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Dev Diary: Advanced Rendering and Realistic Game Environments #ABI utilizes a comprehensive physically-based rendering framework, enhanced by advanced camera technologies such as automatic exposure and local exposure, to provide optimal lighting and visual comfort. It also features real-time global illumination, volumetric clouds, and dynamic weather, creating a realistic and... show more

Arena Breakout Infinite

218,268 subscribers

44,175 görüntüleme • 2 yıl önce •via X (Twitter)

Müzik Bilim & Teknoloji Oyun #ABI

Anya Rossi• Live Now

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10 Yorum

Guille Igenes profil fotoğrafı

Guille Igenes2 yıl önce

What about lowering hardware requirements? Please

actualTurtle profil fotoğrafı

actualTurtle2 yıl önce

Very nice but too bad the game is going to be Pay2Win

Lifeless profil fotoğrafı

Lifeless2 yıl önce

But yet its pitch black when looking into windows from outside

Super vegeta profil fotoğrafı

Super vegeta2 yıl önce

bro when can i be able to play with my NVIDIA GeForce GTX 1660 Ti

Martin Ho profil fotoğrafı

Martin Ho2 yıl önce

Unlock for RTX 3050 laptop pls 🫠

DANTE profil fotoğrafı

DANTE2 yıl önce

That's good but plz remove hardware restriction 🙂

kanpai profil fotoğrafı

kanpai2 yıl önce

@ArenaBreakoutPC Holy shit blue Memphis!!!! No way!!! I better tune in!!!

Pque profil fotoğrafı

Pque2 yıl önce

guess thats why my framerate is so unstable :DD

Yilmaz Ibrahim Basha profil fotoğrafı

Yilmaz Ibrahim Basha2 yıl önce

Magnificent! But at some places it’s too dark to see

nunya biz profil fotoğrafı

nunya biz2 yıl önce

Please let RTX 3050 laptop owners enjoy this as well. # Lower dem requirements lol.

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Dev Diary Special Edition: Beatmaker Campaign Hey beat makers and creators! 🎵 We're super excited to announce a special collab with a talented beatmaker, bringing you something original and creative. Time to drop the beat! Love making music? Join us in creating unique beats using sound assets from #ABI. Let your imagination run wild and you could win 10 beta keys with your awesome beats. Comment below or DM us with your ideas, and we'll pick the coolest ones to collaborate with! Our first piece was created by Oleh. Big thanks to him for this incredible work! 🥳 Let’s get creating, everyone! #ArenaBreakoutPC #ArenaBreakoutInfinite #ABI_BEATMAKING

Dev Diary Special Edition: Beatmaker Campaign Hey beat makers and creators! 🎵 We're super excited to announce a special collab with a talented beatmaker, bringing you something original and creative. Time to drop the beat! Love making music? Join us in creating unique beats using sound assets from #ABI. Let your imagination run wild and you could win 10 beta keys with your awesome beats. Comment below or DM us with your ideas, and we'll pick the coolest ones to collaborate with! Our first piece was created by Oleh. Big thanks to him for this incredible work! 🥳 Let’s get creating, everyone! #ArenaBreakoutPC #ArenaBreakoutInfinite #ABI_BEATMAKING

Arena Breakout Infinite

49,191 görüntüleme • 2 yıl önce

App Showcase!✨ Introducing Track Racing—a 3D racing game made with Alchemist AI’s advanced generation framework, showcasing the precision and potential of game development. Features • Dynamic Features: A real-time mini-map, built with spatial mapping tools, tracks player movement seamlessly. Layered audio cues enhance immersion with engine sounds and revs. • Realistic Controls: Physics-driven mechanics simulate acceleration and gear shifts for an authentic driving experience. • Lap Tracking and Live Timer: Powered by game state management and live timing algorithms, ensures accurate monitoring of player progress. These mechanics are ideal for competitive gameplay or personal milestones. With updates on the horizon, Alchemist AI’s 3D generation capabilities will continue to grow, delivering enhanced tools for building models, environments, and simulations.

