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One gimbal. Three lenses. Unlimited creative control using the Infinity Gimbal with 360° rotation🎥✨ See how the DJI Mavic 4 Pro captures cinematic shots across all focal lengths — from BTS to final edit. Created by IG/ashiakseem #DJIMavic4Pro #AerialCinematography #DroneFilmmaking

DJI

1,339,110 subscribers

11,046 görüntüleme • 1 yıl önce •via X (Twitter)

#DJIMavic4Pro #AerialCinematography

Anya Rossi• Live Now

Private livecam show

10 Yorum

DJI profil fotoğrafı

DJI1 yıl önce

Which lens is your favorite? 👇

XPR Nation profil fotoğrafı

XPR Nation1 yıl önce

Sell in the USA market you cheap bastards

Scott Balkum profil fotoğrafı

Scott Balkum1 yıl önce

One Country……..can’t buy one.

Bill Drone Reviewer profil fotoğrafı

Bill Drone Reviewer1 yıl önce

Any word on USA availability ?

Johnny Pict profil fotoğrafı

Johnny Pict1 yıl önce

DJI are fast becoming the #Apple' of the drone world. Calm down with the pricing and the extra charging cables.

@SavTin28 profil fotoğrafı

@SavTin281 yıl önce

Honestly I'm sorta glad. More of those things in civilians (or law enforce) hands flying around spying on us, taking "breathtaking" pics, etc. I can do without.

Paul profil fotoğrafı

Paul1 yıl önce

American DJI clone soon coming to a store near you!

Bill O' Sale profil fotoğrafı

Bill O' Sale1 yıl önce

That's nifty, but how many grenades can it drop? Can we get an gradient on the lens for spotting artillery corrections? How about some sample video of a village being blown to smithereens by MLRS?

StormyAUS profil fotoğrafı

StormyAUS1 yıl önce

I need this so badly. 😍

Consortium-Alpha by Decapro profil fotoğrafı

Consortium-Alpha by Decapro1 yıl önce

So yall ain't release rhe eND cause it's too heavy for the camera

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Google AI

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KEY ANALYSIS: "The World Has Been Positioned For The Global Collapse, And Then The UN & BlackRock Come In With The Global CBDC Where Everything Is Put Into One AI-Controlled Ledger!" Alex Jones Breaks Down How The Iran War Is A Globalist Trap To Weaken The US For Their Final Death Blow, And Compares It To The James Bond Film "From Russia With Love" Where They Explain How This Manipulation Works: "They Want The Recovery To Fail Here & All The Nations To Be Hurt By It Because Then They Can Loan Unlimited Money To People To Put Us Deeper In Debt, To Control Our Behaviors, & Make Us Indentured Domesticated Servants!" 🔴WATCH ALEX JONES LIVE NOW:

Alex Jones

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421,778 görüntüleme • 6 ay önce

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558,983 görüntüleme • 9 ay önce

Here's my workflow for reverse-engineering any creator's style using AI: I feed a 65-second video to an AI agent with one prompt "Break down the style, transcribe the script, and give me a replication plan." It came back with a full creative playbook: Step 1: Define your concept hook — One sentence, explainable in under 10 seconds — Must have a visual payoff you can show immediately Step 2: Film your talking head — Dark room, RGB lighting, shoot vertical — Hold your project in your hands during every shot Step 3: Capture 3 types of B-roll — Macro shots of hardware and components — Screen recordings of your creative process — Product reveal in natural light near a window Step 4: Build your VFX explainers — Simple line art with glow effects on pure black — After Effects for control, CapCut for speed Step 5: Design a typography system — Main title card, section headers, word-by-word captions — Define all three before you start editing Step 6: Edit to a 5-act structure — Hook → Conflict → Build → Resolution → CTA It nailed the typography, lighting, music tempo, even the emotional arc. One video in. Full style guide out. Do this for 10 creators you admire. Mix what you like from each. That's how you build your own style.

