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Procedural grid generation via UV snapping + sin waves for fluid animation. Quick breakdown of the Stylized Animated Grid Shader powering the chaotic dino brawls in Studio David Ostermann's Dino Party! #gamedev #shader #indiegame

VFX Therapy

5,370 subscribers

17,573 次观看 • 8 个月前 •via X (Twitter)

游戏 #gamedev #shader #indiegame

Anya Rossi• Live Now

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Procedural light shaft generation in Unity. ✨ Now available to download as part of 'SOLARIS', -----The all-in-one VFX super shader. #unity3d #gamedev #realtimevfx

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quick breakdown / tutorial of the water effect from my latest animation 🌊 fully animated in Clip Studio Paint!

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82,606 次观看 • 1 个月前

One of the features I find lacking in Unity's trail renderer is something like 'Noise over Lifetime' to add wispy, fluid-like motion along the length of the trail mesh. ✨ Shaders to the rescue: Below is a particle system emitting trails with my caustic noise fire shader. I'm masking the 3D vertex offsets by the UV axis. #unity3d #gamedev #realtimevfx

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Success! 🎉 The flames now deform against the direction of movement with smooth-damp velocity. This same technique can be used to apply fluttering in the wind. 🔥 Perfect for torches! No bones or rigging- it's dynamic and handled via basic shader math (nodes in QT). #gamedev #realtimevfx #vfx #unity3d

Success! 🎉 The flames now deform against the direction of movement with smooth-damp velocity. This same technique can be used to apply fluttering in the wind. 🔥 Perfect for torches! No bones or rigging- it's dynamic and handled via basic shader math (nodes in QT). #gamedev #realtimevfx #vfx #unity3d

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Road to Vostok

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Burning Sword: Death Sun - New Prologue Demo

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Electric grid providers and operators can finally offer their end customer modernized experiences, in addition to offering gamified demand response programs. Increasing flexible capacity, customer engagement, and overall program retention by including a gamified view into local virtual power plants. Prosumers can then compete with their behind the meter assets such as EVs, smart thermostats, batteries and more to earn from the overall reward pot for the event holdings. Privacy first by design as participant premises are anonymized within a 5-10 mile radius in addition to their earnings represented by their wallet addresses. The fleet operator + consumer apps is currently being demonstrated to a handful of select global electric utilities, retail electric providers, and community choice aggregators via our IP license agreement with Grid Rails and will be publicly available shortly via our World dApp to all stakers and tokenized energy asset owners powering the OpenVPP network: 🌐 $OVPP The Internet of Energy.

OpenVPP

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$Great question! 🤔 How do you simulate *multiple* layers of glass/refraction in video games? In the last breakdown, I discussed how to create a glass shader in Unity URP. In essence, we were taking the render of the scene from the camera without any transparent objects. This is available in URP as the global _CameraOpaqueTexture. This is good enough for most use-cases, and more or less the classic way of doing it. 🔍 What is _CameraOpaqueTexture? As the name implies, there are no transparent objects rendered into this texture, so it's not possible by default to have something like a transparent-type ocean material/shader rendered through a refractive glass shader (which samples and distorts this texture to render on its surface, as if it's transparent). ⚠️ Why it’s tricky: It's much easier to sort without much further setup if you don't have refraction, and only a transparent material, because in that case you're not simulating the transparency yourself via sampling the rendered scene texture. But for refraction, it's required-- unless you want to go down the ray/path tracing route. You could simulate accurate, real dispersion... and that's about as expensive as it sounds, and it requires a rework of your entire rendering. --> 🚫 It's not a viable suggestion to offer. 📚 There are well-known terms regarding transparency sorting you can search up, but as you've specifically asked for refractive boxes, I'll discuss briefly about that. 🧱 Simulating layers of refraction: For this kind of rendering, you need some way to render the backfaces before rendering the front. And the backfaces that are rendered may contain whatever data you'd like for additional processing in the layer front-facing mesh render. 🧪 Examples: You could render the back face as a glass shader of its own, as an intermediate step after _CameraOpaqueTexture. Then you sample this texture instead and you end up with multi-layered refraction, "just like that". You can also render the back normals only, via a fully opaque shader, and use that to manually account for that during the front render. You could even bake in data needed for thickness in realtime. 🛠️ Without making it complicated for yourself, the most straightforward method is via render textures, and you can easily set some fractional resolution. Cameras in Unity have an open slot for target textures to render to. You can use custom render textures to process _SelfTexture2D. ⏱️ It's great to do low-resolution processing for more complex tasks, like blurring and caustics. You can get massive performance boosts, considering the square law and number of pixels/fragments that need calculations (quadratic scaling). 🚧 I've not fully exploited the possibilities myself, but research/development with PRISM is ongoing!$

