So LIVELY out here making unsafe set allegations against... BALDONI while ignoring what’s happening to her own child on screen isn't the most infuriating part , It's that we've all seen this before. Amanda BYNES was thrown into all kinds of degrading, cringey skits as a kid, made to say and do whatever got a laugh. AND we all know how that ended. And Now that 7yo Inez REYNOLDS is in DEADPOOL cracking crude jokes, coached by her own dad, it's still totally fine? No concerns? No outrage? Why do we have men like REYNOLDS and SETH ROGEN exploiting young children for profit ? ROGEN made GOOD BOYS, an R-rated movie where actual 11yo boys and girls were put in wildly inappropriate situations. The film’s own choreographer called it the most uncomfortable experience of his life, but hey, the parents were cool with it, so I guess that makes it okay? MSM/journalists will hypocritically fight tooth and nail for actresses like LIVELY to have a voice but suddenly go radio silent when little girls like INEZ are put in these insanely inappropriate situations for comedy. What’s the plan here? Wait 10 years, let these kids grow up, then pretend to be shocked when they talk about the trauma? And here’s what really gets me: SAG-AFTRA has strict rules about child actors… so how did this happen? How was REYNOLDS allowed by DISNEY to put his daughter in an R-rated film, delivering lines no kid should be saying? Does the union just look the other way when the dad is a big-name actor? Or Is there some kind of “it’s comedy, so it doesn’t count” loophole? It isn’t just about this one incident with Inez either, it’s a pattern that’s been happening for decades and if more people aren't talking about it it will never change. RP if you agreeshow more

Just a reminder that Cindy McCain, wife of the... late John McCain, said this to a live audience in a 2020 town hall about child trafficking. She admits here that “we All knew about Jeffrey Epstein. “We all knew what he was doing. But we didn’t do anything about it”. Listen for yourself. Here’s the video. This is an admission by people in the federal govt that they knew all along that Epstein and his backers were kidnapping, raping, torturing, murdering, and EATING young children by the thousands, and that politicians, world leaders, celebrities, and billionaires were in on it. And the US govt not only did nothing to stop it, but kept it quiet from the American people for DECADES. How many children have been tortured and killed and eaten in those decades? Thousands? Have you been reading the files and seeing the pictures and videos circulating? It’s the most demonic shit you’ll ever see and read. Worse than any horror movie. And it’s real. Let that sink in guys. Is this set of politicians and system that you want governing you? The people that either participated in this or who knew about it and did nothing? Even the ones who are NOW speaking up like thomas massie, ro khana or whatever his name is, Nancy mace, MTG. Where were these people 5, who yeas ago when it was way more unpopular and dangerous to call this shit out? They all knew about it. They’re only calling it out now bc it’s easy to do that now and they know they can gain political favor by doing so. If they were truly good people they would have been passing the Epstein transparency act when Biden was president in 2021 and beyond. And even before that.show more

Hirokazu Koreeda on how he directs Children: "Interviewer: I... think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)show more

“So here is how it started, at 18 months... our child who was assigned male at birth wanted to wear nail polish so we just knew she was trans” SERIOUSLY! If you all notice before the whole trans kids craze when a boy wanted to wear or do something that was a “ GIRL thing” no one made it into “ they must be trans” or when a girl did the same thing . It was about not stereotyping your kid and just letting them find their way because gender roles were not a big pressure like they are now. It is completely NORMAL for kids to play with all kinds of stuff and why at 18 month or 2 years old a parent telling you this is just a parent putting their own bias and gender roles on their kid! Let’s fast forward to ten years from now and just think about how these so called “ trans kids” will be dealing with the roles their parents made the choice for them and not letting the kid just be the kid! SCARY STUFF! YOU CAN WATCH THIS WHOLE EPISODE ON MY YOUTUBE CHANNEL #transsexual #reels reelsshow more

Zack Snyder discusses virtual production technology with the Russo... Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'show more

