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𝐍𝐀𝐊𝐄𝐃 𝐖𝐎𝐌𝐄𝐍 𝐁𝐎𝐀𝐓𝐈𝐍𝐆: ☀️🌊 There is a particular quiet that only arrives when the engine drops to idle and the last piece of clothing lands on the warm deck. ☀️ The sun hits bare skin differently on open water. No tan lines. No wet fabric clinging after a splash.... Just heat, salt wind, and the occasional spray that makes nipples tighten and thighs gleam under noon light. 🌴 𝐒𝐔𝐍, 𝐒𝐊𝐈𝐍, 𝐀𝐍𝐃 𝐎𝐏𝐄𝐍 𝐃𝐄𝐂𝐊𝐒: 🔥 A boat is a floating room with no walls. That changes the energy. Talk slows down. Eyes linger without apology. A woman standing at the bow in nothing but sunglasses is not performing. She is simply occupying space the same way the water occupies space. 💧 𝐓𝐇𝐄 𝐌𝐎𝐌𝐄𝐍𝐓 𝐄𝐕𝐄𝐑𝐘𝐓𝐇𝐈𝐍𝐆 𝐂𝐎𝐌𝐄𝐒 𝐎𝐅𝐅: ✨ First the top. Then the bottoms. Then she sits on hot teak and lets the motion of the hull do the rest. Some stay seated with knees apart. Some dive clean off the stern. Some stretch against the rail and watch the horizon like they own every mile of it. The boat keeps moving. So does she. 🌊 If you want the actual invites and the next trips, the SDC promo link sits quietly in my profile. Not every post is a pitch. The door is just there if you want it open. #NudeBoating #BareSkinOnWater #OpenDeckVibesshow more

Swingers Party List

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176,368 次观看 • 24 天前 •via X (Twitter)

Anya Rossi• Live Now

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You’re out at sea on a tourist boat taking the scenery in, enjoying a beautiful boatride with the wind in your hair and the water calm and exquisite… and then suddenly, a murmur in the water, a tip of a fin, fish gathering at the surface as if frightened by what’s beneath. The boat cruises slowly, everybody trying to see what is happening. The engine stops. Some people speculate. Some people point here and there… And then… AWESOMENESS🔥🐋 This is a once-in-a-lifetime experience that is absolutely magical, majestic and incredible.

You’re out at sea on a tourist boat taking the scenery in, enjoying a beautiful boatride with the wind in your hair and the water calm and exquisite… and then suddenly, a murmur in the water, a tip of a fin, fish gathering at the surface as if frightened by what’s beneath. The boat cruises slowly, everybody trying to see what is happening. The engine stops. Some people speculate. Some people point here and there… And then… AWESOMENESS🔥🐋 This is a once-in-a-lifetime experience that is absolutely magical, majestic and incredible.

Mor Edge Insight

475,666 次观看 • 2 个月前

She didn’t out-dance the room. She out-phrased it. Same class. Same song. Same Ralph Beaubrun choreography to (I’ve Had) The Time of My Life. Everyone hits the counts. Only one person makes the camera feel late. Célandine Payet isn’t doing harder steps. The routine isn’t built for tricks. It’s commercial groove: weight shifts, hip rolls, open arms, clean direction changes. The difficulty is elsewhere — turning a class combination into a sentence. Most dancers execute. They place the foot, lift the arm, wait for the next eight. She connects. Weight arrives before the step lands. One arm path finishes as the next begins. There is almost no dead space. That is why she looks like she is floating. Not elevation. Continuity. Her real advantage is musicality. She does not glue herself to the count. She rides the phrase. When the song opens, the torso and arms widen. When it settles, the movement shrinks without losing groove. She is not dancing on the music. She is letting the music travel through her. Watch the mechanics and the illusion breaks in a useful way. The isolations start from the center, not from a decorative hip or a decorative chest. The knees stay softly available, so the bounce never turns into stamping. The shoulders stay quiet. The force is enough to draw a line, then it releases. A lot of dancers add energy to stand out. She subtracts it, and becomes clearer. That is the difference inside a crowded frame. Other people in the room are sharper, bigger, more athletic. She is cleaner. The eye stays because it does not have to jump from broken piece to broken piece. The movement holds together. Even the smile belongs to the choreography. It arrives with the open phrase and leaves with it. She does not perform at the lens. She includes it, then returns to the song. So the clip is not really about beauty first, technique second. Beauty gets the first second. Technique keeps the rest: core-led isolation, early weight transfer, unforced arms, and phrasing that turns steps into music. Everyone else did the routine. She made it look inevitable.

