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Here's how to have a top-down Diablo-style camera in Crimson Desert: Camera Visual Range = 0 Camera Distance = 100 Camera Vertical Offset = 0 Camera Horizontal Offset = 0 Then toggle the camera while playing to further the distance 🎥

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GameSpot

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303,601 просмотров • 4 месяцев назад •via X (Twitter)

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The new camera options in Crimson Desert are freaking awesome. My Settings: -Visual Range 25 -Vertical Offset 15 -Horizontal Offset 15
0:23

The new camera options in Crimson Desert are freaking awesome. My Settings: -Visual Range 25 -Vertical Offset 15 -Horizontal Offset 15

GermanStrands

381,055 просмотров • 4 месяцев назад

Added a GTA-style camera distance toggle Yeah, I should've done this sooner.
0:22

Added a GTA-style camera distance toggle Yeah, I should've done this sooner.

Fer // WISHLIST TOSSDOWN! 🚀

14,129 просмотров • 7 месяцев назад

Camera following contours of procedural terrain - Make single vertex object - Add vertex to new vertex group - Get distance from it to terrain with Raycast - Use to offset z position - Add constraint modifier on Camera, set to the vertex group #geometrynodes #b3d #blender3d
0:41

Camera following contours of procedural terrain - Make single vertex object - Add vertex to new vertex group - Get distance from it to terrain with Raycast - Use to offset z position - Add constraint modifier on Camera, set to the vertex group #geometrynodes #b3d #blender3d

Aaron

12,706 просмотров • 3 лет назад

Haven't done a camera analysis in a while! Here's a quick look at the camera for Metroid Dread 🎥
1:43

Haven't done a camera analysis in a while! Here's a quick look at the camera for Metroid Dread 🎥

Walaber

141,872 просмотров • 9 месяцев назад

This is crazy 😳 the distance that Ni-ki traveled on stage while dancing cannot be measured from the front camera but the side camera shows everything. what a legend!
0:29

This is crazy 😳 the distance that Ni-ki traveled on stage while dancing cannot be measured from the front camera but the side camera shows everything. what a legend!

ENHYPEN IS 7

87,846 просмотров • 10 месяцев назад

Want to see the impact of the different camera movements in Camera Control from LumaDreamMachine version 1.6? No problem, I’ve prepared a video showcasing all the camera movements. 🎥✨
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Want to see the impact of the different camera movements in Camera Control from LumaDreamMachine version 1.6? No problem, I’ve prepared a video showcasing all the camera movements. 🎥✨

Pierrick Chevallier | IA

18,485 просмотров • 2 лет назад

how to use the camera
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how to use the camera

Sadworld

106,391 просмотров • 3 лет назад

Behind the scenes of how No Rest for the Wicked Curved Perspective works in action. We love how it makes the world feel less rigid during camera parallaxing in motion, and allows you to see so much further into the distance compared to a standard top down perspective.
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Behind the scenes of how No Rest for the Wicked Curved Perspective works in action. We love how it makes the world feel less rigid during camera parallaxing in motion, and allows you to see so much further into the distance compared to a standard top down perspective.

Gennadiy Korol

200,135 просмотров • 2 лет назад

Hey #RobloxDev 👋! Want a smoother camera experience while in #Roblox studio? Check out 'Smooth Camera' by sleitnick ! This plugin allows you to adjust studio's camera movement speed, zoom speed, rotation speed and MORE to give you the perfect camera settings while creating your experience. Link Below! 👇
1:07

Hey #RobloxDev 👋! Want a smoother camera experience while in #Roblox studio? Check out 'Smooth Camera' by sleitnick ! This plugin allows you to adjust studio's camera movement speed, zoom speed, rotation speed and MORE to give you the perfect camera settings while creating your experience. Link Below! 👇