Everyone This Is So Important, PLEASE Take The Time... To Listen To Or Read This Post American Electrician Drops Extremely Important Facts About What’s Being Put Into Our Atmosphere ☣️ “I was just out back with my dogs and I grabbed a handful of this stuff and I was going to let it melt on my hands just like this. Okay. One there's a big ice film on here. So I held it and I threw it down and what was left, I wanted to see if it was just going to melt and it did. I was about to throw it down and do this but then I smelled it. I'm an electrician. Whenever burning wire is in a wall or there's an arc, there's a smell that happens instantly. It's called ozone. You know that smell very well as an electrician. You walk in a house, you smell ozone. You know there's a fire. There's an electrical fire somewhere. So I'm trained to smell that smell. And I've never smelled it in snow. Now I'm Gen X and as a boy, 70s and 80s, after the rain you know you would smell an ozone smell and uh it was kind of natural you know it's a little bit just a little bit of ozone uh for just a few minutes but i've never ever ever smelled it in snow so i went and looked it up and uh i want to know the effects of ozone when 48 states all have snow at one time and it's coated in ozone what could that mean Well, when I looked it up, when I looked it up, what it said was that ozone has an effect on humans of irritation to the lungs, coughing, bronchitis, emphysema, all these things can be aggravated. And I know they're about to roll out disease X. They're about to say that everybody's got all these lung issues and all this. So, I started looking at what would cause snow to have this level of ozone to still be trapped in here like this. And ozone, oh so this is the thing, snow forms at around 50,000 feet. And your rain is usually 30,000 feet and lower. And I've always known that even when I was young. And then that changed in the late 90s. They were talking about the clouds were at 50,000 feet it was raining outside that's unnatural it doesn't make any sense and that's when you know i started to realize it was weather modification stuff going on but anyway the point is i started looking into it uh online and said that uh high levels of ozone would come from uh man-made things pollution this and that you know so so they've put something up there in the sky they put something up there to cause all this snow. And we, if you're on this channel, if you're on this page, you already know, or you should, that they're doing, they're manipulating everything. But what they've done is they have sent something down here to us. And we're all out here, it's all about to melt, and we're all gonna breathe it at one time. And it was online, it was saying that massive doses of ozone all at one time are extremely detrimental. They're gonna cause a lot of lung issues, a lot of wheezing, a lot of chest irritation. So, be prepared, watch out for it. Because I was looking around, I mean, it's like 34 here right now. And this isn't melting the way snow usually melts. Like there's a little bit of water right there. But normally, I mean, you know, you've got rivers running down the side of my street and you don't. It's like, it's like it's just evaporating. I've never seen snow melt in this fashion before. Like, my driveway's dry. Like, look at this. See the wet line? There's a wet line and a dry line. And it shouldn't be that way, you know? All this snow should be running together. But it's just right on the edge of the snow. And even down at the end of the snow. If all this snow's melting. That's bone dry. That's bone dry right there. That makes no sense, because the water should be coming down. So, there's weird things happening. It doesn't make sense when you look at it at first, but when you start putting all the pieces together, this is uh, this is the beginning of what they're trying to do. They've sent this down here on us.”show more

Scarface is widely regarded as a classic today, but... when it first came out, the reception was brutal. Steven Bauer, who played Manny, says it was so painful that for years he and Al Pacino barely even spoke about the film. He explains… “Scarface is great to be a part of now. For years, it was dismal - like everybody associated with Scarface was a leper - people got very wimpy about Scarface really quickly. As soon as the reviews were out… Our peers came to see the movie in the premiere, right? There were two premieres, one in New York, one in LA, and people came to see it and they were like, ‘Wow, what a movie…. The next day, the reviews are out, and all the papers — this is before the internet, okay? - so you get just the conventional news media outlets - and 90% of them gave Scarface a horrible review. Like horrible, really, really insulting, injurious stuff. Personal attacks on Pacino and Brian De Palma, the director, and on Oliver, the writer... It was really, really mean because the country was going through a politically correct sort of thing - they were like, "This is like a new wave of violence in the movies, oh!" It’s nice because when I see Al - we can finally talk about it, because...for years, we couldn’t even talk about it. We’d be like, “Oh yeah, Scarface, yeah, yeah...” It was so sad! Because the movie was so great! And then it was like this thud, and it lasted like 10 years… Anywhere I’d go, it was like, ‘You’re that guy who was really good in that really terrible movie.’ And I’d be like, ‘How could you say that?’ And they’d go, ‘Well, you were good.’ And I’m like, ‘Okay, but I don’t care. What about the movie?’ And they go, ‘Oh, come on, you gotta admit it. It was like way over the top. It was like so exaggerating,’ blah, blah, blah, blah.…and I’d be like, ‘You’re a pussy!”show more

