Built an interactive 3D TPMS atlas exploring mathematical surfaces... through procedural shaders, volumetric field computation and realtime topology visualisation.show more

Built my version of an interactive 3D V8 engine... sim with real-time procedural kinematics and RPM controls. Didn't use Fable 5, and the AI I used actually costs less than Opus.show more

Interactive web visualisation for a compact multi-layer perceptron trained... on the MNIST handwritten digit dataset. Draw a digit, watch activations propagate through the network in 3D, and inspect real-time prediction probabilities. github/DFin/Neural-Network-Visualisationshow more

Built an interactive Three.js system where click/touch input morphs... 6,000 shader particles between code-generated mathematical structures. Open source code and demo 👇show more

An abstract generative sculpture exploring knots, energy flow, and... emergent structure in 3D space. Coded with Google Gemini 3.1 Pro using Three.js and GLSL shaders. 🔊show more

A hexagonal ring of squares doesn’t just look pretty—... it folds into a perfect cube. This graceful transformation reveals the power of topology: how flat surfaces become strong 3D forms through clever alignment and folding.show more

Interactive 3d explorer with React Three Fiber. Worked with... an artist to fix the topology and reduce the size of the CAD model. Custom LUT to more closely match the colour grade of the renders.show more

👀 Ever see a 3D sci-fi energy shield like... this? Realtime, interactive (per-tile), procedurally animated, and has layers of shaders with particle effects - I wanted to make something unique and "technically advanced", but also modular for performance scaling. It's straightforward to address individual tiles and hook in your own effects and calls with custom events. I'll be posting this very soon (for Unity URP).show more

An interactive 3D particle system that morphs between Mobius... strips, toroidal vortices, spherical harmonics, Lissajous curves and fractal branches. Built with Three.js, features a sci-fi HUD, live stats, trails, and smooth camera controls.show more

Built an interactive 3D particle system with Grok 4.1... that morphs between Mobius strips, toroidal vortices, spherical harmonics, Lissajous curves and fractal branches, with a sci fi HUD, live stats, trails, and smooth camera controls.show more

Kimi K3 built a fully procedural browser-based 3D exploration... game using Three.js WebGPU and GPU compute. It procedurally generated the environment, while using a 3D asset generation tool to create the rider and horse models, producing an expansive open world with forests, a log-cabin village, snowy mountains, and dynamic weather. External assets used: animated cowboy and horse models and terrain data.show more

Start your 3D engines 🏎️ Learn how to build... a 3D racing experience in less than an hour in Unity Studio, our web-based editor designed for industries like manufacturing, automotive, healthcare, architecture, and more. Join us live on June 3, 2026, at 9:00 AM PDT / 12:00 PM EDT to follow along step-by-step with Unity experts as we take pre-built assets and turn them into an interactive racing environment. You’ll learn how to: 🏎️ Build and customize interactive 3D scenes 💡 Add lighting, materials, and interactions quickly 🛠️ Assemble and iterate using Studio workflows 🎉 Publish and share your experience Register here:show more

A visualisation of different velocity factors in a PCB.... Both simulations use the same excitation and port parameters. Only the permittivity is different, showing how the signal travels much faster in low Dk dielectrics. This simulation shows an embedded trace. A signal on an outer layer also travels faster because part of the EM field propagates through air, which has a Dk very close to 1show more

3D Gaussian Splatting for Real-Time Radiance Field Rendering paper... page: Radiance Field methods have recently revolutionized novel-view synthesis of scenes captured with multiple photos or videos. However, achieving high visual quality still requires neural networks that are costly to train and render, while recent faster methods inevitably trade off speed for quality. For unbounded and complete scenes (rather than isolated objects) and 1080p resolution rendering, no current method can achieve real-time display rates. We introduce three key elements that allow us to achieve state-of-the-art visual quality while maintaining competitive training times and importantly allow high-quality real-time (>= 30 fps) novel-view synthesis at 1080p resolution. First, starting from sparse points produced during camera calibration, we represent the scene with 3D Gaussians that preserve desirable properties of continuous volumetric radiance fields for scene optimization while avoiding unnecessary computation in empty space; Second, we perform interleaved optimization/density control of the 3D Gaussians, notably optimizing anisotropic covariance to achieve an accurate representation of the scene; Third, we develop a fast visibility-aware rendering algorithm that supports anisotropic splatting and both accelerates training and allows realtime rendering. We demonstrate state-of-the-art visual quality and real-time rendering on several established datasets.show more