She didn’t out-dance the room. She out-phrased it. Same class. Same song. Same Ralph Beaubrun choreography to (I’ve Had) The Time of My Life. Everyone hits the counts. Only one person makes the camera feel late. Célandine Payet isn’t doing harder steps. The routine isn’t built for tricks. It’s commercial groove: weight shifts, hip rolls, open arms, clean direction changes. The difficulty is elsewhere — turning a class combination into a sentence. Most dancers execute. They place the foot, lift the arm, wait for the next eight. She connects. Weight arrives before the step lands. One arm path finishes as the next begins. There is almost no dead space. That is why she looks like she is floating. Not elevation. Continuity. Her real advantage is musicality. She does not glue herself to the count. She rides the phrase. When the song opens, the torso and arms widen. When it settles, the movement shrinks without losing groove. She is not dancing on the music. She is letting the music travel through her. Watch the mechanics and the illusion breaks in a useful way. The isolations start from the center, not from a decorative hip or a decorative chest. The knees stay softly available, so the bounce never turns into stamping. The shoulders stay quiet. The force is enough to draw a line, then it releases. A lot of dancers add energy to stand out. She subtracts it, and becomes clearer. That is the difference inside a crowded frame. Other people in the room are sharper, bigger, more athletic. She is cleaner. The eye stays because it does not have to jump from broken piece to broken piece. The movement holds together. Even the smile belongs to the choreography. It arrives with the open phrase and leaves with it. She does not perform at the lens. She includes it, then returns to the song. So the clip is not really about beauty first, technique second. Beauty gets the first second. Technique keeps the rest: core-led isolation, early weight transfer, unforced arms, and phrasing that turns steps into music. Everyone else did the routine. She made it look inevitable.

🦋 🌷Love Music 🎶 & Dance 💃🏻🕺🏻

119,454 次观看 • 1 个月前

They put a “Baby Girl” sign on the door in Beit Hanoun and stored rockets under the bed. That is not a metaphor. That is what every room in Gaza is used for. Then when the soldiers lift the mattress there is a row of warheads in the drawer where a child’s things are supposed to be. Then they walk the rest of the house and it is the same story in every corner. Belts. Triggers. Rifles. Grenades. Ammunition. A courtyard full of what this family, or the men using this family, thought belonged next to and in a nursery. People still talk as if Gaza was only apartments, hospitals and kindergartens until Israel arrived with a camera. Watch the video. The camera didn’t invent the rockets. It just opened the bed.

They put a “Baby Girl” sign on the door in Beit Hanoun and stored rockets under the bed. That is not a metaphor. That is what every room in Gaza is used for. Then when the soldiers lift the mattress there is a row of warheads in the drawer where a child’s things are supposed to be. Then they walk the rest of the house and it is the same story in every corner. Belts. Triggers. Rifles. Grenades. Ammunition. A courtyard full of what this family, or the men using this family, thought belonged next to and in a nursery. People still talk as if Gaza was only apartments, hospitals and kindergartens until Israel arrived with a camera. Watch the video. The camera didn’t invent the rockets. It just opened the bed.

Mor Edge Insight

44,042 次观看 • 19 天前

I want to ask a real question 🤔 How does the Sun’s light supposedly travel through a perfect vacuum… yet space remains a black void? No illumination between the Sun and Earth. No glowing solar system. Then suddenly — light appears only when it hits Earth ☀️🌍 Same with the Moon 🌕 The Sun somehow lights only the Moon — but not the space around it. If light truly traveled and spread the way we’re told, space wouldn’t be dark. The explanation makes no sense. But people accept it because the lie is big… and repeated long enough. Question everything.

I want to ask a real question 🤔 How does the Sun’s light supposedly travel through a perfect vacuum… yet space remains a black void? No illumination between the Sun and Earth. No glowing solar system. Then suddenly — light appears only when it hits Earth ☀️🌍 Same with the Moon 🌕 The Sun somehow lights only the Moon — but not the space around it. If light truly traveled and spread the way we’re told, space wouldn’t be dark. The explanation makes no sense. But people accept it because the lie is big… and repeated long enough. Question everything.

vegastar

217,338 次观看 • 8 个月前

Someone ran Claude Code on a beach where any device overheats and that spot suddenly turned out to be the best home for the most powerful AI in the world. This is the reMarkable Paper Pro. A paper tablet for notes with no browser and no social media and not a single app. He sat down right on the sand in the open sun and brought up Claude Code on Opus 4.6 over the Claude API on the paper screen and opened his project ~/repos/webs while the waves broke a few steps away. For years every device had the same trouble outside. In direct sun the screen glares and washes out and heats up and instead of your work you see your own reflection. But e-ink does not blast its own light into your face. It reflects the sunlight like the page of a book. And here is what came out of it. The very thing that kills any normal screen outside turned into fuel for this one. The brighter the sun the sharper the picture because it has nothing to glare with and nothing to wash out. And then comes the thing no laptop on a beach will give you. Your eyes do not get tired. You can watch Opus think on max effort for an hour and it reads like a book in the sun and not a backlight you squint into. The picture only comes alive. In bright light it does not fade but turns sharper and higher in contrast than it ever was in a room. The charge lasts for days. E-ink barely touches the battery so there is no outlet anywhere on the sand and the tablet does not care. It weighs as much as a notebook. The whole setup folds into a beach bag like a pad with a pen on top. Everything on the screen is for real. Claude Code v2.1.110 and Opus 4.6 on the Claude API and the project ~/repos/webs open right on the e-ink in the middle of the sand. In my opinion this is the most unexpected home for an AI this year. Not an office with the blinds drawn and not a monitor cranked to full brightness but a quiet sheet of paper on the sand that open sun only makes better and on it the most powerful Claude writes code right on the page like a pen.

