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What's wrong, uncomfortable~? 𝒍𝒊𝒄𝒌~ 𝒍𝒊𝒄𝒌~ 𝒍𝒊𝒄𝒌~ 𝒔𝒉𝒍𝒖𝒓𝒑~ Oh, your brain~? I don't care what happens to it, 𝘱𝘶𝘵 𝘵𝘩𝘦 𝘷𝘰𝘭𝘶𝘮𝘦 𝘰𝘯 𝘵𝘩𝘦 𝙃𝙄𝙂𝙃𝙀𝙎𝙏 ! 🔊 𝐑𝐔𝐈𝐍 𝐈𝐓 ❗️ Ruin your brain for Mama, i want your ears to hurt once you're done 🌀 looping 🌀 𝐌𝐚𝐦𝐚❜𝐬 𝐛𝐫𝐚𝐢𝐧 𝐧𝐮𝐦𝐛𝐢𝐧𝐠 𝐚𝐮𝐝𝐢𝐨... show more

𝗕𝗮𝗿𝗼𝗻𝗲𝘀𝘀 𝗠𝗲𝗹𝘂𝘀𝘆𝗻

5,774 subscribers

29,282 次观看 • 2 年前 •via X (Twitter)

Anya Rossi• Live Now

Private livecam show

8 条评论

rayanp6 的头像

rayanp62 年前

🤤🥵

Goonopoly 的头像

Goonopoly2 年前

brainz?

𝗕𝗮𝗿𝗼𝗻𝗲𝘀𝘀 𝗠𝗲𝗹𝘂𝘀𝘆𝗻 | 𝟮𝗗𝗙𝗗 的头像

𝗕𝗮𝗿𝗼𝗻𝗲𝘀𝘀 𝗠𝗲𝗹𝘂𝘀𝘆𝗻 | 𝟮𝗗𝗙𝗗2 年前

@LoserBeta88 Error 404 : brain not found 🧠❌️

Subby Slut Cass(ie) 18+ 的头像

Subby Slut Cass(ie) 18+2 年前

@PumptardJunkie Mmmhgnnn🥵🥵

daniel 的头像

daniel2 年前

Brain damage is fun❤️

LiamTheTBoy 💜 的头像

LiamTheTBoy 💜2 年前

mmmmmfffuuuuckkkk I can feel this eating away at my braincells 😵‍💫😵‍💫

𝗕𝗮𝗿𝗼𝗻𝗲𝘀𝘀 𝗠𝗲𝗹𝘂𝘀𝘆𝗻 | 𝟮𝗗𝗙𝗗 的头像

𝗕𝗮𝗿𝗼𝗻𝗲𝘀𝘀 𝗠𝗲𝗹𝘂𝘀𝘆𝗻 | 𝟮𝗗𝗙𝗗2 年前

@DepressedYtBoi And soon, Mama hopes she can eat something else ♡ And Mama will make sure it feels as good 😇

Goddess Demi CEO of ASS 的头像

Goddess Demi CEO of ASS2 年前

🔥🔥🔥

相关视频

Dawn Staley shares a coaching and parenting truth that most people get wrong. "I'm very different than your parents because your parents don't want you to fail, and they don't want you to be uncomfortable." You can't steal the struggle for others. "They do everything in their power to make sure you don't feel the pain that they felt growing up. And it's probably the biggest mistake because they're gonna fail." Love isn't protecting someone from struggle - it's preparing them for it. "I tell them, 'I love you enough to allow you to fail.' I do." "I love you enough to allow you to hurt. I love you enough for you to have a bad game or bad month or even a bad season." You can't grow without failures, mistakes, and setbacks. That's where true growth happens. "And that's not just basketball, that's just anything. You're gonna have bad days that you're gonna have to just fight." The greatest gift you can give someone isn't comfort. It's the ability to handle discomfort. Optimize for resilience, not comfort. That's what prepares them for anything. (🎥Interview with Jemele Hill )

Dawn Staley shares a coaching and parenting truth that most people get wrong. "I'm very different than your parents because your parents don't want you to fail, and they don't want you to be uncomfortable." You can't steal the struggle for others. "They do everything in their power to make sure you don't feel the pain that they felt growing up. And it's probably the biggest mistake because they're gonna fail." Love isn't protecting someone from struggle - it's preparing them for it. "I tell them, 'I love you enough to allow you to fail.' I do." "I love you enough to allow you to hurt. I love you enough for you to have a bad game or bad month or even a bad season." You can't grow without failures, mistakes, and setbacks. That's where true growth happens. "And that's not just basketball, that's just anything. You're gonna have bad days that you're gonna have to just fight." The greatest gift you can give someone isn't comfort. It's the ability to handle discomfort. Optimize for resilience, not comfort. That's what prepares them for anything. (🎥Interview with Jemele Hill )

Coach AJ 🎯 Mental Fitness

237,075 次观看 • 8 个月前

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Jaynit

1,256,053 次观看 • 5 个月前

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Michael Phelps won 23 Olympic gold medals using a mental technique most athletes ignore: "The biggest thing that really separated me through my career was my mental game. Everything that was in between my ears." Michael explains how he used visualization: "When I would visualize, I'd visualize every single thing getting up to a meet, probably a month or so in advance. What could happen. What I want to happen. And what I don't want to happen. Because when it happened, I was prepared for it." He describes the goal: "When I got to a swim meet, there's nothing I can control at that point except what I do. I can't control what anybody else does. So I want to know how the race could go, how I don't want the race to go, and in a perfect world, how the race should go. So I could get behind the block and not have to think about anything." His coach Bob Bowman reveals how they trained this skill: "When Michael was young, I gave his mom a book of progressive relaxation. Before he'd go to bed at night, she would read this progression of things: clench your fists, work through your whole body. He got so good she'd just open the book, say two things, and he'd be asleep." Bowman explains why visualization works: "The brain cannot distinguish between something that's vividly visualized and something that's real. By the time Michael steps up on the block at the Olympics, he's swum that race hundreds of times in his mind. All he has to do is shut everything down and it goes on autopilot." Michael adds the key detail most miss: "When I would visualize, it would be what you want it to be, what you don't want it to be, what it could be. So you're always ready for anything. If I have a suit rip, fine, I need another suit, put it on. Any small thing that could go wrong, I'm ready for."

Jaynit

386,071 次观看 • 8 个月前

Being a stay-at-home mom is a job. That's it. It's not that hard. I've done it. I've had jobs outside the house. I've stayed at home with my kids. You know once they start school you get a job go to work. It's not that big a deal. The kids are only at home until they're 5 and then they go to school. And then you have all day to yourself until you go pick them up. I don't know why you keep saying it's hard, it's not. You want to know what's hard is when your kids leave home and they've got kids and then you're planning on retiring soon and you find out your husband has brain cancer. You want to know what's hard? It's going to those doctor's appointments, or staying at the hospital for weeks at a time, going to radiation treatment, going to the pharmacy. You're entire life is eat up by doctor's appointments and MRI's and pharmacies and phone calls and hospital visits. That's hard! Life is hard. It's not supposed to be easy. If it's always easy for you you're doing something wrong. But it's equally as hard for everybody else, you're not special!!!

Being a stay-at-home mom is a job. That's it. It's not that hard. I've done it. I've had jobs outside the house. I've stayed at home with my kids. You know once they start school you get a job go to work. It's not that big a deal. The kids are only at home until they're 5 and then they go to school. And then you have all day to yourself until you go pick them up. I don't know why you keep saying it's hard, it's not. You want to know what's hard is when your kids leave home and they've got kids and then you're planning on retiring soon and you find out your husband has brain cancer. You want to know what's hard? It's going to those doctor's appointments, or staying at the hospital for weeks at a time, going to radiation treatment, going to the pharmacy. You're entire life is eat up by doctor's appointments and MRI's and pharmacies and phone calls and hospital visits. That's hard! Life is hard. It's not supposed to be easy. If it's always easy for you you're doing something wrong. But it's equally as hard for everybody else, you're not special!!!

MAGA Lorrie Ann 🇺🇲🇺🇲🇺🇸 AMERICA FIRST

59,022 次观看 • 1 个月前

Conor Neill: "18 years of school trained you to ruin conversations" "You finish your pitch and the customer says, 'Your product is too expensive!' You arrive home a few minutes late, your partner says, 'You are always late.' There's a dirty plate left on the table 'You never wash the dishes.' What do you say in this moment?" Neill explains the problem: "Most of you, me included, went through 14 years of school where we were taught one way to respond to questions. Teacher asks, 'How do you spell cats?' Student: 'C-A-T.' Teacher asks, 'What is osmosis?' Student explains in detail. For 14 years, you've been taught to give answers to questions. If you went to university, you probably had another 3 or 4 years of giving answers to questions." Here's what that does to you: "In real life in persuasion, in getting to what the other person is really about, what their needs really are, the worst thing you can do is give an answer to a question." He gives examples: "If someone says, 'Your product is too expensive,' and you say, 'No it's not! It's only €1,000'; you've lost every chance to understand what else is behind their reasoning. If you get home and your partner says, 'You're always late!' and you say, 'No, no, no, Tuesday I was definitely here on time', you're gonna have a crap weekend." Neill explains why this happens: "When your partner says, 'You're always late,' emotion goes up. And what happens? The thinking part disconnects. The way to make someone stupider is to insult them, object to them, tell them they are wrong. When you're asked a question, there's an emotional reaction, and the higher emotion goes, the lower thinking goes." He continues: "If you don't practice this response, you're not going to be able to do it in the moment. If you don't practice repeatedly how you'll respond to 'You're always late,' 'You never wash the dishes,' 'Your product is too expensive,' 'Your competitor is better,' 'You failed us 3 years ago,' 'I don't trust your company', you're not going to be able to do it in the heat of the moment." Here's what to do instead: "When you are asked a question or given an objection, I want you to say: 'I understand.' And repeat in your words what they're saying. Then give an open question back." He demonstrates: "'Your product is too expensive!' → 'I understand that money is an important factor for you. What other criteria will be used in making this decision?'" Neill calls this "Conversation Aikido": "Martial arts are about using the energy and force of the opponent against them. In Judo, if someone punches you, you pull their arm and allow the energy to keep flowing. In Aikido, the concept is you go toward the punch. You go toward the energy. If someone punches you, if someone asks you a question, if someone objects, the Aikido method is to go toward them and see the world from their view." He explains how to practice: "'You're always late!' → 'I understand you feel frustrated.' 'I understand you feel let down.' You'll have to work on this quite a few times over the next 10 years to find the set of words that captures what the other person feels, what's behind it. Then ask: 'What can we do now?' 'What happened during the day?' 'What would you like to talk about?'" Neill shares what happens when you don't do this: "When a client says 'You're too expensive' and you say 'No, we're not!' you learn nothing about who else they're considering, what other criteria are important, what process they've gone through, who else is involved in the decision." He closes with a guarantee: "By giving the answer, we shut down the possibility of hearing what's really going on in the other person's mind. But if you say 'I understand,' accept the energy coming from the other person, and give back an open question, I guarantee that if you do it 4 times, the answer to your 4th open question begins to be the real underlying need, issue, or interest of the person you're listening to."

Conor Neill: "18 years of school trained you to ruin conversations" "You finish your pitch and the customer says, 'Your product is too expensive!' You arrive home a few minutes late, your partner says, 'You are always late.' There's a dirty plate left on the table 'You never wash the dishes.' What do you say in this moment?" Neill explains the problem: "Most of you, me included, went through 14 years of school where we were taught one way to respond to questions. Teacher asks, 'How do you spell cats?' Student: 'C-A-T.' Teacher asks, 'What is osmosis?' Student explains in detail. For 14 years, you've been taught to give answers to questions. If you went to university, you probably had another 3 or 4 years of giving answers to questions." Here's what that does to you: "In real life in persuasion, in getting to what the other person is really about, what their needs really are, the worst thing you can do is give an answer to a question." He gives examples: "If someone says, 'Your product is too expensive,' and you say, 'No it's not! It's only €1,000'; you've lost every chance to understand what else is behind their reasoning. If you get home and your partner says, 'You're always late!' and you say, 'No, no, no, Tuesday I was definitely here on time', you're gonna have a crap weekend." Neill explains why this happens: "When your partner says, 'You're always late,' emotion goes up. And what happens? The thinking part disconnects. The way to make someone stupider is to insult them, object to them, tell them they are wrong. When you're asked a question, there's an emotional reaction, and the higher emotion goes, the lower thinking goes." He continues: "If you don't practice this response, you're not going to be able to do it in the moment. If you don't practice repeatedly how you'll respond to 'You're always late,' 'You never wash the dishes,' 'Your product is too expensive,' 'Your competitor is better,' 'You failed us 3 years ago,' 'I don't trust your company', you're not going to be able to do it in the heat of the moment." Here's what to do instead: "When you are asked a question or given an objection, I want you to say: 'I understand.' And repeat in your words what they're saying. Then give an open question back." He demonstrates: "'Your product is too expensive!' → 'I understand that money is an important factor for you. What other criteria will be used in making this decision?'" Neill calls this "Conversation Aikido": "Martial arts are about using the energy and force of the opponent against them. In Judo, if someone punches you, you pull their arm and allow the energy to keep flowing. In Aikido, the concept is you go toward the punch. You go toward the energy. If someone punches you, if someone asks you a question, if someone objects, the Aikido method is to go toward them and see the world from their view." He explains how to practice: "'You're always late!' → 'I understand you feel frustrated.' 'I understand you feel let down.' You'll have to work on this quite a few times over the next 10 years to find the set of words that captures what the other person feels, what's behind it. Then ask: 'What can we do now?' 'What happened during the day?' 'What would you like to talk about?'" Neill shares what happens when you don't do this: "When a client says 'You're too expensive' and you say 'No, we're not!' you learn nothing about who else they're considering, what other criteria are important, what process they've gone through, who else is involved in the decision." He closes with a guarantee: "By giving the answer, we shut down the possibility of hearing what's really going on in the other person's mind. But if you say 'I understand,' accept the energy coming from the other person, and give back an open question, I guarantee that if you do it 4 times, the answer to your 4th open question begins to be the real underlying need, issue, or interest of the person you're listening to."

Peak Thinkers

195,923 次观看 • 6 个月前

School spent 18 years teaching you a reflex that destroys real conversations. Conor Neill puts it plainly: "You finish your pitch and the customer says, 'Your product is too expensive!' You arrive home a few minutes late, your partner says, 'You are always late.' There's a dirty plate left on the table 'You never wash the dishes.' What do you say in this moment?" Here's the trap Neill identifies: "Most of you, me included, went through 14 years of school where we were taught one way to respond to questions. Teacher asks, 'How do you spell cats?' Student: 'C-A-T.' Teacher asks, 'What is osmosis?' Student explains in detail. For 14 years, you've been taught to give answers to questions. If you went to university, you probably had another 3 or 4 years of giving answers to questions." And that conditioning costs you: "In real life in persuasion, in getting to what the other person is really about, what their needs really are, the worst thing you can do is give an answer to a question." Watch what happens when you answer: "If someone says, 'Your product is too expensive,' and you say, 'No it's not! It's only €1,000'; you've lost every chance to understand what else is behind their reasoning. If you get home and your partner says, 'You're always late!' and you say, 'No, no, no, Tuesday I was definitely here on time', you're gonna have a crap weekend." Why does the brain default to this? "When your partner says, 'You're always late,' emotion goes up. And what happens? The thinking part disconnects. The way to make someone stupider is to insult them, object to them, tell them they are wrong. When you're asked a question, there's an emotional reaction, and the higher emotion goes, the lower thinking goes." And it won't fix itself without work: "If you don't practice this response, you're not going to be able to do it in the moment. If you don't practice repeatedly how you'll respond to 'You're always late,' 'You never wash the dishes,' 'Your product is too expensive,' 'Your competitor is better,' 'You failed us 3 years ago,' 'I don't trust your company', you're not going to be able to do it in the heat of the moment." The alternative Neill teaches: "When you are asked a question or given an objection, I want you to say: 'I understand.' And repeat in your words what they're saying. Then give an open question back." In practice: "'Your product is too expensive!' → 'I understand that money is an important factor for you. What other criteria will be used in making this decision?'" He calls this Conversation Aikido: "Martial arts are about using the energy and force of the opponent against them. In Judo, if someone punches you, you pull their arm and allow the energy to keep flowing. In Aikido, the concept is you go toward the punch. You go toward the energy. If someone punches you, if someone asks you a question, if someone objects, the Aikido method is to go toward them and see the world from their view." For the harder personal moments: "'You're always late!' → 'I understand you feel frustrated.' 'I understand you feel let down.' You'll have to work on this quite a few times over the next 10 years to find the set of words that captures what the other person feels, what's behind it. Then ask: 'What can we do now?' 'What happened during the day?' 'What would you like to talk about?'" By defending, you go blind: "When a client says 'You're too expensive' and you say 'No, we're not!' you learn nothing about who else they're considering, what other criteria are important, what process they've gone through, who else is involved in the decision." Neill's guarantee: "By giving the answer, we shut down the possibility of hearing what's really going on in the other person's mind. But if you say 'I understand,' accept the energy coming from the other person, and give back an open question, I guarantee that if you do it 4 times, the answer to your 4th open question begins to be the real underlying need, issue, or interest of the person you're listening to."

