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Dev Diary: Advanced Rendering and Realistic Game Environments #ABI utilizes a comprehensive physically-based rendering framework, enhanced by advanced camera technologies such as automatic exposure and local exposure, to provide optimal lighting and visual comfort. It also features real-time global illumination, volumetric clouds, and dynamic weather, creating a realistic and... show more

Arena Breakout Infinite

218,268 subscribers

44,175 Aufrufe • vor 2 Jahren •via X (Twitter)

Musik Wissenschaft & Technologie Gaming #ABI

Anya Rossi• Live Now

Private livecam show

10 Kommentare

Profilbild von Guille Igenes

Guille Igenesvor 2 Jahren

What about lowering hardware requirements? Please

Profilbild von actualTurtle

actualTurtlevor 2 Jahren

Very nice but too bad the game is going to be Pay2Win

Profilbild von Lifeless

Lifelessvor 2 Jahren

But yet its pitch black when looking into windows from outside

Profilbild von Super vegeta

Super vegetavor 2 Jahren

bro when can i be able to play with my NVIDIA GeForce GTX 1660 Ti

Profilbild von Martin Ho

Martin Hovor 2 Jahren

Unlock for RTX 3050 laptop pls 🫠

Profilbild von DANTE

DANTEvor 2 Jahren

That's good but plz remove hardware restriction 🙂

Profilbild von kanpai

kanpaivor 2 Jahren

@ArenaBreakoutPC Holy shit blue Memphis!!!! No way!!! I better tune in!!!

Profilbild von Pque

Pquevor 2 Jahren

guess thats why my framerate is so unstable :DD

Profilbild von Yilmaz Ibrahim Basha

Yilmaz Ibrahim Bashavor 2 Jahren

Magnificent! But at some places it’s too dark to see

Profilbild von nunya biz

nunya bizvor 2 Jahren

Please let RTX 3050 laptop owners enjoy this as well. # Lower dem requirements lol.

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exQUIZitely 🕹️

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170,869 Aufrufe • vor 1 Jahr

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NikTek

253,924 Aufrufe • vor 2 Monaten

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Before this #vibejam, I was just casually creating game prototypes for fun, but this time, the Vibejam deadline became a good forcing function that pushed me to actually finish one. While this game is more of a demo than a complete product, it gave me a taste of how challenging it is to fully complete a game. It requires brutal task prioritization, effective time management, and tons of quality assurance (QA). As many say, the last 10% is the hardest, and I’d argue it’s doubly so for games. I now have even more respect for game developers at all levels who manage to ship their games. And there you have it, my game, Gnome Mercy: Insect Invasion. It’s a Vampire Survivors-style game where you play as a gnome on a rampage, annihilating alien insects invading his garden. At the start of each run, the lord of the garden bestows a blessing if you can answer his riddle, powered by an LLM (with fallback riddles in case it fails). The objective is to fight through waves of enemies and survive as long as possible. A huge shoutout to Retro Diffusion by Astropulse for all the AI-generated sprites, artworks, icons, and more. The music was created by Not Jam, the retro chiptunes are amazing. This game is a special homage to Luca 🧄, creator of Vampire Survivors, for inventing the best game genre in recent years! And no, I don’t code at all. The code is 100% generated by @windsurf and built on PhaserJS. Game link below👇

Danny Limanseta

17,198 Aufrufe • vor 1 Jahr

Village in the Clouds by Lucas Cavalcanti 3D, is a personal, game-ready environment project based on the artwork of 简繁, created to improve his understanding of large-scale environments in Unreal Engine 5. The scene was crafted from scratch, including props, vegetation, textures, VFX, landscape and buildings. In addition to this, the main character was created in VRoid Studio, the modeling and texturing of the Yak was done by 3D Artist Guilherme Miles and the art direction was handled by Concept Artist Dan Vitoria. "I built this project from scratch, using mostly information freely available on the internet. Planning and persistence were crucial to achieving this result. Unreal Engine’s native tools made my work much easier, such as the Vertex Paint tool for texturing the house walls and the Niagara System for creating real-time waterfalls." - Lucas Cavalcanti

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Unreal Engine

45,559 Aufrufe • vor 5 Monaten

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

Today, Black & White turns 25 years old. Happy birthday! Developed by Lionhead Studios and published by Electronic Arts on 27 March 2001, the project was led by none other than Peter Molyneux. It is widely regarded as a textbook example of a game that was too ambitious for its time, resources, and team size. Still critically acclaimed and a cult favourite, it underperformed commercially relative to the massive hype surrounding it (and Molyneux’s name). The game combined god-game mechanics (influencing villagers and facing moral choices between good and evil), a learning AI creature, gesture-based controls, hand-of-god interaction, and a massive open world. This was groundbreaking in 2001, but it also pushed hardware limits too far for the average user. I’m not surprised it came from Lionhead Studios. Peter Molyneux had previously led Bullfrog, a team also known for innovation and ambitious games.

exQUIZitely 🕹️

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