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Workflow explained by Creative Multi-Dimensional Specialist, Tony Hou: This short was created with the AI powered 3D workflow which utilized traditional 3D processes and Luma’s Ray3.14 Modify video. We are at a point where AI integration is no longer a binary but is flexible to the artist’s needs. This...

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Luma | Dream Lab

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31,436 görüntüleme • 4 ay önce •via X (Twitter)

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This is how professionals use AI in their workflow. A creative studio in France made an ad for the 2026 Olympics using a traditional 3D pipeline and adding AI. And they published a “behind the scenes” look at how it was made - it’s worth a watch ⬇️
1:39

This is how professionals use AI in their workflow. A creative studio in France made an ad for the 2026 Olympics using a traditional 3D pipeline and adding AI. And they published a “behind the scenes” look at how it was made - it’s worth a watch ⬇️

Justine Moore

218,476 görüntüleme • 7 ay önce

This might be the craziest workflow you'll see this week. From #VR greyboxing to 3D worlds with the help of #AI. The 2 tools I used are ShapesXR and Marble from World Labs. Let me tell you why and how. - ShapesXR is the most powerful and fastest way to assemble 3D scenes at scale. - The library of assets + ability to sketch from procedural primitives gives the perfect balance between speed and freedom. - ShapesXR allows you to export your creation as a glTF that can be used as a "3D prompt" into Marble - Marble now allows you to create a panorama using a 3D scene as input increasing DRAMATICALLY the control you have during the creation process - Through the workflow you can adjust textures and objects in the scene using AI inpainting - There are tons of options on how to use the final output (create a #GaussianSplatting, export collision mesh and even a detailed mesh 🤯) This is the perfect examples of how VR creative tools improve and accelerate the design process... so make sure to follow me if that's your jam 😉.
1:01

This might be the craziest workflow you'll see this week. From #VR greyboxing to 3D worlds with the help of #AI. The 2 tools I used are ShapesXR and Marble from World Labs. Let me tell you why and how. - ShapesXR is the most powerful and fastest way to assemble 3D scenes at scale. - The library of assets + ability to sketch from procedural primitives gives the perfect balance between speed and freedom. - ShapesXR allows you to export your creation as a glTF that can be used as a "3D prompt" into Marble - Marble now allows you to create a panorama using a 3D scene as input increasing DRAMATICALLY the control you have during the creation process - Through the workflow you can adjust textures and objects in the scene using AI inpainting - There are tons of options on how to use the final output (create a #GaussianSplatting, export collision mesh and even a detailed mesh 🤯) This is the perfect examples of how VR creative tools improve and accelerate the design process... so make sure to follow me if that's your jam 😉.

Gabriele Romagnoli

20,126 görüntüleme • 7 ay önce

A level of realism you could never achieve with traditional 3d. A level of control you could never get with text to video. This is the type of workflows I'm most excited about.. the type that allows us to paint, sculpt, act and direct worlds into existence.
2:03

A level of realism you could never achieve with traditional 3d. A level of control you could never get with text to video. This is the type of workflows I'm most excited about.. the type that allows us to paint, sculpt, act and direct worlds into existence.

Martin Nebelong

48,810 görüntüleme • 1 yıl önce

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai
0:24

Here's a look behind the scenes of how I used a 3d model, generated from an image, as a "driver" for ai animation. In the near future we'll see more 3d tools that support these types of workflows, with much more emphasis on enhancing user input instead of just letting the ai do everything. I used the 3d model to generate keyframes that I then animated in Luma Dream. By using a 3d model with a diffusion "layer" done with Krea, I got quite high quality frames with a relatively high consistency as well since the AI didn't have to "hallucinate" that much. I upscaled and detailed the frames using Magnific. Using semi-detailed 3d models as drivers for gen ai is very powerful, and it allows us to use models that are sculpted in a more free-flowing type of workflow that doesn't rely so much on high surface detailing or very time-consuming finish, but instead relies more on gestural 3d sculpting. #art #ai

Martin Nebelong

48,200 görüntüleme • 1 yıl önce

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.
23:07

Here is a step-by-step introduction to building a workflow with a custom AI agent that uses MCP. I explain every component in the video: 1. Building the MCP server 2. Building the agent and an MCP client 3. Building a workflow that uses the agent The goal is simple: Generate a dialogue between two people and make one yell and the other answer with sarcasm. Kestra is sponsoring this video. They are an open-source orchestration platform (repo link below), and I used them to build the workflow that connects every component.