School spent 18 years teaching you a reflex that destroys real conversations. Conor Neill puts it plainly: "You finish your pitch and the customer says, 'Your product is too expensive!' You arrive home a few minutes late, your partner says, 'You are always late.' There's a dirty plate left on the table 'You never wash the dishes.' What do you say in this moment?" Here's the trap Neill identifies: "Most of you, me included, went through 14 years of school where we were taught one way to respond to questions. Teacher asks, 'How do you spell cats?' Student: 'C-A-T.' Teacher asks, 'What is osmosis?' Student explains in detail. For 14 years, you've been taught to give answers to questions. If you went to university, you probably had another 3 or 4 years of giving answers to questions." And that conditioning costs you: "In real life in persuasion, in getting to what the other person is really about, what their needs really are, the worst thing you can do is give an answer to a question." Watch what happens when you answer: "If someone says, 'Your product is too expensive,' and you say, 'No it's not! It's only €1,000'; you've lost every chance to understand what else is behind their reasoning. If you get home and your partner says, 'You're always late!' and you say, 'No, no, no, Tuesday I was definitely here on time', you're gonna have a crap weekend." Why does the brain default to this? "When your partner says, 'You're always late,' emotion goes up. And what happens? The thinking part disconnects. The way to make someone stupider is to insult them, object to them, tell them they are wrong. When you're asked a question, there's an emotional reaction, and the higher emotion goes, the lower thinking goes." And it won't fix itself without work: "If you don't practice this response, you're not going to be able to do it in the moment. If you don't practice repeatedly how you'll respond to 'You're always late,' 'You never wash the dishes,' 'Your product is too expensive,' 'Your competitor is better,' 'You failed us 3 years ago,' 'I don't trust your company', you're not going to be able to do it in the heat of the moment." The alternative Neill teaches: "When you are asked a question or given an objection, I want you to say: 'I understand.' And repeat in your words what they're saying. Then give an open question back." In practice: "'Your product is too expensive!' → 'I understand that money is an important factor for you. What other criteria will be used in making this decision?'" He calls this Conversation Aikido: "Martial arts are about using the energy and force of the opponent against them. In Judo, if someone punches you, you pull their arm and allow the energy to keep flowing. In Aikido, the concept is you go toward the punch. You go toward the energy. If someone punches you, if someone asks you a question, if someone objects, the Aikido method is to go toward them and see the world from their view." For the harder personal moments: "'You're always late!' → 'I understand you feel frustrated.' 'I understand you feel let down.' You'll have to work on this quite a few times over the next 10 years to find the set of words that captures what the other person feels, what's behind it. Then ask: 'What can we do now?' 'What happened during the day?' 'What would you like to talk about?'" By defending, you go blind: "When a client says 'You're too expensive' and you say 'No, we're not!' you learn nothing about who else they're considering, what other criteria are important, what process they've gone through, who else is involved in the decision." Neill's guarantee: "By giving the answer, we shut down the possibility of hearing what's really going on in the other person's mind. But if you say 'I understand,' accept the energy coming from the other person, and give back an open question, I guarantee that if you do it 4 times, the answer to your 4th open question begins to be the real underlying need, issue, or interest of the person you're listening to."

GeniusThinking

349,854 次观看 • 2 个月前

“I dated a guy once who had a really big d*ck and it was the most boring s*x of my f*cking life.” Adult film star Madison Ivy shares why she actually prefers an “average” size, revealing that guys with huge packages often end up being lazy lovers who skip the romance: Host: “How important is p*nis size to you?” Madison Ivy: “Pnis size is not important to me actually. I'm not a size queen. I dated someone who was huge, to the point where I felt like my pssy was being punched into my brain. Without kissing to warm me up, it became very uncomfortable.” “I started to feel like, well, you know, average is so much more my speed for a daily fck, 'cause I'm a daily fcker. The big ones, it's a little much sometimes.” Host: “What's average to you, or what's an ideal size?” Madison Ivy: “Like 5 to 6 inches. I feel like that type of human usually comes with the want of being a bit more of a romantic. Sometimes the size comes with this bravado of 'I am badass,' but if you're just going to slam your pelvis into me, that's not going to do anything for me.” Host: “Yeah, almost like, 'This thing that I have is all that I need. It’s the finishing move.'” Madison Ivy: “There’s a million other moves! I remember I dated a guy once who was really, really good-looking and had a really big dck, and it was the most boring sx of my f*cking life.” “I think he just thought, 'Oh well, I'm good-looking and I have a big d*ck, so therefore I don't need to do anything.'”

Sensitive content

“I dated a guy once who had a really big dck and it was the most boring sx of my fcking life.” Adult film star Madison Ivy shares why she actually prefers an “average” size, revealing that guys with huge packages often end up being lazy lovers who skip the romance: Host: “How important is pnis size to you?” Madison Ivy: “Pnis size is not important to me actually. I'm not a size queen. I dated someone who was huge, to the point where I felt like my pssy was being punched into my brain. Without kissing to warm me up, it became very uncomfortable.” “I started to feel like, well, you know, average is so much more my speed for a daily fck, 'cause I'm a daily fcker. The big ones, it's a little much sometimes.” Host: “What's average to you, or what's an ideal size?” Madison Ivy: “Like 5 to 6 inches. I feel like that type of human usually comes with the want of being a bit more of a romantic. Sometimes the size comes with this bravado of 'I am badass,' but if you're just going to slam your pelvis into me, that's not going to do anything for me.” Host: “Yeah, almost like, 'This thing that I have is all that I need. It’s the finishing move.'” Madison Ivy: “There’s a million other moves! I remember I dated a guy once who was really, really good-looking and had a really big dck, and it was the most boring sx of my fcking life.” “I think he just thought, 'Oh well, I'm good-looking and I have a big dck, so therefore I don't need to do anything.'”

Groot_X

1,184,136 次观看 • 1 个月前

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; *(Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.)* **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I don't know exactly what you've been doing. **Aidan:** So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. **Lily:** Hang on, Aidan. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? **Lily:** I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. **Aidan:** Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? **Chris:** I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? **Aidan:** I did not. I did not. **Chris:** Okay, so Karen is lying? **Aidan:** You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. **Chris:** Like I said, If you want to go down this hill, stand ten toes down." **Aidan:** I'm calling you out because you're making shit up. **Chris:** Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. **Aidan:** So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. **Lily:** Hang on. Chris, you're going to have to provide the receipts. **Chris:** I'm going to tell you, the guy who's doing this—you know, he's going to put them out. **Chris:** Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. **Aidan:** So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? **Aidan:** You got 'em? **Chris:** I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. **Aidan:** You got 'em? Yes or no? **Chris:** I've got a receipt. Where's your fuck? **Chris:** You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. **Chris:** I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. **Aidan:** Right. Let's see it. **Chris:** I've just messaged the person. **Aidan:** Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? **Chris:** Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? **Aidan:**What the fuck? **Chris:** Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. **Chris:** How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? **Aidan:** I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. **Chris:** So you're gonna call Meredith a liar? Why? Meredith's a liar? **Aidan:** Are you talking to Meredith? **Chris:**I'm not talking to Meredith. **Aidan:** What are you talking about? **Chris:** Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. **Erika Walsh:** I warned you, Chris, about this last night. **Aidan:** You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. **Aidan:** I'm telling you this—he's the one telling you this. **Chris:** I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. **Aidan:** Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. **Chris:** Stand by. Stand by. Stand by. **Joe Flipperhead:** You have the text, bro. You know I saw the screenshot. **Aidan:** So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. **Joe:** You're deflecting. When you... **Aidan:** You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... **Joe:** Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. **Chris:** I'm just gonna keep muting him because he's yelling. You can say it. **Aidan:** Is this Lily's space or yours? **Joe:** I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. **Aidan:** All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. **Chris:** This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. **Joe:** Yeah, says the guy that recorded Karen. **Aidan:** Oh, yeah, let's hear it. See the fucking recording. Can I hear it? **Joe:** I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan:** Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— **Joe:** Why does Liv still text me to this day? **Aidan:** You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. **Joe:** You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. **Chris:** You're doing everything back. **Joe:** When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... **Aidan:** Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? **Joe:**You said to me, after reading the text from her sister— **Chris:** Says the guy who is swining on a 19-year old. **Joe:** You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. **Joe:** As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? **Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe:** You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. **Aidan:** I got no fucking thing—you—you are a fucking psychopath. **Joe:** You're first of all—she doesn't want you to fucking be talking about this because why? **Aidan:** You're the one fucking airing it out now, motherfucker. **Chris:** You're the one airing it because you got caught recording Karen. **Aidan:** So let's hear the recording. Let's play the recording. You got a recording of me, right? **Joe:** I know you did it, dude. **Aidan:** What? **Joe:** I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? **Aidan:** You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— **Joe:** You're accusing Karen Read of lying about this? **Aidan:** Yes. **Joe:** You're really—are you really serious? How many fucking—serious? **Aidan:** Let's hear the fucking recording. **Lily** Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. **Joe:** Aidan has it. **Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. **Joe:** All right, you sent me the text that I sent. You haven't... **Aidan:** Yeah, let's—so let's hear the actual recording. Does it exist, though? **Joe:** So Karen is lying. **Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. **Chris:** True color. *Joe:** So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? **Aidan:** There's no fucking recording. **Joe:** There is, dude. Where is it? **Aidan:** So let me hear it. Play it. **Joe:** I don't fucking have it. **Aidan:** Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. **Joe:** I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. **Aidan:** I haven't played it for anyone just— there's no recording. **Joe:** Stop fucking lying. Let's hear it from the point. *Aidan:** Let's hear it. Let's hear it. **Joe:** Aidan, this is fucking crazy, dude. **Aidan:** I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... **Joe** Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. **Aidan:** Let's hear a fucking recording. You said you got a fucking recording, right? **Joe:** Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. **Chris:** I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— **Joe:** The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. **Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe:** Dude? It's not—I'm not obligated to fucking get the recording. **Aidan:** Oh, yeah, you wouldn't want to back it up, right? **Joe:** You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. **Aidan:** There is no fucking recording. **Joe:** You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. **Aidan:** Let's hear you play it. You're the one that says there's a fucking record. **Chris:** I mean, that's—you have a history of recording people. **Lily:** Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. **Joe and Chris** He has—asking for the recording. **Lily:** You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— **Aidan:: you don't have the recording because— **Lily:** Just fucking say it. Karen doesn't want the recording out there. **Aidan:** What recording? There's no recording. **Joe:** Never even asked her for it, to be honest with you. **Aidan:** And so you wait—yeah, you never asked. Thank you—you never asked. **Joe:** Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. **Lily:**That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. **Chris:** You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. **Lily:** I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... **Joe:** He's deflecting, asking for a recording he knows about the text. **Lily:** Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. **Joe:** Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. **Lily:** Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And **Joe:** I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. **Lily:** I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... **Aidan:** Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— **Joe:** You're saying it's not from Karen Read. **Aidan:** I don't—there's no fucking name on the top. **Joe:** Yeah, I have it. Do you want me to read? **Aidan:** Okay, so there was an allegation? I'm reading. **Joe:** Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? **Aidan:** Yes, you sent me the same thing the morning after the verdict. **Joe:** Okay, so then she sent it to me too. **Aidan:** Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. **Joe:** You're telling me you didn't? **Aidan:: And I'm telling you I fucking didn't. You're wrong. **Joe:** 100% You're lying, dude. **Aidan:** Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? **Joe**: I mean—I—a screenshot of—how many people did you send it to? **Aidan:** Zero, because there's no recording. **Joe:** There is. **Aidan:** Let's hear it. Play it. Let's play it. Let's go. **Joe:** Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? **Aidan:** There is no recording. **Joe:** You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? **Aidan:**There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. **Joe:** Yeah, right. **Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? **Joe:** I have—why Karen Read won't speak to you. **Aidan:** You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. **Joe:** I have—in Karen Read's words. Why do you think she would lie about this? **Aidan:** Do I think she would lie about having a recording? **Joe:** She wouldn't lie about this. Explain that one—about having a recording. **Aidan:** Yes, I know she's lying about that. **Joe:** Why, though? **Aidan:** I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— **Chris;** there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. **Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. **Aidan:** Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? **Joe:** I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' **Aidan:** I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. **Chris:** You didn't go to jail for Karen Read, you fuck. **Aidan:** Oh, really? Then what am I on bail for? What is—the full—what's the full? **Chris:** You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. **Aidan:** Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— **Chris:** hey, you're full of shit. You're a fucking hell. **Aidan:** What the fuck was I on bail for? **Joe** Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? **Aidan** You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? **Aidan:** I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. **Joe:** I heard it was a 10-minute recording. Does that make sense? **Aidan:** No recording, bro. Let's hear it. You heard it. Let's hear it. **Joe:** Dude, I'm not putting that part out here. **Aidan:** She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? **Joe:** Who? Okay? Okay, who? Keep playing dumb. Hey—who? **Aidan:** Mm-hmm? Believe it or not—you guys got nothing, right? **Chris;** We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... **Aidan:** Karen's not talking to anyone in the media. **Joe:** If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. **Aidan:** So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? **Joe:** Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. **Aidan:** What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. **Aidan:** What do you mean I have no idea why? **Joe:** That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. **Aidan:** What was ridiculous? You're the entire way you handled—I didn't say a word about that. **Chris:** Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... **Joe:** Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. **Aidan:** What did I say about it? I don't remember. **Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