For decades you guys we been dealing with this!... Y’all so scared to lose your Guns! Seriously that’s the real reason we can’t fix this. Talk to people who own a gun and see. That is the fear not that their kid could die or their love ones can die not that. Losing their right to carry a gun is the bigger fear! WHAT THE ACTUAL FUCK IS WRONG WITH US!! It seems to me we still in the “they can’t do that or that can’t happen” phase BUT IT IS HAPPENING WAKE UP! You will have to explain to the next generation why it’s so fucked up now. We can be the ones to change this. But we are PUSSYS! We are so scared of change that we don’t realize that change don’t give a fuck about our fear. It’s gonna happen with or without you. But we have the chance now to work with change to make it better. If not get ready for the fuckedupness(yea I made a word) that’s about to occur! Not one of you, NOT ONE OF US, can say “how did this happen” we know we let it happen! GET OUT OF YOUR OWN SHIT AND PARTICIPATE YOU LIVE HERE TOOO!! UGHHHHH! #sosickofusshow more

Interview from 5 months ago with “RA” the new... UFO whistleblower Randy Anderson by Gerb Here he describes the sphere encounter and the possible consciousness connection and how his memories of the incident are strangely fuzzy Link to full interview in comments H/T wow RA - “Both the items they had under there, they said somehow interacted with consciousness and, and the way he said it, this is why it's so fuzzy, he said, I wouldn't quote these things 'cause I'm gonna try to just remember the, the, the context. And I, and I can again, like when I meditate and I think about this, I can usually get more back. But just, just like sitting here talking to you and remembering it, it's difficult sometimes. But I remember him saying, we don't understand quite how to operate the systems or how they, but they do interact with consciousness so certain and some people they interact with and some people they don't. So certain people will go up to the object and it will respond. And some people go up to the object and it does nothing. So certain types of, I don't know if that's related to DNA or to consciousness or what, whatever, but it's different. People will have a different response and they, they had us kind of walked closer to the, the window and nothing happened. So we didn't, I mean, I don't know if we got closer or something would've happened, but they, I don't know if they were even looking for that, but maybe, you know, that they, that's one thing he said that like certain people will go near the object and will react. And he didn't describe how it would react. He instead it would react,” RA - “There's a really weird component to this, and I don't know what this means, but when I think back to this particular memory and, and this never happens to me in any other thing, I, I get real fuzzy. It gets real fuzzy, like, like almost like something was purposely done to to, to make it that way. Because I have a very photographic memory and things I've done in the military. Like I can tell you the color of the buttons on a shirt of a guy that I sniped from, you know, 800 feet, 800 meters away. So I mean, I, there's for me to not remember this is really bothers me, but there's, there's some cloudiness when I try to access this part of my brain, you know, I can definitely, maybe it's, it could definitely be the, the objects itself that had, and it felt this, this is why it's difficult because it obviously, it felt weird being down there. Okay. There's, there's something like, there was just, it is an unnatural feeling we're doing. It felt like we were doing something that wasn't normal. I mean, the fact that we were so deep underground, me and the dude were kind of freaked out and, and, but we didn't display that outwardly because we're trained to not do that, you know? But internally, yeah, I was like, what the hell is going on? And when they talk about optimal stuff, they didn't say it like, by the way, aliens are real like you or anything like of that sort. It was just, oh yeah, this is the off world technology division, this is Chuck, this is whatever. And just started talking like everything was normal and we just went along with it because we acted like it was normal, but the first time I'd ever been exposed to it and it, it was a lot to take in. So that could be part of it too.”show more

"'Caddyshack' (1980) was a little disappointing when it came... out and now it's just a miraculous irony that people have continued to embrace the film and love it." --- Harold Ramis Full Excerpt: "The fact that people are still watching 'Caddyshack' (1980) & showing it to their kids, their grandchildren and still talking about it amazes me because when the movie came out, we actually were a little disappointed because Doug Kenney and I had just done 'Animal House' (1978) and we were so arrogant at the time as we were writing 'Animal House' with Chris Miller. We would actually think to ourselves that it would be the most successful comedy of all time; which it turned out to be . It was like a grandiose delusion that was turned real on us. So then we thought well now we'll do 'Caddyshack' & that it will be the most successful comedy ever. we will do better than 'Animal House' and it didn't. It did half as well and a lot of critics scorned us. The New York Times called it an "amiable mess" which I kind of liked. I thought "all right I'll take amiable and the mess I can live with." So, it was a little disappointing when it came out and now it's just a miraculous irony that people have continued to embrace the film and love it. I once recognized the strange fact that when people used to read TV Guide and they would rate movies. 'Caddyshack' was a two-star movie for the first 10 years. Then at some point I noticed that it got a third star in the same publication and I thought "maybe it's like wine, the longer you keep it in, it just gets a little better."" (Harold Ramis' interview to AFI, 2009)show more