App Showcase!✨ Introducing Track Racing—a 3D racing game made with Alchemist AI’s advanced generation framework, showcasing the precision and potential of game development. Features • Dynamic Features: A real-time mini-map, built with spatial mapping tools, tracks player movement seamlessly. Layered audio cues enhance immersion with engine sounds and revs. • Realistic Controls: Physics-driven mechanics simulate acceleration and gear shifts for an authentic driving experience. • Lap Tracking and Live Timer: Powered by game state management and live timing algorithms, ensures accurate monitoring of player progress. These mechanics are ideal for competitive gameplay or personal milestones. With updates on the horizon, Alchemist AI’s 3D generation capabilities will continue to grow, delivering enhanced tools for building models, environments, and simulations.

ALCHEMIST AI 🔮

18,469 görüntüleme • 1 yıl önce

SharedNeRF: Leveraging Photorealistic and View-dependent Rendering for Real-time and Remote Collaboration Abstract (excerpt): When collaborators are remote, coordinating the sharing of views of their physical environment becomes challenging. Video-conferencing tools often do not provide the desired viewpoints for a remote viewer. While RGB-D cameras offer 3D views, they lack the necessary fidelity. We introduce SharedNeRF, designed to enhance synchronous remote collaboration by leveraging the photorealistic and view-dependent nature of Neural Radiance Field (NeRF). The system complements the higher visual quality of the NeRF rendering with the instantaneity of a point cloud and combines them through carefully accommodating the dynamic elements within the shared space, such as hand gestures and moving objects. The system employs a head-mounted camera for data collection, creating a volumetric task space on the fly and updating it as the task space changes.

SharedNeRF: Leveraging Photorealistic and View-dependent Rendering for Real-time and Remote Collaboration Abstract (excerpt): When collaborators are remote, coordinating the sharing of views of their physical environment becomes challenging. Video-conferencing tools often do not provide the desired viewpoints for a remote viewer. While RGB-D cameras offer 3D views, they lack the necessary fidelity. We introduce SharedNeRF, designed to enhance synchronous remote collaboration by leveraging the photorealistic and view-dependent nature of Neural Radiance Field (NeRF). The system complements the higher visual quality of the NeRF rendering with the instantaneity of a point cloud and combines them through carefully accommodating the dynamic elements within the shared space, such as hand gestures and moving objects. The system employs a head-mounted camera for data collection, creating a volumetric task space on the fly and updating it as the task space changes.

MrNeRF

10,615 görüntüleme • 1 yıl önce

🚀We are thrilled to open-source Hunyuan-GameCraft, a high-dynamic interactive game video generation framework built on HunyuanVideo. It generates playable and physically realistic videos from a single scene image and user action signals, empowering creators and developers to "direct" games with first-person or third-person perspectives. Key Advantages: 🔹High Dynamics: Unifies standard keyboard inputs into a shared continuous action space, enabling high-precision control over velocity and angle. This allows for the exploration of complex trajectories, overcoming the stiff, limited motion of traditional models. It can also generate dynamic environmental content like moving clouds, rain, snow, and water flow. 🔹Long-term Consistency: Uses hybrid history condition to preserve the original scene information after significant movement. 🔹Significant Cost Reduction: No need for expensive modeling/rendering. PCM distillation compresses inference steps, boosting speed and lowering costs. This allows the quantized 13B model to run on consumer-grade GPUs like the RTX 4090. Project Page: Code: Technical Report: Hugging Face：

🚀We are thrilled to open-source Hunyuan-GameCraft, a high-dynamic interactive game video generation framework built on HunyuanVideo. It generates playable and physically realistic videos from a single scene image and user action signals, empowering creators and developers to "direct" games with first-person or third-person perspectives. Key Advantages: 🔹High Dynamics: Unifies standard keyboard inputs into a shared continuous action space, enabling high-precision control over velocity and angle. This allows for the exploration of complex trajectories, overcoming the stiff, limited motion of traditional models. It can also generate dynamic environmental content like moving clouds, rain, snow, and water flow. 🔹Long-term Consistency: Uses hybrid history condition to preserve the original scene information after significant movement. 🔹Significant Cost Reduction: No need for expensive modeling/rendering. PCM distillation compresses inference steps, boosting speed and lowering costs. This allows the quantized 13B model to run on consumer-grade GPUs like the RTX 4090. Project Page: Code: Technical Report: Hugging Face：