The Road to AGI along with Emiliano (who's awesome,... go follow), I built an interactive timeline of everything in AI the past few years we're living through the most exciting time in history and this site hopes to document it! go visit: ai-timeline dot org (link below)show more

Lately I’ve been seeing a lot of jelly-like UI... components, so I decided to make my own in #glsl, running on WebGL! I adapted the volumetric raymarching technique I use in my shaders and built a custom SDF for an iridescent keycap-style button that works as either a slider or a simple push button. The jelly feel comes from elastic easing functions that drive the SDF deformation. The scale, rotation, background, and color palette are all fully configurable.show more

Ricky Retouch x The Garden Presenting: ‘Split Logic’ A... collection of 100 procedural motion works inspired by analog display systems from the 1970s–90s. Built from screen partitions, coded labels, moving fields, and rule-based color, the series imagines terminals from an unknown system: part diagnostic interface, part speculative machine language. Across the works, information drifts between utility and abstraction. Grids flicker. Signals scatter. Motion emerges through directional noise, shifting points, and algorithmic constraints that never fully settle into order. The surfaces move away from the paper-like texture of earlier collections toward something colder, denser, and more digital. Glow, blur, compression, and instability become part of the material itself.show more

How a 22-year-old developer built a full 3D Jet... Ski racing game in just 40 minutes with zero manual coding He used Claude Opus 5 to generate physics, WebGL 3D graphics, HUD, and audio in a single prompt and turned single-prompt gamedev into a high-margin income stream. Costs: $423 He launched a single-prompt generation workflow that built the entire HTML5 project from scratch: Top layer: A Three.js and WebGL rendering pipeline dynamically creates 3D water physics, real-time wave dynamics, dynamic lighting, and jet ski fluid mechanics, all written autonomously inside one output file without external frameworks. Bottom layer: The Claude Opus 5 engine processed a massive 690-million-token context window to generate the complete gameplay logic, collision handling, dynamic sound generation, controls, and UI layout directly from a detailed initial system prompt. The trend of single-prompt 3D game creation is rapidly exploding across media and indie development. The author monetizes this tech stack through three main channels: 1. Viral Content & Media Systems: Short-form breakdown videos driving massive reach, monetized via promo placements, prompt-pack access, and private developer communities. 2. Rapid Hypercasual Prototyping: Testing 10+ WebGL mechanics per day, flipping fully functional browser games on itch io or CodeCanyon, and licensing prototypes directly to casual game portals. 3. Interactive WebGL Client Solutions: Delivering custom 3D promotional browser games and interactive brand experiences for clients in 48 hours instead of weeks. First month results: > WebGL games generated: 24 > Viral impressions generated: 3.8M+ > Total revenue across licensing & content: $21,400 The AI completely automated the core development lifecycle: Claude Opus 5 built the physics engine, rendered 3D graphics in WebGL, hooked up audio controllers, and generated interactive browser logic with zero manual line-by-line coding. Bookmark it and check article 👇show more

Proud to announce my role as an official Ambassador... for Atlas Ora. Excited to contribute to a decentralized travel platform that is bringing the short-term rental economy fully on-chain. Atlas Ora is building an open network where hosts and guests connect directly without intermediaries taking a cut. Each booking runs through smart contracts, with payments handled transparently on-chain. No hidden fees, no delayed payouts only verified listings and secure transactions that both sides can trust. The model gives ownership back to the community. Hosts keep more of what they earn, guests pay a fair rate, and reputation is built through verifiable on-chain data rather than centralized reviews. Beyond short-term rentals, the platform opens possibilities for tokenized incentives, loyalty programs, and real economic participation in the travel ecosystem. Atlas represents a shift from platform-owned markets to user-owned networks where value flows directly between people. Proud to stand behind a project that turns travel into an open, transparent, and self-governing economy. $AORAshow more