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I’m using Blender natively to import Apple ML-Sharp Gaussian Splatting. ✨ Controlling focal point, camera parameters and parallax directly inside Blender opens the door to entirely new workflows. The result is seriously impressive. 🔥 #b3d #MLSharp #GaussianSplatting

Thomas Marcos

6,389 subscribers

75,110 просмотров • 6 месяцев назад •via X (Twitter)

Искусство Наука и технологии #b3d #MLSharp #GaussianSplatting

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📢 I’m testing ViggleAI new AI tool, PINOC, and it’s seriously impressive. You can create 3D Gaussian splatting models from just one image and animate them with a video! It’s the first AI I’ve tried that can animate Gaussian splatting models. I also talked to someone from Viggle, and they might add the option to import your own Gaussian splatting models and animate them. If that happens, I’ll probably make a video tutorial showing how to boost the detail level of a Gaussian splatting model by 4x to create highly realistic animated characters.

📢 I’m testing ViggleAI new AI tool, PINOC, and it’s seriously impressive. You can create 3D Gaussian splatting models from just one image and animate them with a video! It’s the first AI I’ve tried that can animate Gaussian splatting models. I also talked to someone from Viggle, and they might add the option to import your own Gaussian splatting models and animate them. If that happens, I’ll probably make a video tutorial showing how to boost the detail level of a Gaussian splatting model by 4x to create highly realistic animated characters.

Alex

29,776 просмотров • 3 месяцев назад

Parallax Occlusion Mapping in Blender 5.0 🔥 A single plane, no subdivisions & displacement, just shader math. The new closures and repeat zone now make it possible to implement it as a reusable nodegroup. #blender #b3d #eevee #shaders

Parallax Occlusion Mapping in Blender 5.0 🔥 A single plane, no subdivisions & displacement, just shader math. The new closures and repeat zone now make it possible to implement it as a reusable nodegroup. #blender #b3d #eevee #shaders

Quackers

36,720 просмотров • 10 месяцев назад

3DGS Render Addon for Blender is out! New features include: - Paint and use image textures to edit colour - Mesh to 3DGS conversion - Transformations and edits are exportable - Lot's of other boosts and little features! Link for the addon and a Quick Guide tutorial below #b3d #blender #3dgs #gaussiansplatting

3DGS Render Addon for Blender is out! New features include: - Paint and use image textures to edit colour - Mesh to 3DGS conversion - Transformations and edits are exportable - Lot's of other boosts and little features! Link for the addon and a Quick Guide tutorial below #b3d #blender #3dgs #gaussiansplatting

KIRI Engine - 3D Scanner App

19,019 просмотров • 1 год назад

4D videos, are we cooked? 😳 uses 4D Gaussian Splatting to reconstruct real footage into fully explorable scenes, letting you move the camera freely through a moment after it’s been filmed. Combine it with tools like Seedance for character replacement and motion control, and Beeble for relighting, and you unlock entire cinematic workflows. You can even step inside your scenes in augmented reality with the Apple Vision Pro. #4DVAI #GaussianSplatting #AIVideoWorkflow #CreativeAI #SpatialVideo

4D videos, are we cooked? 😳 uses 4D Gaussian Splatting to reconstruct real footage into fully explorable scenes, letting you move the camera freely through a moment after it’s been filmed. Combine it with tools like Seedance for character replacement and motion control, and Beeble for relighting, and you unlock entire cinematic workflows. You can even step inside your scenes in augmented reality with the Apple Vision Pro. #4DVAI #GaussianSplatting #AIVideoWorkflow #CreativeAI #SpatialVideo

Rourke Heath

69,399 просмотров • 1 месяц назад

New paper from Apple - Sharp Monocular View Synthesis in Less than a Second Mescheder et al. @ Apple just released a very impressive paper (congrats! 🎉🥳). You give it an image and it generates a really great looking 3d Gaussian representation. Uses depth pro. It's really good. The model is about 3GB, and takes ~5-10s on my M1 Max per image. Single feedforward pass network. The video is using "Metal Splatter" to view the .ply from ml-sharp on Apple Vision Pro. Some really wow moments today trying it on different scenes.

New paper from Apple - Sharp Monocular View Synthesis in Less than a Second Mescheder et al. @ Apple just released a very impressive paper (congrats! 🎉🥳). You give it an image and it generates a really great looking 3d Gaussian representation. Uses depth pro. It's really good. The model is about 3GB, and takes ~5-10s on my M1 Max per image. Single feedforward pass network. The video is using "Metal Splatter" to view the .ply from ml-sharp on Apple Vision Pro. Some really wow moments today trying it on different scenes.