Tencent Hy

169,638 görüntüleme • 11 ay önce

We’re excited to introduce F.A.C.U.L., our AI technology developed by MoreFun Studios . Since ABI’s early stages, Enzo Zhang has decided to integrate AI into the game. F.A.C.U.L. is the world’s first voice-command FPS AI, using advanced generative AI tech like voice input, large language models, real-time speech synthesis, and environmental recognition. We’ve also filed ten patents for this innovation. Check out the video for more details!👇 #arenabreakoutinfinite #arenabreakoutpc

We’re excited to introduce F.A.C.U.L., our AI technology developed by MoreFun Studios . Since ABI’s early stages, Enzo Zhang has decided to integrate AI into the game. F.A.C.U.L. is the world’s first voice-command FPS AI, using advanced generative AI tech like voice input, large language models, real-time speech synthesis, and environmental recognition. We’ve also filed ten patents for this innovation. Check out the video for more details!👇 #arenabreakoutinfinite #arenabreakoutpc

Arena Breakout Infinite

39,669 görüntüleme • 1 yıl önce

VideoRF: Rendering Dynamic Radiance Fields as 2D Feature Video Streams paper page: Neural Radiance Fields (NeRFs) excel in photorealistically rendering static scenes. However, rendering dynamic, long-duration radiance fields on ubiquitous devices remains challenging, due to data storage and computational constraints. In this paper, we introduce VideoRF, the first approach to enable real-time streaming and rendering of dynamic radiance fields on mobile platforms. At the core is a serialized 2D feature image stream representing the 4D radiance field all in one. We introduce a tailored training scheme directly applied to this 2D domain to impose the temporal and spatial redundancy of the feature image stream. By leveraging the redundancy, we show that the feature image stream can be efficiently compressed by 2D video codecs, which allows us to exploit video hardware accelerators to achieve real-time decoding. On the other hand, based on the feature image stream, we propose a novel rendering pipeline for VideoRF, which has specialized space mappings to query radiance properties efficiently. Paired with a deferred shading model, VideoRF has the capability of real-time rendering on mobile devices thanks to its efficiency. We have developed a real-time interactive player that enables online streaming and rendering of dynamic scenes, offering a seamless and immersive free-viewpoint experience across a range of devices, from desktops to mobile phones.

VideoRF: Rendering Dynamic Radiance Fields as 2D Feature Video Streams paper page: Neural Radiance Fields (NeRFs) excel in photorealistically rendering static scenes. However, rendering dynamic, long-duration radiance fields on ubiquitous devices remains challenging, due to data storage and computational constraints. In this paper, we introduce VideoRF, the first approach to enable real-time streaming and rendering of dynamic radiance fields on mobile platforms. At the core is a serialized 2D feature image stream representing the 4D radiance field all in one. We introduce a tailored training scheme directly applied to this 2D domain to impose the temporal and spatial redundancy of the feature image stream. By leveraging the redundancy, we show that the feature image stream can be efficiently compressed by 2D video codecs, which allows us to exploit video hardware accelerators to achieve real-time decoding. On the other hand, based on the feature image stream, we propose a novel rendering pipeline for VideoRF, which has specialized space mappings to query radiance properties efficiently. Paired with a deferred shading model, VideoRF has the capability of real-time rendering on mobile devices thanks to its efficiency. We have developed a real-time interactive player that enables online streaming and rendering of dynamic scenes, offering a seamless and immersive free-viewpoint experience across a range of devices, from desktops to mobile phones.