(1/2) Last night's Aidan Kearney meltdown over his falling out with Karen Read on an X Space is the peak of catharsis and real-time online toxicity: It starts with the the bombshell claim about Aidan recorded Karen Read, moves to Karen's newly-released texts about being "done" with Aidan after "someone" sent a recording of that conversation to David Yannetti and Alan Jackson, then spirals into ad hominems, and ends with Kearney storming off to counter-publish. The flood of primary source documents posted on online overnight, thus, acts as the host's (Chris) victory lap over Kearney. FULL TRANSCRIPT; (Cleaned for grammar/spelling, punctuated for flow, and line-broken for readability. Some errors are expected.) Aidan: Am I on? Host/Other: You're on. Aidan: So who are you? Who is this? Chris: Don't worry about it. It doesn't matter who I am. Aidan: Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? Chris: Well, I don't know exactly what you've been doing. Aidan: So what are your sources? What are your sources? What are your sources you're talking about? Huh? You don't know your sources? What do you talk about? No, your sources. Shut up. Let's see 'em. Let's see your sources. Lily: Hang on, Aidan. I'm the host. I'm Lily. Aidan: Yes, Lily. Hi, Lily. How are you? Lily: I'm good. I'm just going to wait. I know you may not know it, Chris, but you know me. And so I just wanted to say hi. Aidan: Yeah, I know, but this Koala motherfucker is up here making shit up, running his mouth nonsense. Let's see the receipts. I mean, what were you talking to Karen Read about? What are you talking about? Who the fuck are you? Chris: I'm asking you flat out: Did you or did you not record her phone calls between yourself and Karen? Aidan: I did not. I did not. Chris: Okay, so Karen is lying? Aidan: You talked to Karen Read? Karen isn't talking to anyone in the media, but she's talking to this call-the-motherfucker. That's what you're telling me right now. Chris: Like I said, If you want to go down this hill, stand ten toes down." Aidan: I'm calling you out because you're making shit up. Chris: Who? I'm not making anything up. I'm not making anything up. I'm not making anything up. Aidan: So let's see it. Let's see the fucking evidence. Let's see your communications with Karen Read where she says that. Let's see it. Lily: Hang on. Chris, you're going to have to provide the receipts. Chris: I'm going to tell you, the guy who's doing this—you know, he's going to put them out. Chris: Do you really want to prove it? You want to prove it to me? I've got all the mistakes that come out. I can't. Literally. Yeah. Yeah. Sure. What's that? Let's see it. Let's see it. Produce it. Tweet it out right now. Aidan: So I'm denying it—like, hardcore, 100%. I'm the guy you have to deny it to. I don't, because you've become a bit of a fuck-up. It's about as fucking legitimate as Lindsey trying to be a rake. Let's fucking see it, motherfucker. You got it, right? 'Cause I—accusations—I always bring fucking receipts. Where's your receipt, bitch? Aidan: You got 'em? Chris: I've got 'em now. I think you want me to be saying—to be honest—hang a room on the fucker with no receipt. Aidan: You got 'em? Yes or no? Chris: I've got a receipt. Where's your fuck? Chris: You just need, bro—you just need to like chill, because you're gonna have a lot of fucking neck on your face, because I don't really care. Chris: I said to the people who bought this story: If I end up having egg on my face, I'll put everyone's name in it, and I'm given—I have a... Just shut your fucking mouth for one fucking minute. Aidan: Right. Let's see it. Chris: I've just messaged the person. Aidan: Joe Flipp, you want to talk about a fucking psychopath? That motherfucker is—just, Joe Flipp. Really want to fucking go there?" 'Cause it's Joe. You can just say it's Nick from Philadelphia, isn't it? Yeah, I know all about Nick from Philadelphia. If you fucking want to go there and the fucking hell—that psychopath—what Olivia Lambo went through. You just don't want to come out. Does he want to talk about all that? Does he want to launch? Chris: Okay? You know what? How was your lunch with Meredith the other week. Fuck it. I don't care. How was your lunch with Meredith? How's your lunch with Meredith? Aidan:What the fuck? Chris: Chat, what, what am I talking about? How is your lunch with Meredith here? We got—you know what you want to do? You want to carry on and be a fuck with me here? I like you—always up. Chris: How was your lunch with Meredith a couple weeks ago, and what did you play for her? What the fuck are you talking about? Yeah, what the fuck am I talking about? You know exactly what I'm talking about. And I'm trying to do this respectfully, but you come in hot like you always do. So now I'm just gonna fucking do it. How was your lunch with Meredith the other week? Aidan: I didn't have one with Meredith. Yeah, bullshit. Okay, so that's it. So someone else is lying now. Chris: So you're gonna call Meredith a liar? Why? Meredith's a liar? Aidan: Are you talking to Meredith? Chris:I'm not talking to Meredith. Aidan: What are you talking about? Chris: Okay, well, so you have great Meredith in an Oscar. If you said that to Meredith, you just spread rumors. That's what you do—you don't spread any rumors. I want to laugh tonight about this. Erika Walsh: I warned you, Chris, about this last night. Aidan: You got no—Joe Flipp—fucking feeding you nonsense. That slimy psychopath, fucking nut job who called in Olivia's entire family to harass them—to the point where she had the fucking... Nothing to do with Olivia. And Joe's Flipp— **Chris:* this is to do with you. Stop deflecting, that motherfucker. Aidan: I'm telling you this—he's the one telling you this. Chris: I've been told by three different people. Three different people. There's people in this chat who know about this. There's people in chat—they won't stand up and say anything, but I know the people who know about this. Aidan: Bring all these lame cons up one by one so I can slam 'em down one by one, because none of you motherfuckers got a receipt to back up any of this shit. None of you do. Bring it. By adding them. Chris: Stand by. Stand by. Stand by. Joe Flipperhead: You have the text, bro. You know I saw the screenshot. Aidan: So we gonna talk about what you did to Olivia Lambo? We have a lot of things, dude. Joe: You're deflecting. When you... Aidan: You want to go there? Mark Bedderow? Oh, of being in on a fucking conspiracy against you? To tell us—if when we told you Olivia Lambo... You made us fucking get on a FaceTime with her because you thought she was dead. You thought you were being catfished by her, fucking... I was, and so we agreed to do a Zoom call with her. And when I called you and I told you Olivia Lambo is real—I just saw her face. What did you do? You accused me and Mark Bedderow of lying to you, of being in on it, because you are a fucking psychopathic motherfucker. And I didn't put it there because I don't want to fuck... Joe: Yeah, you did put it out there, though. If you want to get into the Olivia thing, that's fine, and I'll go down that road. But you're calling me a psychopath You fucking recorded Karen Read's fucking calls and sent them to people. Chris: I'm just gonna keep muting him because he's yelling. You can say it. Aidan: Is this Lily's space or yours? Joe: I have the text, dude. I'll put it on one of our... Your—She told me she's fucking done with you, dude. Aidan: All right. I'm going on my own right now. I'm calling out fucking Joe Flipp-ed life. If I get muted one more fucking time. I'm gonna do a whole fucking... Thank you. I'm publishing all your fucking texts—the whole world can see what a fucking sadistic psychopath you are. You controlling predator piece of shit. You fucking go there. Chris: This is completely the actions of a normal innocent person. **Aidan:* You're a pyscho freak. Joe: Yeah, says the guy that recorded Karen. Aidan: Oh, yeah, let's hear it. See the fucking recording. Can I hear it? Joe: I got the text saying you recorded. But the text says there's a recording, so where's the fucking recording? *Aidan: Hey, let's hear Joe. Why? I just got asked if I'm—what would you say if I'm a massage in this? Like, go— Joe: Why does Liv still text me to this day? Aidan: You text her. Oh, you want to see the receipts, dude? I've seen the receipts—all of them. Okay, I got all the receipts. Joe: You got the August ones, the September ones where she misses me and hates how things ended? You got those? Fuck, I see 'em. Publish 'em. I will do it. I don't plan—I talk about you. Go for it. Chris: You're doing everything back. Joe: When I told you how she wouldn't FaceTime me for three months, how she puts up month-old pictures if you wouldn't fucking... Aidan: Yeah, you know why? You know why she wouldn't do that? She's just not into you. Ever have you do this with every girl you fucking talk to? Joe:You said to me, after reading the text from her sister— Chris: Says the guy who is swining on a 19-year old. Joe: You said Aidan, that she said to you, "she's love with you," bro. That's what you said. She's in love with you. That's what you said. Yeah, when her sister—and then he can get you caught by somebody. Let's just get back to you. Deflection from Aidan, who doesn't want to be on the line. Joe: As you wish—she wouldn't FaceTime me. She wouldn't meet up with me, and she lied to me constantly. Yeah, why would she meet up? Aidan:** Maybe she's just not that into you. Ever think about that? Maybe she's just not that into you. Maybe you saw the text. I know, I know—it's hard for you to accept that the girl just doesn't want you. You have to accept the person doesn't want nothing to do with you, isn't it? I did, and you got clingy and possessive. And so she fucking stopped talking to you, so you called her mother and you talked—you don't even know because you're psychotic, bro. I'm fucking... you. *Joe: You're just deflecting, bro. This is fucking pathetic. I'm not your one. She's talking about this. Aidan: I got no fucking thing—you—you are a fucking psychopath. Joe: You're first of all—she doesn't want you to fucking be talking about this because why? Aidan: You're the one fucking airing it out now, motherfucker. Chris: You're the one airing it because you got caught recording Karen. Aidan: So let's hear the recording. Let's play the recording. You got a recording of me, right? Joe: I know you did it, dude. Aidan: What? Joe: I know you recorded. Are you lying? Karen Read's a liar? All right, am I...? Aidan: You are the fucking coward. Where's the recording? What recording you talking about? You're—you're— Joe: You're accusing Karen Read of lying about this? Aidan: Yes. Joe: You're really—are you really serious? How many fucking—serious? Aidan: Let's hear the fucking recording. Lily Chris or Joe? Please play it. Did it? You didn't have... for people. Can you please provide a receipt? Just like I think it's fair. Joe: Aidan has it. Aidan:: I thought you had it. I thought you had it. Let's hear it. Let's hear the recording. Joe: All right, you sent me the text that I sent. You haven't... Aidan: Yeah, let's—so let's hear the actual recording. Does it exist, though? Joe: So Karen is lying. Aidan:: Karen Read would never lie (sarcastic tone). Oh, yeah. Chris:** True color. *Joe: So yeah, let me just run this: You recorded it. You recorded the conversation. You showed it to people, and then the very next day she randomly accused you of fucking doing it. That's what happened. That's what your story is, right? Aidan: There's no fucking recording. Joe: There is, dude. Where is it? Aidan: So let me hear it. Play it. Joe: I don't fucking have it. Aidan: Oh, you don't know if there's a recording, do you? Thank you. Because you're full of shit. I know—I just fucking caught you. That's what you just said. Those—bring it up here. I talked to somebody—bring her up here. Bring Karen Read up here, bro. You talked to her? Bring her on up here. Joe: I spoke to somebody that you played the recording for. Okay, oh—you know, just—I just say I've already said it, so just say it. Okay, I said I wanted to not say her name, but you know who—you played it for. Aidan: I haven't played it for anyone just— there's no recording. Joe:** Stop fucking lying. Let's hear it from the point. *Aidan: Let's hear it. Let's hear it. Joe: Aidan, this is fucking crazy, dude. Aidan: I'm not the one that fucking caught it—got blocked by Olivia's mother, and fucking brother... Joe Here we go. This is deflecting, and dude—that's admitting how fucking guilty you are right here. Aidan: Let's hear a fucking recording. You said you got a fucking recording, right? Joe: Nobody said that. We said—oh, Karen Read doesn't want to talk to you anymore because you recorded her calls, set them to people, and it got back to her. Chris: I got a question for you, Aidan, I didn't know—so sure. When you went on your little pity party and then you— Joe: The worst part is you lied to everybody acting on it. You had no idea what was wrong and why she she fucking set you straight—trying to get sympathy. That, my friend, is fucking psychotic. Aidan:** Okay, okay, sure thing. Yeah, you said I sent the recording out. Where's the recording? *Joe: Dude? It's not—I'm not obligated to fucking get the recording. Aidan: Oh, yeah, you wouldn't want to back it up, right? Joe: You're so—you're going to go on record that Karen is lying? Say it. You're caling Karen Read a liar about this. Aidan: There is no fucking recording. Joe: You're lying, dude. It's fucking crazy. This is what's here. It—play the note. You played it for somebody. You got it. I don't got it. Aidan: Let's hear you play it. You're the one that says there's a fucking record. Chris: I mean, that's—you have a history of recording people. Lily: Wait, we have—well, I feel like we have a responsibility as me as a host to Chris and... You're both—you're actually both not providing a receipt, and I'm—Aidan is actually asking for a receipt. I have to—for the recording. Joe and Chris He has—asking for the recording. Lily: You guys—she has which he sent to—we know I said. So who has it? One of the receipts. I know you're not gonna have— Aidan:: you don't have the recording because— Lily: Just fucking say it. Karen doesn't want the recording out there. Aidan: What recording? There's no recording. Joe: Never even asked her for it, to be honest with you. Aidan: And so you wait—yeah, you never asked. Thank you—you never asked. Joe: Karen is fucking so done with you, bro. She sent—she told me about this completely unsolicited. Lily:That's beside the point, and I'm not the first—(Joe) Karen's done with him, ..but what the fuck—just post the fucking receipt for him. Chris: You can't come on here saying he has it, Lily. He's seen the same thing you've seen. He's even seen the same thing that I showed you. Lily: I know. You don't come on here and say I've got this, and then Aidan demands a receipt—you deserve. Okay... Joe: He's deflecting, asking for a recording he knows about the text. Lily: Yeah, I know, Joe. I get what you're saying, and I respect every—like what you're saying, but he's denying it. Joe: Fine, I'll post the fuck—I'll post them right now. I really don't give a fuck. Lily: Thank you. And that's immense—he can—he can then riff like whatever he can. I can't—I'm so like nervous. I've got dry mouth because... Then Aidan can like look at those, and he at least has—you know exactly what's been spoken about. He's just denying it. I can't say that, and I get it, but he is asking for the receipt, which is fair. And Joe: I'll even add the text message when he came on here initially. He said it was all alive, right? He said he sent me—fucking text message on Monday morning. Lily: I see it. We've established that now. We established that Aidan's denying it, so just post the receipt that you have, and then he can actually reflect on that and—and do you see what I mean? He's not gonna turn around now and say actually it is true. But if you've got the receipt, he can then say, "I will—this is x, y and z there." I just think it's fair—like... Aidan: Now, yeah, what he has is a screenshot that he claims is from Karen Read. It was— Joe: You're saying it's not from Karen Read. Aidan: I don't—there's no fucking name on the top. Joe: Yeah, I have it. Do you want me to read? Aidan: Okay, so there was an allegation? I'm reading. Joe: Do I have a text from you saying I was sent the same thing the morning after the verdict? Did you not say that to me? Aidan: Yes, you sent me the same thing the morning after the verdict. Joe: Okay, so then she sent it to me too. Aidan: Yeah, she knows—she said to me the morning after the Wilbur—she after the morning after the show, she said that she was sent a 30-minute fucking tape. Where's the fuck? What tape? Okay, she's not fucking accusing me. I have no—there's no fucking tape. There's no tape. She thinks I recorded her because I fucking told people about the conversation. That's it. Joe: You're telling me you didn't? Aidan:: And I'm telling you I fucking didn't. You're wrong. Joe: 100% You're lying, dude. Aidan: Okay, so prove it. Let's see it. You got evidence, right? You like evidence? You got Any? Joe: I mean—I—a screenshot of—how many people did you send it to? Aidan: Zero, because there's no recording. Joe: There is. Aidan: Let's hear it. Play it. Let's play it. Let's go. Joe: Let's hold on. Let's hold on. Can I go real quick? So you come in here calling it—you were making fun of Chris because he's an Australian motherfucker. He doesn't have nothing, right? You said there was no text, no proof. And then now we're transitioning to the recording because I don't have the recording. Okay, so you think Karen Read is just fucking lying about this? How would she know? How would she know what about the recording? Aidan: There is no recording. Joe: You're telling me you didn't show it to anybody? Is that really what you're gonna tell people? Aidan:There's no recording to share with anyone. Okay, okay. Well, I mean, you got evidence, right? To back this up. Joe: Yeah, right. Aidan:: You got something, right? Yeah, yeah. Did you been right? I mean, you have that, right? You have that right because you wouldn't say something—because if you know I had it, right? Joe: I have—why Karen Read won't speak to you. Aidan: You have a screenshot of a conversation with Karen Read. You don't have an actual fucking audio, though. Joe: I have—in Karen Read's words. Why do you think she would lie about this? Aidan: Do I think she would lie about having a recording? Joe: She wouldn't lie about this. Explain that one—about having a recording. Aidan: Yes, I know she's lying about that. Joe: Why, though? Aidan: I don't know why Karen is acting the way she is. It's unfortunate. Yeah, and honestly, I'm not the one—you're a fucking airing it all out right now. That's odd that Karen would green-light you coming on here and fucking doing this. That's kind of odd. Because I love you—notice, but like—kind of yeah, we raised 1.1 million fucking dollars for a little... Here I know—here, I'm here. I'm here. There's still a— Chris; there's no because you—still a fucking snake. Yeah, I know. He records people's phone calls. Aidan:: Let's hear the tape. Let's hear the tape. You're the one making—you guys got nothing. Nothing. Nothing. I just sent the fucking text out. Just say—there you go, buddy. Aidan: Okay, so Karen Read is green-lighting this sort of drama? That's what you're saying? Joe: I asked her. I said—you asked her? She said yes, go ahead. I said, do you want your side out there? She said, 'sure. You're gonna read it? Sure. I told many people my side. This is my last straw. I would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times.' Aidan: I put her—fucking words, okay? Not mine. Yep. Okay. I put Karen Read in harm's way? I went to jail for Karen Read. I don't know if you're familiar. Chris: You didn't go to jail for Karen Read, you fuck. Aidan: Oh, really? Then what am I on bail for? What is—the full—what's the full? Chris: You went to jail for Karen Read? You went to jail because of Lindsey. You went to jail because you're a fucking dick. Aidan: Why was I on bail? I think you're a fuck—while you're on bail. I'm saying because—why would I care? Maybe someone in the night— Chris: hey, you're full of shit. You're a fucking hell. Aidan: What the fuck was I on bail for? Joe Because they may know that—if you didn't record it, why are you being so hush-hush about it with everybody? Why would he just tell the people what she was saying since she's lying? What do you mean hush-hush about it? Aidan You think I won't talk about what she texted me? But you were hinting at it because I don't want to hear the fucking drama, but apparently she does because she's—you fucking do this because you're recording. Thank you. You're telling me no recording of any fucking phone calls? What's the—what's the fight? So you weren't mocking her the past however long—every time you went on the show saying you owe everything to Karen, all that shit? How is that little white lie? Aidan: I owe everything to Karen? What? Why is that little sub-story? You went on two weeks—how is that mocking her? That wasn't in the recording. What recording? There's no fucking recording. Joe: I heard it was a 10-minute recording. Does that make sense? Aidan: No recording, bro. Let's hear it. You heard it. Let's hear it. Joe: Dude, I'm not putting that part out here. Aidan: She's talking about her shit. What she's texting you right now—obviously. Who egging this on, isn't she? Joe: Who? Okay? Okay, who? Keep playing dumb. Hey—who? Aidan: Mm-hmm? Believe it or not—you guys got nothing, right? Chris; We got good—from the horse's mouth, mate. I mean, it's not over the horse. Yeah, that's enough for me. I don't need... Aidan: Karen's not talking to anyone in the media. Joe: If you read the text message, I just reached out to her as a friend—just to reach out and say hope you're doing well. She went into this whole thing about you. Aidan: So you reached out—let me get this right—you reached out to her just to say hope you're doing well, and the first thing she did was complain about me? Joe: Yes, okay. That says it all. There we go. Where is she? Tired of me? Maybe she's fucking tired of you telling the people bullshit. Aidan: What—what—what—what—what bullshit have I told people? That you have no idea why she won't fucking come on your whatever it is. Aidan: What do you mean I have no idea why? Joe: That's what you've been saying—you don't know what's going on, like you feel a bit sorry for—like the thing with the fucking Howie Carr, dude. That was ridiculous. Aidan: What was ridiculous? You're the entire way you handled—I didn't say a word about that. Chris: Yes, you did. You deleted the receipt, but let's see—where did I complain about her appearance on Howie Carr? You made a lot of all quiet. Oh, this fuck it. Oh... Joe: Wait, but you think we're fucking dumb? Do people are fucking dumb? So where did I—after you deleted it, and then you made a post about deleting it. Aidan: What did I say about it? I don't remember. Chris:** But you don't remember? Yeah, you deleted it, bro. You deleted it. Yeah, remember? You deleted it. And then you made a post about the deleting of the post. Part 2 coming later.