Here's my workflow for reverse-engineering any creator's style using AI: I feed a 65-second video to an AI agent with one prompt "Break down the style, transcribe the script, and give me a replication plan." It came back with a full creative playbook: Step 1: Define your concept hook — One sentence, explainable in under 10 seconds — Must have a visual payoff you can show immediately Step 2: Film your talking head — Dark room, RGB lighting, shoot vertical — Hold your project in your hands during every shot Step 3: Capture 3 types of B-roll — Macro shots of hardware and components — Screen recordings of your creative process — Product reveal in natural light near a window Step 4: Build your VFX explainers — Simple line art with glow effects on pure black — After Effects for control, CapCut for speed Step 5: Design a typography system — Main title card, section headers, word-by-word captions — Define all three before you start editing Step 6: Edit to a 5-act structure — Hook → Conflict → Build → Resolution → CTA It nailed the typography, lighting, music tempo, even the emotional arc. One video in. Full style guide out. Do this for 10 creators you admire. Mix what you like from each. That's how you build your own style.

The Startup Ideas Podcast (SIP) 🧃

26,560 görüntüleme • 4 ay önce

Here's how we made a 1-minute sequence of "The long road back". An animation short-film we've done at Magnific Studios. The process was roughly: - We started with reference images of the boy (Nilo), dog (Pip), the witch and witch house. Krea 2 image model, Nana Banana Pro were heavily used in reference image generation. - The video model was Seedance 2 generations. 15 seconds and with prompts asking for different shots. We basically prompted for 'scenes' - not shots. Trying to generate stand-alone shots and then editing together gives too many problems with continuity. - For every additional 15 second video (we needed at least 4), we would provide the last 5 seconds of the previous video as reference to Seedance 2 + the original reference images. Then in the prompt, ask for continuing the video + prompting for the next part of the story. This proved very productive. - We fixed inconsistencies in many shots by surgically extract the few problematic sections. Then edit 1 frame using Nano Banana. And then regenerating the sequences using this new reference image and Seedance 2. Two examples. The doorknob changed place and the door behind the dog was closed even after the witch stepped out. - All music was generated using Elevenlabs music generator. 3 seperate pieces of music. - All editing and color grading was done in Davinci Resolve. Everything gen AI above was done using Magnific

Here's how we made a 1-minute sequence of "The long road back". An animation short-film we've done at Magnific Studios. The process was roughly: - We started with reference images of the boy (Nilo), dog (Pip), the witch and witch house. Krea 2 image model, Nana Banana Pro were heavily used in reference image generation. - The video model was Seedance 2 generations. 15 seconds and with prompts asking for different shots. We basically prompted for 'scenes' - not shots. Trying to generate stand-alone shots and then editing together gives too many problems with continuity. - For every additional 15 second video (we needed at least 4), we would provide the last 5 seconds of the previous video as reference to Seedance 2 + the original reference images. Then in the prompt, ask for continuing the video + prompting for the next part of the story. This proved very productive. - We fixed inconsistencies in many shots by surgically extract the few problematic sections. Then edit 1 frame using Nano Banana. And then regenerating the sequences using this new reference image and Seedance 2. Two examples. The doorknob changed place and the door behind the dog was closed even after the witch stepped out. - All music was generated using Elevenlabs music generator. 3 seperate pieces of music. - All editing and color grading was done in Davinci Resolve. Everything gen AI above was done using Magnific

Martin LeBlanc

25,108 görüntüleme • 1 ay önce

SIMULATION PROVES ONE SHOOTER: Bill Ackman shared a video by Chris Martenson claiming there were two. I believe Martenson is wrong and that Thomas Matthew Crooks was the sole shooter. Here's why: 1. First Three Shots: Crooks took his first three shots from the prone position, with his head and shoulders exposed over the rooftop peak. He aimed carefully, with his first shot hitting the president in the ear. These shots were controlled and disciplined. 2. Next Five Shots: Crooks' next five shots were also from the prone position, but it seemed he pulled back slightly to make his head and shoulders less exposed to the counter-sniper. This would change the sound since the rifle was farther behind the rooftop peak. These shots were taken wildly and without control. The counter-sniper who fired the .50 caliber round that hit Crooks stated that by the time he had him in his sights, he could only see Crooks’ gun scope and the top of his eye and forehead as most of his body was obscured by the top of the roofline. 3. Second Shooter Theory: If there was a second shooter intent on hitting Trump, why would he have fired so wildly? He was never seen by the counter-snipers and was never discovered. Why wouldn't he shoot in a controlled and disciplined manner? It doesn’t add up. Moreover, why was he "allowed" to escape instead of being eliminated to ensure his silence? Convincing people of two shooters wouldn't be any more difficult than convincing them of one. 4. Audio Analysis: Robert C. Maher, a gunfire acoustics expert at Montana State University in Bozeman, analyzed the gunshots. He found that two bursts of shots were fired. Both the first round of three shots and the second of five shots were fired approximately 330 to 390 feet from the C-SPAN microphone Trump was speaking into. This location matched the suspect’s position. There was no significant difference in the sound of the eight shots, suggesting they likely came from the same firearm. 5. Flawed Audio Evidence: Chris Martenson, PhD, relied on audio that showed differences of 30ms. This audio went through multiple rounds of compression on devices with unknown latency, using a mic with directionality (given tonality differences), on a device facing several different directions throughout the clip. iPhones and Android phones use DSPs to process, predict, and filter sounds, focusing on various sources. This reliance on multiple uncontrolled audio sources likely caused the discrepancies. Based on these points, it’s clear to me that there was only one shooter: Thomas Matthew Crooks.

