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I built a fully playable 3D platformer game in exactly 3 days, using almost entirely AI-generated assets. To test whether AI can really replace the asset grind, I came up with a steampunk cat universe from scratch and brought it straight into Unreal Engine 5. Here is how it...

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Stefan 3D AI

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17,426 просмотров • 6 месяцев назад •via X (Twitter)

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I built a playable 3D roguelike in Unreal Engine 5 from scratch in less than 48 hours. My accelerated workflow: ♦ Concepts — Nanobanana Pro ♦ 3D Models — Tripo 3D Smart Mesh (under 5-20k polygons, clean topology) ♦ Rigging — AccuRig to the UE5 skeleton ♦ Weight Painting — Quick Blender cleanup for rigid mesh elements ♦ PBR Tile Textures — Patina on ♦ Logic — UE5 Blueprint template + Claude Full workflow breakdown: #UE5 #GameDev #3DModeling #Blender3D #TechArt
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I built a playable 3D roguelike in Unreal Engine 5 from scratch in less than 48 hours. My accelerated workflow: ♦ Concepts — Nanobanana Pro ♦ 3D Models — Tripo 3D Smart Mesh (under 5-20k polygons, clean topology) ♦ Rigging — AccuRig to the UE5 skeleton ♦ Weight Painting — Quick Blender cleanup for rigid mesh elements ♦ PBR Tile Textures — Patina on ♦ Logic — UE5 Blueprint template + Claude Full workflow breakdown: #UE5 #GameDev #3DModeling #Blender3D #TechArt

Stefan 3D AI

14,618 просмотров • 4 месяцев назад

I tried to see how far I could push my current AI + 3D workflow and build a playable 3D game prototype in just 3 days😶 Not by asking AI to make the whole game in one prompt. I had my own idea, knew what I wanted to build, and used AI as a tool: - for concepting, - asset generation & texturing, - gameplay logic with the new UE 5.8 MCP + Claude Code. And honestly, it is crazy how far you can get now with the right workflow. Full video - #UE5 #ClaudeCode #AI3D #3DAI
1:02

I tried to see how far I could push my current AI + 3D workflow and build a playable 3D game prototype in just 3 days😶 Not by asking AI to make the whole game in one prompt. I had my own idea, knew what I wanted to build, and used AI as a tool: - for concepting, - asset generation & texturing, - gameplay logic with the new UE 5.8 MCP + Claude Code. And honestly, it is crazy how far you can get now with the right workflow. Full video - #UE5 #ClaudeCode #AI3D #3DAI

Stefan 3D AI

21,406 просмотров • 4 месяцев назад

Tripo P1.0 Smart Mesh turns your idea into game-ready low-poly assets in seconds. Set the polycount. Export the model. Drop it straight into your engine. No high-to-low baking. No retopo cleanup. No “open Blender and fix everything” detour. Built for mobile NPCs, web game characters, props, and secondary assets. Full Smart Mesh tutorial below 👇
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Tripo P1.0 Smart Mesh turns your idea into game-ready low-poly assets in seconds. Set the polycount. Export the model. Drop it straight into your engine. No high-to-low baking. No retopo cleanup. No “open Blender and fix everything” detour. Built for mobile NPCs, web game characters, props, and secondary assets. Full Smart Mesh tutorial below 👇

Tripo🔜SIGGRAPH2026

467,957 просмотров • 5 месяцев назад

From the Flux 3 character reference to a fully rigged character in Unreal Engine! Generated the high-poly model with Tripo 3.1, then used the Blender Agent inside the workflow to bake it down to low poly. Atlas rigging tools handled the rig and animations. The fingers came out especially well! Added cloth physics in Unreal Engine to give the generated cape mesh more movement. Check out the full workflow in the comments.
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From the Flux 3 character reference to a fully rigged character in Unreal Engine! Generated the high-poly model with Tripo 3.1, then used the Blender Agent inside the workflow to bake it down to low poly. Atlas rigging tools handled the rig and animations. The fingers came out especially well! Added cloth physics in Unreal Engine to give the generated cape mesh more movement. Check out the full workflow in the comments.