Gamefam Studios

52,522 просмотров • 5 месяцев назад

How did you have time to set the camera up while holding him
0:36

How did you have time to set the camera up while holding him

GABRIEL 🪽

279,210 просмотров • 8 месяцев назад

WE FINALLY GOT THE CAMERA FOOTAGE 📺 Here's the absolute cinema 0-12 comeback with not seen before footage 🇩🇪
2:03

WE FINALLY GOT THE CAMERA FOOTAGE 📺 Here's the absolute cinema 0-12 comeback with not seen before footage 🇩🇪

BIG

28,317 просмотров • 3 месяцев назад

Realme GT 8 Pro is the first smartphone to feature a modular camera design. The camera module is detachable, customizable, and replaceable. Here's a video on how it works:
1:15

Realme GT 8 Pro is the first smartphone to feature a modular camera design. The camera module is detachable, customizable, and replaceable. Here's a video on how it works:

Sudhanshu Ambhore

55,416 просмотров • 10 месяцев назад

#UnrealEngine #UnrealTips Cheap trick to increase visibility of assets that might get lost in grass/foliage: just offset vertices towards the camera a bit
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#UnrealEngine #UnrealTips Cheap trick to increase visibility of assets that might get lost in grass/foliage: just offset vertices towards the camera a bit

Ghislain Girardot

28,611 просмотров • 3 лет назад

Inspired by Under The Mayo's continued third-person camera woes, I spent today making this dithered transparency shader. ✨🎥 It prevents the camera from bumping into walls constantly, and keeps Adelaide at a consistent distance.
0:20

Inspired by Under The Mayo's continued third-person camera woes, I spent today making this dithered transparency shader. ✨🎥 It prevents the camera from bumping into walls constantly, and keeps Adelaide at a consistent distance.

Sean // Game Dev🥀

99,103 просмотров • 9 дней назад

Here's what Earth looks like from a similar upper-atmosphere distance, WITHOUT a fisheye camera lens distorting all the lines. See the difference?
1:09

Here's what Earth looks like from a similar upper-atmosphere distance, WITHOUT a fisheye camera lens distorting all the lines. See the difference?

₿en Wehrman

79,615 просмотров • 5 месяцев назад

The Minnesota and Kansas City broadcasts have gone to the backstop camera angle for many pitches due to the CF camera being covered in fountain water. Here's the Twins broadcast explaining it. #MLB
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The Minnesota and Kansas City broadcasts have gone to the backstop camera angle for many pitches due to the CF camera being covered in fountain water. Here's the Twins broadcast explaining it. #MLB

Awful Announcing

664,588 просмотров • 5 месяцев назад

DeenTheGreat BODYSLAMMED 3-foot-tall influencer D-Low for grabbing his shirt, then told the camera guy to point the camera away so he could fight him off camera 😳
1:03

DeenTheGreat BODYSLAMMED 3-foot-tall influencer D-Low for grabbing his shirt, then told the camera guy to point the camera away so he could fight him off camera 😳

