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Introducing MilliVid, our new method for long-context video generation! MilliVid creates videos that are consistent over long time spans, without using retrieval heuristics or 3D maps! (1/n)

59,324 次观看 • 3 个月前 •via X (Twitter)

21 条评论

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

The core idea is to use a hierarchical tokenizer that encodes frames into varying numbers of tokens for variable compression rates. We then build a coarse-to-fine diffusion model that only keeps the most recent frames at full token budget and uses compressed past frames! (2/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

Unlike existing variable-compression methods (e.g., FramePack), we not only variably compress the past, but also generate the future from coarse to fine. This is what rollout with our model looks like: we first denoise a large chunk of the most compressed latents, then superresolve them with a lossless recent context and progressively more compressed past frames. Every rollout step uses the same diffusion transformer weights! (3/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

We are very excited about the results: we show that on Minecraft, our model can memorize 3D scene geometry for *hundreds* of frames, without retrieval or expert-crafted 3D map heuristics, at the same token budget as a conventional five-frame-context diffusion model! (4/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

Quantitatively, this shows up as a dramatic improvement of PSNR and FVD over rollouts of hundreds of frames. Note that even a diffusion model with perfect memory can't achieve a flat consistency curve, as the model has to generate unseen scene content! (5/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

The FVD curve further shows that our model significantly alleviates exposure bias, resulting in rollouts that are stable over hundreds of frames without any self-forcing, diffusion forcing, or other mitigation strategies! (6/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

This paper was led by my students @DavidCharatan and @ishaanpreetam, in collaboration with @phillip_isola (also co-advising Ishaan!) and our friends from Toyota Research, @ZakharovSergeyN, @vitorguizilini and @basilevanh as part of the University 3.0 TRI collaboration :) (7/n)

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

See all the details, videos, and the paper under: Code will be released in the next few days! arXiv is currently pending, for now, we're self-hosting the pdf:

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

Also, shoutout to some related / relevant work: Of course, FramePack by Lvming Zhang! Then, inspiring work on flexible tokenization by folks such as @ShivamDuggal4, Roman Bachmann, @JRAllardice, David Mizrahi, @andrew_atanov, @_xwen_, @BingchenZhao, some of it in @zamir_ar lab!

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

@JRAllardice @andrew_atanov @_xwen_ @BingchenZhao @zamir_ar Arxiv link here:

Shivam Duggal 的头像
Shivam Duggal3 个月前

very cool work team!! @DavidCharatan @ishaanpreetam @vincesitzmann. Compression and Tokenization ✨

Nan Liu 的头像
Nan Liu3 个月前

Great work! Curious how sensitive the method is to the frequency decomposition being clean. The coarse-to-fine works when low-frequency latents capture the consistency relevant content, which Minecraft basically guarantees. On in-the-wild video, where high-frequency detail carries semantic info, do you expect the coarse levels to remain informative enough to drive long-range recall?

Vincent Sitzmann 的头像
Vincent Sitzmann3 个月前

Definitely an open question! I think what is interesting about this approach is that the decomposition is *not* frequency-based. It is learned. I.e., if you looked at the images that are auto-encoded at the coarsest level and compared them to the low-pass filtered version of equivalent compression ratio, you'd find that they look entirely different. Now, what information you encode depends on the objective of the hierarchical auto-encoder! We simply use least-squares, but there is definitely other things to explore here!

Nan Liu 的头像
Nan Liu3 个月前

Ah that’s great clarification! Thanks for the thoughtful reply! Again great work!

Igor Gilitschenski 的头像
Igor Gilitschenski3 个月前

I think this is really cool work. It is also highly relevant to robotics long-horizon tasks, where memory is essential.

David 的头像
David2 个月前

nice

Hongsuk Benjamin Choi 的头像
Hongsuk Benjamin Choi3 个月前

What would be better for training in terms of predicting future? far future frames with large strides or near future frames with small strides? What is the trade-off?

Zhichao Yin 的头像
Zhichao Yin3 个月前

Great work! I wonder if predicting many coarse future frames - which is hypothesized as why it's better than FramePack - will hurt the action rate you can interact with the model.

Jiawei Chi 的头像
Jiawei Chi3 个月前

Nice idea, but the default training/sampling strategy seems unsuitable for real-time applications: to get a frame at the next position, we need future action inputs (e.g., 64 steps ahead). Have you tried strategies more suitable for real-time use?

Maciej Halber 的头像
Maciej Halber3 个月前

as someone who holds 3d in a special place in my heart, i choose to hate this excellent work :P

ali 的头像
ali3 个月前

this is a wonderful idea! i can see this being useful for planning as well for long-horizon videos

Anirudha Majumdar 的头像
Anirudha Majumdar3 个月前

Very nice work! I'm curious why flexible tokenizers (e.g., InfoTok) were not considered as direct baselines.

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