ended prompts, and because Claude Code builds memories across sessions, it started DMing me things that were actually meaningful — based on what we'd talked about before. That's when it stopped feeling like a tool and started feeling like something else entirely. Giving your AI a machine to run on, with persistent memory and recurring access — that's a fundamentally different experience than anything people have had with chat. The moment it clicked I asked it if it could show me something by spinning up a quick web server. Since we're both connected to the same Tailscale network, it gave me a URL. I clicked it, and I was browsing all the files on my other MacBook from my browser. That was mind-blowing. The setup Two MacBooks on a Tailscale network. Slack as the interface. Claude Code under the hood. The whole thing is open source — I'll link the repo below so you can see the architecture and set it up yourself. I'm also putting together a screen recording to walk through the setup, which I'll attach to this post. There was never a hard part. There was never a moment I almost gave up. This is just one of those things I cannot stop doing. Pure obsession. I am moved to build this, and I wanted to write about it. That's all this is. Hope you feel the AGI running this. I'll share some screenshots below of my feel the agi moments from talking to Luo Ji.

Nityesh

41,143 görüntüleme • 5 ay önce

Head of Claude Code Boris Cherny at Anthropic's annual developer conference in San Francisco on how his life changed in the last 6 months with AI writing all the code. "About six months ago what happened is all the code that I used to have written by hand now Claude writes. And I just prompt Claude. So I talk to Claude and I'm like, hey, let's build this feature. It builds a feature and it tests it. And then it shows me. And I'm like, yeah, that's good. Or no, wait, make this change. And then it makes the change. " --- From 'CNBC Television' YT channel (link in comment)
0:42

Head of Claude Code Boris Cherny at Anthropic's annual developer conference in San Francisco on how his life changed in the last 6 months with AI writing all the code. "About six months ago what happened is all the code that I used to have written by hand now Claude writes. And I just prompt Claude. So I talk to Claude and I'm like, hey, let's build this feature. It builds a feature and it tests it. And then it shows me. And I'm like, yeah, that's good. Or no, wait, make this change. And then it makes the change. " --- From 'CNBC Television' YT channel (link in comment)

Rohan Paul

99,075 görüntüleme • 2 ay önce

evan talking about that baby face with beard filter hahahaha this is taking me out 🐹: wait, hold on. evers, hold on. what’s with that beard? what even is that beard filter? 🐹: why is everyone using it? and on top of that, it makes your face look like a baby. is that the trend these days? 🐹: i was so caught off guard by it. it was really confusing. 🐹: seriously, what were you thinking when you posted that? 🐹: who were you even trying to show it to? 🐹: it was so funny, seriously. i burst out laughing right then and there. 🐹: wait, that’s a trend? but why? it turned your face into a baby’s face… and then it added a beard on top of that? 🐹: what do you mean “where did i see it”? i see evers all the time. 🐹: but it was just so, so funny. 🐹: should i try filming a tiktok with that filter too? 🐹: that’s actually pretty fun. 🐹: ah, it was just so funny. 🐹: although… if you took away the beard, i think it’d actually be kind of cute. the filter itself is sort of like a baby face filter. #EVAN #에반
1:28

evan talking about that baby face with beard filter hahahaha this is taking me out 🐹: wait, hold on. evers, hold on. what’s with that beard? what even is that beard filter? 🐹: why is everyone using it? and on top of that, it makes your face look like a baby. is that the trend these days? 🐹: i was so caught off guard by it. it was really confusing. 🐹: seriously, what were you thinking when you posted that? 🐹: who were you even trying to show it to? 🐹: it was so funny, seriously. i burst out laughing right then and there. 🐹: wait, that’s a trend? but why? it turned your face into a baby’s face… and then it added a beard on top of that? 🐹: what do you mean “where did i see it”? i see evers all the time. 🐹: but it was just so, so funny. 🐹: should i try filming a tiktok with that filter too? 🐹: that’s actually pretty fun. 🐹: ah, it was just so funny. 🐹: although… if you took away the beard, i think it’d actually be kind of cute. the filter itself is sort of like a baby face filter. #EVAN #에반

세리🪽

46,675 görüntüleme • 1 ay önce

ROSALÍA speaks for the first time about what happened that forced her to postpone three LUX TOUR shows: “It’s such a long, long journey to see you all here. It’s such a lovely feeling to be able to perform for you. Thank you for being so… Thank you. It’s a very… it’s a very, very… let me speak. Thank you for understanding. And that the loved ones need to come first. And I think that… yeah… we live… But when something unexpected and painful happens to you, it can be hard to keep going. But I truly believe that doing this is worth it. And I truly believe that me coming and sharing this with you, and you sharing it with me… I will do it with all the love that I have. And maybe it will be a little short, but you can take this with you. And hopefully, you will be able to take it with you again. To be honest, I don’t know what would make me happier. And I love you so much.”
1:45

ROSALÍA speaks for the first time about what happened that forced her to postpone three LUX TOUR shows: “It’s such a long, long journey to see you all here. It’s such a lovely feeling to be able to perform for you. Thank you for being so… Thank you. It’s a very… it’s a very, very… let me speak. Thank you for understanding. And that the loved ones need to come first. And I think that… yeah… we live… But when something unexpected and painful happens to you, it can be hard to keep going. But I truly believe that doing this is worth it. And I truly believe that me coming and sharing this with you, and you sharing it with me… I will do it with all the love that I have. And maybe it will be a little short, but you can take this with you. And hopefully, you will be able to take it with you again. To be honest, I don’t know what would make me happier. And I love you so much.”

ROSALÍA UPDATE

378,839 görüntüleme • 2 ay önce