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Dev Diary: Advanced Rendering and Realistic Game Environments #ABI utilizes a comprehensive physically-based rendering framework, enhanced by advanced camera technologies such as automatic exposure and local exposure, to provide optimal lighting and visual comfort. It also features real-time global illumination, volumetric clouds, and dynamic weather, creating a realistic and... show more

Arena Breakout Infinite

218,268 subscribers

44,175 просмотров • 2 лет назад •via X (Twitter)

Музыка Наука и технологии Игры #ABI

Anya Rossi• Live Now

Private livecam show

Комментарии: 10

Фото профиля Guille Igenes

Guille Igenes2 лет назад

What about lowering hardware requirements? Please

Фото профиля actualTurtle

actualTurtle2 лет назад

Very nice but too bad the game is going to be Pay2Win

Фото профиля Lifeless

Lifeless2 лет назад

But yet its pitch black when looking into windows from outside

Фото профиля Super vegeta

Super vegeta2 лет назад

bro when can i be able to play with my NVIDIA GeForce GTX 1660 Ti

Фото профиля Martin Ho

Martin Ho2 лет назад

Unlock for RTX 3050 laptop pls 🫠

Фото профиля DANTE

DANTE2 лет назад

That's good but plz remove hardware restriction 🙂

Фото профиля kanpai

kanpai2 лет назад

@ArenaBreakoutPC Holy shit blue Memphis!!!! No way!!! I better tune in!!!

Фото профиля Pque

Pque2 лет назад

guess thats why my framerate is so unstable :DD

Фото профиля Yilmaz Ibrahim Basha

Yilmaz Ibrahim Basha2 лет назад

Magnificent! But at some places it’s too dark to see

Фото профиля nunya biz

nunya biz2 лет назад

Please let RTX 3050 laptop owners enjoy this as well. # Lower dem requirements lol.

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MrNeRF

10,615 просмотров • 1 год назад

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169,638 просмотров • 11 месяцев назад

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'I’ve always loved working with visual artists and following on from the competition that we ran with Stability AI around the release of i/o, we are setting up 5050 to encourage the creation of more of these collaborations. So if you have any type of visual work that you would like to try out alongside my music in a video, this is a place where you can explore it. Also, it didn’t seem fair that the music creators get all the revenue on platforms such as YouTube, so we’ve called it 5050 as we look to have a fairer share between the visual and music creators.' - pg Visit for more information & to watch the Olive Tree video by Oranguerillatan

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Peter Gabriel

44,583 просмотров • 1 год назад

Black & White turned 25 this year. Developed by Lionhead Studios and published by Electronic Arts in 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Black & White turned 25 this year. Developed by Lionhead Studios and published by Electronic Arts in 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

59,844 просмотров • 1 месяц назад

My friend 0x45o asked me to use Grok 4 to create a game in C using Raylib. What it came up with is actually pretty cool. In "Echoes of the Unseen," you play as a Temporal Cartographer exploring a dark world that you can't see at first. Your primary tool is an Echo Pulse, which works like sonar. It temporarily shows the shape of the terrain and reveals essential objects, such as energy crystals and enemies. The main gameplay involves managing your limited Echo Energy to explore this unseen landscape. You can make areas solid and visible by permanently anchoring them. You will also use advanced tools to change gravity or create sound-based bridges. However, the world responds to how you play. If you act aggressively, it will create hostile entities based on your actions. If you use your powers too much, the environment can become unstable. This creates a dynamic exploration experience where your choices shape the world and its dangers.

My friend 0x45o asked me to use Grok 4 to create a game in C using Raylib. What it came up with is actually pretty cool. In "Echoes of the Unseen," you play as a Temporal Cartographer exploring a dark world that you can't see at first. Your primary tool is an Echo Pulse, which works like sonar. It temporarily shows the shape of the terrain and reveals essential objects, such as energy crystals and enemies. The main gameplay involves managing your limited Echo Energy to explore this unseen landscape. You can make areas solid and visible by permanently anchoring them. You will also use advanced tools to change gravity or create sound-based bridges. However, the world responds to how you play. If you act aggressively, it will create hostile entities based on your actions. If you use your powers too much, the environment can become unstable. This creates a dynamic exploration experience where your choices shape the world and its dangers.