Grant Smith Ellis

85,913 次观看 • 1 年前

minghao started off talking about his vaccination and somehow it turned into banter 😭 🎱 right now, my body condition isn't that great. it's because two days ago i got that shot the one we seventeen endorses. what's it called again.. i don't know the chinese name, but hoshi-ge got it before. gardasil? you guys should know what it is once i mention it. i just got it, so it feels like my body is fighting something inside right now. so my condition is just slightly.. i got it two days ago. i've taken it twice before, since you're supposed to take one shot, then another after two months, then another after two months. but after one shot, i forgot for three or four months. i took one two years ago, then didn't continue. then last year i took another one.. and forgot again. i didn't take the second and third shots at all. so two days ago i went to get it again. this time, i'm prepared to complete all three shots. you guys should get it too, take care of yourselves. 💬 why are you drinking after the injection? 🎱 it's already been three days! i only drank a little it's okay. life still has to go on, right? when did you guys become, become so long-winded? i'm not even drunk. don't worry, don't worry. i know you guys are worried about me. 💬 you can't even endure three days? 🎱 it's not that i can't endure but i feel like life has to go on, right? just go with the flow. 🎱 i'm done for, i said the word "long-winded," and i'm done for, suddenly you guys got upset. are you guys this, un-unable to handle a comment? i wasn't really calling you long-winded, right? i just merely said it, my tone was just slightly too strong. then you guys can't handle it anymore? are you really th-this fragile inside? are your little hearts that fragile? so i just let you guys say anything every day, say all kinds of things - things i don't like, you say them too; things i don't want to see, you say them too. 🙂‍↔️ that won't do. i need to toughen up your hearts a bit. 😄 coax? how old are you still needing to be coaxed? don't you have the ability to recover on your own? 🙂 sorry.. seems like my tone got slightly strong again. usually i just recover by myself 💬 let's cut ties 🤣🤣🤣🤣🤣🤣

minghao started off talking about his vaccination and somehow it turned into banter 😭 🎱 right now, my body condition isn't that great. it's because two days ago i got that shot the one we seventeen endorses. what's it called again.. i don't know the chinese name, but hoshi-ge got it before. gardasil? you guys should know what it is once i mention it. i just got it, so it feels like my body is fighting something inside right now. so my condition is just slightly.. i got it two days ago. i've taken it twice before, since you're supposed to take one shot, then another after two months, then another after two months. but after one shot, i forgot for three or four months. i took one two years ago, then didn't continue. then last year i took another one.. and forgot again. i didn't take the second and third shots at all. so two days ago i went to get it again. this time, i'm prepared to complete all three shots. you guys should get it too, take care of yourselves. 💬 why are you drinking after the injection? 🎱 it's already been three days! i only drank a little it's okay. life still has to go on, right? when did you guys become, become so long-winded? i'm not even drunk. don't worry, don't worry. i know you guys are worried about me. 💬 you can't even endure three days? 🎱 it's not that i can't endure but i feel like life has to go on, right? just go with the flow. 🎱 i'm done for, i said the word "long-winded," and i'm done for, suddenly you guys got upset. are you guys this, un-unable to handle a comment? i wasn't really calling you long-winded, right? i just merely said it, my tone was just slightly too strong. then you guys can't handle it anymore? are you really th-this fragile inside? are your little hearts that fragile? so i just let you guys say anything every day, say all kinds of things - things i don't like, you say them too; things i don't want to see, you say them too. 🙂‍↔️ that won't do. i need to toughen up your hearts a bit. 😄 coax? how old are you still needing to be coaxed? don't you have the ability to recover on your own? 🙂 sorry.. seems like my tone got slightly strong again. usually i just recover by myself 💬 let's cut ties 🤣🤣🤣🤣🤣🤣

𝗝𝗢.

85,894 次观看 • 6 个月前

Watch what happens when a woman drowning in victim mentality is told her life sucks because of her OWN life choices. Caleb Hammer dropped the bomb, and it was like personal accountability had never once crossed her mind. CALEB: "Life doesn't have to suck. You can figure out good things you have." WOMAN: "Life doesn't have to suck?!" CALEB: "You have a boyfriend of 10 years. There's many things." WOMAN: "And I love him, and that is the best part about my life." CALEB: "Were you gonna say that's privilege — that life doesn't have to suck?" WOMAN: "Yes!" CALEB: "How?" WOMAN: "I have to worry about not waking up in the morning because I have seizures. And that means that I have to go to the hospital." CALEB: "How does that equal life always sucks though? ... I don't want to advocate for it, but if the entire philosophy is life sucks, why do life?" WOMAN: "Because killing yourself sucks. That seems like a interesting way to 'why don't you kill yourself' kind of thing." CALEB: "I again, I just said I don't advocate for it, but if your entire philosophy is life is absolute shit, then why do it?" WOMAN: "I don't think it always has to suck, but when you're in—" CALEB: "That's what I just said, and you said that was privilege." WOMAN: "It is, because you don't have bad shit going on. You don't have—" CALEB: "We all have bad shit going on." WOMAN: "Okay, I'll take that. But you don't have addictions going on. You don't have shit mentally or—" CALEB: "Yes, I do. I have a panic disorder." [Woman starts getting flustered] WOMAN: "That's what I'm saying. If you have medical shit going on, how can you be like, oh, life doesn't need to ever suck?" CALEB: "Life does suck sometime. There are shitty things in life, but life doesn't have to — in general, as a broad philosophy — suck. Because then what's the point of doing anything? What's the point of waking up? What is the point of sacrificing if life is just trash? What's the point of anything?" WOMAN: "It's a bad way to look at it. Life can suck, but you don't have to, like, give up on it." CALEB: "So the only reason life sucks is because of this. If it wasn't for this, life wouldn't suck?" WOMAN: "If it wasn't for this, life would suck a lot less. Money and stress is what caused me to have seizures." CALEB: "Okay, then why were you never paying anything and still swiping?" WOMAN: "I was told not to!" CALEB: "Yes. Once you went to the debt consolidation — national debt relief — yes, but even before, you were still swiping, making it even worse and worse. So you were making what causes your seizures worse. On your own. No one forced you to. And you're the one that makes a day out of all that stuff... You go shopping with a friend, then you go drinking, and then you go to the weed shop, and then back to the bar, and you smoke at the bar. You're saying that life sucks — well, your coping mechanisms are all that bad shit that just makes life even worse and worse and worse. Those endless addictions that you're just continuing make life suck more, and then you have to do them to continue. That's you. That's on you, dude. I'm not saying it's easy to quit. No one is advocating that, but your continuing down the path of things that are bad makes life suck. Take some personal f*cking responsibility on anything!" WOMAN: "That's what I'm trying to do." CALEB: "You have seizures, but you just drink all day? You have seizures, but you smoke cigarettes. I don't think cigarettes are good for people with seizures." WOMAN: "Well, they're not good for anything, but my neurologist did not say it was going to cause me seizures!" CALEB: "I don't think it's beneficial." [Woman gives up]

Watch what happens when a woman drowning in victim mentality is told her life sucks because of her OWN life choices. Caleb Hammer dropped the bomb, and it was like personal accountability had never once crossed her mind. CALEB: "Life doesn't have to suck. You can figure out good things you have." WOMAN: "Life doesn't have to suck?!" CALEB: "You have a boyfriend of 10 years. There's many things." WOMAN: "And I love him, and that is the best part about my life." CALEB: "Were you gonna say that's privilege — that life doesn't have to suck?" WOMAN: "Yes!" CALEB: "How?" WOMAN: "I have to worry about not waking up in the morning because I have seizures. And that means that I have to go to the hospital." CALEB: "How does that equal life always sucks though? ... I don't want to advocate for it, but if the entire philosophy is life sucks, why do life?" WOMAN: "Because killing yourself sucks. That seems like a interesting way to 'why don't you kill yourself' kind of thing." CALEB: "I again, I just said I don't advocate for it, but if your entire philosophy is life is absolute shit, then why do it?" WOMAN: "I don't think it always has to suck, but when you're in—" CALEB: "That's what I just said, and you said that was privilege." WOMAN: "It is, because you don't have bad shit going on. You don't have—" CALEB: "We all have bad shit going on." WOMAN: "Okay, I'll take that. But you don't have addictions going on. You don't have shit mentally or—" CALEB: "Yes, I do. I have a panic disorder." [Woman starts getting flustered] WOMAN: "That's what I'm saying. If you have medical shit going on, how can you be like, oh, life doesn't need to ever suck?" CALEB: "Life does suck sometime. There are shitty things in life, but life doesn't have to — in general, as a broad philosophy — suck. Because then what's the point of doing anything? What's the point of waking up? What is the point of sacrificing if life is just trash? What's the point of anything?" WOMAN: "It's a bad way to look at it. Life can suck, but you don't have to, like, give up on it." CALEB: "So the only reason life sucks is because of this. If it wasn't for this, life wouldn't suck?" WOMAN: "If it wasn't for this, life would suck a lot less. Money and stress is what caused me to have seizures." CALEB: "Okay, then why were you never paying anything and still swiping?" WOMAN: "I was told not to!" CALEB: "Yes. Once you went to the debt consolidation — national debt relief — yes, but even before, you were still swiping, making it even worse and worse. So you were making what causes your seizures worse. On your own. No one forced you to. And you're the one that makes a day out of all that stuff... You go shopping with a friend, then you go drinking, and then you go to the weed shop, and then back to the bar, and you smoke at the bar. You're saying that life sucks — well, your coping mechanisms are all that bad shit that just makes life even worse and worse and worse. Those endless addictions that you're just continuing make life suck more, and then you have to do them to continue. That's you. That's on you, dude. I'm not saying it's easy to quit. No one is advocating that, but your continuing down the path of things that are bad makes life suck. Take some personal f*cking responsibility on anything!" WOMAN: "That's what I'm trying to do." CALEB: "You have seizures, but you just drink all day? You have seizures, but you smoke cigarettes. I don't think cigarettes are good for people with seizures." WOMAN: "Well, they're not good for anything, but my neurologist did not say it was going to cause me seizures!" CALEB: "I don't think it's beneficial." [Woman gives up]

The Vigilant Fox 🦊

403,184 次观看 • 1 个月前

"What's your sense as a career military man of Taiwan 🇹🇼 and their willingness to go to the mattresses to defend their nation?" - Tom Cotton "I have a great deal of faith in Taiwan's military-aged populations willingness, capability, and will to defend themselves. Orders of magnitude above others. Ukraine demonstrated relatively low numbers in polling pre-conflict and they've responded as admirably as a society can. Taiwan's polling is orders of magnitude above that, leading me to positively assert their willingness to defend themselves." - Indo-Pacific Command Cratosroyalbet Giriş Navy Admiral Samuel Paparo Jr. Admiral Samuel Paparo "And it's just common sense, you don't have to have access to that kind of data I think common sense would say if you're sitting in Taiwan and you're a mom or dad and you're worried about your son's or daughter's future, grandma or grandpa, and you look at what communist China has done in say Macau and Hong Komg, once they gain control of those territories, you wouldn't want them to gain control of your territory, is that correct?" "Yes, sir." "Does the military have full and proper focus on that threat? For us, we're a globe-spanning superpower. Bob Gates once testified in this committee that we have an almost perfect record of predicting our next war since Vietnam: we've gotten it wrong every single time. Whether it was Grenada or Panama or Iraq, the first or second time, the Balkans, Ukraine, what have you. That's why our military plans for so many different contingencies, why we have guys up in Arctic warfare school or in jungle warfare school or in desert warfare school. Obviously, if you're Taiwan's military, from the time you raise your hand to enlist as a private to the time you're the Chief of Defense, there is one and only one military contingency that you should be thinking about and planning for. Does their military have that kind of single-minded focus in your assessment?" "I do see that in their military, and I think that they're working really hard and I'm seeing success in their building the kind of operational concepts that will lead for them to be successful in thwarting an invasion."

"What's your sense as a career military man of Taiwan 🇹🇼 and their willingness to go to the mattresses to defend their nation?" - Tom Cotton "I have a great deal of faith in Taiwan's military-aged populations willingness, capability, and will to defend themselves. Orders of magnitude above others. Ukraine demonstrated relatively low numbers in polling pre-conflict and they've responded as admirably as a society can. Taiwan's polling is orders of magnitude above that, leading me to positively assert their willingness to defend themselves." - Indo-Pacific Command Cratosroyalbet Giriş Navy Admiral Samuel Paparo Jr. Admiral Samuel Paparo "And it's just common sense, you don't have to have access to that kind of data I think common sense would say if you're sitting in Taiwan and you're a mom or dad and you're worried about your son's or daughter's future, grandma or grandpa, and you look at what communist China has done in say Macau and Hong Komg, once they gain control of those territories, you wouldn't want them to gain control of your territory, is that correct?" "Yes, sir." "Does the military have full and proper focus on that threat? For us, we're a globe-spanning superpower. Bob Gates once testified in this committee that we have an almost perfect record of predicting our next war since Vietnam: we've gotten it wrong every single time. Whether it was Grenada or Panama or Iraq, the first or second time, the Balkans, Ukraine, what have you. That's why our military plans for so many different contingencies, why we have guys up in Arctic warfare school or in jungle warfare school or in desert warfare school. Obviously, if you're Taiwan's military, from the time you raise your hand to enlist as a private to the time you're the Chief of Defense, there is one and only one military contingency that you should be thinking about and planning for. Does their military have that kind of single-minded focus in your assessment?" "I do see that in their military, and I think that they're working really hard and I'm seeing success in their building the kind of operational concepts that will lead for them to be successful in thwarting an invasion."

Daniel Ku 顧仲文 🇹🇼🇨🇦

34,157 次观看 • 5 个月前

Registered nurse/whistleblower Michelle Spencer: "Every time a nurse gives an injection of hepatitis B vaccine [to an infant], they are chemically assaulting that baby. They are giving 250 micrograms of aluminum when the FDA says do not give more than 18 micrograms." This clip of Spencer (Michelle Spencer) is taken from an interview with Apollo the Original (Apollo The Original) posted to YouTube on October 27, 2025. ---------------Partial transcription of clip--------------- "I've been telling moms not to get the hepatitis B vaccine. So many moms have been refusing that shot that they had to have a meeting at work. And they said the nurses are giving biased information because all these moms are refusing the hep B shot. I'm like, 'That's so beautiful to hear,' because that means I've been telling all these nurses about the hepatitis B, and a lot of the nurses are even trying to get out of it now, too, because they're uncomfortable giving it because I've been pounding it into their brain. You're a nurse. You should know... what you're putting into your patient's body, especially a newborn, especially if it's not safe. "And so a couple months ago, a family member complained and said that 'This nurse, Michelle, is giving biased information. She's giving misinformation. She's talking these mothers out of giving the hepatitis B vaccine. She told my my sister, that the only way your baby can get hepatitis B is if she has sex with someone who has hepatitis B.' And so my boss called me into her office, and she told me all that right now, the complaint. "I said, 'Yes, that's true.' And I think my boss was, like, expecting me to say, 'Oh, I didn't do that,' or something. And I was like, 'Yeah, that's true.' I said, 'You know, every time a nurse gives an injection of hepatitis B vaccine, they are chemically assaulting that baby. They are giving 250 micrograms of aluminum when the FDA says do not give more than 18 micrograms.' And my boss looked at me, and she said, 'It's not about your beliefs, Michelle. It's about what's required of you per the institution.' "Every time a nurse gives that shot, they are chemically assaulting a baby. We were taught to do no harm. This is causing harm. And she said, again, 'I know you have your beliefs, Michelle, but you need to do what's required of you per the institution.' Does that not sound like follow the orders? ...She's a nurse, but of the entire women's floor, the labor and delivery floor, the antepartum and postpartum and all of women's health in there. She's the manager. The top one. And so she said, 'If you have questions, you can go to the head pediatrician and you can give her your information.' I said, 'Okay, I'll do that.' "I went to the head pediatrician and I told her exactly what I just told my boss. And she said, 'Oh, no, the aluminum in those shots isn't the same one on that paper that you just showed me. It's not a neurotoxin.' I'm sorry, but which aluminum is not a neurotoxin? I was so confused... They say it's a preservative... but it's a heavy metal. It doesn't belong in your body. It's a heavy metal. You don't need it in your brain. And to give 10 times the safe dose to every newborn that doesn't need it, it's craziness. I don't even have the words for this madness... It doesn't make sense. It will never make sense."