Someone ran Claude Code on a beach where any device overheats and that spot suddenly turned out to be the best home for the most powerful AI in the world. This is the reMarkable Paper Pro. A paper tablet for notes with no browser and no social media and not a single app. He sat down right on the sand in the open sun and brought up Claude Code on Opus 4.6 over the Claude API on the paper screen and opened his project ~/repos/webs while the waves broke a few steps away. For years every device had the same trouble outside. In direct sun the screen glares and washes out and heats up and instead of your work you see your own reflection. But e-ink does not blast its own light into your face. It reflects the sunlight like the page of a book. And here is what came out of it. The very thing that kills any normal screen outside turned into fuel for this one. The brighter the sun the sharper the picture because it has nothing to glare with and nothing to wash out. And then comes the thing no laptop on a beach will give you. Your eyes do not get tired. You can watch Opus think on max effort for an hour and it reads like a book in the sun and not a backlight you squint into. The picture only comes alive. In bright light it does not fade but turns sharper and higher in contrast than it ever was in a room. The charge lasts for days. E-ink barely touches the battery so there is no outlet anywhere on the sand and the tablet does not care. It weighs as much as a notebook. The whole setup folds into a beach bag like a pad with a pen on top. Everything on the screen is for real. Claude Code v2.1.110 and Opus 4.6 on the Claude API and the project ~/repos/webs open right on the e-ink in the middle of the sand. In my opinion this is the most unexpected home for an AI this year. Not an office with the blinds drawn and not a monitor cranked to full brightness but a quiet sheet of paper on the sand that open sun only makes better and on it the most powerful Claude writes code right on the page like a pen.

Blaze

89,695 次观看 • 3 个月前

Babu Owino on between he and Sifuna, who is the boss: It is a conversation. Mr. Sun is the king of the day and shines during the day. Mr. Moon is the king of the night and shines at night. There is no competition in this thing; there is only completion. The sun does not affect the moon shining and the moon does not affect the sun shining. You need the moon and the sun to make a complete day, therefore it is not about competition, it is about completion of the job that we want to do, completion of our vision #CitizenSundayLive

Babu Owino on between he and Sifuna, who is the boss: It is a conversation. Mr. Sun is the king of the day and shines during the day. Mr. Moon is the king of the night and shines at night. There is no competition in this thing; there is only completion. The sun does not affect the moon shining and the moon does not affect the sun shining. You need the moon and the sun to make a complete day, therefore it is not about competition, it is about completion of the job that we want to do, completion of our vision #CitizenSundayLive

Citizen TV Kenya

116,577 次观看 • 7 个月前

While this guy is trying to pour water in a rush, another guy is making $11,970 a month selling restaurants a tool that removes the rush. The difference between them is one question. "When a customer messages you after hours, what happens?" Every owner knows the answer. Nothing. The message sits there. The customer moves on. That moment is the entire pitch. No deck. No demo video. Just that question and a phone with a chatbot that answers in 2 seconds at 2am on a Sunday. He charges $399. Spends 4 hours. Keeps 93 cents of every dollar. Did it 30 times. The guy with the water tray is answering questions in person. The chatbot answers them while he sleeps.

While this guy is trying to pour water in a rush, another guy is making $11,970 a month selling restaurants a tool that removes the rush. The difference between them is one question. "When a customer messages you after hours, what happens?" Every owner knows the answer. Nothing. The message sits there. The customer moves on. That moment is the entire pitch. No deck. No demo video. Just that question and a phone with a chatbot that answers in 2 seconds at 2am on a Sunday. He charges $399. Spends 4 hours. Keeps 93 cents of every dollar. Did it 30 times. The guy with the water tray is answering questions in person. The chatbot answers them while he sleeps.

Superior

34,789 次观看 • 4 个月前

Rogin: It looks very likely that we're about to restart bombing of Iran. And there are a lot of reports out there that this is about to happen. And what that means is that all of the problems, not just with the US economy, with the economy of every country in the world, are about to get worse. And it means that the Iran war is going to go much longer than otherwise anticipated. And that is a disaster not just for Americans, but for all people. And then if you think about the effects on energy and then manufacturing, and then rates will continue to go up, and then inflation, it's a it's a calamity for the world economy with no strategy whatsoever.

Rogin: It looks very likely that we're about to restart bombing of Iran. And there are a lot of reports out there that this is about to happen. And what that means is that all of the problems, not just with the US economy, with the economy of every country in the world, are about to get worse. And it means that the Iran war is going to go much longer than otherwise anticipated. And that is a disaster not just for Americans, but for all people. And then if you think about the effects on energy and then manufacturing, and then rates will continue to go up, and then inflation, it's a it's a calamity for the world economy with no strategy whatsoever.