Santiago

51,527 görüntüleme • 1 yıl önce

🚀 React Server Components are coming to every platform with Expo Router! To showcase all the new possibilities, I wrote the most powerful demo AI app I could think of—took less than a day to write, and it runs everywhere! Unlike traditional AI apps, which stream plain-text, Expo RSC can server render interactive native views and animations. This is the future of mobile apps.
0:27

🚀 React Server Components are coming to every platform with Expo Router! To showcase all the new possibilities, I wrote the most powerful demo AI app I could think of—took less than a day to write, and it runs everywhere! Unlike traditional AI apps, which stream plain-text, Expo RSC can server render interactive native views and animations. This is the future of mobile apps.

Evan Bacon 🥓

170,752 görüntüleme • 2 yıl önce

Phoenix GenAI’s new generative AI model Image-to-3D is now online. Create high fidelity 3D models importable to Unreal Engine 5 or Unity simply by sending an original image into PhoenixLLM. Better yet, generate the source image using Phoenix GenAI’s Flux and feed it into Image-to-3D. This release marks yet another upgrade of GenAI’s arsenal of capabilities, getting it ready for multi-workflow GenAI agents, in which users will be able to combine text-to-image, image-to-prompt, text-to-video, text-to-3D, and image-to-3D into complex multi-step workflows with simple commands via PhoenixLLM. Image-to-3D is yet another addition to Phoenix’s Vertical AI Solutions for gaming, content, and metaverse. Users are able to use it as a Phoenix-native alternative to SkyNet AI Marketplace’s Tripo Integration earlier this year. #Phoenix $PHB
1:37

Phoenix GenAI’s new generative AI model Image-to-3D is now online. Create high fidelity 3D models importable to Unreal Engine 5 or Unity simply by sending an original image into PhoenixLLM. Better yet, generate the source image using Phoenix GenAI’s Flux and feed it into Image-to-3D. This release marks yet another upgrade of GenAI’s arsenal of capabilities, getting it ready for multi-workflow GenAI agents, in which users will be able to combine text-to-image, image-to-prompt, text-to-video, text-to-3D, and image-to-3D into complex multi-step workflows with simple commands via PhoenixLLM. Image-to-3D is yet another addition to Phoenix’s Vertical AI Solutions for gaming, content, and metaverse. Users are able to use it as a Phoenix-native alternative to SkyNet AI Marketplace’s Tripo Integration earlier this year. #Phoenix $PHB

Phoenix AI

30,853 görüntüleme • 1 yıl önce

I´ve been playing a bit with some of the latest models. This is what happens when you swap traditional green screen for some advanced ai workflow. Was a fun one.👊
0:41

I´ve been playing a bit with some of the latest models. This is what happens when you swap traditional green screen for some advanced ai workflow. Was a fun one.👊

Stelfie the Time Traveller

328,656 görüntüleme • 9 ay önce

Kling AI Cannes Showcase — RAPHAEL: Behind the AI Workflow Go behind the scenes of RAPHAEL, an AI-powered feature film created with Kling AI. See how the creator used Kling AI across the filmmaking workflow, from creative ideation to final cinematic frames, streamlining production and unlocking new creative possibilities.
2:29

Kling AI Cannes Showcase — RAPHAEL: Behind the AI Workflow Go behind the scenes of RAPHAEL, an AI-powered feature film created with Kling AI. See how the creator used Kling AI across the filmmaking workflow, from creative ideation to final cinematic frames, streamlining production and unlocking new creative possibilities.

Kling AI

11,418 görüntüleme • 25 gün önce

Content Artist, Blake Johnson, created this epic bridge scene using Luma Agents, blending it with his traditional 3D workflow to bring the shot to life. Behind-the-scenes coming next! Luma
0:34

Content Artist, Blake Johnson, created this epic bridge scene using Luma Agents, blending it with his traditional 3D workflow to bring the shot to life. Behind-the-scenes coming next! Luma

Luma | Dream Lab

58,644 görüntüleme • 3 ay önce

AI 🤝traditional filmmaking and animation. My good friends RŌHKI are working on some of the most inspiring ai infused content I've seen to date, combining every ai video workflow I've ever heard of + a ton of traditional filmmaking, 3D and animation techniques to create this stunning series (they produce the music too) Give them a follow on X ☝️and check out some more of their work in the comments 👇
2:15

