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Here's a technique that I've been using frequently to create glass like texture on after effects ! 1.Create a solid layer 2.Add Particular / CC Particle World 3.Add Mosaic 4.Add Directional Blur (Vertical) #motiongraphics

Jestin

2,176 subscribers

30,822 просмотров • 3 месяцев назад •via X (Twitter)

#motiongraphics

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Quick After Effects Tutorial - Dripping Text Animation - Add CC Smear on a text layer -> Position the smear on each letter and animate the "REACH" from 0 to 1.000. - New Adjustment Layer -> Add Gaussian Blur at 35 - Add Levels -> Select Alpha -> Set the arrows in the middle.

Quick After Effects Tutorial - Dripping Text Animation - Add CC Smear on a text layer -> Position the smear on each letter and animate the "REACH" from 0 to 1.000. - New Adjustment Layer -> Add Gaussian Blur at 35 - Add Levels -> Select Alpha -> Set the arrows in the middle.

Cash Design

176,114 просмотров • 3 лет назад

You can now generate videos on This is what I've been using to create my background videos. It's using Runway with a midjourney image. Add prompts like zoom, effects, environments to make the image come to life. Combined with scripting and voices, it's incredibly easy to create shorts or just add b-rolls.

You can now generate videos on This is what I've been using to create my background videos. It's using Runway with a midjourney image. Add prompts like zoom, effects, environments to make the image come to life. Combined with scripting and voices, it's incredibly easy to create shorts or just add b-rolls.

Meng To

50,513 просмотров • 1 год назад

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. ____________________________________________________ In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

🎓Learn how to create a powerful Torn Fabric smart material in a matter of seconds in my latest video series (AAA) Pro Tips! This smart material can be used on virtually any 3D asset. In this video, the steps are as follows: 1. Create a base fill layer containing no information. We will use this layer to call out the core effects. Add a black mask to this layer and inside that mask add a paint layer and draw a simple pill shape. 2. Next, add a blur directional and be sure the direction is the same direction that your fabric is flowing to. 3. Add a UV border generator set to subtract to mask out any uv seams followed by an anchorpoint. Additionally, add a messy Fibers 3 fill layer set to overlay. 4. Use a levels to adjust the mask along with a sharpen filter. A warp filter should also be added to introduce some randomness. Add an anchor point at the top of the mask as well. 5. Create another fill layer with its opacity channel set to black and apply a black mask to the fill layer. Inside its mask retrieve the anchorpoint information from the previous fill layer. 6. Create an additional fill layer with a bright diffuse color along with a black mask applied to it. Add the anchorpoint information from the previous mask into its mask as well and this should give us some white fibers on the edges. Now we have a torn fabric effect wherever we paint using the paint layer created inside the callout mask! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips! Happy Texturing!💚 #gamedev #gameart #tutorial #3dmodeling #hardsurface #texturing

Cohen Brawley

78,842 просмотров • 2 лет назад

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

Brief explanation: You create a layer, go to 'layer properties' and add a border effect. Then you choose a dark color for the border, then a light color to shade where you want. After that, merge the layer with the border effect with a clean layer, and blur the edges if you want!

❤︎ MIZUKI.

54,110 просмотров • 3 месяцев назад

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! ____________________________________________________ In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! ____________________________________________________ More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

🎓 Learn how to create a Cherry Wood Material in a matter of seconds in my latest video series (AAA) Pro Tips! In this video, the steps are as follows: 1. Create a slightly red-colored fill layer with high gloss to act as the woods base material. 2. Add a second fill layer with a black mask, and inside that mask add a stripes greyscale set to planar projection. These stripes will act as the wood rings and should be projected onto your mesh in a natural way. The stripes should also be set to max softness, and followed by a Directional Noise 3 with a blend mode set to Difference. 3. Add a levels to tweak the mask and add an anchor point to the mask as well. 4. Create another fill layer with a dark brown diffuse, and store the information from the anchor point into its mask. Apply a levels to increase its intensity, and then add a fill layer up top with the anchorpoint information applied again, but set its blending mode to Subtract. 5. Create an additional fill layer with a very dark diffuse channel. Add a mask to the fill layer and inside its mask add a fill layer containing the anchorpoint information, from the Wood Rings. This fill layer can now be used to add some dark contrast to the center of the wood rings 6. A warp filter should also be used to apply some subtle imperfections to the wood rings and grain. Now we are left with a very nice result of Cherry wood! More AAA Game Dev Tips can be found on my YouTube channel here: Stay tuned for more weekly Tips. Let me know below what you would like to learn in future videos! 👇 Happy Texturing! 💚 #gameart #texturing

Cohen Brawley

25,219 просмотров • 2 лет назад

POV: How Simulon works on an iPhone: 1. Create a scene 2. Capture world data 3. Add 3D objects 4. Shoot video 5. Get a photorealistic cloud render Final render at the end. Next up: How Simulon connects to Blender.