Atlas

141,678 просмотров • 13 дней назад

This looks so real wtf Someone just built an entire Unreal Engine scene from scratch in 5 hours using Opus 5.5 and Tripo AI And They barely knew anything about 3D or Unreal Engine before this Opus handled the workflow, Tripo AI generated the 3D models, Something that'll take days before Now I understand why some developers hate AI 😂
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This looks so real wtf Someone just built an entire Unreal Engine scene from scratch in 5 hours using Opus 5.5 and Tripo AI And They barely knew anything about 3D or Unreal Engine before this Opus handled the workflow, Tripo AI generated the 3D models, Something that'll take days before Now I understand why some developers hate AI 😂

O🌷

69,888 просмотров • 8 дней назад

New clean 3D AI workflow Control Rig physics in UEFN! Been exploring some more hybrid AI workflows lately, and for 3D assets splitting the model into parts is kinda essential. This video shows my first test using AssetHub, one of the cleanest ways i've used to keep the whole generation process organized. It auto-detected the pose in my main image and broke it down into parts, then generated images for each. From there I can just iterate on each piece separately and generate the 3D models in one workflow. AssetHub is still in closed beta atm, so let me know if you want to try it out. Main reference image came from Grok Imagine. All the part images and high poly meshes were done in AssetHub, selected Tripo 3.1 as the main model. After that I ran it through Hunyuan 3D for retopo + unwrap. Final assembly in Blender. Baked normals from high to low poly. End result: under 60K tris, 3 materials, 2K textures. Also Control Rig physics in Unreal Engine are insane. It finally validates in UEFN too, so of course I had to test it out.
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New clean 3D AI workflow Control Rig physics in UEFN! Been exploring some more hybrid AI workflows lately, and for 3D assets splitting the model into parts is kinda essential. This video shows my first test using AssetHub, one of the cleanest ways i've used to keep the whole generation process organized. It auto-detected the pose in my main image and broke it down into parts, then generated images for each. From there I can just iterate on each piece separately and generate the 3D models in one workflow. AssetHub is still in closed beta atm, so let me know if you want to try it out. Main reference image came from Grok Imagine. All the part images and high poly meshes were done in AssetHub, selected Tripo 3.1 as the main model. After that I ran it through Hunyuan 3D for retopo + unwrap. Final assembly in Blender. Baked normals from high to low poly. End result: under 60K tris, 3 materials, 2K textures. Also Control Rig physics in Unreal Engine are insane. It finally validates in UEFN too, so of course I had to test it out.

Jerome | InsaneUnreal

83,778 просмотров • 6 месяцев назад

🎥 Finally tried the new Verse camera components! 🌄 Built the entire environment using Atlas workflows. I've been wanting to see what first-person vehicles would feel like in UEFN. The feature is still in early access, but it's awesome that you can now hook up player cameras directly through Verse. I gave Atlas a proper test, and everything you see here was built with their workflows. The Batch Composer worked great! I just set up an API workflow, throw in all the inputs, and it generates multiple assets in one go. The main workflow was created using the Atlas assistant. The setup was perfect for the initial concept and generated things like the skybox, foliage, and landscape textures. I used GPT Image 2 for reference images and mostly Tripo P1 for the 3D assets. For a few hero assets, I made a separate workflow using Tripo 3.1 with retopo and texture baking. After that, I did a bit of cleanup in Blender and created custom collision meshes for things like the ramps. Just name the collision mesh with the UCX_ prefix and UEFN / Unreal Engine automatically uses it as the collision. Now the dirt bike launches are smooth!
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🎥 Finally tried the new Verse camera components! 🌄 Built the entire environment using Atlas workflows. I've been wanting to see what first-person vehicles would feel like in UEFN. The feature is still in early access, but it's awesome that you can now hook up player cameras directly through Verse. I gave Atlas a proper test, and everything you see here was built with their workflows. The Batch Composer worked great! I just set up an API workflow, throw in all the inputs, and it generates multiple assets in one go. The main workflow was created using the Atlas assistant. The setup was perfect for the initial concept and generated things like the skybox, foliage, and landscape textures. I used GPT Image 2 for reference images and mostly Tripo P1 for the 3D assets. For a few hero assets, I made a separate workflow using Tripo 3.1 with retopo and texture baking. After that, I did a bit of cleanup in Blender and created custom collision meshes for things like the ramps. Just name the collision mesh with the UCX_ prefix and UEFN / Unreal Engine automatically uses it as the collision. Now the dirt bike launches are smooth!