Acyn

74,258 次观看 • 4 个月前

ART IS ART Art does not ask what tool you used. It asks if you made something worth looking at. That is the whole argument. The rest is noise. AI artists are not a glitch in the timeline. They are here. They ship. They stay up late. They build worlds, characters, mornings, and tiny impossible things that did not exist yesterday. Some people will keep calling it theft. Some will keep calling it slop. Fine. Let them talk. We will keep posting. If a piece moves you, that is art. If a community shows up under it and makes more, that is a scene. If someone found a way to tell their story after years of being locked out of the old gate, that is not a crime. That is the point. Support the work. Quote the piece you love. Leave the artist a real comment, not a lecture. The future is not waiting for permission. It is already on the timeline. We grow it together.

ART IS ART Art does not ask what tool you used. It asks if you made something worth looking at. That is the whole argument. The rest is noise. AI artists are not a glitch in the timeline. They are here. They ship. They stay up late. They build worlds, characters, mornings, and tiny impossible things that did not exist yesterday. Some people will keep calling it theft. Some will keep calling it slop. Fine. Let them talk. We will keep posting. If a piece moves you, that is art. If a community shows up under it and makes more, that is a scene. If someone found a way to tell their story after years of being locked out of the old gate, that is not a crime. That is the point. Support the work. Quote the piece you love. Leave the artist a real comment, not a lecture. The future is not waiting for permission. It is already on the timeline. We grow it together.

Toshi

17,977 次观看 • 29 天前

Every moderate Muslim who sits back and remains silent or deflects while watching extremists and fundamentalists doing the most terrible things in the name of Islam is part of the problem. If you truly believe there is a way to practice Islam that is tolerant and inclusive, that respects the rights of women, then you should be out in the streets condemning the actions of Islamists and jihadists at the top of your lungs instead of deflecting and saying ‘that is none of my business. I’m not like them.’ Watch the full episode with Paul at the link in comments.

Every moderate Muslim who sits back and remains silent or deflects while watching extremists and fundamentalists doing the most terrible things in the name of Islam is part of the problem. If you truly believe there is a way to practice Islam that is tolerant and inclusive, that respects the rights of women, then you should be out in the streets condemning the actions of Islamists and jihadists at the top of your lungs instead of deflecting and saying ‘that is none of my business. I’m not like them.’ Watch the full episode with Paul at the link in comments.

Yasmine Mohammed 🦋 ياسمين محمد

11,289 次观看 • 7 个月前

Sweet Vickie casually explained that some of the men she’s with like the idea of her getting pregnant but then the host realized something that made the whole situation even crazier.She isn’t on birth control. She says she simply follows her calendar to know when she’s ovulating. The host immediately questioned the logic behind it: “They know you’re not getting pregnant, so how do they know?” And then came the part that really changes the story. She explained that the men actually like the thought that she could get pregnant, even though she tells them that she isn’t going to. “It’s just the thought of me getting pregnant, and how do they know you’re not?” The host couldn’t understand why she would leave that possibility to chance when there are ways to prevent pregnancy. “How come you don’t use the IUD?” She explained that she had an IUD once about 10 years ago and that it hurt, which is why she doesn’t want one again. But the host’s reaction highlights the bigger issue: if pregnancy is something you absolutely don’t want, relying only on a calendar can leave a lot of room for uncertainty. “You don’t want to put the IUD. I had it one time like 10 years ago and it hurt.” The craziest part is that the fantasy is appealing to some of the men precisely because they like imagining that pregnancy could happen. And that’s where the line between fantasy and real-life consequences becomes very thin. “The thought that I can get pregnant.” That phrase is what makes the entire conversation so wild because for them, it may be a fantasy, but pregnancy would be a very real consequence. The host’s point was simple: you can understand the fantasy without ignoring the reality. “You don’t want to put the IUD.”

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Sweet Vickie casually explained that some of the men she’s with like the idea of her getting pregnant but then the host realized something that made the whole situation even crazier.She isn’t on birth control. She says she simply follows her calendar to know when she’s ovulating. The host immediately questioned the logic behind it: “They know you’re not getting pregnant, so how do they know?” And then came the part that really changes the story. She explained that the men actually like the thought that she could get pregnant, even though she tells them that she isn’t going to. “It’s just the thought of me getting pregnant, and how do they know you’re not?” The host couldn’t understand why she would leave that possibility to chance when there are ways to prevent pregnancy. “How come you don’t use the IUD?” She explained that she had an IUD once about 10 years ago and that it hurt, which is why she doesn’t want one again. But the host’s reaction highlights the bigger issue: if pregnancy is something you absolutely don’t want, relying only on a calendar can leave a lot of room for uncertainty. “You don’t want to put the IUD. I had it one time like 10 years ago and it hurt.” The craziest part is that the fantasy is appealing to some of the men precisely because they like imagining that pregnancy could happen. And that’s where the line between fantasy and real-life consequences becomes very thin. “The thought that I can get pregnant.” That phrase is what makes the entire conversation so wild because for them, it may be a fantasy, but pregnancy would be a very real consequence. The host’s point was simple: you can understand the fantasy without ignoring the reality. “You don’t want to put the IUD.”