Registered nurse/whistleblower Michelle Spencer: "Every time a nurse gives an injection of hepatitis B vaccine [to an infant], they are chemically assaulting that baby. They are giving 250 micrograms of aluminum when the FDA says do not give more than 18 micrograms." This clip of Spencer (Michelle Spencer) is taken from an interview with Apollo the Original (Apollo The Original) posted to YouTube on October 27, 2025. ---------------Partial transcription of clip--------------- "I've been telling moms not to get the hepatitis B vaccine. So many moms have been refusing that shot that they had to have a meeting at work. And they said the nurses are giving biased information because all these moms are refusing the hep B shot. I'm like, 'That's so beautiful to hear,' because that means I've been telling all these nurses about the hepatitis B, and a lot of the nurses are even trying to get out of it now, too, because they're uncomfortable giving it because I've been pounding it into their brain. You're a nurse. You should know... what you're putting into your patient's body, especially a newborn, especially if it's not safe. "And so a couple months ago, a family member complained and said that 'This nurse, Michelle, is giving biased information. She's giving misinformation. She's talking these mothers out of giving the hepatitis B vaccine. She told my my sister, that the only way your baby can get hepatitis B is if she has sex with someone who has hepatitis B.' And so my boss called me into her office, and she told me all that right now, the complaint. "I said, 'Yes, that's true.' And I think my boss was, like, expecting me to say, 'Oh, I didn't do that,' or something. And I was like, 'Yeah, that's true.' I said, 'You know, every time a nurse gives an injection of hepatitis B vaccine, they are chemically assaulting that baby. They are giving 250 micrograms of aluminum when the FDA says do not give more than 18 micrograms.' And my boss looked at me, and she said, 'It's not about your beliefs, Michelle. It's about what's required of you per the institution.' "Every time a nurse gives that shot, they are chemically assaulting a baby. We were taught to do no harm. This is causing harm. And she said, again, 'I know you have your beliefs, Michelle, but you need to do what's required of you per the institution.' Does that not sound like follow the orders? ...She's a nurse, but of the entire women's floor, the labor and delivery floor, the antepartum and postpartum and all of women's health in there. She's the manager. The top one. And so she said, 'If you have questions, you can go to the head pediatrician and you can give her your information.' I said, 'Okay, I'll do that.' "I went to the head pediatrician and I told her exactly what I just told my boss. And she said, 'Oh, no, the aluminum in those shots isn't the same one on that paper that you just showed me. It's not a neurotoxin.' I'm sorry, but which aluminum is not a neurotoxin? I was so confused... They say it's a preservative... but it's a heavy metal. It doesn't belong in your body. It's a heavy metal. You don't need it in your brain. And to give 10 times the safe dose to every newborn that doesn't need it, it's craziness. I don't even have the words for this madness... It doesn't make sense. It will never make sense."

Sense Receptor

39,469 次观看 • 11 个月前

Times Are Definitely Changing ‼️ This Video Of An American Citizen Opposing Sending His Daughter To Die For The Elite’s Wars Has BLOWN UP, Over 1.4 Million Likes In Just A Couple Days This is a MUST LISTEN. This has really resonated with people to explode & go this viral “Let me get this right. You wanna pass a law to draft my daughter to send to another one of your foreign ****** wars for something you created so your arms manufacturers can make more money for your banker friends. Did I get that ****** solid right or not? Now wrong elephant breath. My daughter will not be joining the military any way, shape, or form unless it's to fight this ****** war that this government has started against its people. See how simple that is? The very fact that you don't understand the societal ****** rules about women and children, let me school you a little bit. Now the fact of the matter is you can't make your fucking recruitment numbers because your recruiters told so many lies like, oh, yes. You get the condo on the beach when you join up. Oh, you get to start here, but we're gonna switch you to what you really want later. And the biggest ****** up the ******, the VA will take care of you if you got hurt. Hey. The reason you can't meet the recruitment goals is because these young men have already voted with their ****** feet. They're not gonna ****** fight. And the fact that you think you're gonna get the women to fight, let me put it to you this way. It was one thing when you oppressed us with unbelievable ****** taxes. One thing, because we were living in nice homes and still eating pretty good. It's another thing when you spied on us to the degree that you did and made us realize that we don't have any freedom. It's another thing when you not only wrecked the ****** economy, but you fucking did it in such a way where you spent so much ****** money that went to special interest groups that the people never had a chance to benefit from it. And now when you have people that are homeless eating canned goods out of the back of their ****** car? You know what? They may do that for themselves, but they're not their kids are not gonna go through that. ******, you're gonna find out what people will do for their ****** children. You protect women and children because it's a societal norm. It has nothing to do with being sexist or unequal in any way. The fact is you should always protect people that are weaker themselves and always stand up for the right ****** thing. And the right ****** thing here is if my daughter is gonna be in a war, she's not gonna have to go to a ****** foreign country to fight it. ****** your taxes, ****** your withholding. ****** your FEMA. ****** your IRS. ****** you. ****** your corrupt congress. ****** your corrupt presidents. ****** your entire election process. You know, I could go on forever, but let's face it. The world's not gonna live that long before a fucking meteor solves a problem for us. So ****** you. And if anybody doesn't like what I'm saying, you know what you can do. If you do like what I'm saying, give me a hell yeah in the comments because our women aren't gonna fight a ****** war for some ****** corrupt government”

Times Are Definitely Changing ‼️ This Video Of An American Citizen Opposing Sending His Daughter To Die For The Elite’s Wars Has BLOWN UP, Over 1.4 Million Likes In Just A Couple Days This is a MUST LISTEN. This has really resonated with people to explode & go this viral “Let me get this right. You wanna pass a law to draft my daughter to send to another one of your foreign wars for something you created so your arms manufacturers can make more money for your banker friends. Did I get that solid right or not? Now wrong elephant breath. My daughter will not be joining the military any way, shape, or form unless it's to fight this war that this government has started against its people. See how simple that is? The very fact that you don't understand the societal rules about women and children, let me school you a little bit. Now the fact of the matter is you can't make your fucking recruitment numbers because your recruiters told so many lies like, oh, yes. You get the condo on the beach when you join up. Oh, you get to start here, but we're gonna switch you to what you really want later. And the biggest up the , the VA will take care of you if you got hurt. Hey. The reason you can't meet the recruitment goals is because these young men have already voted with their feet. They're not gonna fight. And the fact that you think you're gonna get the women to fight, let me put it to you this way. It was one thing when you oppressed us with unbelievable taxes. One thing, because we were living in nice homes and still eating pretty good. It's another thing when you spied on us to the degree that you did and made us realize that we don't have any freedom. It's another thing when you not only wrecked the economy, but you fucking did it in such a way where you spent so much money that went to special interest groups that the people never had a chance to benefit from it. And now when you have people that are homeless eating canned goods out of the back of their car? You know what? They may do that for themselves, but they're not their kids are not gonna go through that. , you're gonna find out what people will do for their children. You protect women and children because it's a societal norm. It has nothing to do with being sexist or unequal in any way. The fact is you should always protect people that are weaker themselves and always stand up for the right thing. And the right thing here is if my daughter is gonna be in a war, she's not gonna have to go to a foreign country to fight it. your taxes, your withholding. your FEMA. your IRS. you. your corrupt congress. your corrupt presidents. your entire election process. You know, I could go on forever, but let's face it. The world's not gonna live that long before a fucking meteor solves a problem for us. So you. And if anybody doesn't like what I'm saying, you know what you can do. If you do like what I'm saying, give me a hell yeah in the comments because our women aren't gonna fight a war for some corrupt government”

Wall Street Apes

1,050,341 次观看 • 2 年前

Every night as a kid, Kobe Bryant fell asleep visualizing basketball. He’d see himself scoring 10 straight. Then 20. Then 30. “But in the dream, why would you ever interrupt that?” “So you keep dreaming.” “Before I go to sleep, I’m at 120 points.” In 2006, he scored 81. Kobe spent an hour at USC explaining what Mamba Mentality really means: He was born to play. "I started playing at like 2 years old." "My father wasn't one of these fathers that was like: you're going to play basketball. It was just I was around the game a lot and I gravitated to the ball." "I was completely geeking out about the smell of the ball. The way it sounds when it hits concrete versus how it hits a parquet floor." "The sound of the nets. The different material of the nets." "There's certain basketball hoops where the rim sits slightly above the backboard. I was geeking out if I got into a gym where they were completely parallel." "Little shit like that would freak me out." "To answer your question, I was born to do this thing, man. And I did it non-stop all day long from the age of 2 to when I retired." He explains how to know if you've found your thing. "That's the trick, isn't it? Finding what you love to do." "We talk about hard work all the time. And it's like, if you got to get up every single morning and remind yourself how hard you need to work, you probably need to choose a different profession." "That shouldn't be there." "I wake up in the morning excited to get to it. If I'm not training, I'm missing it. If I'm not watching a game of basketball, I miss it." "There's no place I'd rather be." "If you have that feeling, then you're truly doing what God has put you on this earth to do." He explains the 81-point game. "When you grow up downloading that into your brain over and over and over..." "That summer, I made 1000 shots a day. 1000. On top of weight training and conditioning." "And they weren't just shots. They were shots that you saw in that game." "Coming out of the corner. Going to the pinch post. Footwork in the post. Coming off the screen." "It was very specific." "So when you download that into your system and you go out on the court, you're just executing things that you've done thousands of times before." "And you have that dream." "Then that becomes possible." He explains why he doesn't reinvent. "Everything's been not choreographed, but it's been practiced so many times that it's second nature." "Why reinvent it?" "I don't understand that. You go out and play the game and you're just trying to create something new. No." "This is what I do. This is what I do extremely well." "You're going to have to stop me from doing that. And if you do stop me from doing that, I have a counter to that." "Done." He explains the pain. "To be honest, I wasn't even thinking about the game." "My knee was hurting so much. I didn't know then, but I had a flap of cartilage stuck in my joint line." "My mind was really trying to go to a place where I don't feel that pain." "The game started. And because of that, I was just in a different space." "I wasn't worried about what was to come. I wasn't worried about what just happened. I was just here." "When you're just there in the moment, your focus is heightened because nothing else matters." Pete Carroll asked the hard question. "What was it like for you to play with people that weren't as gritty as you were?" Kobe's response. "I'd kill them. I'd bury them." "The kind of culture that the Laker organization stood for, winning championships, is not tolerated." "You're going to show up to play. And you're going to lollygag through this scrimmage, through this drill? I'm going to beat you." "I'm going to let you know I beat you." "I'm going to want you to reconsider your professional life choice." "People will say: okay, that doesn't make a great teammate." "Well, I'm not here to be a great teammate. I'm here to help you win championships." "So it's different." He explains practice. "As a leader of a team, it's your responsibility to elevate the rest of the guys." "What people tend to get stuck on is saying: the way to make players better is to pass them the ball when they're open." "That's a very trivial way to look at things." "You have to get them emotionally to want to be better. You have to get them to an emotional space where they wake up every morning driven to be the best version of themselves." "How do you do that?" "In practice for me, it was a chance to drive them, to challenge them." "You have to know your teammates. Because then you know what nerve to touch." "Some guys, it's like: okay, come on, we can do this. That'll get them going." "Other guys, no. You got to figure out what button to push." He gives an example. "Pau was always Spain." "If I tell him how they lost in the gold medal to us and how they're going to lose again, how I'm going to beat your ass in practice just like I beat you in the gold medal game." "Oh. He would hate that. He would hate that." "But that's what practice was. You have to drive them." "If practice is more intense and harder than a game seven will be, then a game seven will be easy." "But if it's not, then that's when teams start folding and capitulating." He explains standards. "If I got to fight to get you in the gym, that's a problem. That's a problem." "You want players that are gym rats. Players that want to be in the gym, that want to work." "Then from there, you build on top of that." "But if you're lazy, man, I don't want to talk to you. I don't want to deal with you. You make me feel dumber." "You're going to lower my level. I don't think so." "You can go over there. There's plenty of teams where you'll fit right in." He explains loyalty. The Lakers offered to trade him to a contending team. His response. "We've known each other for a very long time. I'm questioning myself because I'm wondering what about me makes you think I would jump ship." "We don't do that." "As a leader, you got to be able to take the good with the bad." "You can't just because the ship's sinking all of a sudden jump off and swim to another. You don't do that." "If you can win championships in front of everybody, then you could miss the playoffs in front of everybody." "You got to be able to take both sides of it." "If you're doing something that's easy, you might want to reconsider what you're doing." He explains what he wishes he knew earlier. "Understanding empathy and compassion." "As a young kid when I came in the league, it was like: I'm driving this way and either you're going to be on the train or be on the track." "There was no such thing as understanding that people have lives outside of the game. Which apparently I did not." "If I understood that at an early age, then it helps me as a leader to communicate better." "Getting to know people on a personal level. What are their fears. What are their insecurities. What are their dreams and ambitions." "When you come to understand that about a person, then you can help them reach the best version of themselves." "I wish I'd known that earlier." He explains how he teaches his daughter. "My daughter said: Dad, can you teach me how to play basketball? I want to be better than you." "All right, cool. Let's start with 15 minutes a day." "For 15 minutes a day, we just stood right in front of the hoop and just shot. Right under the hoop. We didn't move around. We didn't do any dribbling." "Just 15 minutes a day just shoot here." "You do that for a month and a half. Then next month, you step back. Then next month, you step back again. Then you start working on dribbling." "Through actionable things is how we teach our children." "If it becomes a part of their process in sports, it'll become a part of their process in life as well." He explains dreams. "I just dream. I have dreams." "Dreams should be pure." "A lot of times when we're born into this world, we actually wind up going backwards." "The more we mature, the more responsible our dreams become. The more governors we put on ourselves and our ability to dream and to reimagine." "It's always a fight for us to make sure that our dreams always stay pure." "It's not a matter of pushing beyond your limitations or expectations." "It's really a matter of protecting your dreams. Protecting your imagination." "That's really the key." "When you do that, then the world just seems limitless."