Great question! 🤔 How do you simulate multiple layers of glass/refraction in video games? In the last breakdown, I discussed how to create a glass shader in Unity URP. In essence, we were taking the render of the scene from the camera without any transparent objects. This is available in URP as the global _CameraOpaqueTexture. This is good enough for most use-cases, and more or less the classic way of doing it. 🔍 What is _CameraOpaqueTexture? As the name implies, there are no transparent objects rendered into this texture, so it's not possible by default to have something like a transparent-type ocean material/shader rendered through a refractive glass shader (which samples and distorts this texture to render on its surface, as if it's transparent). ⚠️ Why it’s tricky: It's much easier to sort without much further setup if you don't have refraction, and only a transparent material, because in that case you're not simulating the transparency yourself via sampling the rendered scene texture. But for refraction, it's required-- unless you want to go down the ray/path tracing route. You could simulate accurate, real dispersion... and that's about as expensive as it sounds, and it requires a rework of your entire rendering. --> 🚫 It's not a viable suggestion to offer. 📚 There are well-known terms regarding transparency sorting you can search up, but as you've specifically asked for refractive boxes, I'll discuss briefly about that. 🧱 Simulating layers of refraction: For this kind of rendering, you need some way to render the backfaces before rendering the front. And the backfaces that are rendered may contain whatever data you'd like for additional processing in the layer front-facing mesh render. 🧪 Examples: You could render the back face as a glass shader of its own, as an intermediate step after _CameraOpaqueTexture. Then you sample this texture instead and you end up with multi-layered refraction, "just like that". You can also render the back normals only, via a fully opaque shader, and use that to manually account for that during the front render. You could even bake in data needed for thickness in realtime. 🛠️ Without making it complicated for yourself, the most straightforward method is via render textures, and you can easily set some fractional resolution. Cameras in Unity have an open slot for target textures to render to. You can use custom render textures to process _SelfTexture2D. ⏱️ It's great to do low-resolution processing for more complex tasks, like blurring and caustics. You can get massive performance boosts, considering the square law and number of pixels/fragments that need calculations (quadratic scaling). 🚧 I've not fully exploited the possibilities myself, but research/development with PRISM is ongoing!

Mirza Beig

51,429 次观看 • 1 年前

✨ I've been using #Unity3D for 12 years. ✨ I'm using Blender's GeoNodes for a procedural mesh that's realtime-animated with a custom shader in Unity. ---(reminiscing, reflection follows)-- At some point, you realize it's 'all' states, relationships, and data/information. What is, isn't, and how they relate, subject to laws, principles. 🌌 Define some latent space -> atomics, data -> simulation/form -> information. Like a grid-texture of pixels that are to mean something, represent something. And they are processed/simulated in some way by some measure. So that you get some transformed, meaningful result. What is possible, here? -- in that space. (by the parameters, and features *defined*). 🧊 Likewise, a 3D field-volume in which things exist, being and not being. It may sound mystical, but I mean it literally: the definition of what things are, and are not, and what that means as a relationship (to something[s]). Take, for example a sphere, or box collider primitive. 🪩 Sphere's and circles are the most simple colliders, involving only a point (where they are) and radius (distance from that point, as a center) to define. 💥 The equations to calculate collisions against and between spheres is also relatively straightforward. Implementation of that is a part of building primitive relationships and definitions for simulations. 🎇 It follows, that for a particle system, the data structure of a single element/particle is (about) some point that simulates in some way. Boids and fluid sims have this in common. It seems this year (so far) has been ~about realizing that (with greater lucidity, at least), and learning it all relates to the nature of the universe. Involving simulations, and data flow-control... Ultimately, all these things are objective to us, in that we learned and were taught about how things work. And all the same, *I'm* still learning, too. 👀 #blender #b3d #geometrynodes #gamedev