Jerome | InsaneUnreal

63,656 просмотров • 3 месяцев назад

Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.
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Day 18. Building the game I've dreamed of for 15 years with AI. I've learned how to build proper levels with AI. I take the design and the architecture, and AI helps me put it all together and check the balance. I made the first level of my game almost entirely by hand. I wanted to understand how it works and what I like, from how big the trees should be to how the textures tile. After a day digging around in the terrain tools it all made sense, and I could see how much of it could be automated by painting zones. Claude helped me a lot with the tileable textures. Matching the colors took a ton of iterations, and that was the hardest part of the whole level. For level two I took a different route. I built myself a simple HTML planner with a logical map of the level, where I place everything and design the layout. Painting a level and making it fun to play are two different jobs, so I kept the design for myself. We even made automated tests with Claude: 2D simulations that show which routes a player takes and how hard the level is. They're rough, but they give a real sense of how the level plays. Once the plan was ready, I handed everything to Claude, and 3-4 hours later I had a working level. It reused the patterns from my first level, scattered objects unevenly so nothing looks placed on a grid, and generated extra props whenever I asked. I showed it one example, it picked up what worked, and we turned that into a skill for the next levels. The video is a quick flight over level two, then how it got there, from my first sketch to the version I play now.

Stefan 3D AI

47,407 просмотров • 1 месяц назад

From AI-generated 3D assets to gameplay 🏁 With Tripo, the workflow brings multiple characters and vehicles into one fast-paced scene while keeping the gameplay consistent and responsive throughout the experience. Textures and motion are refined to maintain immersion, while animations are polished in Blender and assembled into a racing prototype in Unity. Kart, track, speed, action. Tripo, unlock endless possibilities.
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From AI-generated 3D assets to gameplay 🏁 With Tripo, the workflow brings multiple characters and vehicles into one fast-paced scene while keeping the gameplay consistent and responsive throughout the experience. Textures and motion are refined to maintain immersion, while animations are polished in Blender and assembled into a racing prototype in Unity. Kart, track, speed, action. Tripo, unlock endless possibilities.

Tripo

14,775 просмотров • 4 месяцев назад

build an open-world combat prototype in unreal engine with claude opus 5.5... in just a few days the trick is letting opus direct the work inside the engine. here’s the workflow: - step 1: connect opus 5.5 to unreal engine through mcp - step 2: generate the character in tripo ai with smart mesh p2 for a clean low-poly mesh - step 3: clean the asset up in blender, then import it into unreal - step 4: have opus build the map: terrain, hills, paths, autumn trees, flower meadows - step 5: add movement and sword attacks on top of unreal’s third person template - step 6: have opus add sword trails with niagara - step 7: make the grass react: it burns and darkens wherever the blade hits - step 8: run through the world and fix what looks off up close effects should touch the world. a sword trail is nice (dev: xikhar)
0:34

build an open-world combat prototype in unreal engine with claude opus 5.5... in just a few days the trick is letting opus direct the work inside the engine. here’s the workflow: - step 1: connect opus 5.5 to unreal engine through mcp - step 2: generate the character in tripo ai with smart mesh p2 for a clean low-poly mesh - step 3: clean the asset up in blender, then import it into unreal - step 4: have opus build the map: terrain, hills, paths, autumn trees, flower meadows - step 5: add movement and sword attacks on top of unreal’s third person template - step 6: have opus add sword trails with niagara - step 7: make the grass react: it burns and darkens wherever the blade hits - step 8: run through the world and fix what looks off up close effects should touch the world. a sword trail is nice (dev: xikhar)

rewind

33,364 просмотров • 12 дней назад

here’s how to build a game-ready room in blender and move it into unreal engine 5 with claude opus 5.5... nobody opened a 3d app by hand, and now it runs in real time the trick is letting opus decide how each object gets made, smart way to set it up: - step 1: connect opus 5.5 to blender through blender mcp - step 2: give it one reference image for the room: layout, mood, light - step 3: simple objects get modeled directly in blender (walls, desk, shelves, boxes, blinds) - step 4: complex props get a reference image first, then tripo turns it into 3d (chair, monitors, figurines) - step 5: opus cleans up the tripo props in blender and places them in the room - step 6: light the scene in blender until the stills look right - step 7: have opus port the whole scene from blender to unreal engine 5 - step 8: the room now runs live in the engine, ready for gameplay the agent works, you direct. he still checked every result and gave notes along the way
0:46