Every night as a kid, Kobe Bryant fell asleep visualizing basketball. He’d see himself scoring 10 straight. Then 20. Then 30. “But in the dream, why would you ever interrupt that?” “So you keep dreaming.” “Before I go to sleep, I’m at 120 points.” In 2006, he scored 81. Kobe spent an hour at USC explaining what Mamba Mentality really means: He was born to play. "I started playing at like 2 years old." "My father wasn't one of these fathers that was like: you're going to play basketball. It was just I was around the game a lot and I gravitated to the ball." "I was completely geeking out about the smell of the ball. The way it sounds when it hits concrete versus how it hits a parquet floor." "The sound of the nets. The different material of the nets." "There's certain basketball hoops where the rim sits slightly above the backboard. I was geeking out if I got into a gym where they were completely parallel." "Little shit like that would freak me out." "To answer your question, I was born to do this thing, man. And I did it non-stop all day long from the age of 2 to when I retired." He explains how to know if you've found your thing. "That's the trick, isn't it? Finding what you love to do." "We talk about hard work all the time. And it's like, if you got to get up every single morning and remind yourself how hard you need to work, you probably need to choose a different profession." "That shouldn't be there." "I wake up in the morning excited to get to it. If I'm not training, I'm missing it. If I'm not watching a game of basketball, I miss it." "There's no place I'd rather be." "If you have that feeling, then you're truly doing what God has put you on this earth to do." He explains the 81-point game. "When you grow up downloading that into your brain over and over and over..." "That summer, I made 1000 shots a day. 1000. On top of weight training and conditioning." "And they weren't just shots. They were shots that you saw in that game." "Coming out of the corner. Going to the pinch post. Footwork in the post. Coming off the screen." "It was very specific." "So when you download that into your system and you go out on the court, you're just executing things that you've done thousands of times before." "And you have that dream." "Then that becomes possible." He explains why he doesn't reinvent. "Everything's been not choreographed, but it's been practiced so many times that it's second nature." "Why reinvent it?" "I don't understand that. You go out and play the game and you're just trying to create something new. No." "This is what I do. This is what I do extremely well." "You're going to have to stop me from doing that. And if you do stop me from doing that, I have a counter to that." "Done." He explains the pain. "To be honest, I wasn't even thinking about the game." "My knee was hurting so much. I didn't know then, but I had a flap of cartilage stuck in my joint line." "My mind was really trying to go to a place where I don't feel that pain." "The game started. And because of that, I was just in a different space." "I wasn't worried about what was to come. I wasn't worried about what just happened. I was just here." "When you're just there in the moment, your focus is heightened because nothing else matters." Pete Carroll asked the hard question. "What was it like for you to play with people that weren't as gritty as you were?" Kobe's response. "I'd kill them. I'd bury them." "The kind of culture that the Laker organization stood for, winning championships, is not tolerated." "You're going to show up to play. And you're going to lollygag through this scrimmage, through this drill? I'm going to beat you." "I'm going to let you know I beat you." "I'm going to want you to reconsider your professional life choice." "People will say: okay, that doesn't make a great teammate." "Well, I'm not here to be a great teammate. I'm here to help you win championships." "So it's different." He explains practice. "As a leader of a team, it's your responsibility to elevate the rest of the guys." "What people tend to get stuck on is saying: the way to make players better is to pass them the ball when they're open." "That's a very trivial way to look at things." "You have to get them emotionally to want to be better. You have to get them to an emotional space where they wake up every morning driven to be the best version of themselves." "How do you do that?" "In practice for me, it was a chance to drive them, to challenge them." "You have to know your teammates. Because then you know what nerve to touch." "Some guys, it's like: okay, come on, we can do this. That'll get them going." "Other guys, no. You got to figure out what button to push." He gives an example. "Pau was always Spain." "If I tell him how they lost in the gold medal to us and how they're going to lose again, how I'm going to beat your ass in practice just like I beat you in the gold medal game." "Oh. He would hate that. He would hate that." "But that's what practice was. You have to drive them." "If practice is more intense and harder than a game seven will be, then a game seven will be easy." "But if it's not, then that's when teams start folding and capitulating." He explains standards. "If I got to fight to get you in the gym, that's a problem. That's a problem." "You want players that are gym rats. Players that want to be in the gym, that want to work." "Then from there, you build on top of that." "But if you're lazy, man, I don't want to talk to you. I don't want to deal with you. You make me feel dumber." "You're going to lower my level. I don't think so." "You can go over there. There's plenty of teams where you'll fit right in." He explains loyalty. The Lakers offered to trade him to a contending team. His response. "We've known each other for a very long time. I'm questioning myself because I'm wondering what about me makes you think I would jump ship." "We don't do that." "As a leader, you got to be able to take the good with the bad." "You can't just because the ship's sinking all of a sudden jump off and swim to another. You don't do that." "If you can win championships in front of everybody, then you could miss the playoffs in front of everybody." "You got to be able to take both sides of it." "If you're doing something that's easy, you might want to reconsider what you're doing." He explains what he wishes he knew earlier. "Understanding empathy and compassion." "As a young kid when I came in the league, it was like: I'm driving this way and either you're going to be on the train or be on the track." "There was no such thing as understanding that people have lives outside of the game. Which apparently I did not." "If I understood that at an early age, then it helps me as a leader to communicate better." "Getting to know people on a personal level. What are their fears. What are their insecurities. What are their dreams and ambitions." "When you come to understand that about a person, then you can help them reach the best version of themselves." "I wish I'd known that earlier." He explains how he teaches his daughter. "My daughter said: Dad, can you teach me how to play basketball? I want to be better than you." "All right, cool. Let's start with 15 minutes a day." "For 15 minutes a day, we just stood right in front of the hoop and just shot. Right under the hoop. We didn't move around. We didn't do any dribbling." "Just 15 minutes a day just shoot here." "You do that for a month and a half. Then next month, you step back. Then next month, you step back again. Then you start working on dribbling." "Through actionable things is how we teach our children." "If it becomes a part of their process in sports, it'll become a part of their process in life as well." He explains dreams. "I just dream. I have dreams." "Dreams should be pure." "A lot of times when we're born into this world, we actually wind up going backwards." "The more we mature, the more responsible our dreams become. The more governors we put on ourselves and our ability to dream and to reimagine." "It's always a fight for us to make sure that our dreams always stay pure." "It's not a matter of pushing beyond your limitations or expectations." "It's really a matter of protecting your dreams. Protecting your imagination." "That's really the key." "When you do that, then the world just seems limitless."

Jaynit

17,383 次观看 • 4 个月前

Some of Mae West's Best One-liners. Mae West was a master of witty, saucy, and iconic one-liners that celebrated independence, glamour, and double entendres. Her sharpest quips covered everything from romance and wealth to living life on her own terms. • “You only live once, but if you do it right, once is enough.” • “There are no good girls gone wrong ― just bad girls found out.” • “I generally avoid temptation unless I can't resist it.” • “Every man I meet wants to protect me. I can't figure out what from.” • “I wrote the story myself. It's about a girl who lost her reputation and never missed it.” • “Between two evils, I always pick the one I never tried before.” • “Good sex is like good bridge. If you don't have a good partner, you'd better have a good hand.” • “When I'm good, I'm very good, but when I'm bad, I'm better.” • “I'll try anything once, twice if I like it, three times to make sure.” • “I'm single because I was born that way.” • “Good girls go to heaven, bad girls go everywhere.” • “I'm no model lady. A model's just an imitation of the real thing.” • “Ladies who play with fire must remember that smoke gets in their eyes.” • “A dame that knows the ropes isn't likely to get tied up.” • “Marriage is a fine institution, but I'm not ready for an institution.” • “It's not the men in your life that matters, it's the life in your men.” • “All discarded lovers should be given a second chance, but with somebody else.” • “Don't cry for a man who's left you ― the next one may fall for your smile.” • “Sex is an emotion in motion.” • “I never said it would be easy, I only said it would be worth it.” • “Cultivate your curves - they may be dangerous but they won't be avoided.” • “Those who are easily shocked should be shocked more often.” • “Too much of a good thing can be wonderful!” • “I never worry about diets. The only carrots that interest me are the number you get in a diamond.” • “It is better to be looked over than overlooked.” • “I used to be Snow White, but I drifted.” • “Anything worth doing is worth doing slowly.” • “Don't keep a man guessing too long ― he's sure to find the answer somewhere else” • “You are never too old to become younger!” • “Love thy neighbor ― and if he happens to be tall, debonair and devastating, it will be that much easier.” “Women like a man with a past, but they prefer a man with a present.” • “He who hesitates is a damned fool.” • “Look your best ― who said love is blind? ” • “His mother should have thrown him away and kept the stork.” • “A woman in love can't be reasonable ― or she probably wouldn't be in love.” • “Is that a gun in your pocket, or are you just happy to see me?” • “To err is human ― but it feels divine.” • “I have found men who didn't know how to kiss. I've always found time to teach them.” • “If a little is great, and a lot is better, then way too much is just about right!” • “Men are my hobby, if I ever got married I'd have to give it up.” • “Getting married is like trading in the adoration of many for the sarcasm of one.” • “When women go wrong, men go right after them.” • “The curve is more powerful than the sword.” • “Good women are no fun... The only good woman I can recall in history was Betsy Ross. And all she ever made was a flag.” • “I've no time for broads who want to rule the world alone. Without men, who'd do up the zipper on the back of your dress? ” • “I never loved another person the way I loved myself.” • “Love conquers all things except poverty and toothache.” • “The score never interested me, only the game.” • “Keep a diary and one day it'll keep you.” • “She's the kind of girl who climbed the ladder of success wrong by wrong.” • JUDGE: “Are you trying to show contempt for this court?” MAE WEST: “I was doin' my best to hide it.” • “Women with pasts interest men because they hope history will repeat itself.” • “I've been things and seen places.” • “I only read biographies, metaphysics and psychology. I can dream up my own fiction.” • “I'm a woman of very few words, but lots of action.” • “An ounce of performance is worth pounds of promises.” • “One more drink and I'll be under the host.” • “A man’s kiss is his signature.” • “Everyone has the right to run his own life ― even if you're heading for a crash. What I'm against is blind flying.” • “Love isn't an emotion or an instinct - it's an art.” • “No one can have everything, so you have to try for what you want most.” • “Love is like a booger, you pick and pick at it. Then when you get it you wonder how to get rid of it.” • “I've been in more laps than a napkin.” • “I see you're a man with ideals. I better be going before you've still got them.” • “It's all right for a perfect stranger to kiss your hand as long as he's perfect.” • “Don't marry a man to reform him ― that's what reform schools are for.” • “I saw what a mess a lot of people could make of their lives when they're smitten. Some of them go temporarily insane. They find a person who they think holds the key to their happiness ― the only key to their happiness... My work has always been my greatest happiness” • “It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.” • “The best way to hold a man is in your arms.” • “A hard man is good to find.” • “I didn't discover curves; I only uncovered them.” • “You may admire a girl's curves on the first introduction, but the second meeting shows up new angles.” • “Goodness, what beautiful diamonds!' ― 'Goodness had nothing to do with it'.” • “Ten men waiting for me at the door? Send one of them home, I'm tired.” • “If I had known I was going to live this long, I would have taken better care of myself.” • “A man in the house is worth two on the street.” • “Men are all alike ― except the one you've met who's different.” • “Brains are an asset, if you hide them.” • “I only like two kinds of men, domestic and imported.” • “I've been rich and I've been poor, and rich is better.” • “You can do what you want, but saving love doesn't bring any interest.” • Woman: “You certainly know the way to a man's heart.” Mae West: “Funny, too, 'cause I don't know how to cook.” • “When in doubt, take a bath...” • “Sex with love is the greatest thing in life. But sex without love — that's not so bad either.” • “What's the good of resisting temptation? There'll always be more.” • “If I can't have a man with a million dollars, I'll have a million men with one dollar.” • “Gentlemen prefer blondes, but who says blondes prefer gentlemen?” • “Whenever I have to choose between two evils, I always like to try the one I haven't tried before” • “An ounce of performance is worth a pound of promises.” • “Don’t ever make the same mistake twice, unless it pays.” MAE WEST

Some of Mae West's Best One-liners. Mae West was a master of witty, saucy, and iconic one-liners that celebrated independence, glamour, and double entendres. Her sharpest quips covered everything from romance and wealth to living life on her own terms. • “You only live once, but if you do it right, once is enough.” • “There are no good girls gone wrong ― just bad girls found out.” • “I generally avoid temptation unless I can't resist it.” • “Every man I meet wants to protect me. I can't figure out what from.” • “I wrote the story myself. It's about a girl who lost her reputation and never missed it.” • “Between two evils, I always pick the one I never tried before.” • “Good sex is like good bridge. If you don't have a good partner, you'd better have a good hand.” • “When I'm good, I'm very good, but when I'm bad, I'm better.” • “I'll try anything once, twice if I like it, three times to make sure.” • “I'm single because I was born that way.” • “Good girls go to heaven, bad girls go everywhere.” • “I'm no model lady. A model's just an imitation of the real thing.” • “Ladies who play with fire must remember that smoke gets in their eyes.” • “A dame that knows the ropes isn't likely to get tied up.” • “Marriage is a fine institution, but I'm not ready for an institution.” • “It's not the men in your life that matters, it's the life in your men.” • “All discarded lovers should be given a second chance, but with somebody else.” • “Don't cry for a man who's left you ― the next one may fall for your smile.” • “Sex is an emotion in motion.” • “I never said it would be easy, I only said it would be worth it.” • “Cultivate your curves - they may be dangerous but they won't be avoided.” • “Those who are easily shocked should be shocked more often.” • “Too much of a good thing can be wonderful!” • “I never worry about diets. The only carrots that interest me are the number you get in a diamond.” • “It is better to be looked over than overlooked.” • “I used to be Snow White, but I drifted.” • “Anything worth doing is worth doing slowly.” • “Don't keep a man guessing too long ― he's sure to find the answer somewhere else” • “You are never too old to become younger!” • “Love thy neighbor ― and if he happens to be tall, debonair and devastating, it will be that much easier.” “Women like a man with a past, but they prefer a man with a present.” • “He who hesitates is a damned fool.” • “Look your best ― who said love is blind? ” • “His mother should have thrown him away and kept the stork.” • “A woman in love can't be reasonable ― or she probably wouldn't be in love.” • “Is that a gun in your pocket, or are you just happy to see me?” • “To err is human ― but it feels divine.” • “I have found men who didn't know how to kiss. I've always found time to teach them.” • “If a little is great, and a lot is better, then way too much is just about right!” • “Men are my hobby, if I ever got married I'd have to give it up.” • “Getting married is like trading in the adoration of many for the sarcasm of one.” • “When women go wrong, men go right after them.” • “The curve is more powerful than the sword.” • “Good women are no fun... The only good woman I can recall in history was Betsy Ross. And all she ever made was a flag.” • “I've no time for broads who want to rule the world alone. Without men, who'd do up the zipper on the back of your dress? ” • “I never loved another person the way I loved myself.” • “Love conquers all things except poverty and toothache.” • “The score never interested me, only the game.” • “Keep a diary and one day it'll keep you.” • “She's the kind of girl who climbed the ladder of success wrong by wrong.” • JUDGE: “Are you trying to show contempt for this court?” MAE WEST: “I was doin' my best to hide it.” • “Women with pasts interest men because they hope history will repeat itself.” • “I've been things and seen places.” • “I only read biographies, metaphysics and psychology. I can dream up my own fiction.” • “I'm a woman of very few words, but lots of action.” • “An ounce of performance is worth pounds of promises.” • “One more drink and I'll be under the host.” • “A man’s kiss is his signature.” • “Everyone has the right to run his own life ― even if you're heading for a crash. What I'm against is blind flying.” • “Love isn't an emotion or an instinct - it's an art.” • “No one can have everything, so you have to try for what you want most.” • “Love is like a booger, you pick and pick at it. Then when you get it you wonder how to get rid of it.” • “I've been in more laps than a napkin.” • “I see you're a man with ideals. I better be going before you've still got them.” • “It's all right for a perfect stranger to kiss your hand as long as he's perfect.” • “Don't marry a man to reform him ― that's what reform schools are for.” • “I saw what a mess a lot of people could make of their lives when they're smitten. Some of them go temporarily insane. They find a person who they think holds the key to their happiness ― the only key to their happiness... My work has always been my greatest happiness” • “It isn't what I do, but how I do it. It isn't what I say, but how I say it, and how I look when I do it and say it.” • “The best way to hold a man is in your arms.” • “A hard man is good to find.” • “I didn't discover curves; I only uncovered them.” • “You may admire a girl's curves on the first introduction, but the second meeting shows up new angles.” • “Goodness, what beautiful diamonds!' ― 'Goodness had nothing to do with it'.” • “Ten men waiting for me at the door? Send one of them home, I'm tired.” • “If I had known I was going to live this long, I would have taken better care of myself.” • “A man in the house is worth two on the street.” • “Men are all alike ― except the one you've met who's different.” • “Brains are an asset, if you hide them.” • “I only like two kinds of men, domestic and imported.” • “I've been rich and I've been poor, and rich is better.” • “You can do what you want, but saving love doesn't bring any interest.” • Woman: “You certainly know the way to a man's heart.” Mae West: “Funny, too, 'cause I don't know how to cook.” • “When in doubt, take a bath...” • “Sex with love is the greatest thing in life. But sex without love — that's not so bad either.” • “What's the good of resisting temptation? There'll always be more.” • “If I can't have a man with a million dollars, I'll have a million men with one dollar.” • “Gentlemen prefer blondes, but who says blondes prefer gentlemen?” • “Whenever I have to choose between two evils, I always like to try the one I haven't tried before” • “An ounce of performance is worth a pound of promises.” • “Don’t ever make the same mistake twice, unless it pays.” MAE WEST

