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Did you know that ILM built motion-controlled miniatures for #SkeletonCrew? One of the miniatures—complete with servo-operated engines and working lights—was the Onyx Cinder, built by John Goodson and Supervised by John Knoll and our ILM Miniature Unit. Not only was it used for in-camera finals, but it also informed...

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Industrial Light & Magic

145,004 subscribers

77,014 просмотров • 1 год назад •via X (Twitter)

Наука и технологии#SkeletonCrew
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Комментарии: 6

Фото профиля Jesse Zakshesky
Jesse Zakshesky1 год назад

@starwars @DisneyPlus The folks at ILM are quite literally wizards.

Фото профиля The HQ
The HQ1 год назад

@starwars @DisneyPlus

Фото профиля WarsStar
WarsStar1 год назад

@starwars @DisneyPlus Thank you John Knoll.

Фото профиля Ellis Owen
Ellis Owen1 год назад

@starwars @DisneyPlus

Фото профиля TKBrainslug 🇺🇦
TKBrainslug 🇺🇦1 год назад

@starwars @DisneyPlus Miniatures are awesome

Фото профиля AKopArt
AKopArt1 год назад

@starwars @DisneyPlus It's amazing how we advance computers day by day and still the best outcome is by making a physical model.

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totally wizard. Industrial Light & Magic visual effects supervisor John Knoll and model supervisor John Goodson discuss bringing the Onyx Cinder to life. Don’t miss the #SkeletonCrew finale this Tuesday on Disney+.
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totally wizard. Industrial Light & Magic visual effects supervisor John Knoll and model supervisor John Goodson discuss bringing the Onyx Cinder to life. Don’t miss the #SkeletonCrew finale this Tuesday on Disney+.

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No bounty required. Go behind-the-scenes and discover everything you didn’t know about Star Wars: The Mandalorian and Grogu, featuring ILM’s John Knoll and Hal Hickel! See it in theaters now!
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This is some of the coolest action storyboarding i've seen in a while, the way it transitions between the characters is smooth and seamless with great camera work. the animation is also superb Also bonus points for the sound effects
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Experience the ultimate Star Wars adventure. The first two episodes of #SkeletonCrew are now streaming only on Disney+.
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DESIGN.md is how we work with agents now, but a text file is a terrible way for a human to make a visual decision. So we built our preview to give some of that control back: edit the file as text or pick colors visually, and the two stay in sync. And swatches sit on the actual light and dark backgrounds because color only means something in the context you'll see it in.
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DESIGN.md is how we work with agents now, but a text file is a terrible way for a human to make a visual decision. So we built our preview to give some of that control back: edit the file as text or pick colors visually, and the two stay in sync. And swatches sit on the actual light and dark backgrounds because color only means something in the context you'll see it in.

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