Tim Davison ᯅ

133,001 просмотров • 8 месяцев назад

After testing img2threejs by Nick, I used the exact same Canyon gravel bike image with Blender MCP. The difference is pretty clear: Blender produced a much more detailed and faithful reconstruction, especially around the frame geometry, cockpit, drivetrain and braking system. img2threejs remains incredibly fast for generating a procedural Three.js result directly from an image, while Blender MCP offers much more control and precision when you want to push the reconstruction further. Same reference image, two completely different workflows. Which result do you prefer?

After testing img2threejs by Nick, I used the exact same Canyon gravel bike image with Blender MCP. The difference is pretty clear: Blender produced a much more detailed and faithful reconstruction, especially around the frame geometry, cockpit, drivetrain and braking system. img2threejs remains incredibly fast for generating a procedural Three.js result directly from an image, while Blender MCP offers much more control and precision when you want to push the reconstruction further. Same reference image, two completely different workflows. Which result do you prefer?

Givros

31,979 просмотров • 1 месяц назад

Using Kushiro's new 'Shatter Cut' addon for Blender to quickly generate a random floor plan. Takes no time at all. Feels like cheating. The addon is free btw ✨ Tip: To quickly call the Shatter Cut operator press "Right Click,C" #b3d

Using Kushiro's new 'Shatter Cut' addon for Blender to quickly generate a random floor plan. Takes no time at all. Feels like cheating. The addon is free btw ✨ Tip: To quickly call the Shatter Cut operator press "Right Click,C" #b3d

passivestar

125,752 просмотров • 3 лет назад

My recent #deltarune model motivated me to implement a new feature for my upcoming Freeform-Facial-Feature tool Using #Blender 4.5 beta and it's manifold boolean The transparency mask should be a lot more reliable with sharp corners and hard surfaces now! #b3d #geometrynodes

My recent #deltarune model motivated me to implement a new feature for my upcoming Freeform-Facial-Feature tool Using #Blender 4.5 beta and it's manifold boolean The transparency mask should be a lot more reliable with sharp corners and hard surfaces now! #b3d #geometrynodes

Krysidian

77,029 просмотров • 1 год назад

Big announcement🚀 Our comprehensive course on 3D Animated Character Creation using Blender 3D is officially online. If you're new to the 3D world and keen on crafting your very first animated character, this is for you. #B3d #animation #CGI #Blender3D

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Ram Singh

36,246 просмотров • 2 лет назад

Blender 3.5 is released and I worked on the new hair node system! 🎉 Here are some clips of how using it looks like, watch the full overview video here: Big shout-out, of course, to the rest of the #geometrynodes team and Daniel Bystedt 🔶 🙌 #b3d

Blender 3.5 is released and I worked on the new hair node system! 🎉 Here are some clips of how using it looks like, watch the full overview video here: Big shout-out, of course, to the rest of the #geometrynodes team and Daniel Bystedt 🔶 🙌 #b3d

Simon Thommes

102,064 просмотров • 3 лет назад

This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️

This is the power of VFX and AI now.. Creating volumetric effects in AI and then using AfterEffects and Premiere to layer and edit + Topaz Labs to upscale, you can visually achieve the same effects that would have taken me A LOT longer in Cinema4D/Blender. This is really amazing, only because if I can do this now with what we have, imagine where it will be in 6-mo 🔥 it will only get better. Soon we’ll be able to do a lot more within 3D environments with gaussian splats and volumetric effects. It won’t be long after that before Cinema, blender and others integrate gaussian splats and generative prompting directly into the software design and render process. At that point things are going to get REALLY BADASS! I’m chillin tonight, finally a night off lol. But tomorrow I’ll show you guys how I did this ❤️

Dustin Hollywood

19,760 просмотров • 9 месяцев назад

This is much worse for 3D artists than another AI image generator. Claude takes one architectural reference, connects directly to Blender, and starts rebuilding it as an actual editable scene. It blocks out the buildings, matches the camera, adds materials, vegetation, lighting, and then renders the result. The interesting part is not the first generation. Claude inspects its own render, notices the composition and lighting are wrong, then goes back into Blender and keeps changing the scene. The final result is still rough. The materials look basic, the geometry needs cleanup, and an experienced artist would make it far better. But AI is no longer producing a flat image and pretending it understands 3D. It is operating the software, judging its own work, and iterating inside the real project. The “AI cannot do their actual work” argument is getting harder to defend.