Hollywood Golden Age of Cinema

30,093 次观看 • 1 个月前

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

MrBeast: "If you knew what I knew, you could get 10 million subscribers in six months" "Your videos suck. You think your videos are good, but they suck. They just do. And the sooner you learn how to make good, great videos that people actually want to watch, the sooner you'll get views." MrBeast shares his early reality: "When I was 14, I thought my videos were the best in the world. They weren't, they were terrible. To be successful, you kind of have to have a little bit of that ego where you think your content's great. But also, if you have sub-1,000 subscribers, there's a good probability your videos just suck. They just do." He explains what to do about it: "You need to make hundreds of videos. Improve something every time. And just get to the point where they don't suck. When you make good content, you'll blow up. It's not the algorithm. It's not anything. Most people who are in my position just made terrible videos, and that's okay. Because you've got to make a bunch of videos and improve over time to be great." MrBeast uses an analogy: "You don't just pick up a baseball and become an MLB-level athlete within a year. It takes many, many, many years. YouTube's kind of the same way." On analysis paralysis: "A lot of people get analysis paralysis. They'll sit there and plan their first video for three months. If you have zero videos on your channel, your first video is not gonna get views. Period. Your first 10 are not gonna get views. I can very confidently say that. So stop sitting there and thinking for months and months on end. Just get to work and start uploading." He gives the formula: "All you need to do is make 100 videos and improve something every time. Do that, and then on your 101st video, we'll start talking. Maybe you can get some views. But your first 100 are gonna suck." How to improve something each time: "The second video: put more effort into the script. The third one: learn a new editing trick. The fourth one: figure out a way to have better inflections in your voice. The fifth one: study a new thumbnail tip and implement it. The sixth one: figure out a new title. There's infinite ways. The coloring, the frame rate, the editing, the filming, the production, the jokes, the pacing, every little thing can be improved. There's literally no such thing as a perfect video." On the algorithm: "What YouTube wants is for people to click on a video and watch it. That's what it is at its core. By studying the algorithm, you'll learn that you're more studying human psychology. What do humans want to watch?" MrBeast shares a simple reframe: "Anytime you say the word 'algorithm,' just replace it with 'audience' and it works perfectly. 'The algorithm didn't like that video?' No, the audience didn't like that video. Literally, that's it. If people are clicking and watching, it gets promoted more. The algorithm just reflects what the people want." On titles: "Short, simple, and just so freaking interesting that you have to click. If someone reads it, are they like, do they have to watch it? Is it just so intrinsically interesting that it's gonna haunt them if they don't click?" He adds nuance: "Keep it below 50 characters. Above 50 characters, on certain devices it goes dot, dot, dot, and that's the worst thing because then people don't even know what they're clicking on." MrBeast shares the extremity principle: "The more extreme the opinion, typically the higher the click-through rate. 'Fiji water sucks', that'd do fine. But 'Fiji water is the worst water I've ever drank in my life', way more extreme, would do way better. But then you have to deliver. The more extreme you are, the more extreme you have to be in the video." On the first 5 seconds: "Before you film a video, what is the thumbnail? What is the title? Then what's the first 5 seconds? Then what's the first 30 seconds?" He explains why autoplay changed everything: "On YouTube now, videos automatically play. So many people don't even see the thumbnail because it autoplays so quickly. The thumbnail is irrelevant for them. I have to visually convince you to click on the video in the first 5 seconds. Before, the hook was important because you had to convince people to watch. Now you have to convince people to click and watch at the same time, with the first 5 seconds." On matching expectations: "Your title and thumbnail set expectations. At the very beginning of the video, to minimize drop-off, you want to assure them that those expectations are being met. If you click on a video called 'Tether is a scam' and at the very beginning, he starts talking about literally anything else, you're like, 'Oh, this is BS. This isn't what I clicked on.' But if at the very start you go, 'Tether is a scam and I'm gonna teach you why,' then it's like, okay, you match the expectations. Then you want to exceed them." He emphasizes the importance: "The thing people undervalue the most is literally the first 10 seconds of the video. That 15% difference in viewership between losing 35% of viewers in the first 30 seconds versus losing 20%, that really does make the difference between 2 million views and 10 million views. You just had a more strategic intro that hooked them." On removing dull moments: "You basically want to remove every dull moment. Find the 10 most critical people you know, make them watch the video, and just roast it. If I talk to a camera for 10 seconds without a cut, a lot of people will get bored. Having a B-cam and C-cam three seconds in, cutting to a different angle, now it's more interesting even though it's essentially the same thing." On keeping viewers watching: "Give them why they clicked. Tell them why they should watch. Then just stick on topic. That right there isn't even super complex, but I would already put you in the upper echelon of YouTube. A lot of people drag it out. It's like, 'I'm going to eat $100 ice cream, but first...' and then it's them birthday shopping for their mom. That's not why I came here." On quality over quantity: "It's much easier to get 5 million views on one video than 50,000 views on 100 videos. A lot of small YouTubers just post videos that aren't bad but aren't great, and none of them ever pop off, so they never get an audience. It might be better to upload half or a third or even a fifth of the videos, but make the videos you upload so freaking good that the algorithm has to promote it." He warns against the consistency trap: "When you set a consistent schedule and you're constantly having to upload videos that aren't as good as you'd like because you gotta hit 'Oh, this Monday I said I'd upload', that's a dangerous trap. The viewers notice the quality isn't as good and it makes them less likely to watch. I think it hurts your longevity." On the real metric that matters: "A big thing that everyone underestimates, what was your experience with your last video? If people loved the last video of yours that they watched, they're more likely to watch your next one. When people watch your video, you don't want them to go, 'Okay, that was good, but that's enough of you for the day.' What you want is them to go, 'Holy crap, that was crazy! Oh my god, what's that?' and they watch 10 videos. That's how you get high view counts. People watch 10 videos, not one." On thumbnails: "You want it to be simple. When they're scrolling, you want them to instantly understand what you're conveying and feel some type of emotion. Make it so interesting, or spike their curiosity so much, that if they don't click it, they'll wonder before they go to bed what happened?" He gives an example: "If you uploaded 'I rode a skateboard with 1,000 other people on it', and people are falling off the side, it's about to go off a big ramp if you don't click that, you're gonna be so curious. Later in the day, when you're daydreaming, you'll think, 'What happened to those 1,000 people on that skateboard?' That's the mindset you should have when making thumbnails." On knowledge being the only barrier: "It's all knowledge. It really is. I could start a new channel tomorrow without using my face or my voice, without ever promoting it, and in six months have 20 million subscribers. I just could. It's purely knowledge. If you knew what I knew, you could get 10 million subscribers no matter where you are right now within six months." He addresses the skeptics: "90% of the people watching don't agree with that. Everyone has excuses. 'Nah, YouTube just doesn't work like that, Jimmy.' But I mentor a lot of people. I see it all the time. It is possible. It is simply knowledge. The second you accept that it is knowledge and you start your journey of learning figuring out what makes a good video, what does my audience want, how can I elevate and then you take that knowledge and just assume 'I will never understand what the perfect video is' and every single day be devoted to learning and improving as much as possible there you go." On money not being the barrier: "There are tons of viral ideas that don't require money. It does not require money to go viral. One of my most-viewed videos was spending 24 hours in a desert, we just grabbed a tent and some stuff and went to the desert. It got 60-70 million views. People say, 'I could be MrBeast if I had money.' A, I didn't start off with money; I was poor, I had no money. It took me seven years just to buy a camera saving up from YouTube. And B, some of our most-viewed videos literally anyone can do." On why no one will outwork him: "No one's ever gonna do what I do better than me. It's just not humanly possible. I reinvest every penny I make. I work every hour I'm awake. I devote every atom in my brain to solving this. I hire the best people on the planet. I've been doing this for 14 years. And I think in decades, not years. I'm gonna be doing this for another 20-30 years. If I thought someone was doing better than me, I'd just start sleeping less so I could work even more." But he doesn't recommend it: "I don't have a life. I don't have work-life balance. My personality, my soul, my being is making the best videos possible. That is why I exist on this planet. And I don't recommend it. You should have work-life balance. You should not devote your entire life to this one thing. I have a mental breakdown every other week because I push myself so hard. I don't recommend it." The only question that matters: "Subscribers don't matter. Views don't matter. I mean, they do. But everything you want as a creator comes from making the best videos possible and thumbnails. The video part's the hard part. Ask: 'How can I make my videos better?' Do that every single day for years. And then you'll probably get views."

Jaynit

125,413 次观看 • 4 个月前

VEO 2 by Google DeepMind : MY CHEAT SHEET Alright, so after 500h-ish spent on VEO and giving birth to both "Kitsune" and "Banished", tons of people asked for a making-of. Instead, I decided to give you what I actually know of VEO 2 to this day. Please share! it's made to be spread around! 1/ If you're not using a LLM (Gemini, ChatGPT, whatever), you're doing it wrong. VEO 2 currently has a sweet spot when it comes to prompt length: too short is poor, too long drops information, action, description etc. I did a lot of back and forth to find my sweet spot, but once I got in a place I thought felt right, I used a LLM to help me keep my structure, length, and help me draft actions. I would then spent an extensive amount of time tweaking, iterating, removing words, changing order, adding others, but the draft would come from a LLM and a conversation I built and trained to understand what my structure looked like, what was a success, or a failure. I would also share the prompts working well for further reference, and sharing the failures also for further reference. This would ensure my LLM conversation became a true companion. 2/ Structure, structure, structure Structure is important. Each recipe is different but same as any GenAI text-to something, it looks like the "higher on the prompt has more weight" rule applies. So, in my case I would start by describing the aesthetics I am looking for, time of day, colors, mood, then move to camera, subject, action, and all the rest. Once again, you might have a different experience but what is important is to stick to whatever structure you have as you move forward. Keeping it organized also makes it easier to edit later. 3/ Only describe what you see in the frame If you have a character you want to keep consistent, but you want a close-up on the face for example, your reflex will be to describe the character from head to toe and then mention you want a close-up...It's not that simple. If I tell VEO I want a face close-up but then proceed to describe the character's feet, the close-up mention will be dropped by VEO... Once again, the LLM can help you in this by giving it the instruction to only describe what is in the frame. 4/ Patience Well, it can get costly to be patient, but even if you repeat the same structure, sometimes changing one word can still throw the entire thing out and totally change the aesthetics of your scene. It is by nature extremely consistent if you conserve most words, but sometimes it happens. In those situations, trace your steps back and try to figure out which words are triggering a larger change. 5/ Documenting When I started "Kitsune" (and did the same for all others), the first thing I did was start a Figjam file so I could save the successful prompts and come back to them for future reference. Why Figjam? So I could also upload 1 to 4 generations from this prompt, and browse through them in the future. 6/ VEO is the Midjourney of video Currently, no text-to-video tool (Minimax being the closest behind) gave me a feeling I could provide strong art directions and actually get them. I have been a designer for nearly 20 years, and art direction to me has been one of the strongest foundations of most of my work. Dark, light, happy, sad, colorful or not, it doesn't matter as long as you have a point of view and please...have a point of view. Recently watched a great video about the slow death of art direction in film (link in comments) and oh boy, did VEO 2 deliver on giving me the feeling I was listened. Try starting your prompts with different kinds of medium (watercolor for example), the mood you are trying to achieve, the kind of lighting you want, the dust in the rays of light, etc... which gets me to the next one 7/ You can direct your colors in VEO It's as simple as mentioning the hues you want to have in the final result, in which quantity, and where. When I direct shots, I am constantly describing colors for two reasons: 1. Well, having a point of view and 2. reaching better consistency through text-to-video. If I have a strong and consistent mood but my character is slightly different because of text-to-video, the impact won't be dramatic because a strong art direction helps a lot with consistency. 8/ Describe your life away Some people asked me how I achieved a good consistency between shots knowing it's only text-to-video and the answer is simple: I describe my characters, their unique traits, their clothing, their haircut, etc..anything which could help someone visually impaired have a very precise mental representation of the subject. 9/ But don't describe too much either... It would be magical if you could stuff 3000 words in the window and have exactly what you asked for, right? Well, it turns out VEO is amazing with its prompt adherence, but there is always a moment where it starts dropping animations or visual elements when your prompt stretches for a tad too long. This actually happens way before the character limit allowed by VEO is reached, so don't overdo it, it's no use and will play against the results. For info, 200-250 words seems like a sweet spot! 10/ Natural movements but... VEO is great with natural movements and this is also one of the reasons why I used it so extensively: people walking don't walk in slow-motion. That being said, don't try to be too ambitious on some of the expected movements: multiple camera movements won't work, full 360 revolutions around a subject won't work, anime-style crazy camera movements won't work, etc... what it can do is already great, but there are still some limitations...

VEO 2 by Google DeepMind : MY CHEAT SHEET Alright, so after 500h-ish spent on VEO and giving birth to both "Kitsune" and "Banished", tons of people asked for a making-of. Instead, I decided to give you what I actually know of VEO 2 to this day. Please share! it's made to be spread around! 1/ If you're not using a LLM (Gemini, ChatGPT, whatever), you're doing it wrong. VEO 2 currently has a sweet spot when it comes to prompt length: too short is poor, too long drops information, action, description etc. I did a lot of back and forth to find my sweet spot, but once I got in a place I thought felt right, I used a LLM to help me keep my structure, length, and help me draft actions. I would then spent an extensive amount of time tweaking, iterating, removing words, changing order, adding others, but the draft would come from a LLM and a conversation I built and trained to understand what my structure looked like, what was a success, or a failure. I would also share the prompts working well for further reference, and sharing the failures also for further reference. This would ensure my LLM conversation became a true companion. 2/ Structure, structure, structure Structure is important. Each recipe is different but same as any GenAI text-to something, it looks like the "higher on the prompt has more weight" rule applies. So, in my case I would start by describing the aesthetics I am looking for, time of day, colors, mood, then move to camera, subject, action, and all the rest. Once again, you might have a different experience but what is important is to stick to whatever structure you have as you move forward. Keeping it organized also makes it easier to edit later. 3/ Only describe what you see in the frame If you have a character you want to keep consistent, but you want a close-up on the face for example, your reflex will be to describe the character from head to toe and then mention you want a close-up...It's not that simple. If I tell VEO I want a face close-up but then proceed to describe the character's feet, the close-up mention will be dropped by VEO... Once again, the LLM can help you in this by giving it the instruction to only describe what is in the frame. 4/ Patience Well, it can get costly to be patient, but even if you repeat the same structure, sometimes changing one word can still throw the entire thing out and totally change the aesthetics of your scene. It is by nature extremely consistent if you conserve most words, but sometimes it happens. In those situations, trace your steps back and try to figure out which words are triggering a larger change. 5/ Documenting When I started "Kitsune" (and did the same for all others), the first thing I did was start a Figjam file so I could save the successful prompts and come back to them for future reference. Why Figjam? So I could also upload 1 to 4 generations from this prompt, and browse through them in the future. 6/ VEO is the Midjourney of video Currently, no text-to-video tool (Minimax being the closest behind) gave me a feeling I could provide strong art directions and actually get them. I have been a designer for nearly 20 years, and art direction to me has been one of the strongest foundations of most of my work. Dark, light, happy, sad, colorful or not, it doesn't matter as long as you have a point of view and please...have a point of view. Recently watched a great video about the slow death of art direction in film (link in comments) and oh boy, did VEO 2 deliver on giving me the feeling I was listened. Try starting your prompts with different kinds of medium (watercolor for example), the mood you are trying to achieve, the kind of lighting you want, the dust in the rays of light, etc... which gets me to the next one 7/ You can direct your colors in VEO It's as simple as mentioning the hues you want to have in the final result, in which quantity, and where. When I direct shots, I am constantly describing colors for two reasons: 1. Well, having a point of view and 2. reaching better consistency through text-to-video. If I have a strong and consistent mood but my character is slightly different because of text-to-video, the impact won't be dramatic because a strong art direction helps a lot with consistency. 8/ Describe your life away Some people asked me how I achieved a good consistency between shots knowing it's only text-to-video and the answer is simple: I describe my characters, their unique traits, their clothing, their haircut, etc..anything which could help someone visually impaired have a very precise mental representation of the subject. 9/ But don't describe too much either... It would be magical if you could stuff 3000 words in the window and have exactly what you asked for, right? Well, it turns out VEO is amazing with its prompt adherence, but there is always a moment where it starts dropping animations or visual elements when your prompt stretches for a tad too long. This actually happens way before the character limit allowed by VEO is reached, so don't overdo it, it's no use and will play against the results. For info, 200-250 words seems like a sweet spot! 10/ Natural movements but... VEO is great with natural movements and this is also one of the reasons why I used it so extensively: people walking don't walk in slow-motion. That being said, don't try to be too ambitious on some of the expected movements: multiple camera movements won't work, full 360 revolutions around a subject won't work, anime-style crazy camera movements won't work, etc... what it can do is already great, but there are still some limitations...