✨ I've been using #Unity3D for 12 years. ✨ I'm using Blender's GeoNodes for a procedural mesh that's realtime-animated with a custom shader in Unity. ---(reminiscing, reflection follows)-- At some point, you realize it's 'all' states, relationships, and data/information. What is, isn't, and how they relate, subject to laws, principles. 🌌 Define some latent space -> atomics, data -> simulation/form -> information. Like a grid-texture of pixels that are to mean something, represent something. And they are processed/simulated in some way by some measure. So that you get some transformed, meaningful result. What is possible, here? -- in that space. (by the parameters, and features defined). 🧊 Likewise, a 3D field-volume in which things exist, being and not being. It may sound mystical, but I mean it literally: the definition of what things are, and are not, and what that means as a relationship (to something[s]). Take, for example a sphere, or box collider primitive. 🪩 Sphere's and circles are the most simple colliders, involving only a point (where they are) and radius (distance from that point, as a center) to define. 💥 The equations to calculate collisions against and between spheres is also relatively straightforward. Implementation of that is a part of building primitive relationships and definitions for simulations. 🎇 It follows, that for a particle system, the data structure of a single element/particle is (about) some point that simulates in some way. Boids and fluid sims have this in common. It seems this year (so far) has been ~about realizing that (with greater lucidity, at least), and learning it all relates to the nature of the universe. Involving simulations, and data flow-control... Ultimately, all these things are objective to us, in that we learned and were taught about how things work. And all the same, I'm still learning, too. 👀 #blender #b3d #geometrynodes #gamedev

Mirza Beig

102,829 次观看 • 7 个月前

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

I built a Three.js rendering study inspired by Tiny Glade’s painterly aesthetic, and got it running at 120fps in the browser. Over the past few weeks, I’ve been studying how stylized games achieve that soft, handcrafted look in real time. Tiny Glade was a huge inspiration, and I wanted to use the browser as a constraint: no compute shaders, no native GPU access, and single-threaded JavaScript. As part of this study, I implemented: - GPU-driven instanced brick walls with procedural noise jitter and elastic build animations - Tree, bush, and flower rendering with billboard card expansion, wind sway, and grow animations - Procedural grass with terrain conformance and interactive push deformation - Animated water with layered noise, interactive ripples, and Fresnel-based reflections - Procedural terrain with slope-aware triplanar materials, dirt paths, and rocks - A 7-pass post-processing stack with TAA, bloom, depth of field, painterly filtering, ACES tonemapping, 3D LUT color grading, and film grain The hardest part wasn’t writing any single shader. It was making all of these systems work together at high frame rates inside WebGL, where every millisecond counts and performance problems compound quickly across animation, materials, post-processing, and scene management. Some techniques in this study were inspired by analyzing Tiny Glade’s rendering approach, while others were original implementations built from scratch from visual reference. That contrast taught me a lot: recreating an effect is one challenge, but designing your own shaders and systems to achieve a similar feel is a very different one. This is a private educational rendering study. Some temporary placeholder content is being used during the research phase, and any public or production version would use original or properly licensed assets. Huge credit to Pounce Light for the incredible art direction and rendering work in Tiny Glade: Three.js #gamedev #webgl #threejs #rendering #graphics #realtimerendering #shaderdev