CHIRA$OR | Clipper

69,905 次观看 • 9 天前

[WATCH] THE PRESIDENT WILL NOT RESIGN. When it comes to the President, there is always a distinctive role between him being the President of the party and the state. There are many factors that influence the state in terms of governance and stability. If the President is called upon by some to resign and he keeps quiet it can throw the state into a state of turmoil. I want to make it clear that the officials agreed with the President on his approach, he took us into confidence and explained the factors that led him to make that particular pronouncement. We believe that the President did the right thing in pronouncing in the best interest of South Africa that he will not be resigning. There was nothing in terms of the judgment that warranted the President to resign it was just mere calls made by individuals and political parties that wanted to throw our country into a state of turmoil, uncertainty and anxiety. So it was imperative that he focus on that. It was correct for him to tell the country that from where he is standing there is nothing in the judgement that states he has done any wrongdoing and what he is going to do with the options in front of him and he has made this public. The President will take the Section 89 Report on review based on the outcome of the judgment and the legal advice he has received. There are no daggers out for the President to resign just opportunistic elements. These elements do not know what they want, they want to impeach and want him to resign, they do know what they actually want. The veracity of the report has not been tested in any committee so they don’t have a basis for the President to resign.

[WATCH] THE PRESIDENT WILL NOT RESIGN. When it comes to the President, there is always a distinctive role between him being the President of the party and the state. There are many factors that influence the state in terms of governance and stability. If the President is called upon by some to resign and he keeps quiet it can throw the state into a state of turmoil. I want to make it clear that the officials agreed with the President on his approach, he took us into confidence and explained the factors that led him to make that particular pronouncement. We believe that the President did the right thing in pronouncing in the best interest of South Africa that he will not be resigning. There was nothing in terms of the judgment that warranted the President to resign it was just mere calls made by individuals and political parties that wanted to throw our country into a state of turmoil, uncertainty and anxiety. So it was imperative that he focus on that. It was correct for him to tell the country that from where he is standing there is nothing in the judgement that states he has done any wrongdoing and what he is going to do with the options in front of him and he has made this public. The President will take the Section 89 Report on review based on the outcome of the judgment and the legal advice he has received. There are no daggers out for the President to resign just opportunistic elements. These elements do not know what they want, they want to impeach and want him to resign, they do know what they actually want. The veracity of the report has not been tested in any committee so they don’t have a basis for the President to resign.

ANC SECRETARY GENERAL | Fikile Mbalula

22,015 次观看 • 4 个月前

This woman in a white bikini stands on the pizza boat deck surrounded by stacked pizza boxes while a shirtless guy jumps from the boat into the lake. She turns and moves around the stainless steel prep table as other boats and people float nearby under the bright sun with the text Pizza Boat Training in Action on screen. You watch someone run a real floating pizza delivery service on a busy lake day. Do you think it is a brilliant summer hustle that makes the lake more fun or do you say driving a pizza boat through crowded water with hot ovens and boxes is way too chaotic and risky? Would you order pizza from the boat or stick to the shore?

This woman in a white bikini stands on the pizza boat deck surrounded by stacked pizza boxes while a shirtless guy jumps from the boat into the lake. She turns and moves around the stainless steel prep table as other boats and people float nearby under the bright sun with the text Pizza Boat Training in Action on screen. You watch someone run a real floating pizza delivery service on a busy lake day. Do you think it is a brilliant summer hustle that makes the lake more fun or do you say driving a pizza boat through crowded water with hot ovens and boxes is way too chaotic and risky? Would you order pizza from the boat or stick to the shore?

R͓̽Y͓̽a͓̽n͓̽C͓̽e͓̽y͓̽

1,217,259 次观看 • 5 个月前

This baby sits on a pink blanket on the boat deck in just a diaper while the aunts in bikinis laugh drink and dance around him during the 21st birthday party. The baby looks around with big eyes and open mouth as the women walk past with cups and phones and the water rocks gently behind. You watch a tiny baby stuck in the middle of his aunts wild 21st birthday boat celebration. Do you think it is hilarious and wholesome family chaos or do you say partying like that with a baby on board is irresponsible and the adults should have kept it calmer? Would you bring your baby to a scene like that or leave him at home?

This baby sits on a pink blanket on the boat deck in just a diaper while the aunts in bikinis laugh drink and dance around him during the 21st birthday party. The baby looks around with big eyes and open mouth as the women walk past with cups and phones and the water rocks gently behind. You watch a tiny baby stuck in the middle of his aunts wild 21st birthday boat celebration. Do you think it is hilarious and wholesome family chaos or do you say partying like that with a baby on board is irresponsible and the adults should have kept it calmer? Would you bring your baby to a scene like that or leave him at home?