AK

38,686 görüntüleme • 2 yıl önce

I've received a LOT of requests to play the game. Thanks! So, I am working on it but it will be *limited* as the AI Gen is not free! Follow-me and comment so I can PM you the link! P.S. yes this game is 100% coded by AI! I am also taking prompt requests! It's limitless lol:

I've received a LOT of requests to play the game. Thanks! So, I am working on it but it will be limited as the AI Gen is not free! Follow-me and comment so I can PM you the link! P.S. yes this game is 100% coded by AI! I am also taking prompt requests! It's limitless lol:

Nicolas Zullo

14,067 görüntüleme • 1 yıl önce

As part of my meetings with global leaders in the gaming industry, we conducted a session with the editors of PUBG MOBILE and major digital and OTT services such as WeChat. The meeting concluded with agreements on key priorities, including but not limited to: Creating a safe and responsible gaming environment tailored to Algerian society, with stronger parental-control mechanisms. Adapting content to national culture, and the company’s readiness to deploy local servers in Algeria for the first time by the near future. Allowing in-game payments in Algerian currency through prepaid cards, vouchers and digital paiement plateforms. The company also expressed interest in supporting gaming-community events and developing future partnerships to enhance the gaming experience and strengthen the local gaming industry in the country.

As part of my meetings with global leaders in the gaming industry, we conducted a session with the editors of PUBG MOBILE and major digital and OTT services such as WeChat. The meeting concluded with agreements on key priorities, including but not limited to: Creating a safe and responsible gaming environment tailored to Algerian society, with stronger parental-control mechanisms. Adapting content to national culture, and the company’s readiness to deploy local servers in Algeria for the first time by the near future. Allowing in-game payments in Algerian currency through prepaid cards, vouchers and digital paiement plateforms. The company also expressed interest in supporting gaming-community events and developing future partnerships to enhance the gaming experience and strengthen the local gaming industry in the country.

Sid Ali Zerrouki

38,215 görüntüleme • 8 ay önce

What happens when a global recording artist is also a self taught technologist? In this episode of IsraelTech, Yoel Israel sits down with global artist Nissim Black to explore the intersection of music, technology, AI, media, and spirituality. Before becoming an internationally known artist, Nissim grew up watching computers being built in his home and experimenting with music production equipment as a kid. That early exposure shaped the way he approaches creativity and technology today. They discuss how podcasting and music production rely on many of the same tools, how AI is already transforming the music industry, and why independent creators now have more power than traditional media. The conversation also dives into deeper questions about morality, media narratives, and why technology itself is not the real risk. The real question is how people choose to use it. This episode covers everything from AI generated music to the future of media platforms and why storytelling still matters more than ever. Hosted by Yoel Israel

What happens when a global recording artist is also a self taught technologist? In this episode of IsraelTech, Yoel Israel sits down with global artist Nissim Black to explore the intersection of music, technology, AI, media, and spirituality. Before becoming an internationally known artist, Nissim grew up watching computers being built in his home and experimenting with music production equipment as a kid. That early exposure shaped the way he approaches creativity and technology today. They discuss how podcasting and music production rely on many of the same tools, how AI is already transforming the music industry, and why independent creators now have more power than traditional media. The conversation also dives into deeper questions about morality, media narratives, and why technology itself is not the real risk. The real question is how people choose to use it. This episode covers everything from AI generated music to the future of media platforms and why storytelling still matters more than ever. Hosted by Yoel Israel

IsraelTech

27,666 görüntüleme • 4 ay önce

GaVS: 3D-Grounded Video Stabilization via Temporally-Consistent Local Reconstruction and Rendering Contributions: • We reformulate video stabilization as a novel 3D grounded scheme of local reconstruction and rendering. This approach is naturally robust to diverse camera motions and scene dynamics, is temporally consistent, and is capable of full frame stabilization. • We propose a novel test-time optimization for each unstable video. It leverages multi-view dynamics-aware photometric supervision and cross-frame regularization to achieve temporally consistent reconstructions. To avoid frame cropping, we introduce a scene extrapolation module based on video completion. • We provide a 3D-grounded dataset for our task by re-purposing an existing one, and introduce new metrics on sparse and dense reconstruction to evaluate 3D scene consistency. Extensive experiments (quantitative, qualitative, user study) versus image-based and gyro-basedmethods demonstrate the merits of our method.