Seth Rogen revealed that many studio executives care deeply... about being thanked during award speeches because it’s often the only public recognition they receive for their work. Seth Rogen: And we were like, "Oh, no." And then we interviewed almost every head of every studio, kind of past and present, like in the months leading up to the show, and as we were writing the show, we wanted to get a lot of insight. And it was one of the most consistent things that was said to us was, "You just want to be thanked at an award show, by first and last name." Because, and it makes sense, a lot of people don't realize this, and I didn't even like think about it this way like, their names are not on the movies. Like, and they feel like they've really contributed to them, and sometimes spent years of their lives working on these things. But if you work at the studio, you don't get your name in the actual credits of the movie. And unless someone like Googles who was the head of the studio during the years that movie came out, no one would ever know you had anything to do with it. So, it is the only like way to set in stone that you... (laughs) had anything to do with the movie, was to be, is to be thanked at an award show. And...show more

The translator Anton Hur shared a story about how... RM “saves” the Korean literature and about his impact on publishers and sales. 👦🏻 My favorite live-saving, Namjoon story that I have is that…so a long time ago, I picked up this book by Lee Seong Bok about their aphorisms, about his poetry writing, about his poetics. It’s a very obscure topic, who reads about poetics?! But I read this book, it’s called ‘Indeterminate Inflorescence’ and I loved it! I was like, ‘Oh this is the life book, it’s like it contains all of my artistic ambitions in this one book but no one is going to publish it because no one is going to allow me to translate a book about Korean poetics so but I did find one publisher, it’s not even in New York, it’s in Seattle…And one tiny publisher that said ‘Okay, we’ll publish this book’, and then, a month before this book was supposed to come out, Namjoon posted about the aphorisms by Lee Seong Bok and when I saw that I thought like the angels were singing in the heaven and like manna was raining on me…I could not believe that this was happening and then like the first print got sold out, the second, the third got sold out. This tiny book that you know, it wasn’t a hit in Korea, it was like completely obscure. When I mentioned in Korea people were like ‘Lee Seong Bok wrote a book about aphorisms?’ like even if they know who Lee Seong Bok is…And now we have a, I think they’ll allow me to announce it but we have a deal for Lee Seong Bok’s poetry collection that summer’s end, that also Namjoon posted so I’m just so grateful to RM for saving Korean literature! 🔗 🔗 #RM #방탄소년단RM #김남준 #BTSRMshow more

Chanhyuk: Company doesn’t matter, but it’s about the people... you work with. “There’s also something like this. Even though we say we created a “company,” we just used that word because it’s easier for people to understand. But in the end, it’s not really about the company, it’s about the people. Like, who you work with. And what kind of experiences you share with them, that’s what really matters the most. So with these people, whether we go, volunteering or travel somewhere, we always move together as one group. Because if not and later on, when I write and release a song, if we hadn’t shared those experiences, I’d have to explain everything. Like, “I went somewhere and had this kind of experience…” But since we’ve all lived it together, I can just say, “Hey, I wrote this kind of song this time,” and they’ll be like, “Oh, yeah, I get it. I know exactly what that is.” It just makes everything so much faster, right?”show more

🚨 WOW! Stephen Miller just exposed it: "Some people... might not like what I'm about to say, but it has to be said. You have the Left continue in its professional associations like nursing and doctors and education — people who casually CHEER ASSASSINATIONS." "Their conversation is: 'I'm glad that so and so was shot,' or 'I'm mad that so and so didn't finish the job.'" "This is common now in white-collar professions that are controlled by Democrat credentialing bodies, is it creates this kind of person." "And it's SICK, and when you see it online, you see it also in left-wing comedy where they cheer and they laugh and they joke and they all have a good time talking about our friends getting m*rdered!" "It's really fundamentally the normalization of assassination — and if we don't deal with this, we're in for a world of pain and a world of HURT." "It's just, it's sickening and it's heinous and it's just repugnant in every single way. But this gets back to the theme that I'm presenting today, which is that the third worldification of American politics is the normalization of assassination." "It's the normalization of the idea that assassinations are a common expression of disagreement. It is one of the most vile, horrible, evil society destroying things that can possibly happen to a country." Stephen Miller Will Cainshow more