AI 🤝traditional filmmaking and animation. My good friends RŌHKI are working on some of the most inspiring ai infused content I've seen to date, combining every ai video workflow I've ever heard of + a ton of traditional filmmaking, 3D and animation techniques to create this stunning series (they produce the music too) Give them a follow on X ☝️and check out some more of their work in the comments 👇

Always Generating

18,654 görüntüleme • 1 yıl önce

This is insane.. Nike just dropped an ad made with a hybrid workflow that combines AI and traditional VFX. It’s easily the best example of integrating AI in professional video production so far!
1:39

This is insane.. Nike just dropped an ad made with a hybrid workflow that combines AI and traditional VFX. It’s easily the best example of integrating AI in professional video production so far!

el.cine

233,588 görüntüleme • 1 yıl önce

🇺🇸DAVID FRIEDBERG: AI VIDEO GENERATORS ARE SET TO CHANGE ENTERTAINMENT 'Genesis renders the actual 3D objects into a 3D environment rather than rendering a two-dimensional set of pixels to look like a video. Suddenly, you can actually render in real-time: a video game, a movie, a visual experience. And it goes to this point that we're unleashing the capacity for human imagination and creativity with these systems because it's no longer just a look-a-like 2-dimensional image. Source: The All-In Podcast, david friedberg
2:12

🇺🇸DAVID FRIEDBERG: AI VIDEO GENERATORS ARE SET TO CHANGE ENTERTAINMENT 'Genesis renders the actual 3D objects into a 3D environment rather than rendering a two-dimensional set of pixels to look like a video. Suddenly, you can actually render in real-time: a video game, a movie, a visual experience. And it goes to this point that we're unleashing the capacity for human imagination and creativity with these systems because it's no longer just a look-a-like 2-dimensional image. Source: The All-In Podcast, david friedberg

Mario Nawfal

82,293 görüntüleme • 1 yıl önce

Luma Labs just dropped Ray3.14! I used it to recreate my favorite sci-fi movie shots. Which do you recognize? Not a sponsored post, but I made this video for the launch in collaboration with @lumalabsai and I wanted you all to see it.
0:31

Luma Labs just dropped Ray3.14! I used it to recreate my favorite sci-fi movie shots. Which do you recognize? Not a sponsored post, but I made this video for the launch in collaboration with @lumalabsai and I wanted you all to see it.

Christopher Fryant

31,286 görüntüleme • 4 ay önce

We used the latest video and lip-sync models to create a short suspense drama, The Finding, a tale in which Sherlock Holmes unravels the mystery step by step with the aid of AI-powered “people-finding” technology.
2:14

We used the latest video and lip-sync models to create a short suspense drama, The Finding, a tale in which Sherlock Holmes unravels the mystery step by step with the aid of AI-powered “people-finding” technology.

汗青 HQ

193,061 görüntüleme • 9 ay önce

The low poly meshes I created are much, much faster with physics / collision than those directly from the splat to mesh translation. Amazing. I now have an end to end workflow for generated 3D worlds with usable collisions. Works great in VR and mobile too ...
0:36

The low poly meshes I created are much, much faster with physics / collision than those directly from the splat to mesh translation. Amazing. I now have an end to end workflow for generated 3D worlds with usable collisions. Works great in VR and mobile too ...

martin_casado

54,452 görüntüleme • 4 ay önce

We are thrilled to announce a $7M raise to become the leading Open-Access AI Cloud 🤘🏼🌪️ At Hyperbolic, we’re building an open AI ecosystem and economy where everyone who contributes is rewarded. Our goal is not to merely optimize AI performance to compete with traditional Web2 services, but to create an inclusive AI economy accessible to all. The future of AI is collaborative. Join us.
0:47

We are thrilled to announce a $7M raise to become the leading Open-Access AI Cloud 🤘🏼🌪️ At Hyperbolic, we’re building an open AI ecosystem and economy where everyone who contributes is rewarded. Our goal is not to merely optimize AI performance to compete with traditional Web2 services, but to create an inclusive AI economy accessible to all. The future of AI is collaborative. Join us.