GaVS: 3D-Grounded Video Stabilization via Temporally-Consistent Local Reconstruction and Rendering Contributions: • We reformulate video stabilization as a novel 3D grounded scheme of local reconstruction and rendering. This approach is naturally robust to diverse camera motions and scene dynamics, is temporally consistent, and is capable of full frame stabilization. • We propose a novel test-time optimization for each unstable video. It leverages multi-view dynamics-aware photometric supervision and cross-frame regularization to achieve temporally consistent reconstructions. To avoid frame cropping, we introduce a scene extrapolation module based on video completion. • We provide a 3D-grounded dataset for our task by re-purposing an existing one, and introduce new metrics on sparse and dense reconstruction to evaluate 3D scene consistency. Extensive experiments (quantitative, qualitative, user study) versus image-based and gyro-basedmethods demonstrate the merits of our method.

MrNeRF

11,638 görüntüleme • 1 yıl önce

AI is transforming the way audiences experience music, storytelling, and entertainment making it more immersive, interactive, and global. Google Cloud has partnered with Secret Mountain, the metahuman digital avatar band created by A.R. Rahman, to power a new era of entertainment. Leveraging our advanced AI models including Gemini, Imagen, and Veo, and secure, scalable infrastructure, the project will bring hyper-realistic avatars, real-time fan engagement, and culturally diverse music experiences to audiences worldwide. This collaboration blends human artistry with cutting-edge AI to redefine how digital artists connect with fans. #GoogleCloud #ARRahman #SecretMountain #AI #EntertainmentTech #GenerativeAI

Google India

70,190 görüntüleme • 9 ay önce

'I’ve always loved working with visual artists and following on from the competition that we ran with Stability AI around the release of i/o, we are setting up 5050 to encourage the creation of more of these collaborations. So if you have any type of visual work that you would like to try out alongside my music in a video, this is a place where you can explore it. Also, it didn’t seem fair that the music creators get all the revenue on platforms such as YouTube, so we’ve called it 5050 as we look to have a fairer share between the visual and music creators.' - pg Visit for more information & to watch the Olive Tree video by Oranguerillatan

'I’ve always loved working with visual artists and following on from the competition that we ran with Stability AI around the release of i/o, we are setting up 5050 to encourage the creation of more of these collaborations. So if you have any type of visual work that you would like to try out alongside my music in a video, this is a place where you can explore it. Also, it didn’t seem fair that the music creators get all the revenue on platforms such as YouTube, so we’ve called it 5050 as we look to have a fairer share between the visual and music creators.' - pg Visit for more information & to watch the Olive Tree video by Oranguerillatan

Peter Gabriel

44,583 görüntüleme • 1 yıl önce

Black & White turned 25 this year. Developed by Lionhead Studios and published by Electronic Arts in 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Black & White turned 25 this year. Developed by Lionhead Studios and published by Electronic Arts in 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

59,844 görüntüleme • 1 ay önce

My friend 0x45o asked me to use Grok 4 to create a game in C using Raylib. What it came up with is actually pretty cool. In "Echoes of the Unseen," you play as a Temporal Cartographer exploring a dark world that you can't see at first. Your primary tool is an Echo Pulse, which works like sonar. It temporarily shows the shape of the terrain and reveals essential objects, such as energy crystals and enemies. The main gameplay involves managing your limited Echo Energy to explore this unseen landscape. You can make areas solid and visible by permanently anchoring them. You will also use advanced tools to change gravity or create sound-based bridges. However, the world responds to how you play. If you act aggressively, it will create hostile entities based on your actions. If you use your powers too much, the environment can become unstable. This creates a dynamic exploration experience where your choices shape the world and its dangers.