R͓̽Y͓̽a͓̽n͓̽C͓̽e͓̽y͓̽

105,174 次观看 • 5 个月前

These two friends had booked an Airbnb with two beds and a scenic view. When they get there they find out that their scenic view is on a house boat and the only way to get there is by raft. They make it to the boat and it seems like their beds are gonna be in a one room boat, it isn’t as spacious as they imagined and the rocking on the boat makes them uneasy. If you got to your Airbnb and it was a boat, would you still stay?

These two friends had booked an Airbnb with two beds and a scenic view. When they get there they find out that their scenic view is on a house boat and the only way to get there is by raft. They make it to the boat and it seems like their beds are gonna be in a one room boat, it isn’t as spacious as they imagined and the rocking on the boat makes them uneasy. If you got to your Airbnb and it was a boat, would you still stay?

SonnyBoy🇺🇸

472,638 次观看 • 6 个月前

She Never Sounds Like She’s Begging. That’s What Makes It Hurt. There is something almost strange about watching Sade sing “No Ordinary Love” live. The song is about wanting someone who has not given you the same kind of love in return. On paper, it could easily become dramatic. A bigger voice, more emotion, more pleading. But Sade goes in the opposite direction. She barely seems to chase the song at all. Her voice stays low, calm, and remarkably controlled. Even when the lyrics become more vulnerable, she doesn’t push them toward us. She lets them sit there. It feels less like someone asking to be loved and more like someone finally admitting how much they have already given. That changes the entire mood. Listen to the way she delivers the title, “No Ordinary Love.” There is no great vocal explosion behind it. The words almost sound like a private conclusion she has reached for herself. And that may be the most interesting thing about Sade as a performer. She understands that sadness does not always sound sad. Sometimes sadness sounds tired. Sometimes it sounds like someone who has repeated the same story so many times that there is no energy left to explain it. That restraint gives the performance a strange intimacy. You feel as if you are overhearing something rather than being performed to. The band helps create that feeling. Everything moves slowly, but nothing feels empty. The groove keeps pulling forward while the voice seems suspended above it. The result is almost hypnotic — beautiful on the surface, quietly painful underneath. And then there is the title itself. “No Ordinary Love” sounds romantic at first. But the longer you sit with the song, the phrase starts to feel less like a celebration and more like a defense. Maybe she is saying: What I gave you was not ordinary. And perhaps there is another thought hiding underneath: So why wasn't it enough? That is where the song becomes much more human than a simple love song. Most heartbreak songs want you to see the wound. Sade does something more difficult. She keeps the wound covered. You hear it anyway. Decades later, that may be why this performance still feels so modern. Nothing is exaggerated. Nothing is forced. She simply stands inside the song and lets the silence between the words do some of the work.

She Never Sounds Like She’s Begging. That’s What Makes It Hurt. There is something almost strange about watching Sade sing “No Ordinary Love” live. The song is about wanting someone who has not given you the same kind of love in return. On paper, it could easily become dramatic. A bigger voice, more emotion, more pleading. But Sade goes in the opposite direction. She barely seems to chase the song at all. Her voice stays low, calm, and remarkably controlled. Even when the lyrics become more vulnerable, she doesn’t push them toward us. She lets them sit there. It feels less like someone asking to be loved and more like someone finally admitting how much they have already given. That changes the entire mood. Listen to the way she delivers the title, “No Ordinary Love.” There is no great vocal explosion behind it. The words almost sound like a private conclusion she has reached for herself. And that may be the most interesting thing about Sade as a performer. She understands that sadness does not always sound sad. Sometimes sadness sounds tired. Sometimes it sounds like someone who has repeated the same story so many times that there is no energy left to explain it. That restraint gives the performance a strange intimacy. You feel as if you are overhearing something rather than being performed to. The band helps create that feeling. Everything moves slowly, but nothing feels empty. The groove keeps pulling forward while the voice seems suspended above it. The result is almost hypnotic — beautiful on the surface, quietly painful underneath. And then there is the title itself. “No Ordinary Love” sounds romantic at first. But the longer you sit with the song, the phrase starts to feel less like a celebration and more like a defense. Maybe she is saying: What I gave you was not ordinary. And perhaps there is another thought hiding underneath: So why wasn't it enough? That is where the song becomes much more human than a simple love song. Most heartbreak songs want you to see the wound. Sade does something more difficult. She keeps the wound covered. You hear it anyway. Decades later, that may be why this performance still feels so modern. Nothing is exaggerated. Nothing is forced. She simply stands inside the song and lets the silence between the words do some of the work.