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How I create 3D-feel websites with expanding images using Claude Code👇 1. Use Claude to plan scroll-based animations + scene flow 2. Start with full-width images that expand on scroll 3. Add zoom-in + scale effects to create depth illusion 4. Layer images to simulate foreground/background (fake 3D) 5. Use parallax so elements move at different speeds 6. Add smooth transitions + ambient motion for immersion 7. Fine-tune timing (0.6s–1.2s) for cinematic feel Save this if you want next-level websites 🚀

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FHILY👑

10,268 просмотров • 3 месяцев назад

ok last post of the day. what i love about the new plugin with effects chaining, is that i can create something like a lens flare, but add dithering to it, and then add a retro color filter. you can just keep chaining for really awesome effects

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˗ˏˋ rogie ˎˊ˗

12,308 просмотров • 1 год назад

How annoying is it when you can't find a company's logo in SVG format? I use a quick hack in Figma that lets me easily change the logo's color to whatever I need. 1. Add a rectangle layer on top of the logo layer. 2. Right-click and create a mask for the logo layer. 3. Voilà.

James McDonald

28,033 просмотров • 1 год назад

I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech to create the point clouds and visual effects was always a huge barrier. Then I discovered these 2 Blender add-ons from Kiri engine after I had a chat with Jack Wang in my podcast, and it changed everything: 1- Create a splat with any tool or app you want 2- Install the free "Point Animate" add-on in Blender 3- Drag the 2 .ply you want to morph from --> to 4- Set source and destination in the add-on side panel At this point you could play around with various settings like noise scatter, noise intensity, wind and more. If you want to combine with the splat as well you can get also the 3DGS render to add cool dissolving effects, fancy lighting and really get the most out of your scans. If you end up using it please tag me. I am curious to see what much more skilled people than me can put together 😉

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Gabriele Romagnoli

10,392 просмотров • 1 год назад

#UEFN Material tips 🗣️🔥 Use Bump Offset to create fake depth for textures. In this example, I used it to add a darker secondary fence texture that feels behind the main one, like in the 3D world, while remaining a 2D texture applied to the mesh.

#UEFN Material tips 🗣️🔥 Use Bump Offset to create fake depth for textures. In this example, I used it to add a darker secondary fence texture that feels behind the main one, like in the 3D world, while remaining a 2D texture applied to the mesh.

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Fansted is a monetization platform for content creators. 1. You can create a channel 2. Connect your payout account 3. Add subscription tiers 4. Add some content you want to sell(music, videos, files etc) and get paid. Now available for users in Ghana 🇬🇭

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Michael Asiedu

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Don Pettit

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I've been wanting to add an extra layer to the basic enemy for a while and now that it's in, I can create enemies that better suit the range of areas 💀 If you like these clips and want to see the full videos, consider becoming a patron! Link in my bio 💖

I've been wanting to add an extra layer to the basic enemy for a while and now that it's in, I can create enemies that better suit the range of areas 💀 If you like these clips and want to see the full videos, consider becoming a patron! Link in my bio 💖

Winston Powell

59,976 просмотров • 2 лет назад

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Keeki | 3D Artist

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Procedural toroidal inductor using gemeotry nodes! You can control pretty much everything! Add turns, control winding wire radius, turn spread and positions, colors. Evenmore, you controll how the windings terminate to the pins! Add you can add a second winding to create a transformer! and finally you can add a label on top! #b3d #blender3d #geometrynodes #blenderart #3dart #electronics #hardware #engineering #science #physics #Arduino #kicad

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Sam M

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Slip → Roll → Side Step Defense Drill🛑 Step 1 - Slip off the center line Step 2 - Add the roll after the slip Step 3 - Side step out of the line of attack and create a new angle Step 4 - Put it todether and add speed 4 Master till it becomes part of your muscle memory 🥊🔥💯

Slip → Roll → Side Step Defense Drill🛑 Step 1 - Slip off the center line Step 2 - Add the roll after the slip Step 3 - Side step out of the line of attack and create a new angle Step 4 - Put it todether and add speed 4 Master till it becomes part of your muscle memory 🥊🔥💯

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