here’s how to build a game-ready room in blender and move it into unreal engine 5 with claude opus 5.5... nobody opened a 3d app by hand, and now it runs in real time the trick is letting opus decide how each object gets made, smart way to set it up: - step 1: connect opus 5.5 to blender through blender mcp - step 2: give it one reference image for the room: layout, mood, light - step 3: simple objects get modeled directly in blender (walls, desk, shelves, boxes, blinds) - step 4: complex props get a reference image first, then tripo turns it into 3d (chair, monitors, figurines) - step 5: opus cleans up the tripo props in blender and places them in the room - step 6: light the scene in blender until the stills look right - step 7: have opus port the whole scene from blender to unreal engine 5 - step 8: the room now runs live in the engine, ready for gameplay the agent works, you direct. he still checked every result and gave notes along the way

rewind

85,632 просмотров • 19 дней назад

Created an animated convertible car with AI! The part that got me excited from the house experiment was watching Blender assemble everything. Initially I tried the same workflow for the car, but as you can see, assembling a bunch of separately generated parts doesn’t really give a great result here. So I went with a simpler setup. Now Atlas has a new Blender Node, which basically runs Blender MCP inside the workflow. This meant I didn’t have to leave the canvas. It created the reference images, generated the high-poly Tripo 3.1 mesh, baked the low-poly version with the Blender Node, and did the full assembly of the car with the body and wheels. I could even give it images of the badges and license plate, and it created the geometry and placed everything correctly inside the node. The convertible roof rig needed a bit more directing though. But still, I didn’t have to do any weight painting or manually place bones. With some back and forth, Astra created a working skeletal mesh for me to use. In UEFN / Unreal Engine i made everything work together with Control Rig and Level Sequencer.
1:24

Created an animated convertible car with AI! The part that got me excited from the house experiment was watching Blender assemble everything. Initially I tried the same workflow for the car, but as you can see, assembling a bunch of separately generated parts doesn’t really give a great result here. So I went with a simpler setup. Now Atlas has a new Blender Node, which basically runs Blender MCP inside the workflow. This meant I didn’t have to leave the canvas. It created the reference images, generated the high-poly Tripo 3.1 mesh, baked the low-poly version with the Blender Node, and did the full assembly of the car with the body and wheels. I could even give it images of the badges and license plate, and it created the geometry and placed everything correctly inside the node. The convertible roof rig needed a bit more directing though. But still, I didn’t have to do any weight painting or manually place bones. With some back and forth, Astra created a working skeletal mesh for me to use. In UEFN / Unreal Engine i made everything work together with Control Rig and Level Sequencer.

Jerome | InsaneUnreal

12,963 просмотров • 1 месяц назад

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.
1:28

Tested this concepting workflow. ▶️ Converting a level design image to a 3D asset gallery image ▶️ re-generating segmented subjects into separate high quality images. ▶️ using these images to generate the 3D meshes. First time using 'for loops' in ComfyUI, works great and the prompts are updated for every segment. I used the Nano Banana 2 API node in ComfyUI to generate the final high quality images. Those SAM3 nodes are crazy btw, just set some points and it creates a mask! For the 3D model generation I used the new Tripo Smart Mesh tool, which is fast! The output is not perfect yet. I think in a lot of cases not production ready right now but that depends on the input image and the goal as well. For pre-production / concepting phase it's perfect and for far distance meshes it’s fine. I’m sure these tools keep improving, curious what we can work with in 3-6 months. Minimal cleanup and scaling in Blender and tested the meshes in UEFN / Unreal Engine. After creating the ComfyUI workflow it took less than an hour to do everything.