My friend 0x45o asked me to use Grok 4 to create a game in C using Raylib. What it came up with is actually pretty cool. In "Echoes of the Unseen," you play as a Temporal Cartographer exploring a dark world that you can't see at first. Your primary tool is an Echo Pulse, which works like sonar. It temporarily shows the shape of the terrain and reveals essential objects, such as energy crystals and enemies. The main gameplay involves managing your limited Echo Energy to explore this unseen landscape. You can make areas solid and visible by permanently anchoring them. You will also use advanced tools to change gravity or create sound-based bridges. However, the world responds to how you play. If you act aggressively, it will create hostile entities based on your actions. If you use your powers too much, the environment can become unstable. This creates a dynamic exploration experience where your choices shape the world and its dangers.

Tetsuo

16,921 görüntüleme • 1 yıl önce

Today, Stern Pinball, Inc., revealed Metallica Remastered – a technologically advanced version of one of Stern Pinball’s greatest hits. Metallica Pinball was originally released in 2013 and is one of the most successful and beloved pinball games ever. Metallica Remastered has elevated the game to the modern era with gameplay, electronics, and presentation improvements. Metallica Remastered pinball games are available now in Premium and Limited Edition (LE) models, along with a full line of accessories available at launch. Metallica Remastered is updated with a full-color LCD display featuring all-new animations and live concert video footage. Stern’s modern Spike 2 electronics will power the gameplay experience. Fans will enjoy expanded gameplay and improved presentation with 22 songs (8 more than the original) and expanded gameplay rules. Cabinet improvements include an Expression Lighting system and 2 all-new art packages by Metallica artist Rhys Cooper. Players will experience the same great flow from the original Metallica playfield layout with geometry and mechanical improvements, new versions of gameplay toys, updated mechanical devices, and new UV lighting effects. Since forming in 1981, Metallica has become one of the most influential and popular bands in musical history. Through their groundbreaking music, electrifying live performances, and a cultural impact that has extended beyond music, Metallica has garnered a massive global following of dedicated fans. Their critical acclaim and influence match the Hall of Fame band’s commercial success in the world of rock music and pinball. Stern Pinball has ensured that extra care and attention to detail has gone into every facet of Metallica Remastered while respecting the timeless classic game created by pinball legends John Borg and Lyman F. Sheats, Jr. The design team, led again by John Borg and software engineer Raymond Davidson, has created a modern version of the original masterpiece. John Borg’s classic playfield architecture has been enhanced with three all-new sculptures: Sparky, the Hammer, new RGB-illuminated Skulls, and a new Metallica logo spell-out on the back panel. Dramatic UV lighting effects have been implemented throughout the playfield and on Sparky, and the game includes numerous quality and durability refinements. The iconic Lyman Sheats rule set has been carefully enhanced to add two new game modes based on Metallica’s two most recent albums, last year’s Grammy-winning 72 Seasons and 2016’s Hardwired…to Self-Destruct, as well as a new “Blackened” Wizard Mode. The Metallica Remastered software also includes numerous refinements throughout and an enhanced illuminated insert array to support the new game rules while preserving the classic gameplay feel from the original. Metallica Remastered features an entirely new suite of presentation elements, including all video content and animations, new sound effects, and over 1,000 new speech calls that include callouts by the band. Eight new Metallica songs have been seamlessly integrated into the game and include new supporting animations, movies, and HD-quality live concert footage selected by the band. The Expression Lighting system for the cabinet and speakers comes standard with the Limited Edition version and is available as an accessory upgrade for Premium models.