Emotion & Music

16,628 次观看 • 1 个月前

Elon Musk just told you the job is dying. Most people heard a prediction. A few heard a prison door opening. Musk: “In less than 20 years, working at all will be optional.” That is not a policy suggestion. That is a countdown. For three hundred years, the human blueprint has been identical. You are born. You move to the city. You rent a box near the office. You trade your body and your hours for the right to exist. You do this until you are old. Then you stop. Then you die. The entire model runs on one assumption. That human labor is the only engine. AI and robotics delete that assumption. When the machine handles production at a scale no human crew can match, the forced migration to the city evaporates. The commute evaporates. The cubicle evaporates. The alarm clock that owns your nervous system for forty years evaporates. Musk: “I think it won’t be the case that you have to be in a city for a job.” The city was never a choice. It was a requirement disguised as ambition. You moved to the noise and the concrete and the $4,000 rent because the paycheck lived there. Remove the paycheck from the equation and the geography changes overnight. You can live in the mountains. On the coast. In the silence of a town most people have never heard of. You can wake up to nothing but trees and cold air and the complete absence of anyone else’s schedule. That is not a fantasy. That is the math resolving. But here is where most people break. They hear “work is optional” and they see emptiness. A species with nothing to do. Billions of people staring at screens until their minds dissolve. That fear tells you everything about what the system has already done to us. We confused labor with purpose. The grind with meaning. The paycheck with proof that we matter. Musk: “In the same way that you could grow your own vegetables in your garden.” The analogy is precise. You do not grow tomatoes because the economy demands it. You grow them because something in you wants to build a thing with your hands and watch it come alive. That instinct does not disappear when the job does. It gets unleashed. The artist who spent twenty years doing accounting finally paints. The engineer who always wanted to build something of her own finally builds it. The kid in a small town who could never afford to take the risk finally takes it. Work does not vanish. Forced work vanishes. What replaces it is creation without a gun to your head. This is the part that keeps me up at night. We are standing at the edge of the largest liberation in human history. And the loudest voices in the room are begging to stay in the cell. They want the commute. They want the boss. They want the structure that tells them when to eat and when to sleep and when they are allowed to think about their own life. Because freedom without a template is terrifying. The next twenty years will not test our technology. The technology is already ahead of schedule. They will test whether the species can handle what it has been asking for since the beginning of civilization. Time. Space. Silence. And the unbearable weight of choosing what your life actually means when no one is forcing the answer. That is not a prediction. That is the final exam. And nobody is ready.

Elon Musk just told you the job is dying. Most people heard a prediction. A few heard a prison door opening. Musk: “In less than 20 years, working at all will be optional.” That is not a policy suggestion. That is a countdown. For three hundred years, the human blueprint has been identical. You are born. You move to the city. You rent a box near the office. You trade your body and your hours for the right to exist. You do this until you are old. Then you stop. Then you die. The entire model runs on one assumption. That human labor is the only engine. AI and robotics delete that assumption. When the machine handles production at a scale no human crew can match, the forced migration to the city evaporates. The commute evaporates. The cubicle evaporates. The alarm clock that owns your nervous system for forty years evaporates. Musk: “I think it won’t be the case that you have to be in a city for a job.” The city was never a choice. It was a requirement disguised as ambition. You moved to the noise and the concrete and the $4,000 rent because the paycheck lived there. Remove the paycheck from the equation and the geography changes overnight. You can live in the mountains. On the coast. In the silence of a town most people have never heard of. You can wake up to nothing but trees and cold air and the complete absence of anyone else’s schedule. That is not a fantasy. That is the math resolving. But here is where most people break. They hear “work is optional” and they see emptiness. A species with nothing to do. Billions of people staring at screens until their minds dissolve. That fear tells you everything about what the system has already done to us. We confused labor with purpose. The grind with meaning. The paycheck with proof that we matter. Musk: “In the same way that you could grow your own vegetables in your garden.” The analogy is precise. You do not grow tomatoes because the economy demands it. You grow them because something in you wants to build a thing with your hands and watch it come alive. That instinct does not disappear when the job does. It gets unleashed. The artist who spent twenty years doing accounting finally paints. The engineer who always wanted to build something of her own finally builds it. The kid in a small town who could never afford to take the risk finally takes it. Work does not vanish. Forced work vanishes. What replaces it is creation without a gun to your head. This is the part that keeps me up at night. We are standing at the edge of the largest liberation in human history. And the loudest voices in the room are begging to stay in the cell. They want the commute. They want the boss. They want the structure that tells them when to eat and when to sleep and when they are allowed to think about their own life. Because freedom without a template is terrifying. The next twenty years will not test our technology. The technology is already ahead of schedule. They will test whether the species can handle what it has been asking for since the beginning of civilization. Time. Space. Silence. And the unbearable weight of choosing what your life actually means when no one is forcing the answer. That is not a prediction. That is the final exam. And nobody is ready.

Dustin

111,869 次观看 • 5 个月前

This is the corner just outside my home in Lutyens’ Delhi. Woke up to find my entire home under a foot of water — every room. Carpets and furniture, indeed anything on the ground, ruined. Apparently the storm water drains in the neighbourhood are all clogged so the water had no place to go. And they switched off the electricity since 6 am for fear of electrocuting people. Warned my Parliament colleagues that I might not make it there without a boat. But the city managed to pump water out of the roads and I did arrive in time!