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Today, Stern Pinball, Inc., revealed Metallica Remastered – a technologically advanced version of one of Stern Pinball’s greatest hits. Metallica Pinball was originally released in 2013 and is one of the most successful and beloved pinball games ever. Metallica Remastered has elevated the game to the modern era with gameplay, electronics, and presentation improvements. Metallica Remastered pinball games are available now in Premium and Limited Edition (LE) models, along with a full line of accessories available at launch. Metallica Remastered is updated with a full-color LCD display featuring all-new animations and live concert video footage. Stern’s modern Spike 2 electronics will power the gameplay experience. Fans will enjoy expanded gameplay and improved presentation with 22 songs (8 more than the original) and expanded gameplay rules. Cabinet improvements include an Expression Lighting system and 2 all-new art packages by Metallica artist Rhys Cooper. Players will experience the same great flow from the original Metallica playfield layout with geometry and mechanical improvements, new versions of gameplay toys, updated mechanical devices, and new UV lighting effects. Since forming in 1981, Metallica has become one of the most influential and popular bands in musical history. Through their groundbreaking music, electrifying live performances, and a cultural impact that has extended beyond music, Metallica has garnered a massive global following of dedicated fans. Their critical acclaim and influence match the Hall of Fame band’s commercial success in the world of rock music and pinball. Stern Pinball has ensured that extra care and attention to detail has gone into every facet of Metallica Remastered while respecting the timeless classic game created by pinball legends John Borg and Lyman F. Sheats, Jr. The design team, led again by John Borg and software engineer Raymond Davidson, has created a modern version of the original masterpiece. John Borg’s classic playfield architecture has been enhanced with three all-new sculptures: Sparky, the Hammer, new RGB-illuminated Skulls, and a new Metallica logo spell-out on the back panel. Dramatic UV lighting effects have been implemented throughout the playfield and on Sparky, and the game includes numerous quality and durability refinements. The iconic Lyman Sheats rule set has been carefully enhanced to add two new game modes based on Metallica’s two most recent albums, last year’s Grammy-winning 72 Seasons and 2016’s Hardwired…to Self-Destruct, as well as a new “Blackened” Wizard Mode. The Metallica Remastered software also includes numerous refinements throughout and an enhanced illuminated insert array to support the new game rules while preserving the classic gameplay feel from the original. Metallica Remastered features an entirely new suite of presentation elements, including all video content and animations, new sound effects, and over 1,000 new speech calls that include callouts by the band. Eight new Metallica songs have been seamlessly integrated into the game and include new supporting animations, movies, and HD-quality live concert footage selected by the band. The Expression Lighting system for the cabinet and speakers comes standard with the Limited Edition version and is available as an accessory upgrade for Premium models.

Stern Pinball

50,447 просмотров • 1 год назад

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JT Liss

170,869 просмотров • 1 год назад

I'm playing GTA V on a PS3 and its been such a fun experience. I remember when was a kid and playing this for the first time, I didn't give a damn about how BAD the framerate was during driving. I was constantly in awe by how realistic this game looked back then that the framerate wasn't something that was going to stop me from enjoying it. Don't get me wrong, this game is running on a PS3 that has 256mb of RAM and 256mb of VRAM which is some black magic itself and the fact that Rockstar Games managed to have such a massive open world game with that much traffic and NPCs running in real-time is a feat on its own.

I'm playing GTA V on a PS3 and its been such a fun experience. I remember when was a kid and playing this for the first time, I didn't give a damn about how BAD the framerate was during driving. I was constantly in awe by how realistic this game looked back then that the framerate wasn't something that was going to stop me from enjoying it. Don't get me wrong, this game is running on a PS3 that has 256mb of RAM and 256mb of VRAM which is some black magic itself and the fact that Rockstar Games managed to have such a massive open world game with that much traffic and NPCs running in real-time is a feat on its own.

NikTek

253,924 просмотров • 2 месяцев назад

Before this #vibejam, I was just casually creating game prototypes for fun, but this time, the Vibejam deadline became a good forcing function that pushed me to actually finish one. While this game is more of a demo than a complete product, it gave me a taste of how challenging it is to fully complete a game. It requires brutal task prioritization, effective time management, and tons of quality assurance (QA). As many say, the last 10% is the hardest, and I’d argue it’s doubly so for games. I now have even more respect for game developers at all levels who manage to ship their games. And there you have it, my game, Gnome Mercy: Insect Invasion. It’s a Vampire Survivors-style game where you play as a gnome on a rampage, annihilating alien insects invading his garden. At the start of each run, the lord of the garden bestows a blessing if you can answer his riddle, powered by an LLM (with fallback riddles in case it fails). The objective is to fight through waves of enemies and survive as long as possible. A huge shoutout to Retro Diffusion by Astropulse for all the AI-generated sprites, artworks, icons, and more. The music was created by Not Jam, the retro chiptunes are amazing. This game is a special homage to Luca 🧄, creator of Vampire Survivors, for inventing the best game genre in recent years! And no, I don’t code at all. The code is 100% generated by @windsurf and built on PhaserJS. Game link below👇

Before this #vibejam, I was just casually creating game prototypes for fun, but this time, the Vibejam deadline became a good forcing function that pushed me to actually finish one. While this game is more of a demo than a complete product, it gave me a taste of how challenging it is to fully complete a game. It requires brutal task prioritization, effective time management, and tons of quality assurance (QA). As many say, the last 10% is the hardest, and I’d argue it’s doubly so for games. I now have even more respect for game developers at all levels who manage to ship their games. And there you have it, my game, Gnome Mercy: Insect Invasion. It’s a Vampire Survivors-style game where you play as a gnome on a rampage, annihilating alien insects invading his garden. At the start of each run, the lord of the garden bestows a blessing if you can answer his riddle, powered by an LLM (with fallback riddles in case it fails). The objective is to fight through waves of enemies and survive as long as possible. A huge shoutout to Retro Diffusion by Astropulse for all the AI-generated sprites, artworks, icons, and more. The music was created by Not Jam, the retro chiptunes are amazing. This game is a special homage to Luca 🧄, creator of Vampire Survivors, for inventing the best game genre in recent years! And no, I don’t code at all. The code is 100% generated by @windsurf and built on PhaserJS. Game link below👇

Danny Limanseta

17,198 просмотров • 1 год назад

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Unreal Engine

45,559 просмотров • 5 месяцев назад

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

106,480 просмотров • 4 месяцев назад