Ibrahim Boona

58,625 次观看 • 3 个月前

TESLA FLIPS THE SWITCH ON A MEGAPACK GIANT IN CALIFORNIA Tesla has brought a serious heavyweight online in Kern County, California: a Megapack battery system paired with 500 megawatts of solar generation. That combination puts the project among the largest solar plus storage sites in the United States, and it is now fully operational. At full output, the site can supply enough electricity to cover the annual needs of roughly 467,000 homes. More importantly, it does so when the grid actually needs it most. Power generated during sunny daytime hours is stored and then released in the evening, when demand spikes and solar production drops. That shift alone helps prevent outages and reduces reliance on gas peaker plants. The emissions impact is just as significant. The project is expected to cut more than one million metric tons of carbon dioxide every year, while adding real stability to a grid that has struggled during heat waves and peak demand events. California has quietly become the proving ground for large-scale battery storage, and this site shows why. Energy storage is no longer theoretical or niche. It is operational, reliable, and scalable. Tesla’s Megapack footprint keeps expanding worldwide, and projects like this make the case clearly. Clean energy is not just about generation anymore. It is about control, timing, and resilience. Source: Tesla Megapack

TESLA FLIPS THE SWITCH ON A MEGAPACK GIANT IN CALIFORNIA Tesla has brought a serious heavyweight online in Kern County, California: a Megapack battery system paired with 500 megawatts of solar generation. That combination puts the project among the largest solar plus storage sites in the United States, and it is now fully operational. At full output, the site can supply enough electricity to cover the annual needs of roughly 467,000 homes. More importantly, it does so when the grid actually needs it most. Power generated during sunny daytime hours is stored and then released in the evening, when demand spikes and solar production drops. That shift alone helps prevent outages and reduces reliance on gas peaker plants. The emissions impact is just as significant. The project is expected to cut more than one million metric tons of carbon dioxide every year, while adding real stability to a grid that has struggled during heat waves and peak demand events. California has quietly become the proving ground for large-scale battery storage, and this site shows why. Energy storage is no longer theoretical or niche. It is operational, reliable, and scalable. Tesla’s Megapack footprint keeps expanding worldwide, and projects like this make the case clearly. Clean energy is not just about generation anymore. It is about control, timing, and resilience. Source: Tesla Megapack

Mario Nawfal

67,663 次观看 • 7 个月前

BREAKING: Trump announces that his upcoming administration will build new Nuclear Power Plants to supply cheaper electricity for the next generation of American innovation "We have to produce massive electricity," "Nuclear now has become very good, very safe, and you build the smaller plants and you attach them... Nuclear is very powerful, very good." Via the Shawn Ryan interview This is why they are doing everything in their power to stop Trump. He doesn't work for anybody. He works for the American people. Guess who it would "hurt" to have nuclear energy... the oil and gas lobbies, but Trump is willing to do it because it's the RIGHT thing to do If we double the amount of nuclear energy on the grid, the cost of everything will be reduced to HALF overnight. Nuclear plants take time to build, but I trust a builder like Trump to do the job over the cackling dragon they've put up against him.

BREAKING: Trump announces that his upcoming administration will build new Nuclear Power Plants to supply cheaper electricity for the next generation of American innovation "We have to produce massive electricity," "Nuclear now has become very good, very safe, and you build the smaller plants and you attach them... Nuclear is very powerful, very good." Via the Shawn Ryan interview This is why they are doing everything in their power to stop Trump. He doesn't work for anybody. He works for the American people. Guess who it would "hurt" to have nuclear energy... the oil and gas lobbies, but Trump is willing to do it because it's the RIGHT thing to do If we double the amount of nuclear energy on the grid, the cost of everything will be reduced to HALF overnight. Nuclear plants take time to build, but I trust a builder like Trump to do the job over the cackling dragon they've put up against him.

George

2,077,616 次观看 • 1 年前