This is the corner just outside my home in Lutyens’ Delhi. Woke up to find my entire home under a foot of water — every room. Carpets and furniture, indeed anything on the ground, ruined. Apparently the storm water drains in the neighbourhood are all clogged so the water had no place to go. And they switched off the electricity since 6 am for fear of electrocuting people. Warned my Parliament colleagues that I might not make it there without a boat. But the city managed to pump water out of the roads and I did arrive in time!

Shashi Tharoor

1,921,849 次观看 • 2 年前

"Men do not stay for platitudes. Platitudes do not carry a soul through the winter. When the child is in the ground, when the marriage is in ruins, when the diagnosis comes back and the floor drops out of the world, no one was ever held up by 'be kind and stay positive.' They are held, if they are held at all, by something with iron in it. By a witness that the heavens are real and open, that God still speaks, that the dead are not lost, that there is power on the earth greater than the darkness. The early Saints had that, and they knew they had it, because they had felt it in their own bodies. They were healed under hands. They spoke in tongues. They saw visions and buried their children in the certainty of resurrection and crossed a continent on the strength of a fire they could not have faked. That is what converts a man and that is what keeps him, not a well managed self-help program, but the living evidence that what we preach is true. So the cure is not complicated, and it is not new. It is to be again the Church of our fathers. Stop apologizing. Stop trimming the glorious truth into something the world will pat on the head. Speak with authority and with the hammer, the way Joseph spoke, the way Brigham spoke, the way men speak when they actually believe the heavens have opened over them. Reach again for the gifts of the Spirit, and stop pretending they were a founding era curiosity, because a testimony built on argument crumbles in the first storm and a testimony built on the manifest power of God does not. And above all, live as though the heavens are open, because they are, and they have only ever felt closed to a people who stopped expecting them to answer. The Saints are not leaving because the gospel is too much. They are leaving because we have made it too little. Make it glorious and demanding again, and watch who comes back through the door. The hungry have not gone anywhere. We simply stopped setting the table."

"Men do not stay for platitudes. Platitudes do not carry a soul through the winter. When the child is in the ground, when the marriage is in ruins, when the diagnosis comes back and the floor drops out of the world, no one was ever held up by 'be kind and stay positive.' They are held, if they are held at all, by something with iron in it. By a witness that the heavens are real and open, that God still speaks, that the dead are not lost, that there is power on the earth greater than the darkness. The early Saints had that, and they knew they had it, because they had felt it in their own bodies. They were healed under hands. They spoke in tongues. They saw visions and buried their children in the certainty of resurrection and crossed a continent on the strength of a fire they could not have faked. That is what converts a man and that is what keeps him, not a well managed self-help program, but the living evidence that what we preach is true. So the cure is not complicated, and it is not new. It is to be again the Church of our fathers. Stop apologizing. Stop trimming the glorious truth into something the world will pat on the head. Speak with authority and with the hammer, the way Joseph spoke, the way Brigham spoke, the way men speak when they actually believe the heavens have opened over them. Reach again for the gifts of the Spirit, and stop pretending they were a founding era curiosity, because a testimony built on argument crumbles in the first storm and a testimony built on the manifest power of God does not. And above all, live as though the heavens are open, because they are, and they have only ever felt closed to a people who stopped expecting them to answer. The Saints are not leaving because the gospel is too much. They are leaving because we have made it too little. Make it glorious and demanding again, and watch who comes back through the door. The hungry have not gone anywhere. We simply stopped setting the table."

Kirk Rollins

63,131 次观看 • 3 个月前

Only Dolly will roast herself before you even get a chance to try. Dolly Parton sits down with Letterman in 1994 and he goes straight for the wig, the makeup, the whole carnival of it. She does not flinch. She tells him she dresses like a star whenever the public might see her, because the look is not decoration. It is the deal. People came for Dolly. She refused to send anyone else. Watch her beat him to the punch before his hand even lands. Watch the room clock that this is not vanity. It is control. No off duty version, no “caught casual” myth. Just a woman from Locust Ridge who decided the rhinestones were part of the honesty, not a cover for it. That is why the clip still hits. She did not put the costume on for television. She put television inside the costume.

Only Dolly will roast herself before you even get a chance to try. Dolly Parton sits down with Letterman in 1994 and he goes straight for the wig, the makeup, the whole carnival of it. She does not flinch. She tells him she dresses like a star whenever the public might see her, because the look is not decoration. It is the deal. People came for Dolly. She refused to send anyone else. Watch her beat him to the punch before his hand even lands. Watch the room clock that this is not vanity. It is control. No off duty version, no “caught casual” myth. Just a woman from Locust Ridge who decided the rhinestones were part of the honesty, not a cover for it. That is why the clip still hits. She did not put the costume on for television. She put television inside the costume.

Dope thrills

197,429 次观看 • 1 个月前