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Check out this gel-like simulation from the Liquid Playground series, created by Dobromir Dyankov using JangaFX Software's LiquiGen, Cinema 4D, and Redshift. See more: Maxon #liquigen #c4d #redshift #simulation

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80 LEVEL

245,504 subscribers

30,346 Aufrufe • vor 1 Jahr •via X (Twitter)

GamingWissenschaft & TechnologieKunst#liquigen#c4d#redshift#simulation
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Profilbild von Manu.YFGP
Manu.YFGPvor 1 Jahr

@inlifethrill_ @JangaFX @MaxonVFX The details @inlifethrill_ managed to add, the smoothness of the movement! Also, the sound effects (I did them) really brings life to it! Kudos!

Profilbild von Wallaby Team
Wallaby Teamvor 1 Jahr

🚀 Wallaby.js v2 is here! 🎉 ▪️New unified UX ▪️Works with ALL editors (NeoVim, Zed, Vim, etc.) ▪️Interactive test timeline ▪️and much more! Ready to take your testing to the next level? 💻🔍

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White Raven Studiosvor 1 Jahr

@inlifethrill_ @JangaFX @MaxonVFX yam-yam

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Liquid Playground / 05 Finally time to explore new tools. Quite fun this one. Simulated in JangaFX Software LiquiGen, rendered in Maxon with Maxon Redshift Sound design by @Manu_Sounds #liquigen #jangafx #cinema4d #redshift3d #simulation #3D
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Liquid Playground / 05 Finally time to explore new tools. Quite fun this one. Simulated in JangaFX Software LiquiGen, rendered in Maxon with Maxon Redshift Sound design by @Manu_Sounds #liquigen #jangafx #cinema4d #redshift3d #simulation #3D

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Take a look at this mesh-based cloth simulation created with #Cinema4D by Motion Graphics Designer Keisuke Terashima. See more: Maxon #c4d #mograph #motiondesign #motiongraphics #digitalart

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Have a look at this impressive transforming robot rig created by Digital Artist Quasar using Maxon's Cinema 4D. More demos here: #cinema4d #c4d #maxon #rigging #3drigging #3drig #animation #3danimation
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Have a look at this impressive transforming robot rig created by Digital Artist Quasar using Maxon's Cinema 4D. More demos here: #cinema4d #c4d #maxon #rigging #3drigging #3drig #animation #3danimation

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Check out the directors cut of this awesome animation we did for Riham, character animation in maya, lighting, cinematography, rendering in Cinema 4D with redshift and compositing in after effects, enjoy ! 😉

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Real-time Fire and Liquid Simulation 🤯 Achieved using NVIDIA RTX PRO 6000 with 96 GB of VRAM 🤯🤯 Only Nerds like us get why this awesome!! Anybody who worked with 3D softwares knows how hard is it to learn and work with particle simulations in Real-time. Thanks to Dell and JangaFX Software we saw this Demo using the amazing softwares of EmberGen and LiquiGen where newcomers can quickly learn and execute complex simulations in real-time. Best part is you can export these simulations and bring it to your 3D software of choice such as Unreal Engine or Blender 🔶 😎😎

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Check out this BIM 4D sim by Thiery Peleias, owner of Virtuart4d 🚧 Imported into UE5 for the animation aspect, the project model was created in Revit, the 4D planning animation in Synchro 4D Pro and the environment captured from Cesium with Google Maps Photorealistic 3D Tiles!

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💥 TPRO Network Update 💥 New version of Agent-Based Simulation Form, and not only - this is a major step forward for our platform! 🔥 Check out the explainer video by woocash to learn more 🎥
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💥 TPRO Network Update 💥 New version of Agent-Based Simulation Form, and not only - this is a major step forward for our platform! 🔥 Check out the explainer video by woocash to learn more 🎥

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⚡ The most brutal simulation I’ve ever created! Yes, this is EXACTLY what you think it is. Plasma effects with particle effects that can share energy between windows on your Mac 😀 The prompt was: "I’d like to make a simulation where pure plasma particle effects share energy between windows." But it took me more than 50 iterations and several days to arrive at this using Claude + o3-mini high.
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This stunning Persian Warrior character model by Ju Hwan Jeon was rendered in real-time in Unreal Engine 5 and created using ZBrush, 3ds Max, Substance 3D Painter, Photoshop, and more. Check out the details:
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This stunning Persian Warrior character model by Ju Hwan Jeon was rendered in real-time in Unreal Engine 5 and created using ZBrush, 3ds Max, Substance 3D Painter, Photoshop, and more. Check out the details:

80 LEVEL

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Water simulation has always been the holy grail of FX, requiring an incredible amount of computation to get right. For Battleship (2012), ILM had to reinvent their water systems to allow them to be able to deliver the show with it's plethora of shots in water. The alien ships are hundreds of feet long and therefore displace massive amounts of water. This, coupled with them making aggressive movements meant that hundreds of millions of droplets of water had to be simulated per shot to get a believable look of water interaction. Before their new water systems, artists were only able to get "1-2 simulations done per day", but with the new system they were able to "do many simulations per day", increasing the iterations and therefore the creative freedom and expression for the artists. ILM has since reworked their water systems multiple times, now being more powerful and accurate than ever, utilizing more powerful hardware and more accurate and efficient simulation algorithms. Today, water simulation is something that can be done a lot easier than before, even being able to do it in real-time with tools such as Unreal Engine and LiquiGen. Houdini is currently the most powerful tool for simulating water or any FX at very high fidelities. Check out some FX flipbooks from ILMs VFX breakdown showing their water work below:

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Everything you love about generative models — now powered by real physics! Announcing the Genesis project — after a 24-month large-scale research collaboration involving over 20 research labs — a generative physics engine able to generate 4D dynamical worlds powered by a physics simulation platform designed for general-purpose robotics and physical AI applications. Genesis's physics engine is developed in pure Python, while being 10-80x faster than existing GPU-accelerated stacks like Isaac Gym and MJX. It delivers a simulation speed ~430,000 faster than in real-time, and takes only 26 seconds to train a robotic locomotion policy transferrable to the real world on a single RTX4090 (see tutorial: The Genesis physics engine and simulation platform is fully open source at We'll gradually roll out access to our generative framework in the near future. Genesis implements a unified simulation framework all from scratch, integrating a wide spectrum of state-of-the-art physics solvers, allowing simulation of the whole physical world in a virtual realm with the highest realism. We aim to build a universal data engine that leverages an upper-level generative framework to autonomously create physical worlds, together with various modes of data, including environments, camera motions, robotic task proposals, reward functions, robot policies, character motions, fully interactive 3D scenes, open-world articulated assets, and more, aiming towards fully automated data generation for robotics, physical AI and other applications. Open Source Code: Project webpage: Documentation: 1/n

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Redgrave takes you to a struggling upstart LIST colony on a distant world. Experience 10 new quests, new weapons, a customizable player home, and more in this Creation by TheMilkArtist. See more in this trailer from TheMilkArtist and check out the Creation here:

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Last year, we gave you a glimpse of a realistic Slime simulator from Senior Tech Artist and fluid simulation specialist Asher Zhu(Asher Zhu) in its early stages. Now, we're taking a look at where the project is now💧 Unreal Engine is helping power soft-body physics, material dynamics and environmental interaction in real time. This results in some slick, lifelike squish and flow. Check out more from the project here:
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Last year, we gave you a glimpse of a realistic Slime simulator from Senior Tech Artist and fluid simulation specialist Asher Zhu(Asher Zhu) in its early stages. Now, we're taking a look at where the project is now💧 Unreal Engine is helping power soft-body physics, material dynamics and environmental interaction in real time. This results in some slick, lifelike squish and flow. Check out more from the project here:

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Tom DeLonge on UFO's: "There is time dilation caused by the gravity bubble" 👽🛸 "You could fly around and take a Coke can out of somebody's hand and put it in somebody else's hand" He explained to Joe Rogan about real time travel through an artificially created bubble of gravity. They also time travel which is different than what people think in like a movie. When you use the technology you have a time difference between what they are doing inside of an artificially created bubble of gravity of sorts and then what is on the outside. So if you are on the inside of one of those machines everything would be skewed more black and white. There would be like a redshift and everybody would look frozen so you literally could fly around and grab a coke out of someone's hand and put it in someone else's hand. DeLonge credited this description to physicists he consulted including Dr. Hal Puthoff a Nobel nominee and expert in plasma physics and exotic advanced propulsion. The account draws on real concepts like gravitational time dilation and redshift but applies them to claimed breakthrough craft in a striking way that invites discussion on what might actually be possible.
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Tom DeLonge on UFO's: "There is time dilation caused by the gravity bubble" 👽🛸 "You could fly around and take a Coke can out of somebody's hand and put it in somebody else's hand" He explained to Joe Rogan about real time travel through an artificially created bubble of gravity. They also time travel which is different than what people think in like a movie. When you use the technology you have a time difference between what they are doing inside of an artificially created bubble of gravity of sorts and then what is on the outside. So if you are on the inside of one of those machines everything would be skewed more black and white. There would be like a redshift and everybody would look frozen so you literally could fly around and grab a coke out of someone's hand and put it in someone else's hand. DeLonge credited this description to physicists he consulted including Dr. Hal Puthoff a Nobel nominee and expert in plasma physics and exotic advanced propulsion. The account draws on real concepts like gravitational time dilation and redshift but applies them to claimed breakthrough craft in a striking way that invites discussion on what might actually be possible.

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Old Art to full 3D using Cinema 4D . Created a free and open-source plugin to bring Hunyuan 3D directly into Cinema 4D. This workflow combines multiple tools that are available today into a single, cohesive pipeline. I wanted to show that AI is never an end product by itself, it’s not the finality. Used properly, AI becomes an extremely powerful tool that lets you build exactly what you want. I hope you like it. The final step will be to bake all textures so I can share the project as a WebGL experience, a small interactive website to explore it directly in the browser. Made with heart, and with fal ❤️
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Old Art to full 3D using Cinema 4D . Created a free and open-source plugin to bring Hunyuan 3D directly into Cinema 4D. This workflow combines multiple tools that are available today into a single, cohesive pipeline. I wanted to show that AI is never an end product by itself, it’s not the finality. Used properly, AI becomes an extremely powerful tool that lets you build exactly what you want. I hope you like it. The final step will be to bake all textures so I can share the project as a WebGL experience, a small interactive website to explore it directly in the browser. Made with heart, and with fal ❤️

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Created a flag on the moon based with hyper-realistic physics with v0: The flag is simulated as a grid of particles connected by springs (cloth simulation). It's influenced by gravity, wind, air resistance. The initial approach v0 one-shotted was quite simplistic, but giving it references to more sophisticated approaches in C++ and Rust quickly improved it. It was mind-blowing it to see it deeply understand the physics and port new ideas across languages. It simulated a real sun for lighting, and procedurally generated moon-like terrain with craters. I found a sick free texture on Reddit that I uploaded and it layered on top. Another epic moment was watching it improve performance. It seamlessly moved the physics simulation to a Web Worker. (Kinda cool to see given we just improved support for them in Turbopack 😉)
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Created a flag on the moon based with hyper-realistic physics with v0: The flag is simulated as a grid of particles connected by springs (cloth simulation). It's influenced by gravity, wind, air resistance. The initial approach v0 one-shotted was quite simplistic, but giving it references to more sophisticated approaches in C++ and Rust quickly improved it. It was mind-blowing it to see it deeply understand the physics and port new ideas across languages. It simulated a real sun for lighting, and procedurally generated moon-like terrain with craters. I found a sick free texture on Reddit that I uploaded and it layered on top. Another epic moment was watching it improve performance. It seamlessly moved the physics simulation to a Web Worker. (Kinda cool to see given we just improved support for them in Turbopack 😉)

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Zoom Offense Drills (Drive-Kick Swing!) Improve Unselfishness and Ball Movement Off Dribble Penetration "Reply" below if you'd like more Zoom Offense Breakdown Drills! Check out this Zoom drill from Coach Nate Steege.Coach Steege The Drive Kick Swing drill progressions are a great simulation to teach quick ball movement, how to score from advantages, and split second decision making... while incorporating the push/pull concept for spacing off dribble penetration! This will result in your team turning small advantages into big advantages and scoring more points. This Drive-Kick-Swing Drill from Nate Steege's Conceptual Zoom Offense teach your players... -Unselfishness by developing your team's passing skills and driving ability. -Continuous ball movement by finding your open teammate. -How to skillfully break down a defense after attacking the paint.

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