Hyperbolic

931,340 görüntüleme • 1 yıl önce

A player in Where Winds Meet made a Keanu Reeves character and played See You Again with Kong Hou. Yes, you can basically do anything in this Wuxia open world RPG with MMO features. For those curious, Kong Hou is an Chinese harp-like instrument from the Tang Dynasty. There are 2 versions, one is the modern Kong Hou, which is basically a western harp but with 2 rows of strings. The traditional Tang dynasty version looks similar to the one in this video with a single row of strings. The strings are attached to the hollow structure at the top of the Kong Hou, which creates a very unique sound.
3:49

A player in Where Winds Meet made a Keanu Reeves character and played See You Again with Kong Hou. Yes, you can basically do anything in this Wuxia open world RPG with MMO features. For those curious, Kong Hou is an Chinese harp-like instrument from the Tang Dynasty. There are 2 versions, one is the modern Kong Hou, which is basically a western harp but with 2 rows of strings. The traditional Tang dynasty version looks similar to the one in this video with a single row of strings. The strings are attached to the hollow structure at the top of the Kong Hou, which creates a very unique sound.

Zhao DaShuai 东北进修🇨🇳 Commentary

230,119 görüntüleme • 6 ay önce

Elon Musk: To really be intelligent, AI has to make predictions that are in line with reality. “It's incredibly important for an AI model to be grounded in reality. I have a saying, which is physics is the law and everything else is a recommendation. I'm not suggesting people break the laws made by humans, we should generally obey the laws of humans. But I've seen many people break human made laws, but I have not seen anyone break the laws of physics. So, for any given AI, grounding it against reality and reality, for example, as you mentioned with the car, it needs to drive safely and correctly. The humanoid robot Optimus needs to perform the task that it's being asked to perform. These are things that are very helpful for ensuring that the model is truthful and accurate because it has to adhere to the laws of physics. So I think that's actually maybe somewhat overlooked or at least not talked about enough is that to really be intelligent it's got to make predictions that are in line with reality. In other words, physics.” Conversation with Satya Nadella, May 19, 2025
0:59

Elon Musk: To really be intelligent, AI has to make predictions that are in line with reality. “It's incredibly important for an AI model to be grounded in reality. I have a saying, which is physics is the law and everything else is a recommendation. I'm not suggesting people break the laws made by humans, we should generally obey the laws of humans. But I've seen many people break human made laws, but I have not seen anyone break the laws of physics. So, for any given AI, grounding it against reality and reality, for example, as you mentioned with the car, it needs to drive safely and correctly. The humanoid robot Optimus needs to perform the task that it's being asked to perform. These are things that are very helpful for ensuring that the model is truthful and accurate because it has to adhere to the laws of physics. So I think that's actually maybe somewhat overlooked or at least not talked about enough is that to really be intelligent it's got to make predictions that are in line with reality. In other words, physics.” Conversation with Satya Nadella, May 19, 2025

ELON CLIPS

675,856 görüntüleme • 5 ay önce

Elon Musk: To really be intelligent, AI has to make predictions that are in line with reality. “It's incredibly important for an AI model to be grounded in reality. I have a saying, which is physics is the law and everything else is a recommendation. I'm not suggesting people break the laws made by humans, we should generally obey the laws of humans. But I've seen many people break human made laws, but I have not seen anyone break the laws of physics. So, for any given AI, grounding it against reality and reality, for example, as you mentioned with the car, it needs to drive safely and correctly. The humanoid robot Optimus needs to perform the task that it's being asked to perform. These are things that are very helpful for ensuring that the model is truthful and accurate because it has to adhere to the laws of physics. So I think that's actually maybe somewhat overlooked or at least not talked about enough is that to really be intelligent it's got to make predictions that are in line with reality. In other words, physics.” Conversation with Satya Nadella, May 19, 2025
0:59

Elon Musk: To really be intelligent, AI has to make predictions that are in line with reality. “It's incredibly important for an AI model to be grounded in reality. I have a saying, which is physics is the law and everything else is a recommendation. I'm not suggesting people break the laws made by humans, we should generally obey the laws of humans. But I've seen many people break human made laws, but I have not seen anyone break the laws of physics. So, for any given AI, grounding it against reality and reality, for example, as you mentioned with the car, it needs to drive safely and correctly. The humanoid robot Optimus needs to perform the task that it's being asked to perform. These are things that are very helpful for ensuring that the model is truthful and accurate because it has to adhere to the laws of physics. So I think that's actually maybe somewhat overlooked or at least not talked about enough is that to really be intelligent it's got to make predictions that are in line with reality. In other words, physics.” Conversation with Satya Nadella, May 19, 2025

ELON CLIPS

17,791 görüntüleme • 1 ay önce