Stern Pinball

50,447 görüntüleme • 1 yıl önce

Core Value: Outreach The Ridge Hotel Mural Project produced by JT Liss and Lobeldesign, features some of the best street and graffiti artists in the world painting BONK!!! Solana and Borussia Dortmund inspired murals, and in turn, these artists also creating digital pieces anyone can download thanks to Solana tech by Decal — Stablecoin commerce. Now as we close out, and for the remainder of this week only we have a new activation through BONK that will allow anyone to take a selfie in front of your favorite mural at The Ridge and submit for a chance to earn BONK. See the app link below to set up your profile. The Ridge Hotel Mural Project features Crash One QueenAndrea! WETIKO⁉️ ZimerNYC Jeff Henriquez And is powered by Solana Foundation and BONK!!! Video by Greg Fulks Music by Exchange Art / BAM music director Fevra

JT Liss

170,869 görüntüleme • 1 yıl önce

I'm playing GTA V on a PS3 and its been such a fun experience. I remember when was a kid and playing this for the first time, I didn't give a damn about how BAD the framerate was during driving. I was constantly in awe by how realistic this game looked back then that the framerate wasn't something that was going to stop me from enjoying it. Don't get me wrong, this game is running on a PS3 that has 256mb of RAM and 256mb of VRAM which is some black magic itself and the fact that Rockstar Games managed to have such a massive open world game with that much traffic and NPCs running in real-time is a feat on its own.

I'm playing GTA V on a PS3 and its been such a fun experience. I remember when was a kid and playing this for the first time, I didn't give a damn about how BAD the framerate was during driving. I was constantly in awe by how realistic this game looked back then that the framerate wasn't something that was going to stop me from enjoying it. Don't get me wrong, this game is running on a PS3 that has 256mb of RAM and 256mb of VRAM which is some black magic itself and the fact that Rockstar Games managed to have such a massive open world game with that much traffic and NPCs running in real-time is a feat on its own.

NikTek

253,924 görüntüleme • 2 ay önce

Before this #vibejam, I was just casually creating game prototypes for fun, but this time, the Vibejam deadline became a good forcing function that pushed me to actually finish one. While this game is more of a demo than a complete product, it gave me a taste of how challenging it is to fully complete a game. It requires brutal task prioritization, effective time management, and tons of quality assurance (QA). As many say, the last 10% is the hardest, and I’d argue it’s doubly so for games. I now have even more respect for game developers at all levels who manage to ship their games. And there you have it, my game, Gnome Mercy: Insect Invasion. It’s a Vampire Survivors-style game where you play as a gnome on a rampage, annihilating alien insects invading his garden. At the start of each run, the lord of the garden bestows a blessing if you can answer his riddle, powered by an LLM (with fallback riddles in case it fails). The objective is to fight through waves of enemies and survive as long as possible. A huge shoutout to Retro Diffusion by Astropulse for all the AI-generated sprites, artworks, icons, and more. The music was created by Not Jam, the retro chiptunes are amazing. This game is a special homage to Luca 🧄, creator of Vampire Survivors, for inventing the best game genre in recent years! And no, I don’t code at all. The code is 100% generated by @windsurf and built on PhaserJS. Game link below👇

Before this #vibejam, I was just casually creating game prototypes for fun, but this time, the Vibejam deadline became a good forcing function that pushed me to actually finish one. While this game is more of a demo than a complete product, it gave me a taste of how challenging it is to fully complete a game. It requires brutal task prioritization, effective time management, and tons of quality assurance (QA). As many say, the last 10% is the hardest, and I’d argue it’s doubly so for games. I now have even more respect for game developers at all levels who manage to ship their games. And there you have it, my game, Gnome Mercy: Insect Invasion. It’s a Vampire Survivors-style game where you play as a gnome on a rampage, annihilating alien insects invading his garden. At the start of each run, the lord of the garden bestows a blessing if you can answer his riddle, powered by an LLM (with fallback riddles in case it fails). The objective is to fight through waves of enemies and survive as long as possible. A huge shoutout to Retro Diffusion by Astropulse for all the AI-generated sprites, artworks, icons, and more. The music was created by Not Jam, the retro chiptunes are amazing. This game is a special homage to Luca 🧄, creator of Vampire Survivors, for inventing the best game genre in recent years! And no, I don’t code at all. The code is 100% generated by @windsurf and built on PhaserJS. Game link below👇

Danny Limanseta

17,198 görüntüleme • 1 yıl önce

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

Unreal Engine

45,559 görüntüleme • 5 ay önce

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

106,480 görüntüleme • 4 ay önce