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Researcher Rafael Padilla explains how Hierarchical Progressive Rendering uses scene changes and light transport to prioritize the pixels that matter most for path tracing. "Path tracing can produce incredibly high-quality images, but when you make a small change to a scene, the renderer often has to effectively start over....

12,308 просмотров • 7 дней назад •via X (Twitter)

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Фото профиля River Visual
River Visual7 дней назад

We made hybrid path tracing, no noise instant GI and Reflection, run in browser, 60 fps even in mobile.

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Mark Zuckerberg reveals why Elon Musk was right to fire 80% of Twitter's employees: "Elon led a push early on to make Twitter a lot leaner. You can agree or disagree with exactly all the tactics, but a lot of the specific principles that he pushed on around basically trying to make the organization more technical, around decreasing the distance between engineers of the company and him, fewer layers of management, I think those were generally good changes" "I also think that it was probably good for the industry that he made those changes because my sense is that there were a lot of other people who thought those were good changes but who may have been a little shy about doing them" "Just in my conversations with other founders and how people have reacted to the things that we've done, what I've heard from a lot of folks is when someone like you, when I wrote the letter outlining the organizational changes I wanted to make back in March and when people see what Elon is doing, that gives people the ability to think through how to shape their organizations in a way that can be good for the industry and make all these companies more productive over time" "That was one where I think he was quite ahead of a bunch of the other companies on. Certainly his actions led me and I think a lot of other folks in the industry to think about, hey, are we kind of doing this as much as we should? Could we make our companies better by pushing on some of these same principles?"

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The NYT interview with Taylor Swift on her songwriting process is so good. Here she explains her approach to choruses and bridges: “The importance for me of a bridge is it just feels like we’re painting a picture. We’re setting a scene. We have this opportunity as a songwriter to tell an entire story. Or an entire movie. Or a very detailed description of one scene in a movie. Or a very nuanced dynamic between people or a complicated emotion. And we have only so long to do this. I’ve written some really long songs in my life. But, for the most part, they’re between 3.5 to 4 minutes. You can start painting the picture in the verse. You can get to the heart of it at the chorus. But then the bridge can be where you zoom back, you walk 20 feet back, and you see what this entire painting was supposed to be. You’ve seen brushstrokes. You’ve seen the color tones. But the bridge can be when you step back and you feel everything that that piece of art was supposed to make you feel. That’s just how I feel about bridges. I came up as a songwriter in Nashville, where structure is a huge part of how you effectively tell a story, right? You go verse - chorus - second verse - chorus - bridge - chorus. Maybe you repeat that first verse if you want to. If you want to pull at some heartstrings. If it makes sense. Now, that’s something that I absolutely subscribe to…that structure is important. But I think that when you write enough songs — at least in my case — the intuitive part of your songwriting brain can kind of create a new structure that’s not as classically what you’ve been taught. Jack Antonoff is a collaborator of mine and one of my best friends. We established this thing that we love to do and we call it the rant bridge. I could point to examples like, ‘Out of the Woods’, ‘Is It Over Now?’ or ‘Cruel Summer’. And oftentimes we love these rant bridges, where it’s basically like stream of consciousness. Endless pouring-out of emotion. Intrusive thoughts, blended with metaphor with discussion with shouting. You want this rant bridge to feel the most intense of what that feeling is…that you’re trying to, establish over the course of the song and you want it to kind of be a crescendo.” *** Full interview here:

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