SIMULATION PROVES ONE SHOOTER: Bill Ackman shared a video by Chris Martenson claiming there were two. I believe Martenson is wrong and that Thomas Matthew Crooks was the sole shooter. Here's why: 1. First Three Shots: Crooks took his first three shots from the prone position, with his head and shoulders exposed over the rooftop peak. He aimed carefully, with his first shot hitting the president in the ear. These shots were controlled and disciplined. 2. Next Five Shots: Crooks' next five shots were also from the prone position, but it seemed he pulled back slightly to make his head and shoulders less exposed to the counter-sniper. This would change the sound since the rifle was farther behind the rooftop peak. These shots were taken wildly and without control. The counter-sniper who fired the .50 caliber round that hit Crooks stated that by the time he had him in his sights, he could only see Crooks’ gun scope and the top of his eye and forehead as most of his body was obscured by the top of the roofline. 3. Second Shooter Theory: If there was a second shooter intent on hitting Trump, why would he have fired so wildly? He was never seen by the counter-snipers and was never discovered. Why wouldn't he shoot in a controlled and disciplined manner? It doesn’t add up. Moreover, why was he "allowed" to escape instead of being eliminated to ensure his silence? Convincing people of two shooters wouldn't be any more difficult than convincing them of one. 4. Audio Analysis: Robert C. Maher, a gunfire acoustics expert at Montana State University in Bozeman, analyzed the gunshots. He found that two bursts of shots were fired. Both the first round of three shots and the second of five shots were fired approximately 330 to 390 feet from the C-SPAN microphone Trump was speaking into. This location matched the suspect’s position. There was no significant difference in the sound of the eight shots, suggesting they likely came from the same firearm. 5. Flawed Audio Evidence: Chris Martenson, PhD, relied on audio that showed differences of 30ms. This audio went through multiple rounds of compression on devices with unknown latency, using a mic with directionality (given tonality differences), on a device facing several different directions throughout the clip. iPhones and Android phones use DSPs to process, predict, and filter sounds, focusing on various sources. This reliance on multiple uncontrolled audio sources likely caused the discrepancies. Based on these points, it’s clear to me that there was only one shooter: Thomas Matthew Crooks.

@amuse

399,615 görüntüleme • 2 yıl önce

Mini tutorial for Google DeepMind 's VEO 2 Prompt Buddy. (Works well with other AI video tools as well). I’ve created my VEO 2 Prompt Buddy Custom GPT to help me go beyond my own brain and prompts. It can describe your images, enhance your prompts, be creative and more. It will provide you 4 different sections to choose from. I’ve also added a camera combinations section inspired by the Hailuo I2V-01-Director model for testing purposes. It’s currently in BETA mode in my GPT because, sometimes, multiple camera movements don’t work optimally in VEO 2 right now. Output sections: 1. PRO – Provides detailed, professional, and cinematically accurate results. 2. OUT OF THE BOX – Creates something more creative and unexpected from your idea. 3. ULTRA DETAILED – Expands your idea with extreme precision and even more detail. 4. CAMERA COMBINATIONS – Generates a version with cinematic camera transitions. This hot sauce is FREE for a limited time! Hope you have fun with this one. Link down below: --- All results are text-to-video