This is much worse for 3D artists than another AI image generator. Claude takes one architectural reference, connects directly to Blender, and starts rebuilding it as an actual editable scene. It blocks out the buildings, matches the camera, adds materials, vegetation, lighting, and then renders the result. The interesting part is not the first generation. Claude inspects its own render, notices the composition and lighting are wrong, then goes back into Blender and keeps changing the scene. The final result is still rough. The materials look basic, the geometry needs cleanup, and an experienced artist would make it far better. But AI is no longer producing a flat image and pretending it understands 3D. It is operating the software, judging its own work, and iterating inside the real project. The “AI cannot do their actual work” argument is getting harder to defend.

Rina

34,431 просмотров • 28 дней назад

🐈Cat "Point of Invincibility": A craftsman built a warm little house for stray cats. The result is impressive: outside it's -18°C, while inside it's a stable +10°C and there's always food available. The author also installed a camera to keep an eye on the visitors. From: ovrservice

🐈Cat "Point of Invincibility": A craftsman built a warm little house for stray cats. The result is impressive: outside it's -18°C, while inside it's a stable +10°C and there's always food available. The author also installed a camera to keep an eye on the visitors. From: ovrservice

Oriannalyla 🇺🇦

16,319 просмотров • 7 месяцев назад

A video is compressed 4D data. 🌍 Today, we’re sharing a preview of our latest research: 4D reconstruction from a single monocular video. 🎬 From one casually captured video, our system reconstructs a dynamic, freely viewable 4D Gaussian scene—recovering geometry, appearance, camera motion, and object motion across space and time. No multi-camera rig. Just video → 4DGS. The world has already been captured in video. The next step is to unlock the 4D structure inside it. Watch the result below. 👇 #4DGS #GaussianSplatting #CVPR #CVPR2026 #AIGC #AI #3DGS

A video is compressed 4D data. 🌍 Today, we’re sharing a preview of our latest research: 4D reconstruction from a single monocular video. 🎬 From one casually captured video, our system reconstructs a dynamic, freely viewable 4D Gaussian scene—recovering geometry, appearance, camera motion, and object motion across space and time. No multi-camera rig. Just video → 4DGS. The world has already been captured in video. The next step is to unlock the 4D structure inside it. Watch the result below. 👇 #4DGS #GaussianSplatting #CVPR #CVPR2026 #AIGC #AI #3DGS

InSpatio｜影溯

60,278 просмотров • 1 месяц назад

I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech to create the point clouds and visual effects was always a huge barrier. Then I discovered these 2 Blender add-ons from Kiri engine after I had a chat with Jack Wang in my podcast, and it changed everything: 1- Create a splat with any tool or app you want 2- Install the free "Point Animate" add-on in Blender 3- Drag the 2 .ply you want to morph from --> to 4- Set source and destination in the add-on side panel At this point you could play around with various settings like noise scatter, noise intensity, wind and more. If you want to combine with the splat as well you can get also the 3DGS render to add cool dissolving effects, fancy lighting and really get the most out of your scans. If you end up using it please tag me. I am curious to see what much more skilled people than me can put together 😉

I FINALLY managed to create a point cloud animation 💪 Here is how I did it using #GaussianSplatting, #Blender and 2 add-ons from KIRI Engine - 3D Scanner App . Creating point cloud animations has always been a dream of mine (inspired by masters like ), but the tech to create the point clouds and visual effects was always a huge barrier. Then I discovered these 2 Blender add-ons from Kiri engine after I had a chat with Jack Wang in my podcast, and it changed everything: 1- Create a splat with any tool or app you want 2- Install the free "Point Animate" add-on in Blender 3- Drag the 2 .ply you want to morph from --> to 4- Set source and destination in the add-on side panel At this point you could play around with various settings like noise scatter, noise intensity, wind and more. If you want to combine with the splat as well you can get also the 3DGS render to add cool dissolving effects, fancy lighting and really get the most out of your scans. If you end up using it please tag me. I am curious to see what much more skilled people than me can put together 😉

Gabriele Romagnoli

10,392 просмотров • 1 год назад

You can explore these AI-generated worlds on #VisionPro in 2 ways 👇 Option 1 is to get a link directly from Marble, the platform from World Labs that has recently opened beta access and allows users to use a prompt image to generate worlds as #GaussianSplatting. You just click on share and get a link you can input in your browser's headset. The viewer has several limitations since you cannot adjust scale, set the starting point or navigate the scene freely. Option 2 is to use Supersplat from Will Eastcott and his team. There you can do some editing and once in VR you can navigate around, looking and pinching to explore the generated portions of the model more freely. If you are into Gaussian Splatting and #VR remember to check out the list of updated tools that allow you to experience Gaussian Splatting in any headset. Just subscribe to my newsletter (link on top of my profile) and you will get it dircetly in your inbox.