Jerome | InsaneUnreal

17,461 просмотров • 7 месяцев назад

UNREAL ENGINE 5 DEVS, THIS IS A MUST WATCH! As you guys know, I always try to bring the latest news and info for Unreal Engine 5. I found a plugin that allows you to CREATE BLUEPRINTS AND 3D MODELS INSIDE of Unreal Engine 5, this is not a sponsored video. Of course, I recommend using it as a helper and guide, not a robot that will do everything for you etc... enjoy! #LudusAI #ue5 #unrealengine #unrealengine5 #gamedev
6:31

UNREAL ENGINE 5 DEVS, THIS IS A MUST WATCH! As you guys know, I always try to bring the latest news and info for Unreal Engine 5. I found a plugin that allows you to CREATE BLUEPRINTS AND 3D MODELS INSIDE of Unreal Engine 5, this is not a sponsored video. Of course, I recommend using it as a helper and guide, not a robot that will do everything for you etc... enjoy! #LudusAI #ue5 #unrealengine #unrealengine5 #gamedev

Gorka Games

36,459 просмотров • 1 год назад

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.
1:17

Let's build the next character for the team! I’m continuing to test the modular character setup in UEFN using the Metahuman Component. Works really well with custom NPCs! For this new character, I'm back to a fresh 3D workflow using AssetHub . Still aiming for that flat/ anime style so I can go straight to the Tripo P1 model and get the low poly textured meshes to work with. Assembling and rigging are done in Blender. Again making a shape key for the eyes blinking. Because I'm going to use the same bone structure, I can re-use some Control Rig systems like the hair and eyes procedural animations. The character has 35K triangles and each accessory is about 2.5K.

Jerome | InsaneUnreal

16,934 просмотров • 5 месяцев назад

I made a UE 5 game using only free AI in just 4 days. I generated 26 props, created two characters, and got ragdoll physics, checkpoints, and NPCs working. I still had to rig the characters, build the level, and fix bugs myself. Total spent on AI - $0. Full breakdown: #UnrealEngine #UE5 #GameDev #FreeAI #3DAI
0:58

I made a UE 5 game using only free AI in just 4 days. I generated 26 props, created two characters, and got ragdoll physics, checkpoints, and NPCs working. I still had to rig the characters, build the level, and fix bugs myself. Total spent on AI - $0. Full breakdown: #UnrealEngine #UE5 #GameDev #FreeAI #3DAI

Stefan 3D AI

14,678 просмотров • 9 дней назад

GPT-6 made GTA 6 beach house using MCP tools! Running Astra only through Blender MCP didn’t work for me, since it was mainly using primitive shapes to build the assets. Now, with Atlas workflows and Tripo, that changed! Initially, I thought Tripo P2 would be the way to go: low-poly results straight into Blender. I tried it, but I didn’t get the results I wanted. Don’t get me wrong, P2 is great and a big improvement over P1, I just wanted more detail for this project. So I ended up using Tripo 3.1. First, I needed a good starting point. I gave Astra some concept art and YouTube links, and it generated great reference images to work with. With Atlas workflows, I used those references to generate images for all the individual parts. Using Atlas MCP, I exported them and automatically renamed everything based on the prompts. The next step was feeding the images into Atlas Batch Composer so it could run all the 3D generations in one go. I asked Astra to optimize the generated assets to either 5K or 1K triangles, depending on their form and size. After a few tests, Astra made the process faster and faster. I gave it all 70 high-poly assets and let it run. Astra then took care of the whole build. It imported the optimized assets into Blender and used the reference images to start recreating the house. I only had to give it directional feedback twice and manually rescale a few things. There were still a lot of parts, though. Each beam was a separate object, and I knew that wasn’t ideal if I wanted to export the house to UEFN or Unreal Engine. So I asked Astra to export only the unique assets. Then, using UEFN MCP, it rebuilt everything 1:1 while reusing modular parts like beams and windows. I really enjoyed watching it place all the pieces in UEFN, almost like watching a timelapse of the house being built!
1:39