David Friedberg: The Eric Swalwell allegations were widely known... about by California insiders, but held back for the perfect moment. Was this a hit job to clear the path for a preferred candidate in California? “Back in December, when it was first rumored that Swalwell was going to run for governor, I started making some calls to various folks to be like, ‘Hey, what do we think of this guy? Is he going to be a good candidate?’ I spoke to several people who independently told me that there's knowledge about this guy sending pics to employees, and that this guy has a bunch of stuff that's going to come out about him. And I largely kind of dismissed it, because I was like, if this is true, this would've all come out already. If multiple people are telling me about this, then I've got to assume that it's a rumor that's being used to block him from running for governor. And then everything that I had been told started to come out in the last week. So the striking aspect of all of this for me was how much knowledge there was about these various incidents with the guy, how so many people had this knowledge, and how no one had actually brought the knowledge to bear. Which begs the question, why did they not do what was right by the victims? Or, why did the victims sit on the sidelines waiting for the right moment to all come out together? These were all being held back purposefully and deliberately for a very particular moment in time when they were all brought forward to be used. And that's what was so striking to me is just how coordinated all of this was. My sense of it is that there are certain insiders, and he's not an insider. Katie Porter, I think, is who the Democratic establishment wants to be governor. She's an insider to national Democrats, she's an insider to California Democrats, and I think that she's the preferred candidate.”show more

Amandla Stenberg speaks on #TheAcolyte getting canceled “It’s not... a huge shock for me [that it was canceled]. Of course, I live in the bubble of my own reality but for those who aren’t aware there has been a rampage of vitriol that we have faced since the show was even announced ... when it was still just a concept and no one had even seen it. That’s when we started experiencing a rampage of hyper-conservative bigotry and vitriol, prejudice, hatred, and hateful language towards us ... this really affected me when I first got the job because it’s just not something, even though I anticipated it happening, it’s not something you can fully understand what it feels like until it’s happening to you.” “It has been an incredible honor and dream for me to be in this universe ... And I just want to let those people know out there who supported us in that way, and supported us vocally in the face of all of the vitriol that we received, and the kind of the targeted attack I would say we received by the alt-right, just that you were deeply loved and appreciated, and it made this job all the worthwhile for me" "And I have to thank Lesyle Headland ... I just fucking love that bitch ... one of the best people in the world ... she's so incredibly talented and unique ... I will love this experience with her forever"show more

⛰️ I think I was standing for almost half... of the flight time. Since I’ve just been dancing continuously from when I was young and doing things like that*, my body isn’t really in good condition. But now, since the situation was such that I had to keep going anyway, I told the flight attendant, “I’m sorry, but would it be okay if I stand for a bit?” ⛰️ When I say it like this, it sounds like I’m making a show of it, but I just wanted to tell you how much it meant to me/how sincere I was about it. Really. It’s not like “I did well, praise me.” It’s just that that one stage and you all were so precious to me**, so in my own way I tried saying this. Yes. * i think he meant having a lot of flights, sitting a lot and etc. ** like in that moment, the only things on his mind were how to get there on time for concert and ATINY video cr. SANBABOofficialshow more

I shared a video from Nick Freitas yesterday about... how to encourage and reach young men. You should check it out if you didn’t see it. Now, here is a clip that shows how to repel and discourage young men. This is so frustrating, Sean DeMars and Neil Shenvi. Leaving aside the whole “woke right” thing, whatever. You acknowledge that the Left has total cultural control. Then you mock the idea that white men are systemically discriminated against in our culture, or that we live in an effeminate gynocracy. What do you think the Left does with its total cultural control? You mock young men by claiming that their discrimination has no basis in reality, but has to be understood via some “gnostic” higher knowledge. This is not fair. We are starting to get more and more hard data on this issue. I will admit that there is an element of “look around, this should be obvious.” It should be, and you’re really sticking your head in the sand to deny these things. But being on the Right is to believe in God’s created reality. It’s not about “lived experience,” it’s about what is actually true. White men are being discriminated against in this culture, and the West has been feminized radically in the last 60 years. The biggest problem with the woke was always that they were wrong, beyond even their philosophical system. It wasn’t merely that they were claiming to be oppressed, but it was that this claim was wrong. "This argument sounds like that argument" is just so lazy when one was factually wrong, and one is factually right. The claims of the Right are correct in general. But at the end of the day, good luck crapping on young men like this. We'll see how that works out for you. I won’t be joining you.show more

This is the reality of our country. We preach... family values and go on to call our daughters bhosdiwali and madarchod. Notice how she doesn’t even flinch when she hears those words. She hears them everyday. That’s why. It doesn’t matter if she knows or doesn’t know the meaning. The point is she is already numb to hearing them. It is already normalized for her to be called these words. All the people who said I was wrong for saying that little girls are called randi by their parents were simply privileged and tone deaf for blaming me. This is the reality of our country. The more we ignore it, the more it continues. If you want it to stop, TALK about it. I put multiple screenshots of girls being called randi in my video. But people just dismissed me and made me the villain. Stop being in denial. If you love India, you have to fix the problems that exist in it.show more