Gabriele Romagnoli

24,881 просмотров • 11 месяцев назад

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.

Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million polygons (and over 400 8K texture instances) - rendered out a 600 frame dataset on The Render Network with OTOY OctaneRender and then converted the result into a single splat asset. Now it runs in real-time as one compact Gaussian Splat.

Spenser Dickerson

46,560 просмотров • 9 месяцев назад

This is the biggest announcement from Apple that nobody has talked about. Generating #GaussianSplatting with #AI using models like Trellis or Sam3D hasn’t made much sense...until now. Meshes are still far easier to edit, integrate cleanly into #3D workflows, and with recent retopology advances, you can get high-quality low-poly assets with detailed textures. That said, this is where the balance starts to shift toward 3DGS. Until recently, AI struggled to generate splats with proper view-dependent effects. That’s changed with LiTo, a new model from Apple that can generate 3DGS with realistic view-dependent rendering, and the results are impressive. They’re not ready for game development pipelines yet. But for VFX, e-commerce, configurators, architecture, and similar domains, the implications are significant. What would it take for you to seriously explore AI-generated 3DGS for non-gaming use cases?

This is the biggest announcement from Apple that nobody has talked about. Generating #GaussianSplatting with #AI using models like Trellis or Sam3D hasn’t made much sense...until now. Meshes are still far easier to edit, integrate cleanly into #3D workflows, and with recent retopology advances, you can get high-quality low-poly assets with detailed textures. That said, this is where the balance starts to shift toward 3DGS. Until recently, AI struggled to generate splats with proper view-dependent effects. That’s changed with LiTo, a new model from Apple that can generate 3DGS with realistic view-dependent rendering, and the results are impressive. They’re not ready for game development pipelines yet. But for VFX, e-commerce, configurators, architecture, and similar domains, the implications are significant. What would it take for you to seriously explore AI-generated 3DGS for non-gaming use cases?

Gabriele Romagnoli

20,817 просмотров • 4 месяцев назад

𝗚𝗮𝘂𝘀𝘀𝗶𝗮𝗻 𝗦𝗽𝗹𝗮𝘁𝘁𝗶𝗻𝗴 𝗶𝘀 𝗻𝗼𝘄 𝗶𝗻 𝗗𝗮𝗩𝗶𝗻𝗰𝗶 𝗥𝗲𝘀𝗼𝗹𝘃𝗲! irrealix has just launched a Gaussian Splatting plugin for DaVinci Resolve 18 & 19! 📂 Import .ply files directly into DaVinci Resolve 🎯 Crop with Spherical or Box shapes, or the Y Plane 🔗 Combine up to 10 models in one scene 🎨 Colorize with Ramp using Spherical or Box shapes 🔍 Reveal models with Opacity Ramp animations 💥 Animate Splat Scale with Spherical or Box shapes 🌪️ Distort models with Noise for dynamic effects 🖥️ Real-time GPU export for optimized workflows 🎛️ Color grading for each model to match color temperature and brightness 🔗

𝗚𝗮𝘂𝘀𝘀𝗶𝗮𝗻 𝗦𝗽𝗹𝗮𝘁𝘁𝗶𝗻𝗴 𝗶𝘀 𝗻𝗼𝘄 𝗶𝗻 𝗗𝗮𝗩𝗶𝗻𝗰𝗶 𝗥𝗲𝘀𝗼𝗹𝘃𝗲! irrealix has just launched a Gaussian Splatting plugin for DaVinci Resolve 18 & 19! 📂 Import .ply files directly into DaVinci Resolve 🎯 Crop with Spherical or Box shapes, or the Y Plane 🔗 Combine up to 10 models in one scene 🎨 Colorize with Ramp using Spherical or Box shapes 🔍 Reveal models with Opacity Ramp animations 💥 Animate Splat Scale with Spherical or Box shapes 🌪️ Distort models with Noise for dynamic effects 🖥️ Real-time GPU export for optimized workflows 🎛️ Color grading for each model to match color temperature and brightness 🔗

Radiance Fields

50,561 просмотров • 1 год назад