Mini tutorial for Google DeepMind 's VEO 2 Prompt Buddy. (Works well with other AI video tools as well). I’ve created my VEO 2 Prompt Buddy Custom GPT to help me go beyond my own brain and prompts. It can describe your images, enhance your prompts, be creative and more. It will provide you 4 different sections to choose from. I’ve also added a camera combinations section inspired by the Hailuo I2V-01-Director model for testing purposes. It’s currently in BETA mode in my GPT because, sometimes, multiple camera movements don’t work optimally in VEO 2 right now. Output sections: 1. PRO – Provides detailed, professional, and cinematically accurate results. 2. OUT OF THE BOX – Creates something more creative and unexpected from your idea. 3. ULTRA DETAILED – Expands your idea with extreme precision and even more detail. 4. CAMERA COMBINATIONS – Generates a version with cinematic camera transitions. This hot sauce is FREE for a limited time! Hope you have fun with this one. Link down below: --- All results are text-to-video

Allar Haltsonen

58,509 görüntüleme • 1 yıl önce

🎬 What if justice had a face... and it walked away before anyone could thank it? This isn't a movie scene. Every frame, character, camera movement, and visual effect was created using AI through detailed storytelling and cinematic JSON prompting in Seedance 2.0. From a factory protest to a supernatural act of justice, this story was carefully designed shot by shot to feel like a Korean drama brought to life. ✨ Story Concept: When power exploits the weak, justice finds its own way. 💡 Moral: No one should profit from another person's suffering. True power exists to protect, not oppress. 🤖 Created with AI 🎥 Generated in Seedance 2.0 📝 Story development & prompt engineering with ChatGPT "Heroes don't always wear uniforms. Sometimes they quietly solve a problem... and move on to the next one." #AIFilm #AICinema #Seedance #Storytelling #KDramaStyle #CinematicAI #AIAnimation #AIFilmmaking #ArtificialIntelligence #DigitalStorytelling

🎬 What if justice had a face... and it walked away before anyone could thank it? This isn't a movie scene. Every frame, character, camera movement, and visual effect was created using AI through detailed storytelling and cinematic JSON prompting in Seedance 2.0. From a factory protest to a supernatural act of justice, this story was carefully designed shot by shot to feel like a Korean drama brought to life. ✨ Story Concept: When power exploits the weak, justice finds its own way. 💡 Moral: No one should profit from another person's suffering. True power exists to protect, not oppress. 🤖 Created with AI 🎥 Generated in Seedance 2.0 📝 Story development & prompt engineering with ChatGPT "Heroes don't always wear uniforms. Sometimes they quietly solve a problem... and move on to the next one." #AIFilm #AICinema #Seedance #Storytelling #KDramaStyle #CinematicAI #AIAnimation #AIFilmmaking #ArtificialIntelligence #DigitalStorytelling

Julia Clark

59,890 görüntüleme • 2 ay önce

"Both are tools that can accomplish the same task but one is smaller and easier for anyone to own and both require a human’s creative touch to truly shine." -- This is how I feel about Suno. My whole job is working with creators & musicians, and I get to watch how they use this tool to make their own music and ideas shine. I get to see people release new EPs and albums using Suno. People are cutting up stems in Suno, using their own productions & voice notes and getting to have full creative control, but Suno makes it easier, more affordable for them to make the music they love -- as the iPhone did. Suno Studio was built as a complement for DAWs and a way to solve pain points we've heard from musicians over and over again -- how do I get clean stems, how do I edit specific stems, how do I extract stems back to my DAW? Musicians are spending hours and hours still making songs that they feel proud of on Suno. I don't know that you can discount the creativity involved in their process without watching them at work.

"Both are tools that can accomplish the same task but one is smaller and easier for anyone to own and both require a human’s creative touch to truly shine." -- This is how I feel about Suno. My whole job is working with creators & musicians, and I get to watch how they use this tool to make their own music and ideas shine. I get to see people release new EPs and albums using Suno. People are cutting up stems in Suno, using their own productions & voice notes and getting to have full creative control, but Suno makes it easier, more affordable for them to make the music they love -- as the iPhone did. Suno Studio was built as a complement for DAWs and a way to solve pain points we've heard from musicians over and over again -- how do I get clean stems, how do I edit specific stems, how do I extract stems back to my DAW? Musicians are spending hours and hours still making songs that they feel proud of on Suno. I don't know that you can discount the creativity involved in their process without watching them at work.

eat soup

130,032 görüntüleme • 8 ay önce