GPT-6 made GTA 6 beach house using MCP tools! Running Astra only through Blender MCP didn’t work for me, since it was mainly using primitive shapes to build the assets. Now, with Atlas workflows and Tripo, that changed! Initially, I thought Tripo P2 would be the way to go: low-poly results straight into Blender. I tried it, but I didn’t get the results I wanted. Don’t get me wrong, P2 is great and a big improvement over P1, I just wanted more detail for this project. So I ended up using Tripo 3.1. First, I needed a good starting point. I gave Astra some concept art and YouTube links, and it generated great reference images to work with. With Atlas workflows, I used those references to generate images for all the individual parts. Using Atlas MCP, I exported them and automatically renamed everything based on the prompts. The next step was feeding the images into Atlas Batch Composer so it could run all the 3D generations in one go. I asked Astra to optimize the generated assets to either 5K or 1K triangles, depending on their form and size. After a few tests, Astra made the process faster and faster. I gave it all 70 high-poly assets and let it run. Astra then took care of the whole build. It imported the optimized assets into Blender and used the reference images to start recreating the house. I only had to give it directional feedback twice and manually rescale a few things. There were still a lot of parts, though. Each beam was a separate object, and I knew that wasn’t ideal if I wanted to export the house to UEFN or Unreal Engine. So I asked Astra to export only the unique assets. Then, using UEFN MCP, it rebuilt everything 1:1 while reusing modular parts like beams and windows. I really enjoyed watching it place all the pieces in UEFN, almost like watching a timelapse of the house being built!

Jerome | InsaneUnreal

79,583 просмотров • 1 месяц назад

This is wild... A1 sets a new standard for live avatars, and my proof is a goose personal trainer. I built Coach Honk with A1 from Vivix.AI. The first thing I told him: “I came here for arms.” He took it personally. Then I asked for a proper squat and he dropped into a full-body demo. After that, he walked over, grabbed a kettlebell and showed me a goblet squat. The kettlebell stayed a kettlebell the whole time. Which is rare in gen AI lol. The whole thing was way smoother than I expected, especially the convo. Answered quickly and kept the back-and-forth natural. Best of all, the characters know how to work with interruptions unlike most AI avatars. Making one is simple. — Go to the Agents tab in Vivix AI — Describe the character you want and how it should behave, then hit enter. It builds the character step by step and once it's done, you can start talking to it. You can also publish your character and share with friends. Talk to Coach Honk here:
1:04

This is wild... A1 sets a new standard for live avatars, and my proof is a goose personal trainer. I built Coach Honk with A1 from Vivix.AI. The first thing I told him: “I came here for arms.” He took it personally. Then I asked for a proper squat and he dropped into a full-body demo. After that, he walked over, grabbed a kettlebell and showed me a goblet squat. The kettlebell stayed a kettlebell the whole time. Which is rare in gen AI lol. The whole thing was way smoother than I expected, especially the convo. Answered quickly and kept the back-and-forth natural. Best of all, the characters know how to work with interruptions unlike most AI avatars. Making one is simple. — Go to the Agents tab in Vivix AI — Describe the character you want and how it should behave, then hit enter. It builds the character step by step and once it's done, you can start talking to it. You can also publish your character and share with friends. Talk to Coach Honk here:

Rez Karim

42,158 просмотров • 1 месяц назад

I created a 2D template for Unreal Engine 5 and decided to make it open source and free for everybody! Please share the template and fork it to make your own versions of it. #indiedev #gamedev #unrealengine #ue5
0:28

I created a 2D template for Unreal Engine 5 and decided to make it open source and free for everybody! Please share the template and fork it to make your own versions of it. #indiedev #gamedev #unrealengine #ue5

Cobra Code

142,694 просмотров • 3 лет назад

I asked GPT-6 Astra to help me build a game world from scratch. The idea: A sunlit fantasy island city. Turquoise waters. Ancient temples. Stone streets. Magical landmarks. And a world that actually feels explorable. For the 3D assets, I used Tripo AI. For the game itself, GPT-6 Astra + Unity handled the heavy lifting. The crazy part? What started as a simple prompt became Windhaven, a playable 3D adventure world. Here’s what AI helped me build 👇
0:40

I asked GPT-6 Astra to help me build a game world from scratch. The idea: A sunlit fantasy island city. Turquoise waters. Ancient temples. Stone streets. Magical landmarks. And a world that actually feels explorable. For the 3D assets, I used Tripo AI. For the game itself, GPT-6 Astra + Unity handled the heavy lifting. The crazy part? What started as a simple prompt became Windhaven, a playable 3D adventure world. Here’s what AI helped me build 👇

Darshal Jaitwar

167,804 просмотров • 1 месяц назад