KickChamp

912,706 просмотров • 4 месяцев назад

POV: You don't need a film crew to make a World Cup commercial anymore. From a simple idea to a cinematic football story—powered entirely by AI. Made with Kling 3.0 on Pollo AI Prompt: PART 1 (0:00–0:15) | 16:9 | Cut Scenes 0:00–0:03 | Wide Living Room Camera: Slow handheld dolly-in. TV visible behind Jessy. Action: Jessy lounges watching Argentina vs Brazil, tosses popcorn at the TV after a bad pass. Dialogue: Jessy: "Come on!" Audio: Stadium crowd, commentator, room ambience. 0:03–0:06 | Over-the-Shoulder Camera: Medium OTS toward the TV. Action: The player stops, looks directly at Jessy, smiles. She grabs the remote. Dialogue: Jessy: "Wait... me?" Audio: Crowd softens, remote click. 0:06–0:10 | TV Exit Camera: Medium-wide tracking shot. Action: TV ripples like water as the player steps into the living room. Jessy freezes. Dialogue: Player: "Nice place." Audio: Water ripple, boots on floor, TV commentary. 0:10–0:15 | Couch Camera: Medium two-shot. Action: Jessy quietly sits back as the player casually joins her on the couch. Dialogue: Jessy: "...Okay." Audio: Stadium ambience. Cut. PART 2 (0:15–0:30) | Cut Scenes 0:15–0:18 | Watching Together Camera: Medium two-shot. Action: They watch the match in silence. Dialogue: Player: "Brazil's shaky." Jessy: "Yeah..." Audio: TV crowd and commentary. 0:18–0:21 | Realization Camera: Alternating close-ups. Dialogue: Jessy: "You're playing." Player: "Break time." Audio: Stadium crowd building. 0:21–0:25 | Goal Celebration Camera: Handheld whip-pan. Action: Argentina scores. The player jumps up, sending popcorn everywhere. Dialogue: Player: "GOAL!... Oops." Jessy: "Seriously?" Audio: Massive crowd roar, popcorn scattering. 0:25–0:30 | Hallway Camera: Follow, then slow pullback to wide. Action: The player heads toward the hallway. Jessy watches the TV—his position on the pitch is empty. Dialogue: Player: "Bathroom?" Jessy: "Second left." Jessy (to herself): "...Sure." Audio: Boots clicking, TV commentary, fade to black. #PolloAI #BringTheWorldCupHome #WorldCup2026
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POV: You don't need a film crew to make a World Cup commercial anymore. From a simple idea to a cinematic football story—powered entirely by AI. Made with Kling 3.0 on Pollo AI Prompt: PART 1 (0:00–0:15) | 16:9 | Cut Scenes 0:00–0:03 | Wide Living Room Camera: Slow handheld dolly-in. TV visible behind Jessy. Action: Jessy lounges watching Argentina vs Brazil, tosses popcorn at the TV after a bad pass. Dialogue: Jessy: "Come on!" Audio: Stadium crowd, commentator, room ambience. 0:03–0:06 | Over-the-Shoulder Camera: Medium OTS toward the TV. Action: The player stops, looks directly at Jessy, smiles. She grabs the remote. Dialogue: Jessy: "Wait... me?" Audio: Crowd softens, remote click. 0:06–0:10 | TV Exit Camera: Medium-wide tracking shot. Action: TV ripples like water as the player steps into the living room. Jessy freezes. Dialogue: Player: "Nice place." Audio: Water ripple, boots on floor, TV commentary. 0:10–0:15 | Couch Camera: Medium two-shot. Action: Jessy quietly sits back as the player casually joins her on the couch. Dialogue: Jessy: "...Okay." Audio: Stadium ambience. Cut. PART 2 (0:15–0:30) | Cut Scenes 0:15–0:18 | Watching Together Camera: Medium two-shot. Action: They watch the match in silence. Dialogue: Player: "Brazil's shaky." Jessy: "Yeah..." Audio: TV crowd and commentary. 0:18–0:21 | Realization Camera: Alternating close-ups. Dialogue: Jessy: "You're playing." Player: "Break time." Audio: Stadium crowd building. 0:21–0:25 | Goal Celebration Camera: Handheld whip-pan. Action: Argentina scores. The player jumps up, sending popcorn everywhere. Dialogue: Player: "GOAL!... Oops." Jessy: "Seriously?" Audio: Massive crowd roar, popcorn scattering. 0:25–0:30 | Hallway Camera: Follow, then slow pullback to wide. Action: The player heads toward the hallway. Jessy watches the TV—his position on the pitch is empty. Dialogue: Player: "Bathroom?" Jessy: "Second left." Jessy (to herself): "...Sure." Audio: Boots clicking, TV commentary, fade to black. #PolloAI #BringTheWorldCupHome #WorldCup2026

Jessica Collins

43,567 просмотров • 2 месяцев назад