Henry Daubrez 🌸💀

31,182 次观看 • 1 年前

"If you have the facts and the law on your side, you don't need to pound the table, Mr. Bederow!" Here's my overview as to why Robert Cosgrove stalling for months to get a protective order for Lindsey Gaetani's phone extraction (that Brian Tully leaked, unredacted, after only removing messages from Tully to Lindsey and from PI Kate Peter to Lindsey) is Aidan Kearney's strongest argument for Cosgrove's recusal. I am not a lawyer. This is not legal advice. I am a towel. TRANSCRIPT: Before Ms. Gaetani accused him of intentional misconduct, Mr. Cosgrove successfully fought to prevent the public release of embarrassing and private details from her personal life by seeking broad impoundment and protective orders. No, no, no, no, no, no, no. I don't care if you weren't on the case at that point - you don't get that wrong. I'm sorry, I have to object on fact. Olivia, that is not what happened. Olivia prides herself on a knowledge of the factual record. Olivia, that is not what happened. You wanna know what happened? You want me to lay it out for you? I'll do it. April 2024. Brian Tully, personally --well, Ken Mello is in the hospital-- takes a 15-year unredacted extraction of Lindsey Gaetani's cell phone, compared to Natalie, who was allowed to submit her cell phone to a private company and remove things before Tully got the extraction of Natalie's phone. Ms. Hoity-Toity over there. Fuck your aristocracy, fuck your Hollywood, fuck yourself. Anyway, so Tully, in all his infinite fucking wisdom, removes messages from Kate Peter to Lindsey and from Tully to Lindsey before leaking this extraction while Ken Mello's in the fucking hospital. Then Ken Mello invokes the clawback provision of the discovery rules in Bradl's—like, I'm Tim Bradl. He was being Tim Bradl. As much as I blame Aidan and Tim Bradl for being Aidan and Tim Bradl, they were just proxies here. Folks, Tully was the mastermind and Jason Broyles was the intended recipient so that Broyles could attack Lindsey and myself to get credibility with Turtle Riders, to get close to Aidan so he could feed intel back to Kate and Tully, in my opinion. Anyway, the point is, that's in April. Tully doesn't even return Lindsey's call for like six days and then he's like, eh, meh. Of course he was like, meh, because he's a motherfucker, in my opinion. I mean, not lovingly. So anyway, this motherfucker goes about his business, doesn't give a fuck. Cosgrove doesn't do fucking shit until September of 2024. And he knows it. And everybody knows it. That motherfucker goes into court - oh, I get in a mood about this. That motherfucker goes into court in September of 2024 and fucking writes a handwritten fucking protective order, being like, oh, it's okay if Aiden keeps a copy of the phone and et cetera, et cetera, et cetera. That was in front of Judge Squires Lee. That was the same day that Lindsey got sabotaged at the courthouse by a court clerk...no comment. I love most of those clerks. They're wonderful. I love the court officers. I don't like what happened that day. I don't like it at all. Anyway, so I go in there -- wait a minute, what were we talking about? Oh, right. I think I was watching court that day. I was either watching or there, and Lindsey is there and Tully's -- Cosgrove's there and Bradl's there. And Judge Squires Lee is like, ah, you know, go write the agreement. So Cosgrove and Bradl write it by hand and file it. Fucking bullshit. You know how I -- now I'm not saying Judge Squires Lee did anything wrong. I think the clerk kind of misled her because she was in the bag for Jen McCabe, which is a whole different story. But the point is, so the one thing that Judge Squires Lee did that made me realize that I think she caught on to the fact that the clerks fucked around was that Judge Squires Lee entered an order on the docket permanently allowing Lindsey to file pleadings. So anytime Lindsey could just go in and they'd be like, no - -Lindsey could be like, I have an order from Judge Squires Lee. It was the strangest thing. Anyway, so that kind of-- but I don't really know what to make of all that. Anyway, so it's bullshit though. That is wrong from Bederow. And I'll tell you why: because it wasn't until Lindsey made a motion, okay, about this protective order that Judge Krupp on December 27th, 2024, spanked Brian Tully and Robert Cosgrove and Aiden a little bit. And it was --I'm paraphrasing here, Judge did not say the word motherfucker-- and it was like you motherfuckers. You got to read that three-page order from Judge Krupp from December 27th. You want to say Robert Cosgrove --no, Mr. Bederow-- no. And what's weird is there's no reason to present it this way, okay? Because presenting it the way that is true to the factual record and in the way I just described buttresses your argument that Cosgrove was conflicted because he tried to let the phone extraction go unprotected for months. Hello? Feel like I'm fucking banging my head against the wall sometimes with these fucking lawyers. Sorry, I shouldn't add this coffee, I'm in a mood. The point is, no. That's wrong, factually. And the factual record makes your argument stronger. Oh my god. Oh my god. How can - how can you get it so wrong and hurt your own argument at the same time? If you're gonna get it fucking wrong, get it wrong because the truth hurts your argument. If you have the truth and if you have the facts on your side and the law on your side, you don't have to pound the table. Just state it correctly. Cosgrove sabotaged the attempts to get a protective order on the phone, and five months after the phone was released by Tully --mind you-- Cosgrove is delaying to protect Tully, because Tully edited the extraction because he wanted it to be released right when the first Karen Read trial started, so that all the Turtle Riders would focus on Lindsey. And I'll tell you, there's something to be said here. There's something to be said about how even Bederow doesn't get it. Because Cosgrove doing that—waiting months to do the first bullshit protective order, and then not doing anything to get Judge Krupp to issue a protective order—it was Lindsey who got Judge Krupp to do that. Well, it was Judge Krupp realizing, I think, what had happened. Judge Krupp, when he retires, I want to talk to him about that day. I want to be like, did you—how pissed were you when you realized that Tully did this on purpose? I'm dropping like, oh that went fine. Judge Krupp is a stern judge too. You know what, I'm gonna get on his bad side. If you're on his good side, you might get a smile and a little chuckle. And then he's right into it. If you're on his bad side, he will not let you talk. I love judges like that. All right, let's continue. So it's like, my God, go to federal court. If you get a smile from Judge Talwani, that is like a core memory. I got a smile from Judge Talwani. I just beamed. Now, she did put a court sign on her courtroom being like no loud typing before I got there. So I knew she knew I was coming. It was for the Leslie hearing. But she still smiled at me. But anyway, this is wrong. I just want to tell you that on page 10 of 22, paragraph --second full paragraph, lines one through four-- it's just wrong. And Bederow should make the argument stronger by pointing out that Cosgrove was hostile to Lindsey and therefore had a bias against her long before any of this went down. Cosgrove was protecting Tully and Kate Peter from the beginning. There's a pattern. Cosgrove also hid that email from Kate Peter to Ken Mello. We're going to read it at the end of this. Come on, breathe. Bederow. Is this what all New York Jets fans are like? Aren't you a Patriots fan, motherfucker? I was going to say his life would really suck if he's a Jets fan. But if he's a Pats fan - now I remember he wears Pats sweatshirts. Come on, Mr. Bederow. Think like Tom Brady. His view apparently changed. No, it did not. No, it did not, Mr. Bederow.

"If you have the facts and the law on your side, you don't need to pound the table, Mr. Bederow!" Here's my overview as to why Robert Cosgrove stalling for months to get a protective order for Lindsey Gaetani's phone extraction (that Brian Tully leaked, unredacted, after only removing messages from Tully to Lindsey and from PI Kate Peter to Lindsey) is Aidan Kearney's strongest argument for Cosgrove's recusal. I am not a lawyer. This is not legal advice. I am a towel. TRANSCRIPT: Before Ms. Gaetani accused him of intentional misconduct, Mr. Cosgrove successfully fought to prevent the public release of embarrassing and private details from her personal life by seeking broad impoundment and protective orders. No, no, no, no, no, no, no. I don't care if you weren't on the case at that point - you don't get that wrong. I'm sorry, I have to object on fact. Olivia, that is not what happened. Olivia prides herself on a knowledge of the factual record. Olivia, that is not what happened. You wanna know what happened? You want me to lay it out for you? I'll do it. April 2024. Brian Tully, personally --well, Ken Mello is in the hospital-- takes a 15-year unredacted extraction of Lindsey Gaetani's cell phone, compared to Natalie, who was allowed to submit her cell phone to a private company and remove things before Tully got the extraction of Natalie's phone. Ms. Hoity-Toity over there. Fuck your aristocracy, fuck your Hollywood, fuck yourself. Anyway, so Tully, in all his infinite fucking wisdom, removes messages from Kate Peter to Lindsey and from Tully to Lindsey before leaking this extraction while Ken Mello's in the fucking hospital. Then Ken Mello invokes the clawback provision of the discovery rules in Bradl's—like, I'm Tim Bradl. He was being Tim Bradl. As much as I blame Aidan and Tim Bradl for being Aidan and Tim Bradl, they were just proxies here. Folks, Tully was the mastermind and Jason Broyles was the intended recipient so that Broyles could attack Lindsey and myself to get credibility with Turtle Riders, to get close to Aidan so he could feed intel back to Kate and Tully, in my opinion. Anyway, the point is, that's in April. Tully doesn't even return Lindsey's call for like six days and then he's like, eh, meh. Of course he was like, meh, because he's a motherfucker, in my opinion. I mean, not lovingly. So anyway, this motherfucker goes about his business, doesn't give a fuck. Cosgrove doesn't do fucking shit until September of 2024. And he knows it. And everybody knows it. That motherfucker goes into court - oh, I get in a mood about this. That motherfucker goes into court in September of 2024 and fucking writes a handwritten fucking protective order, being like, oh, it's okay if Aiden keeps a copy of the phone and et cetera, et cetera, et cetera. That was in front of Judge Squires Lee. That was the same day that Lindsey got sabotaged at the courthouse by a court clerk...no comment. I love most of those clerks. They're wonderful. I love the court officers. I don't like what happened that day. I don't like it at all. Anyway, so I go in there -- wait a minute, what were we talking about? Oh, right. I think I was watching court that day. I was either watching or there, and Lindsey is there and Tully's -- Cosgrove's there and Bradl's there. And Judge Squires Lee is like, ah, you know, go write the agreement. So Cosgrove and Bradl write it by hand and file it. Fucking bullshit. You know how I -- now I'm not saying Judge Squires Lee did anything wrong. I think the clerk kind of misled her because she was in the bag for Jen McCabe, which is a whole different story. But the point is, so the one thing that Judge Squires Lee did that made me realize that I think she caught on to the fact that the clerks fucked around was that Judge Squires Lee entered an order on the docket permanently allowing Lindsey to file pleadings. So anytime Lindsey could just go in and they'd be like, no - -Lindsey could be like, I have an order from Judge Squires Lee. It was the strangest thing. Anyway, so that kind of-- but I don't really know what to make of all that. Anyway, so it's bullshit though. That is wrong from Bederow. And I'll tell you why: because it wasn't until Lindsey made a motion, okay, about this protective order that Judge Krupp on December 27th, 2024, spanked Brian Tully and Robert Cosgrove and Aiden a little bit. And it was --I'm paraphrasing here, Judge did not say the word motherfucker-- and it was like you motherfuckers. You got to read that three-page order from Judge Krupp from December 27th. You want to say Robert Cosgrove --no, Mr. Bederow-- no. And what's weird is there's no reason to present it this way, okay? Because presenting it the way that is true to the factual record and in the way I just described buttresses your argument that Cosgrove was conflicted because he tried to let the phone extraction go unprotected for months. Hello? Feel like I'm fucking banging my head against the wall sometimes with these fucking lawyers. Sorry, I shouldn't add this coffee, I'm in a mood. The point is, no. That's wrong, factually. And the factual record makes your argument stronger. Oh my god. Oh my god. How can - how can you get it so wrong and hurt your own argument at the same time? If you're gonna get it fucking wrong, get it wrong because the truth hurts your argument. If you have the truth and if you have the facts on your side and the law on your side, you don't have to pound the table. Just state it correctly. Cosgrove sabotaged the attempts to get a protective order on the phone, and five months after the phone was released by Tully --mind you-- Cosgrove is delaying to protect Tully, because Tully edited the extraction because he wanted it to be released right when the first Karen Read trial started, so that all the Turtle Riders would focus on Lindsey. And I'll tell you, there's something to be said here. There's something to be said about how even Bederow doesn't get it. Because Cosgrove doing that—waiting months to do the first bullshit protective order, and then not doing anything to get Judge Krupp to issue a protective order—it was Lindsey who got Judge Krupp to do that. Well, it was Judge Krupp realizing, I think, what had happened. Judge Krupp, when he retires, I want to talk to him about that day. I want to be like, did you—how pissed were you when you realized that Tully did this on purpose? I'm dropping like, oh that went fine. Judge Krupp is a stern judge too. You know what, I'm gonna get on his bad side. If you're on his good side, you might get a smile and a little chuckle. And then he's right into it. If you're on his bad side, he will not let you talk. I love judges like that. All right, let's continue. So it's like, my God, go to federal court. If you get a smile from Judge Talwani, that is like a core memory. I got a smile from Judge Talwani. I just beamed. Now, she did put a court sign on her courtroom being like no loud typing before I got there. So I knew she knew I was coming. It was for the Leslie hearing. But she still smiled at me. But anyway, this is wrong. I just want to tell you that on page 10 of 22, paragraph --second full paragraph, lines one through four-- it's just wrong. And Bederow should make the argument stronger by pointing out that Cosgrove was hostile to Lindsey and therefore had a bias against her long before any of this went down. Cosgrove was protecting Tully and Kate Peter from the beginning. There's a pattern. Cosgrove also hid that email from Kate Peter to Ken Mello. We're going to read it at the end of this. Come on, breathe. Bederow. Is this what all New York Jets fans are like? Aren't you a Patriots fan, motherfucker? I was going to say his life would really suck if he's a Jets fan. But if he's a Pats fan - now I remember he wears Pats sweatshirts. Come on, Mr. Bederow. Think like Tom Brady. His view apparently changed. No, it did not. No, it did not, Mr. Bederow.

Grant Smith Ellis

13,885 次观看 • 9 个月前

Just pulled up Olipop's landing page after seeing their ads everywhere lately and I need to break this down because this is one of the cleaner DTC pages I've seen in a while. Here's what's actually happening when you land on this page and why it converts cold Facebook traffic better than 90% of ecom brands right now: 1) The first 3 seconds Before you read a single word, there's a video of the product being poured, fizzing, bubbling and condensation on the can with no voiceover or text overlay. Your brain processes that faster than any headline ever could. You can almost hear the fizz. That's intentional. They're triggering a sensory response before your logical brain even wakes up. Then the headline hits. "A New Kind of Soda." Now that's a category repositioning. They're not saying "healthy soda" or "better soda." They're saying the entire category you grew up with needs a new version and this is it. Sub-headline says high fiber, less sugar. Targets exactly the person who clicked the health-focused ad on Instagram. Message match is perfect. The person who clicked the ad lands here and immediately feels like the page was made for them. 2) The product carousel Most brands mess this up by showing you the product and making you go through three more pages to add it to your cart. Olipop lets you hover over any flavor and an "Add 12 Pack" button appears right there. One click. Done. You never leave the homepage. That little micro-interaction is doing serious conversion work because every extra click you require is a percentage of buyers you lose. They basically short-circuited the whole buying process and most people don't even notice it's happening. Star ratings under every flavor. Smart. You're not waiting until the reviews section at the bottom to see social proof. It's right there next to the product at the exact moment you're deciding what to buy. Then there's the "Limited" and "Out of Stock" tags on certain flavors. This is a psychological move that a lot of brands either don't use or use badly. When you see Shirley Temple is sold out your brain immediately thinks this must be good enough that people are actually buying it. And now you're looking at everything else thinking you better grab it before it's gone too. 3) The retention play At this point you haven't bought yet and they already know some people won't on the first visit. So right here they drop the rewards program section. Trade your email for perks and points. They're not letting you leave empty handed. Either you buy today or you give them your email so they can bring you back. Both outcomes work for them. Then comes the subscription nudge. 15% off. Free shipping. Cancel anytime. Three objections handled in one sentence. 1. Too expensive? 15% off. 2. Annoying to reorder? Free shipping straight to your door. 3. Scared of being locked in? Cancel whenever you want. That's a complete objection removal stack built into what looks like a simple banner. The people who weren't ready to buy a 12-pack today are looking at that and doing the math. 4) The press section Bloomberg. Forbes. BuzzFeed. Mindbody. This section exists for one reason. You clicked an ad from a brand you'd maybe seen once or twice before. You don't fully trust them yet. These logos close that gap in about half a second. It's institutional validation. You don't need to read the articles. Just seeing the logos tells your brain people with real credibility have looked at this and thought it was worth covering. Background behind this section is a high-res macro shot of condensation on the can. Cold. Refreshing. Premium. Even the section design is doing sensory work. 5) The overall lesson What Olipop figured out is that a landing page for Facebook traffic has one job. Close the trust gap between the ad and the purchase as fast as possible without losing the energy the ad created. Every section of this page does exactly that. Sensory hook gets you in. Category positioning tells you what it is. Carousel with inline add to cart removes friction. Social proof and scarcity show demand. Subscription offer removes price and convenience objections. Press section provides institutional trust. By the time you hit the footer you either already bought or you gave them your email. That's not a landing page. That's a conversion machine. If your page isn't doing all of this right now, that's where your revenue is leaking. Not in the ads. In what happens after the click. DM me ‘FUNNEL’ and I'll show you exactly how to build something like this for your brand.

Nick Theriot

26,389 次观看 • 7 个月前