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Look at this Bengal tiger using cryptic posturing. By tucking its limbs and lowering its head, the cat eliminates its silhouette on the track. Its disruptive coloration dissolves into the leaf litter, mimicking a forest mound. ​When a smooth-coated otter approaches, an interspecies dynamic unfolds. Tigers often hold a...

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A surprising development has emerged in recent days. The Chief Wildlife Warden of Uttarakhand has issued orders to the concerned forest ranges to kill 13 leopards and 3 bears, and to tranquilise 21 tigers. These animals have repeatedly attacked villagers, killing and injuring several people. The root causes are clear: large-scale conversion of forest land into agricultural fields, indiscriminate exploitation of forests by local communities, and the rapid rise in tiger numbers. As a result, leopards have been pushed towards human settlements. This is by no means a sudden or unexpected process. When even tigers are beginning to face a shortage of suitable habitat in Uttarakhand, what chance do leopards have? Today, nearly 40 tigers are already confined behind bars at the Jim Corbett rescue centre due to human-wildlife conflict. These additional 21 tigers further highlight the deteriorating condition of our forests. Interestingly, most of these are young tigers that were raised by their mothers in buffer zones and areas close to villages. I cannot view this issue from only one side. These animals are precious, but so are human lives. In recent years, the pace of human encroachment into forests has been alarming. Strict action must be taken against this instead of providing political protection by treating these encroachers as a vote bank. All forest land under illegal occupation should be immediately freed and handed back to wildlife. I once again request the Hon’ble Chief Minister of Uttarakhand, Shri Pushkar Singh Dhami, and the Chief Wildlife Warden to revoke or thoroughly review this order to kill these animals. A better, more balanced plan for these animals must be developed. If you would like me to share a detailed and practical plan on this issue, please write in the comments. I would be happy to explain it in depth. #Uttarakhand #HumanWildlifeConflict #WildlifeConservation #SaveLeopards #SaveTigers

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Maharashtra’s Mission for Tiger Conservation and Environmental Sustainability Glad to be present at the event organised on the occasion of 'International Tiger Day 2026' in Nagpur today. For more than 30 years, tiger conservation has been one of our highest priorities. Tigers are found in only 13 countries and India is home to nearly 75% of the world's tiger population. Maharashtra has also done exceedingly well in tiger conservation and is home to 444 tigers across 6 tiger reserves today. This success is the result of continuous efforts by the government in protecting natural habitats, adopting scientific conservation practices and working closely with local communities. With our five-point conservation strategy and the collective efforts of all stakeholders, Maharashtra will continue to strengthen its conservation work and soon emerge as the leading state in tiger conservation. Congratulations to the Forest Department for its dedicated efforts. It is encouraging to see technology strengthening conservation, with AI-based early warning systems and camera monitoring helping reduce human-wildlife conflict, particularly in districts such as Nagpur. As the world faces climate change and growing environmental challenges, protecting our forests has never been more important. By protecting the tiger, we are preserving biodiversity and securing a healthier future for generations to come. Minister Ganesh Naik ji, MoS Dr. Pankaj Bhoyar, MoS Adv. Ashish Jaiswal, MLA Sumit Wankhede, Representatives from Bhutan, Cambodia, Bangladesh and other dignitaries were present. Ganesh Naik Pankaj Rajesh Bhoyar Adv.Ashish jaiswal Sumit Wankhede #Maharashtra #Nagpur #InternationalTigerDay

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Cycles by Material Protocol Arts Cycles by Material Protocol Arts is a network sculpture composed of space and time, a meditation on recurrence and change. Time and its manner of repeating appear as themes in art and metaphysics through the ages. Heraclitus steps into and out of a river, a new man each time while history draws irregular spiral loops, rhyming and stuttering out its story. At its core, Cycles is a network artwork deployed on Ethereum. It comprises an abstract kinetic sculpture of rotating rings, composed of 512 individual lenses. Each lens represents a unique simulation, moving through parametric space and offering viewers a window into complex, evolving patterns. By using Ethereum as a networked computer, the artwork can develop over time and accept interactions via the network. Importantly, the core of Cycles isn't just a JavaScript file loaded and stored on Ethereum, but instead a program running live on Ethereum itself as a world computer sculpture. Using blockchain technology as material for art making offers artists the chance to make artworks that are new in the context of art history: those that continuously evolve, record their own history, and run autonomously with minimal intervention. Leveraging Ethereum's distributed nature and economic incentives, Cycles aspires to operate on an extended time scale allowing viewers to live with and experience its changes over years, decades or centuries. Cycles is a dynamically running network artwork. This distinction is important because in the history of computer-generated art, many artists have focused on designing computer systems to generate outputs such as drawings, videos, or sound recordings. This is a respectable tradition but this approach fails to express the dynamic and interactive nature of computer programs as artworks themselves. Cycles attempts to explore these qualities by creating a dynamic network artwork that runs continuously and autonomously on Ethereum, shifting the focus from the product of an art-making algorithm to the system itself. Dynamism is a prerequisite for interactivity which Cycles allows for its collectors. The piece includes a method to stop a lens’ movement by freezing it. This causes the lens to focus continuously on the same point in space, causing the changing qualities of its simulation to be fixed and allowing collectors to control its aesthetic presentation. Freezing is a weighted decision. Once a lens is frozen it will require certain conditions to be unlocked. Methods for unfreezing lenses will be unlocked over time. The fact that the behavior of the sculpture can be affected by lens owners means that its future state is non-deterministic and will never be able to be fully predicted. In technical terms, Cycles is composed of Solidity, JavaScript, and SVG code, stored and computed on the Ethereum blockchain. This design avoids external dependencies, ensuring the artwork's longevity and resistance to technical failures. While the current form of Cycles is complete, its nature as a software artwork allows for potential future development through non-destructive updates or connections to other systems. By rendering systemic processes as aesthetic experiences, Cycles offers viewers a unique perspective on the passage of time and the nature of change. It invites contemplation of the cyclical yet varied patterns that characterize both natural and human systems. As viewers engage with Cycles over extended periods, they are encouraged to reflect on their own relationship with time, change, and recurrence, viewing the artwork as a lens through which to observe the interplay of repetition and variation that shapes our existence.

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